Category Archives: Glee

Nice Knowing Ya’ CLOSET! – A Recap of Glee’s “I Kissed a Girl”

Greetings Gleeks!  You know one of the benefits of writing a late Gleecap, as I’m often inclined to do, is having the hindsight of having already read a few message boards on the subject.  And boy, did this episode make a whole lot of people angry, for a variety of reasons . . .

Some of you were put off by how the writers handled Finn’s outing of Santana.

Others were frustrated by the sheer lack of Brittana, throughout the hour, thereby making the title of this episode, somewhat of a misnomer . . . if you catch my drift.

Still others of you were annoyed at how the episode brushed off Santana’s actual coming out to her parents.

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And, finally, a whole boatload of you were TOTALLY GROSSED out by the Puck / Quinn / Shelby storyline.

But, hey, at least it’s not half as bad as Puck’s storylines with that Lauren Zizes chick.  Right?  RIGHT??

Who knew a show about singing and dancing high schoolers could be so divisive?  Let’s Gleecap, shall we?

The Slap Heard Round the World School

Last week’s Gleeky installment ended with Santana (or, according to her, her alter ego, “Snicks”) clocking Finn (a.k.a. Fetus Face, a.k.a. Hamburglar) in the face for inadvertently outing her to all of Lima, Ohio.

I know I posted it before, but it bears repeating . . . 😉 

This week, Santana’s facing down suspension, not to mention a big fat “NO” to competing in Sectionals.  Finn shocks his erstwhile nemesis by claiming the entire slapping debacle to be nothing more than a little impromptu acting.

Apparently, Finn is a much better actor than he is a dancer  . . .

“It was fake.  HAHA!  Just kidding!  LOL and such!” He says, though his face currently bears a big red handprint on it, with the words “Santana was here, B*TCHES,” written in a mixture blood and lipstick across his cheek.”  (Not really . . . but there should have been.)

No one’s more shocked by this than Santana, herself.  So, she confronts Finn outside the principal’s office to slap him again, only this time in the ass find out what sort of evil plan he has up his sleeve.  Now, here’s where things got a bit messy in the Glee fandom . . .

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Finn says a whole lot of pretty schmoopy stuff to Santana, about why he’s so intent on helping her more fully “de-closet herself.”  He says SO MUCH schmoopy stuff in fact, that part of me kept waiting for the DRAMATIC BUT SAD violin to provide backup music for his speech.

Unfortunately, Violin is still in the closet, but only because no one has outed her yet.  Finn?

He tells her she’s awesome . . . and that by hiding her Gay, she’s hiding some of her awesomeness, right along with it.  It also makes her act like a bit of a tool.  Finn also claims that he cares about Santana deeply, since her’s was the first bun to accept his hot dog . . .

Finally,  he claims he doesn’t want her to kill herself, like the kid he recently read about in the news.  But through all these sweet,  if slightly patronizing, words, Finn fails to say the one thing Santana fans really want to hear: I’M SORRY I OUTED YOU, BEFORE YOU WERE READY TO COME OUT ON YOUR OWN.

DOH! 

Because, the fact remains that the REAL reason Santana has to come out of the closet now is because Finn THREW her out of it, albeit inadvertently so.  Therefore, whether Finn believes that Santana SHOULD come out of the closet,  is really beside the point.  By not apologizing to Santana for what he did, it could be argued that Finn feels justified in outing her, simply because the ends satisfy the means.  If this wasn’t the writers’ intention, they probably should have shown a bit less Preachy McPreacherson, and a bit more remorse, from our male lead .  . .

Going Girly . . .

The next step in Finn’s Let’s Blow Up Santana’s Closet plan is to have both the New Directions kids and the Troubletones sing what he terms “Lady Music,” i.e. songs by girls, about girls.  Finn hopes that this will show Santana just how much support she has from her Glee social circle.

First up to sing are Kurt and Blaine, who launch into a slightly subdued version of Pink’s “Perfect.”  It was a sweet rendition.  Though, I must admit, I found myself a bit distracted during it by Kurt’s bizarre HALF sweater.

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Specifically, I couldn’t help but wonder whether Blaine might have ripped the other half off of him, during . . . ahem . . . rehearsal.

Then, of course, there was Santana’s reaction . . .

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Awww, Santana!  Kurt SACRIFICED A HIDEOUSLY UGLY SWEATER for YOU!  Show some respect!

You can check out the entire performance of “Perfect” here:

Meanwhile . . .

Puck Gets Lucky . . .

Puck’s Lady Song is “I’m the Only One,” by Melissa Etheridge.  Like many of Puck’s solos,  this song is well-suited for the character’s gravelly sex voice, preference for guitar accompaniment, sheer love of repeated pelvis grinding, and overwhelming desire to dedicate whatever song he sings to his current love interest / conquest.  Everytime I watch Puck do one of these songs, I worry that he might impregnate me through the television screen . . .

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As many of you know, I’m a HUGE Puck fan.  So, of course, I enjoyed this performance.  I did have two complaints, however.  (1) Puck’s shameless eyef*cking of Shelby came across as a bit creepy to me .  . . I’m not quite sure why.

(2) At some point, during the past two weeks, Puck’s Mohawk seems to have morphed into a furry woodland creature, named Spanks.

Keeping a  furry woodland creature on your head, during the act of eyesex constitutes animal cruelty, in my book . . .

Animal cruelty aside, Shelby calls Puck during school, when Baby Beth falls and cuts her lip open.  Puck successfully takes charge of the situation.  And, as a reward, wins SEX.  HOORAY!

How convenient of Shelby to wait until Puck had already “helped her” in more ways than one, to decide, “this is immoral .  . . We can’t do this.”  On second thought, maybe what Shelby did was kind.  After all, at least Puck won’t have to worry about these .  . .

 . . . unlike, say, somebody else  we know at McKinley High who has to wear them ALL THE TIME .  . .

Prior to this, Quinn had, more or less, offered Puck “sure thing sex.”  But Puck, shockingly enough, turned her down because . . .  well, because she’s been a wackadoo, baby stealing, ASSHAT, for pretty much, this entire season  .  . . THAT’S WHY.  Actually, I believe his words were, “I’d rather raw dog a beehive.”  Now, THAT’S something I’d like to see . . .

All that aside, since he’s a 29 year old  teenager with Super Sex Stamina, who still has a few rounds left in him, after his one-time romp with Rachel’s bio mom (ICK!), after being rejected by Shelby, Quackers Quinn starts to look pretty darn tasty . . .

“Try no to be too alarmed, if I yell out the name “Shelby” during our Big Moment . . . um . . . it’s my dog’s name.  Yeah, that’s it!” 

Hate Sex is hot, isn’t it?  Unless, of course, you lack a condom, and your sperm have already shown themselves to be expert swimmers . . .

“Not to worry,” says Quinn (more or less), “teen pregnancy is awesome.  And I would know .  . .”

Apparently, Quinn has given up the notion of stealing Beth from Shelby, because .  . . wait for it . . . she’s decided to make another Baby.

Seriously?   Someone get this girl a strait-jacket, PLEASE!

 Fortunately, for Quinn (and us), Puck doesn’t want to play these baby-making games.  He tells her how lost she’s become, since her first baby.  And yet he knows, beyond a shadow of a doubt, that she will safely escape the HELL that is Lima, and go on to do something great with her life like marry a billionaire and/or make a famous sex tape that earns her a reality TV show, and millions of dollars in endorsements.  Clearly, this is precisely what Quinn needed to hear.  And, for about two seconds, all seems good with the world.

So, why then, did Puck feel the need to poop on all that progress,  by confessing his affair with Shelby to Quinn.

Personally, I think Spanks made him do it.  DAMN YOU, SPANKS!

Elsewhere, in SueTown . . .

Everybody Loves Cooter . . .

“Why would someone assume I’m a friend of Ellen just because I’m mannish and highly aggressive and have short hair and I only wear track suits and I coach a girl’s sport and I married myself? It just doesn’t make sense.” Sue writes in her faithful diary, during one of the funniest bits of dialogue, in the entire episode . . .

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Did you know Sue has a Black Booty Call book, that’s annotated with helpful reminders of certain celebrities’ prowess between the sheets?  Personally, I’m hoping Fox decides to sell this one on Ebay.  Surely, many of us fellow star-screwers can benefit from knowing that Dan Quayle is “too needy,” Matt Lauer is “a crier,” and Oliver North is “a biter.”

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Of course, for the present, Sue only has one man in mind to help her combat gay rumors, and win the congressional election.  And that man’s name start’s with a “C” and is a derogatory name for a woman’s body part.  (NO!  Not THAT name . . . the other one . . . Callalily.  (Just kidding.  It’s Cooter.)

“But wait!”  You say.  “Unacceptable!  He belongs to the Beiste!”

Well, that’s what she thought too . . . until she was picking up her usual chickeny dinner (I thought Breadsticks delivered?) . . . and ran into the Old Coot on a date with a certain Congressional Candidate.  Poor Beiste is devastated.  And, what’s worse, Cooter admits that he’s dating Sue, because Beiste isn’t .  . . um . . . curing his Man Pain.  Yep, apparently someone on this show still hasn’t cashed in that shiny V card.  Unfortunately, for Beiste, night time weightlifting sessions (NOT a euphemism for sex), do not equal a “romantic relationship,” as far as Cooter is concerned.

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It looks like SOMEONE has just been punted into the dreaded Friend Zone.  I smell a solo song number.  Don’t you?

I hereby present to you “Jolene.”

Ultimately,  Sue ends up losing the Congressional Election to Burt Hummel.   But will she lose her Cooter to the Turducken loving Beiste, who has decided to battle for his love, one chicken breast at a time?  Only the writers know for sure . . .

I’m Coming Out (I Want the World to Know)

Finn’s tribute to Santana is a slow, sultry, and oddly poignant version of Cyndi Lauper’s “Girls Just Want to Have Fun.”  It came as a pleasant surprise for me, because I’m not usually a huge fan of Finn’s voice.  I also always tend to prefer Glee songs that offer a unique take on an already popular song, as opposed to merely covering it, karaoke style.  So, this really worked for me.  Santana must have felt the same way, since her the iceberg around her heart melted enough by the end of the performance, to offer Finn both a hug and heartfelt thanks.

All together now . . . “Awwwww.”

You can catch the performance, in it’s entirety, here:

Outside by the lockers, some douchebag leers at Santana, and decides to make her his “personal challenge.”  This prompts the rest of the Glee girls, to systematically rip him a new one, in a show of sisterly solidarity.  Then, back to the Glee room they go, to perform YET ANOTHER Katy Perry song.  This time it’s the titular “I Kissed the Girl.”  And while none of the girls actually kiss during it, there is a whole lot of ass grabbing . . . You know, if you’re into that sort of thing . . .

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Check it out . . .

We never get to see Santana actually come out to her parents, though we are told that they are “fine with it.”  Wait . . . what?  I thought that seeing Santana come out to her parents and make out with Brittany was supposed to be the WHOLE POINT OF THIS EPISODE?

Santana did come out to her grandma, though . . . That didn’t go so well . . .  “I want you to know me . . . who I really am,” Santana says to this woman, who she’s loved dearly and admired her entire life.

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So, of course that evil wench has to go, and squash her heart like a bug . . .

How dare Santana make her asshat grandma uncomfortable, by telling her what’s in her heart?  She should have kept it a secret, and maintained the lie of their relationship . . . that would be MUCH better.  It’s interesting (and sad) how Grandma seems more willing to accept that her daughter might be pregnant, while still in high school, than gay.  Eventually, Grandma kicks a tearful Santana out of her house, and tells her never to return.

Then, as soon as Santana leaves, the Glee fandom knocks down the old lady’s door, and proceeds to beat the crap out of her homophobic ass.  Good times! 🙂

Santana returns to school the next day, subdued, but determined to keep on fighting for her own happiness.  She sings k.d. lang’s “Constant Craving,” while Puck and Shelby stare moodily at one another, and Crazy Quinn plots the teacher’s untimely death.  Other than that awkwardness, the performance serves as a poignant finale to the journey Santana underwent, during the episode . . .

In other news . . .

When Stuffing a Ballot Box, Don’t Forget to Count the Ballots . . .

Sue wasn’t the only person to lose an election this week, Kurt lost one too . . . but for lack of cheating trying.  It’s student election time at McKinley and Kurt is convinced that he is going to lose to Brittany, because, unlike her, he refuses to go topless on Tuesdays.  (Can we get Blaine to go topless on Tuesday’s instead?   Or Puck,  for that matter?)

Convinced that an election loss will kill his chances of getting into NYATA college, Kurt contemplates stuffing the ballot box.   But Rachel, Blaine and Finn convince him to “be good.” The ballots are secret, but, the benefit of this being a TV show is that we get to see who everyone votes for.  Santana and Quinn show Cheerios spirit (and a little Lebanese Lady Love, respectively) by voting for their Britt . . .

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 . . . while most of the other Gleeks seem to support Kurt.

However, when Kurt ends up winning the election by 190 more votes than there are actually STUDENTS IN THE SCHOOL, Principal Figgins cries foul.   This is the worst election scandal since Bush v. Gore!  Kurt is called in for questioning, and threatened with suspension.  There’s only one problem .  . . he didn’t do it.

You know who did?   Rachel . . . . you know, because she needs her Gay Best Friend for college nights on the town, and stuff.  (Who doesn’t?)

Of course, Brittany ends up winning the election, fair and square.   (HOORAY for Pixie Sticks and Public Nudity!)  Kurt concedes graciously,  telling Brittany to “rule awesomely,” even though he’s quite certain now that he won’t get into college now, and will be forced to spend the rest of his life in Lima,  singing oldies songs for tips at the local Johnny Rockets . . .

And here’s the kicker . . . Rachel might not get into NYATA now either.  Her election rigging is going on her permanent record.  She’s suspended from school for a week, and . . . wait for it . . . she’s BANNED FROM COMPETING IN SECTIONALS!!

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This is terrible.  The New Directions are probably going to have to have that little leprechaun kid do all the solos now . . .

Next week on Glee, SHIRTLESS SAM is back, and . . .

Yeah, I missed everything else, after I saw that.  It’s a girl thing.  What can I tell you?  Anywhoo, feel free to check out the trailer for next week’s Glee installment, entitled “Hold on to Sixteen” here:

So . . . tell me . . . what did you think of “I Kissed a Girl?” 😉

Until next time, Gleeks . . .

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Dodging the Bully – A Recap of Glee’s “Mash Off”

[Fashionably Late . . . Again?  (I’m afraid this is becoming a habit.)  The Recap for Gossip Girl’s “All the Pretty Sources” is well under way.  Wondering when you can expect it?  I’d say most probably before midnight (EST), tomorrow, Tuesday, November 22nd.  My sincere apologies for my recent lack of timeliness.  (Chuck got me very drunk last night . . . just like Dan.)]

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Greetings Gleeks!  This Very Special Episode of Glee was all about the unintended consequences of bullying.  But lest you think the entire episode was a TOTAL downer .  . . there was also a sizeable portion of it that was about Puck’s weiner.

Get it?  A sizeable portion . . . because Puck’s wei  . . . nevermind.

Let’s recap, shall we?

Pucker up, for the Puck-ster

It’s a weekday, which means Puck must be in love with a new woman.  At least, this time, it’s not that annoying asshat, Lauren Zizes . . .

“What the f*&k was I thinking?” 

As Puck and the show’s writers go to great lengths to remind us, he’s EIGHTEEN now.  So, it’s TOTALLY OK for him to want to taste the forbidden fruit that is adopted mother-of-his child / substitute teacher / rival Glee club director, Shelby Corcoran . . .  I smell a musical moment, don’t you?

Though not necessarily the best sounding cover song Glee has ever done, “Hot for Teacher,” was definitely good for a few laughs . . . with Puck gyrating to the rhythm of his old school guitar, and crooning / yelling in that sexy, scratchy voice of his.  Meanwhile, Blaine and Mike Chang repeatedly grabbed their grotches, wiggled their hips, and awkwardly waved their hands behind him, in an odd little cross between the original Van Halen music video on which this was based, and . . . a rousing game of Simon Says?

Oh, and, of course, Finn was making his classic, “I’m on the drums” face, the whole time . . .

He didn’t participate in any of the dancing though . . . (Gee, I wonder why?)

Feel free to check out the original “Hot for Teacher” below, and compare the two for yourself . . .

Anywhoo, Puck attempts to win Shelby’s heart by giving her a baby pumpkin, instead of the usual “apple for the teacher” type deal.  Have any of you out there ever actually eaten a baby pumpkin?  Do they taste like regular pumpkins?  I don’t know . . .  They are more interesting than apples though . . . because, really, anybody can get you an apple.  Baby pumpkins, on the other hand, are only available when they are in-season.

But I digress . . .

Puck proceeds to make his plea for Shelby’s love by (1)  reminding Shelby how hot they both are . . .

Well . . . I agree with half of that statement. 😉 

(2) listing all the May / December celebrity romances that have worked . . . like Ashton and Demi for example . . .

WHOOPS.  Nevermind!  It looks like the script for this show was written a few weeks too early.  Indiana Jones and Ally McBeal ARE still together though, last time I checked.  So, he got that one right . . . at least.

(3) And offering to be a REAL father to Baby Beth . . .

But perhaps the most controversial thing Puck did to win Shelby’s love was to out Quinn for all those awful things she did to get Baby Beth taken away from Shelby by Child Services.

Now, assuming Puck did this, because he thought Shelby had the right to know, and not just as a ploy to get into her thong (which is debatable), I’m all for it.  However, something tells me that Quinn isn’t going to feel the same way as I do, when SHE inevitably finds out . . .

I’d say the sweetest part of this storyline was when Puck told Shelby that she was meant to be Beth’s mom, even going as far as to say that’s why Puck and Quinn got drunk and boned one another about a year a so ago, unprotected, and against their better judgment.  Well, that’s ONE way of looking at it . . .

“Come on, let me stick it in, ya!  It’s for a GOOD CAUSE!” 

Things We Never Knew About Burt Hummel . . .

“I’m a better dancer than my son-in-law . . . though, admittedly, that’s not saying much.” 

Did you know Burt Hummel has a baboon heart?

Did you know he married a donkey?  Well, now you do!  Thanks, Sue Sylvester!

I know . . . I know . . . neither are these things are true.  But I honestly think Sue Sylvester’s so-called negative advertising campaigns against State Congressional hopeful, Burt Hummel, were some of the funniest moments of this episode.  And while I’m 100% against bestiality and donkey / human marriages, I think there is entirely too much prejudice nowadays against people with animal parts . . . Just sayin’.

“Is this what having a stroke feels like?”

Brittany said the above line to compliment the mash-up / duet rival Glee club directors Will Schuester and Shelby Corcoran performed to two songs (both named “You and I”).  The performance was meant to  convince the two groups to get along with one another long enough to compete in one giant Mash Off, before they find themselves competing against one another, for real, during Sectionals.  Nevermind the fact that, as was mentioned last season, neither musical group appears to have the minimum number of participants required for a team to enter into the competition.

Well, I was definitely twitching after the song was over.  So, maybe Brittany was on to something there.  While this was definitely not my favorite musical number of the episode, I did appreciate the creativity of combining a popular Lady Gaga song with an old 80’s country song that most Glee viewers (myself included) had probably never heard before.  The lyrics of the two songs dovetailed surprisingly well with one another, and the resulting song sounded a lot better than you would think it would .  . . but not much.

That didn’t stop me from twitching though . . . maybe it’s a Schuester thing.  He bugs me sometimes, what can I say!

Sorry, Schue!  It’s true!

Santana’s got balls (and she’s not afraid to throw them)

Upcoming Mash-off competition aside, it seems the New Directions and the Troubletones weren’t satisfied having only ONE opportunity to kick eachother’s asses.  And so evolved the brilliant idea that the two groups should meet up in the gym, and pelt eachother with their balls .  . .

 . . . dodgeballs that is.

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The Mash-up of “Hit Me with Your Best Shot,” and “One Way or Another,” provided a perfect soundtrack for the surprisingly intense game.  Plus, the action shots of Gleeks playing dodgeball made for some of the best choreography we’ve seen on the show, in quite some time.  For example, did you guys know Blaine can fly?

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“Weeeeeeeeeeeee!”

Kurt likey . . . A LOT! 

Now, while Kurt might have SERIOUSLY enjoyed watching his boyfriend soar over his head, in those uber short and much-too-tight gym shorts, he definitely was NOT a fan of the Troubletones decision to mercilessly pelt Little New Guy Rory with dodgeballs, long AFTER they had already won the game.  Kurt scolded his opponents for their bad form, as he dragged a bloody Rory off the battlefield, while throwing a SERIOUS “I’m judging you” face in his former friends’ direction.

Mommy Dearest (and not so Dearest)

I have to say, I respect Rachel Berry a whole lot more, now that I know she writes her own college recommendations, so that all her “recommenders” have to do is sign them.  (For all you prospective college applicants out there, it really is the best way to go!)  Of course, there is one other big thing that Rachel did during this hour to make me respect her.  But, more on that later . . .

“While we are on the subject, MOM, I am also looking for a surrogate, to carry my baby in her belly for nine months, in exchange for $20,000.  Would you be interested?” 

Given the disappointing way in which Shelby’s Season 2 run-in with bio-daughter Rachel ended, it’s nice to see these two working toward forming a genuine relationship with one another, this Season . . .  When Rachel comes to Shelby, to get her to sign a pre-written college application, the latter surprises her bio daughter with plenty of kind words, encouragement, and the type of pride only a real mother, can show for her daughter.  She even offers to writer Rachel a college recommendation BY HERSELF.  HOORAY!

But then Shelby inadvertently makes Rachel feel like crap, by telling her daughter that, because she’s so friggin perfect, less-than-perfect people who are applying to performing arts school against her (like say . . . Kurt), don’t have a shot in hell of getting in, and, will, therefore, probably end up flipping burgers for the rest of their lives. . .

Dear Kurt, Sorry I ruined your life.  And yes, I would like fries with that.  Love, Rachel. 

Putting that aside though, it was a  Genuinely Touching Moment . . .

If looks could kill . . . 

On the other end of the parental unit relationship spectrum are Quinn and Shelby.  Shelby never exactly seemed to be Quinn’s biggest fan, anyway.  But now that she knows about the whole Baby-napping Scheme, she’s REALLY Anti-Quinn.  Eventually, a confrontation ensues, in which  Quinn calls Shelby out for “whoring out” Baby Berry, back when she was a teen (OUCH!).

And Shelby calls Quinn out for . . . um . . . well, basically, just being an incredibly sh*tty human being.  (QUADRUPLE OUCH!)

Shelby also tells Quinn that she doesn’t trust her around Baby Beth, anymore.  Sorry Quinn!  Perhaps, you should have gone with a different tactic . . . like making out with Shelby, and giving her baby pumpkins . . . Better luck, next illegitimate child!

Topless Tuesdays and Other Campaign Promises . . .

It’s campaign speech time, at McKinley High.  And just like in real government, all the candidates seem to be making promises they can’t keep.  That weird, mullet-wearing, red headed guy from the hockey team says he promises that all students will be able to boss around their teachers from now on.

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Brittany wants to protect high school students in Lima from tornadoes, and promises to go topless every Tuesday.  Way to give back to your community, Brittany!

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Rachel promises to withdraw from the race, and get everyone to vote for Kurt . . .   Wait, WHAT?  Rachel is going to give up an opportunity to be the best?  I must have walked into someone’s alternate universe Kachel fanfiction!

In all seriousness though, I think Rachel took to heart Shelby’s words about how the Type A, overachiever, ALREADY has the resume to get into the college of her dreams, while Kurt does not.  It was a super sweet, suprisingly un-Rachel like thing to do.  And Kurt was just as shocked as the rest of us . . .

As for Kurt, his campaign speech is kind of a downer.  I mean, fighting against childhood obesity, and bullying is great . . . but eliminating dodgeball?  Seriously?  Wouldn’t it be easier to just use softer balls, like Kurt’s those squishy ones that Nerf makes?  My personal opinions aside, I loved Kurt’s speech, simply because Blaine’s “Supportive Face,” while he was making said speech was SUPER hot.  And we wouldn’t have had the chance to see it, otherwise . . .

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After the speeches, Kurt and Rachel FINALLY ended their seemingly interminable election-based fight.  Not only was the reunion scene between the pair extremely touching, I’m just thrilled that these two characters will finally be able to regularly interact again.  After all, Rachel’s and Kurt’s friendship is my favorite completely platonic relationship on this show . . . heck, it might actually be the only completely platonic relationship on this show . . .

Reunited and it feels SO GOOD! 

Out and Not So Proud . . .

Oh, Santana.  As a character, I adore you to pieces . . . most of the time.  You are hilariously funny.  You constantly make fun of Finn.  You have a spectacular singing voice.  And you are one of the most complex, and consistently written, characters on this show.  But if I REALLY knew you, or, worse, attended high school with you, I’m pretty sure, I would hate your guts .  . . and keep a voodoo doll of you in my locker, to stab at, whenever I was having a particularly bad day.

Throughout the episode, we watched Santana be mercilessly evil to Finn, and his new sidekick Rory.

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It eventually got to the point where even her fellow Troubletones were begging her to stop.  But she continued, with what was probably the meanest, most underhanded,  apology ever.  And that’s when Finn snapped, outing Santana as a lesbian in front of the whole school.  Whether intentionally, or unintentionally done . . . whether provoked or unprovoked  . . . whether he thought Santana’s sexual preference was a secret or common knowledge, what Finn did was VERY, VERY wrong.  And it ended up producing some pretty serious consequences for Santana . . .

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As it turns out, one of Burt’s and Sue’s congressional opponents has a daughter who attends McKinley High, and that daughter recorded Finn’s and Santana’s conversation.  Ultimately, Santana’s secret ended up being used by this opponent in a negative campaign advertisement against Sue, in order to imply that the Cheerios coach was ALSO a lesbian.  In a surprisingly poignant moment, the usually ascerbic Sue, Burt Hummel, and Will Schuester call Santana into Sue’s office to show her the advertisement, and offer her their support.

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Santana, understandably, is inconsolate.  “This can’t be happening to me,” she cries, as she makes a mad dash down the hallway  “I haven’t even come out to my parents yet.”

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And the Winner of the Mash Off of 2011 is . . .

The Mash Off Competition takes place before Santana really has time to heal, or process the many ways in which her life is about to change.  The New Directions are up first, and SURPRISE, it’s another 80’s music mash-up.  (Way to be HIP, Mr. Schue!)  This one is a mixture of the songs “I Can’t Go For That,” and “You Make My Dreams.”  It was a fun performance, for sure.  But, for me at least, the best part about it, by far, were the ridiculous curly wigs, weird heavily shoulder padded suit jackets, and over abundance of pink all the guys wore during the musical number.  Hysterical, with a capital H!

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Oh, and did youu catch the befuddled facial expressions of all the females in the audience.  PRICELESS!  As for the women, they all vaguely resembled Pebbles Flintstone . . . though, I’m not exactly sure why . . .

See, for yourself . . .

But the winners of this competition, hands down, just like in the dodgeball competition that preceded it, were the Troubletones.

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With Santana and Mercedes at the helm, the group’s mashup of Adele’s “Rumor Has It” and “Someone Like You,” was breathtakingly beautiful, and enchantingly mesmerizing, with just a smidgeon of slit-your-wrist, depressing.

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Naya Rivera expertly portrayed, all of the angst, sadness, and inner turmoil of her character’s unfortunate outing, in every word she sang, and every expression that crossed her face.

Then, when the performance was over, and Santana leapt off the stage, to slap Finn extra hard, right across the mouth, for the inadvertent role he played in her embarrassment and discomfort, I had genuine tears in my eyes . . .

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In the next installment of Glee, if the promos are any indication, Santana will come out to her parents, and the rest of the cast will get laid.  Can I get a HELL YEAH!  You can check out the promo for “I Kissed a Girl,” here . . .

 So, tell me  . . .  what did you think of “Mash Off?”

Did you enjoy the Adele number as much as I did?  Do you agree with me that the Troubletones kicked New Direction’s ASS this week, in every way possible?  Are you shipping Shelby / Puck . . .  or do they make you want to upchuck?

 Are you pro or anti-dodgeball?  And, most importantly, Team Santana, or Team Finn?  Feel free to sound off in the comment section . . .

Annnnd . . . that’s what you missed, ON GLEE!

[www.juliekushner.com][Fangirls Forever]

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Filed under Glee

Adios, V-Card! – A Recap of Glee’s “The First Time”

[A Note About the TVD Recap for “Homecoming”:  It’s on its WAY!  I’m just putting some additional pictures and gifs in there.  It will most definitely be up by 6 p.m. EST.  But it will likely be up WAY earlier than that  . . . like, say, early afternoon.  Thanks for your patience!]

 

RACHEL: “Any last minute sex tips?”

BLAINE: “Don’t forget to tell him how big it is.”

RACHEL: “But what if it isn’t big?”

BLAINE: “Don’t forget to lie, and tell him how big it is.” 

This was it, my Fellow Gleeks . . . the one you’ve all been waiting for  . .  . the sexpisode.  Going into the hour, it was no secret that Glee power couples, Finchel and Klaine, were both going to pop their collective cherries, by the episode’s end.

Here, at TV Recappers, we LUUUUUUUVE Cherry Popping!  Cherry Popping is fun! 

Given all we knew about the episode before it aired, one might have expected “The First Time” to be somewhat of a let down.  Fortunately, the hour contained more than enough surprises, colorful musical numbers, and well-acted scenes to maintain the interest of even the most skeptical of fans . . .

Did I mention that Beiste got herself a boyfriend . . . or that Karofsky showed up, looking like one of the Village People?

So, enough with the teasing and foreplay.  Let’s all get laid, shall we?

Artie Abrams – Sexpert?

“I know it looks like we are judging you but . . . yeah . . . we’re actually judging you.” 

The episode begins with our favorite wheelchair user, basking in the “triumph” that comes from directing a school play.  Artie, apparently, just  LOVES bossing people around . .  . not just in the context of the play, but in all aspects of their lives.  In fact, an alternate title for this episode could have easily been :”Artie Knows Best” . . . or, perhaps, more accurately, “Artie Knows Sex.”  Wouldn’t you agree?

Artie’s first targets for “self-improvement” are Rachel and Blaine.  Upon hearing the pair sing their rendition of West Side Story, Artie decides that “something is missing” in their performance.  What on Earth could it be!  Oh, that’s right . . . they are NOT BONING  . . . not eachother . . . and not anyone else either.  Rachel and Blaine are totally and completely . . . BONE-LESS.

Dear Diary,

Apparently, my inability to get laid has made me a sub-par actress.  I am sad.

Love,

The Virgin Rachel 

Without a second thought toward sparing their feelings, Artie abruptly tells the plays two leads that they are lacking romantic chemistry on stage, because they are both virgins.  Of course, Artie!  Rachel’s and Blaine’s respective virginal statuses MUST be the reason they don’t look like they want to rip one another’s clothes off, onstage.  Surely, it has absolutely NOTHING to do with the fact that each of the members of this faux-couple, actually  . . .

I’m kidding, of course.  There are plenty of gay actors, who can conceivably “play straight.”  But I find it interesting that the characters’ respective virginal statuses were what Artie honed in on, as opposed to, an issue that would seem much more OBVIOUS.

Anywhoo . . .  the minute Artie brings up the topic of sex, his co-directors, Beiste and Emma LITERALLY run screaming from the room.  I hate to break it to you kids, but you just made your sex status WAY more obvious than you would have, had you just . . . oh . . . I don’t know . . . sat there quietly with your mouths shut.

“Oops.”

To their credit, fellow virgins Rachel and Blaine keep surprisingly cool, by comparison as Artie awkwardly describes in cringe-inducingly specific detail that one time he f*&ked Brittany,and she repeatedly called him by someone else’s name probably Santana’s.  (Ah! Memories!)

Though both Rachel and Blaine initially tell Artie that they are waiting until the “right time” to cash in their Platinum V Cards, almost immediately after rehearsal, the two go off in search of their significant others, with SEX on the brain . . .

Having successfully accomplished the mission of ensuring that both Rachel / Finn’s and Blaine/Kurt’s first born will be named, “Artie,” the Little Screw-maker that Could then sets his sights on getting Coach Beiste laid as well . . .  (More on that later.)

“This is what I like to call my ‘Come Hither Stare.'” 

After that, Artie kind of drops off the radar, until the end of the episode, where he gives a fairly heartfelt speech on how directing the play, has made him feel special and self-sufficient for the first time ever.  Awww .  . . nice one, Artie . . . Give a speech like that, and you’ll be sure to get laid after the show too! 😉  (Or, you know, you could just be “self-sufficient” and .  . . ummm  . . . give yourself a hand?  Hint, Hint, Wink, Wink)

Speaking of self-sufficiency .  . .

Mike’s Dad – Douchebag?

“Hey Mike! I’ve decided to come back to high school, join the Glee club, and hit on your girlfriend.  HOORAY!” 

So, Mike’s dad is supposed to be some big fancy doctor, right?  Is that why he spends so much time at McKinley High, hanging out by his son’s locker, like a total creeper?  I mean, honestly, you would think a guy like that would have better things to do  . . . like his wife! (Pun intended.)

That said, I cheered for Mike for not caving to his father, when the latter — upon learning that Mike refused to give up his dream to become a professional dancer — threatened to disown him, if he didn’t abandon all dancing dreams.

“Well, than I guess I don’t have a dad, anymore,” Mike said fiercely, as his dad stalked off.

Well, Mike might not have a dad, anymore.  But he definitely has a mother.  And she was absolutely blown away, by her son’s portrayal of Riff from West Side Story, while she sat and cheered him on from the audience.  I was blown away too .  . . but I actually kind of wish we got to see a bit more from that portrayal .  . . like say, the epic death scene?

“But I’m too good of a dancer to die!” 

In addition to having a supportive Mom, Mike also has a super sweet girlfriend, who positively LOVED giving him her virginity . . . But, more on that later too . . .

“Who’s got two hands and a fabulous sex life?  THIS GIRL!” 

Meanwhile, in Beisteland . . .

Coach Beiste – Closet Romantic?

Poor sweet, cherry un-popped Beiste!  You know what’s funny?  I was initially shocked to find out she was still a virgin.  And then I remembered, that up until about a half a season ago, she had never even BEEN KISSED!  So, I don’t know why I was surprised . . .

“Would you please stop licking my ear.  I wanted a kiss, not an ear wax removal kit.” 

Lack of experience aside, Beiste, definitely has a soft side.  And, this week, that soft side was SERIOUSLY crushing on the OSU recruiter, who’d been hanging around McKinley High.  When Screw-maker Artie hears about this, he vows to help his teacher and mentor nip this little cherry-popping problem in the bud, ASAP.  (That Artie . . . he’s a busy little f*&ker, isn’t he?)

When Artie confronts the recruiter (who’s name is Cooter, which was probably the most controversial thing about this not-all-that-controversial episode), he gets some very shocking, but also oddly fortuitous, news.  As it turns out, Cooter Recruiter wants a little Beiste in him, just as much as Beiste wants a Little Cooter in HER (OK, that just sounds wrong, on so many levels)!  In fact, he’s been trying to ask her out for weeks!  (Really, how long has Cooter been hanging out at McKinley?  Doesn’t he have other schools to go to?)  Unfortunately . . . wait for it . . . SHE keeps turning HIM down?!

I guess for a woman who has only been kissed (by SCHUESTER, of all people), and who is highly insecure about her appearance, the art of flirting subtlety is completely lost on her.  Fortunately, Artie convinces Big Cooter (See? Never gets old.) to ask out the Beiste again . . . only this time, he tells the Old Coot to be REALLY, REALLY obvious about it . . . and show her what’s in his heart . . .

“Beiste . . . I give you my heart.”

First, Cooter finds Beiste in the weight room (where she is probably bench pressing HIS weight) and gives her flowers.  It doesn’t get much more obvious than that, folks.  But still Beiste is completely oblivious, wondering if the bouquet is for a funeral of some sort.  OUCH!  Yeah . . . if you don’t hurry up and grab your Cooter fast Beiste, there will be a funeral, all right . . . a funeral for the functionality of your lady parts :).

“Herein lies Coach Beiste’s ability to have children . . .” 

Fortunately, for Beiste, Cooter then takes his cue from Artie, and asks Beiste out in the most blatantly obvious way possible . . . by actually using the word “date,” in the question . . . something pretty much no body does anymore.  Way to keep it Old School, Cooter!  Upon hearing this inquiry Beiste begins . . . CRYING?!

Huh?

At first, she’s crying out of sadness, because she thinks it’s a joke . . . which is just so super depressing.  I can’t even talk about it, without getting weepy (well, not really, but . . . you know).  It’s upsetting.

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But then he tells her how beautiful and womanly he thinks she is, and those tears of sadness, turn into tears of joy, HOORAY!  I honestly, thought it would be REALLY fitting if Beiste and her Cooter went on their first date to Breadsticks, especially considering how much she loves those Never-Ending Pasta Bowls.  But, instead she went to . . . the school play . . . which is really super lame, when you think about it.  But, it’s a start  . . .

“Psst . . . this play sucks.  What do you say we sneak out, go  back to my place, and watch the food channel?”

Since we are on the subject of false starts . . .

Things Not to Say When You Are Trying to Get Laid Part 1 – “Let’s Get this Over With”

Someone’s got egg on her face! 

So, I mentioned that Rachel wanted to get a little NC-17 action with Finn, prior to opening night, right?  Fortunately, it just so happens that Finn’s ENTIRE family is supposed to be out of the house that evening.  So, there will be absolutely no chance for awkward interruptions.  Rachel pops over to Finn’s house.  And, wanting the night to be perfect, he prepares her some choice meat for dinner.  This would be great, except . . . well, Rachel’s a VEGAN.

So, much for good eats, Rachel and Finn head right down to the floor in the living room to get down to the business of humping.  But then Finn has to f*&k everything up by asking Rachel WHY she wants to sleep with him now?!

DOH!

Finn .  . . you are horny high school boy.  When you get the green light, you GO.  Don’t ask questions!  Don’t hesitate!   Just take of your pants, and DO IT!   OR ELSE . . .

But I guess this was Finn’s week to be a good boy (He alternates from week to week, you know!), so he needed to know Rachel’s love was true, before he could . . . um . . . poke her with HIS love.

“I feel so violated and used.” 

And, of course, this would have been fine, if Rachel didn’t feel the need to be ridiculously honest about her reason for having sex with Finn.  “I just want to get this over with [before the show, tomorrow night].”

OH RACHEL!  You might as well, have stuck a pin in his weiner . . .

You are an actress.  Why couldn’t you just ACT like you had a better reason for doing this, than you actually did.  Have you no brain heart?

Long story short, Finn’s and Rachel’s first foray at sex, ends with both of them striking out.  Finn doesn’t want any part of Rachel’s cooter tonight, especially after what she said.  Apparently, Rachel’s V-card is American Express V-card.  It’s not accepted everywhere.

And so the two condoms Rachel and Finn each brought for the occasion, remain unwrapped, for at least, one more night . . .

A rubber is a terrible thing to waste . . . 

The next day at school, a cowed Rachel, asks her gal pals their opinion on whether she should have sex with Finn.  Santana and Brittany vote “no.”  Because Brittany’s first time was apparently an alien invasion of some sort.  And Santana thinks Finn is terrible in bed.

Is it just me?  Or does this look like one of those KY jelly commercials? 

The writers intercut this fairly humorous conversation with Santana and Rachel singing a duet to “A Boy Like That,” which, is more or less, Rachel’s way of saying, she hopes Finn was just bad in bed, because he was with Santana, and not because he lacks screwing skills . . .

“Gee Rachel, why don’t you tell me how you REALLY feel . .  .”

Now, I know the song is a classic from West Side Story,  but, honestly, I think it’s lyrics are a little mean.  Because, seriously, if a guy broke your heart, and you were trying to warn your friend about him, would you really want to hear that friend say to you, “He won’t break MY heart, because he loves ME, and doesn’t love you.”

Talk about kicking a girl, while she’s down . . . Way to be insensitive, Maria from West Side Story . . .

But lest you think everyone on this show is all anti-sex, Tina, of all people, had a fabulous little story about how awesome sex with Mike Chang was because he is very flexible and has great abs she loves him so very much.  In other words, Mike Chang is the PIMP DADDY of this show . . . second to “I don’t use condoms, and thought I would be the one to take Rachel’s virginity” Puck, of course . . .

Though neither Rachel nor Blaine end up cashing in their V-cards, prior to Opening Night of West Side Story, both decide this is OK, because they both know what love is, and can tap into THAT, while playing their respective rolls.  This seems to work OK . . . I guess . . . at least judging by the musical numbers we got to see from the actual show.

Still, my favorite number of the entire episode was “America,” which, oddly enough featured the entire young Glee cast, EXCEPT Rachel and Blaine.  Most notably, it featured Puck and Santana rocking some AWESOME Puerto Rican accents!

But back to Rachel and Finn  . . . Rachel returns to Finn’s house after the play, to apologize for .  . . you know, deflating his weiner, with her “let’s get it over with, so that Maria from West Side Story doesn’t have to be a virgin,” comment.  However, as it turns out, Rachel’s remark isn’t all that’s making Finn feel crappy, he was also passed over by COOTER (awww man!  That name strikes again) for a scholarship to OSU.

“Damn that COOTER!” 

Now, Cooter may have been SUPER nice to Beiste, earlier on in the episode, but he DEFINITELY had his sensitivity chip on the off-switch, when he told Finn that his football career had peaked.  OUCH!  Finn thinks his dreams are dead, because he’s not a good enough football player or performer to get into the colleges of his choice.  Rachel sweetly comforts him, telling him that his dreams are NOT dead, he just “grew out of them.”  (Remind me to use that one on myself, the next time I fail at something . . . I didn’t fail.  I just “grew out of” being successful.  It has a nice ring to it, don’t you think?)

After promising Finn that she will help him find some new dreams, Rachel proceeds to make Finn’s dreams come true, by giving him a special gift that NO ONE ELSE is ever going to get.  You guessed it.  It’s time to chop up that V-card, for real this time.

Who’s two left feet, and is currently having his brains banged out?  THIS GUY!” 

But this time, Rachel is doing it because she LOOOOOOOVES Finn, and his future new dreams . . .

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Things Not to Say When You Are Trying to Get Laid Part 2 – “Hey!  I’ve got an idea!  How about I grope you in the backseat of this car?”

Blaine is be-bopping around Kurt’s room, while the latter wonders out loud, why they aren’t screwing yet.  The pair joke adorably about the fact that Kurt wears too many layers of clothing for easy access . . .

Not to mention, too many ridiculous hats. . .

Later, Blaine heads back to Dalton to invite his old classmates to the play.  Once there, he confirms that things haven’t changed all that much, since he was gone.  The group still sing pop songs accapella style, while dancing around like Carlton from The Fresh Prince of Bel Air.

Their “Uptown Girl”number (complete with a token female teacher / sexy librarian type as the titular “uptown gir”l) proves as much.  Though I must admit, seeing a Warblers number without Blaine as their lead singer is like watching a vampire show, without hot people in it . . . it just doesn’t make any sense . . .

By the way, I love how the fancy schmancy private school boys are singing a song about how “simple and poor” they are . . .  It’s very cute.

That said, there has been one major change to the Glee club since Blaine left.  His name is Sebastian . . . you know . . . like the lobster from The Little Mermaid.

Sebastian wastes no time, eye sexing up Blaine, and telling him that he is “sex on a stick, and sings like a dream” .  . . despite having never heard him sing . . . ever.  Blaine is clearly super flattered by all the hardcore flirting, and talks up Sebastian for way longer than he should, considering he has a boyfriend.

“The seaweed is always greener, in somebody else’s pants.” 

The flirting continues at the local coffee shop, where Sebastian douchily (is that a verb?) brags to Blaine about how worldly he is, because he’s been to GAY PARIIII!  But before the lobster can turn this into a discussion about French Kissing, Kurt swoops in to put a territorial arm around Blaine’s shoulder, and, more or less, tell this Creepy Crustacean, in no uncertain terms, “The Boy is Mine.”

Likely, because he wants to show Blaine how “spontaneous” he is, Kurt, shocks Blaine by accepting on both of their behalfs, Sebastian’s offer that the two meet him at a gay bar.

“You’ve just gotta love a man in a bolo tie . . .” 

Armed with fake ideas, Designated Driver Kurt, and Secret Lush, Blaine, head to the bar called “Scandals.”  After a single beer, Lightweight Blaine is totally wasted, and inappropriately grinding with Sebastian.  Meanwhile a super pouty Kurt (so much for that skin sloughing regimen), is sitting by the bar, crying into his Shirley Temple.

“You better watch out for your boyfriend,” remarks a familiar voice.  It’s Dave “the Bear Cub”Karofsky, of all people.  Apparently, Dave is at a new school now.  And though, he is decidedly still in the closet, there, at least here, he can feel right at home and accepted by the patrons of Scandals . . . even if it is Tranny Night . . .

Outside in the parking lot, a drunk and horny Blaine pulls Kurt into the back seat of the car, and starts aggressively humping him.  Given that Blaine spent the whole night, rubbing up on Sebastian, Kurt is TOTALLY not cool with his first time taking place in the car lot of a gay club, accented by the intermingled smells of car air freshener, leather seats, Blaine’s one beer, and, of course, Red Lobster Sebastian’s overpowering cologne.  So, he pushes Blaine off of him angrily, and does not mince words, in telling him how he feels about this failed act of seduction.

Embarrassed and annoyed, Blaine stalks home.  But, after the show, the pair make up, confess their undying devotion to one another . . .

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 . . . and, you know . . . do it.  . .

“Well, HALLELUJAH!” 

Musicals Make Everything Better (even . . . well . . .  you know ;))

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As far as sex scenes go, Kurt’s and Blaine’s and Finn’s and Rachel’s, which were edited together, and intermingled with Blaine’s and Rachel’s West Side Story number, “One Hand, One Heart,” were incredibly sweet, but also ridiculously tame.  Almost NO skin was shown (Blaine and Kurt, were FULLY dressed in fact . . . and I bet you can guess which part of that statement really perturbs me!)

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KURT: “Come on, Blaine!  Take off your shirt!”

BLAINE: “NO!”

KURT: “Why?”

BLAINE: “Because Fox won’t let me.”

KURT: “What a bunch of douchebags . . .”

But hey, it’s Fox . . . not HBO .  . . and not even the CW.  So, what do you expect?  And besides, it wasn’t really about the sex, was it?  It was about the love . . .

I’m lying, of course it was about the SEX! 😉  It’s ALWAYS about sex.  But I’m happy for our little couples, anyway . . .

And that was “The First Time,” in a nutshell.  So, what did you think?  Are you Finchel and Klaine fans, or are you already getting sick of the show’s emphasis on these two SHIPS?  Do you see Sebastian as a genuine threat to the Klaine union?  How about Karofsky?  Did you like the West Side Story Numbers?  Are you glad Beiste is FINALLY getting some?  And, perhaps most importantly, are you as mad as I was that we didn’t get to see Darren Criss with his shirt off?

“In case you’re wondering, that’s Kurt’s underwear I’m wearing on my head . . .”

Feel free to sound off on some or all of these questions in the comments section below . . .

Oh, and check out the promo for next week’s episode, “Mash Up,” which, from the looks of it, features, not one, but TWO Adele songs (“Rumor has It” and “Someone Like You”) and a rollicking game of .  . . dodgeball?

See ya then, my fellow Gleeks!

[www.juliekushner.com][Fangirls Forever]

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I LOVE YOU, MIKE CHANG! – A Recap of Glee’s “Asian F”

[ (Mildly) Important Note About the The Vampire Diaries Recap for “Disturbing Behavior”:  Hey Folks!  I suspect some of you might be scouring the home page in search of my most recent TVD recap.  All I can say is, IT’S COMING!  I was feeling a bit under the weather last night, and decided it would be best to publish a thorough recap a bit late, rather than publish a shoddy recap on time.  I promise to make it up to you, by adding plenty of extra yummy pics and GIFS into the mix! 😉  I hope you can forgive me.  The recap should be up by early this evening (probably 8 or 9ish) Eastern Standard time.  See you then, Fangbangers!]

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Would it be inappropriate for me to ask you to have my babies?  It would?  Well, could you just flash your abs at me then?

Oh, dear, sweet, Mike Chang.  You started off Season 1 as the Mysterious, Possibly Mute, Dancing Guy . . .  a guy who . . . except for during the instrumental portion of songs . . . remained largely in the background.  Then came Season 2, and our introduction to those glorious specimens of nature known as YOUR ABS.

You started dating Tina . . . and we started taking notice . . . but mostly just of your midsection.

Yes, I pasted the Abs Picture again . . . just in case you forgot what they looked like, when I pasted them two sentences ago.  You got a problem with that? 

But, now Season 3 is here . . . . Asian F has aired . . . and though it would be illegal in many states, I suspect there are many women out there, over legal drinking age, who would very much like to “Asian F” you, if  you catch my drift. 😉

So, strap on those dancing shoes, because this ode to New Directions most woefully under-appreciated club members is about to begin . . .

Finn is happy . . .

And so is his spirit animal . . .

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Be Cool, Mike Chang!

That’s right, Mike Chang!  You kick that poopyhead, Bad Influence Boyfriend!  You kick him HARD! 

Mike Chang’s dad is mad as hell.  And he’s not going to take it anymore!

“This is my mad face, which, coincidentally, is not all that different from my happy face.  Emotions are for losers . . . and people who score A minuses on their high school exams.” 

His son is on a path toward destruction!  He’s dating a vampire . . . well, at least someone who sometimes dresses like one!

Damon Salvatore finds this extremely insulting . . . 

He’s in GLEE CLUB.  And worst of all, he took a chemistry test, and received an A minus . . . an ASIAN F!  At this rate, Mike will NEVER get into Harvard!

Oh, the horror! 

Papa Chang thinks Mike might be ON DRUGS  . . . and begs Principal Figgins to force him to submit to drug tests each week.  He also wants him to . . . wait for it . . . QUIT GLEE CLUB. (NOOOOOOOOOO!)

Poor Mike!  He’s horrified of the idea of losing the part of his life, that he values most.  He promises his dad that he will do better . . . pay for a chemistry tutor, and never Asian F again (Well, at least not THAT kind of Asian F.)

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But the problem, of course, is that Mike has A LOT on his plate right now.  He’s going to Glee club practice.  He’s spending extra hours at the school helping Mr. Schue run Booty Camp.  He’s on the football team.  He’s teaching the football team to dance, as part of Coach Beiste’s requirement that they all audition for the school play.

And, perhaps, most importantly (for purposes of this episode, anyway) Mike has decided to audition for the role of Riff in the school’s production of West Side Story.  It’s a dancing part, of course.  But it’s also . . . wait for it . . . a singing part.  And we all know that singing isn’t necessarily a talent that comes naturally to Mike Chang . . .

“I’m really good at sex though.” 

Will Mike be able to juggle it all, while earning straight A’s (NOT A minuses!), AND earn the role of his dreams?  Mike decides to dance on it.  In what was my opinion, the most moving part of the episode, Mike heads alone to the dance studio rips off his shirt, to reveal a super tight, arms bearing tank top (but no abs, unfortunately), and dances his frustrations, hopes and dreams in total and complete silence.

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*insert stripper music, and lewd whistles here*

Then, he has imaginary conversations, both with his father — who values scholastic achievement above all else — and his girlfriend — who encourages his passion for dance, and the arts.  Bolstered by the power he gets from his dancing, Mike finally feels capable of unburdening himself, and telling the two people he admires most, exactly how he feels . . . Well, technically, he only does it in his mind .  . . but it’s certainly a start . .  .

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Damn straight, Tina!

And though Mike has been double booked (He is supposed to be learning chemistry right now), our hero, though a bit late, DOES, ultimately decide to audition for the role of Riff.  He does so, with one of the character’s token solos, a toe-tapping, finger-snapping number entitled “Cool,” which showcases both his trademark dance moves, and his raspy, yet surprisingly sexy, singing voice.

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“Yeah . . . I know . . . I’m awesome.  You totally want to get with this.”

Accompanying him on his audition are some pretty goofy-looking dancing football players.  (So, now we know where Mike has slacked.)

OK guys . . . you just keep doing the hokey pokey.  And I swear, nobody is going to ever find out that I never actually taught you to dance.”

But hey, nobody’s perfect . . .

After the audition, Mike returns to the comfort of the dance studio.  It is there where he encounters his mother.  Upon noticing that he had missed his appointment with his chemistry tutor, she had arrived at the school to make sure he was OK.  UH OH!  Busted!

Tired of hiding his true self, Mike finally comes clean to his mother.  He doesn’t want to be a doctor, engineer or astrophysicist, when he grows up.  Wait for it . . . Mike wants to be . . . a professional dancer.  The notion that Mike would end up coming clean to someone in his family about his true desires was not necessarily shocking or unexpected.  What WAS shocking, however, was his mother’s response.

Mike’s mother admits that she was not as courageous as her son was, and gave up her own dreams to do what was expected of her.  She does not want that for her son.  And so Mike’s mother promises to support Mike’s dreams.  “But what about Papa Chang?”  You might ask.

“When you get the part [of Riff], we will tell him together,” Mama Chang tells her son.

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“OK . . . cool, now while I have you here.  I guess it’s also time I told you that I’ve fallen in love with a TV Recapper . . .”

And just in case you weren’t already reaching for the Kleenex at this point in the scene, there’s more!  Mike asks his mother what dream SHE gave up during her childhood.  As it turns out, she too wanted to be a dancer, but never had the wherewithal to take lessons.  “Well, I’ve been told that I’m a pretty good teacher unless you are a football player,” says Mike.

Then .  . . wait for it . . . he SLOW DANCES WITH HIS MOM!

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All together now . . . AWWWWW!

“I’m not crying . . . It’s just raining on my face.” 

But Mike wasn’t the only Gleek dancing his way to  success and satisfaction this week . . .

Brittany Runs the World (well . . . at least the gym)

I’ve decided I want to be Brittany S. Pearce for Halloween this year, and use the outfit she’s wearing here as my costume .  . . Now, if only the costume came with her legs . . . 

I told you Brittany is running for class president, last week, didn’t I?  What I didn’t tell you is that she’s running a ROCKING CAMPAIGN, one based on the notion that the student council, up to this point, has been a predominately Man’s World.  And this, in her opinion is why the “economy” of the school is going down the toilet . . . I’m sorry.  I mean, the “magical poop-stealing water chair.”

Give me back my poop, B*tch! 

So, the usually daft Brittany, in a rare show of genius, plans an all-female flash mob that begins in the halls of McKinley High, and ends in the school gym.

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And you know the darn thing is a unanimous success, when you see the faculty (even Sue Sylvester!) doing their own nerdy chair-dances, as they watch her boogie down . . .

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Speaking of (slightly nerdy) teachers . . .

More Adventures in Bad Parenting (Emma Pillsbury Edition)

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Have you ever wondered why Emma Pillsbury is . . . the way she is?  You know . . . perpetually virginal, scared of her own shadow, and OCD-tastic?

Well, Will kind of wants to know too.  After all, he would eventually like to marry this girl, and maybe even (GASP) actually bone her.

(Welcome to the ONLY man in the world, who doesn’t appear the least bit freaked out by his girlfriend’s Secret Wedding Magazine stash.   And this is despite his having, pretty much, the WORST FIRST WIFE EVER!).

Two Words:  Fake . . . Pregnancy.

In furtherance of his ultimate dual goal of getting both married and laid, Will requests to be introduced to Emma’s parents.  The Schue undoubtedly knows from experience that the mere asking of this question sometimes has the result of causing marriage-intent women’s panties to immediately fly off their bodies, at warp speed.  But Emma is not one of those women.  In fact, she is SO dead set against this idea, that she lies and claims that her parents are DEAD, despite Will having HEARD her talk to them on the phone the night before.

“They are ghosts.  I have ghost parents,” Emma offers feebly.

Will is crushed.  He’s convinced that Emma doesn’t want him to meet her parents, because she’s ASHAMED OF Will, his freakish hair, odd attachment to underage girls and boys, teacher’s salary, and inability to say, “Have Mercyyyyy,” like that guy from Full House.

Remember him? 

Will turns to Beiste for help with his quandary, but she is too enamored with her MASSIVE BOWL OF CREAMY DISGUSTING PASTA to offer much in the way of advice.

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“We deliver!”

However, in between mouthfuls of mush, she does manage to tell Will that he’s dreamy, and a catch, and should INTRODUCE HIMSELF TO EMMA’S PARENTS . . .

Wait . . . WHAT?!

Oh, no Will . . . no, no no!  Just say NO!  Hasn’t being on this show for three seasons taught you that 9 out of 10 parents on Glee (and on most teen shows, for that matter) are ASSHATS and weirdos?

(Kurt’s dad and stepmom, and Mike’s mom, so far, seem to be the only exceptions to this rule.)

But Will doesn’t listen to my screams at the television.  And why should he?  He’s a MORON! He’s stubborn.

“Moi?”

So, Will invites Emma’s parents to his house on a night when he and Emma are SUPPOSED to be having a Romantic Dinner.  (Really Will?  And you think this is going to HELP you get laid?)  Emma is mortified, and pleads with Will to put an end to these shenanigans, ASAP.  So, Will asks HER, “Are you ashamed of me?”

(She’s not, Will.  BUT I AM!)

Emma then admits what most of us have probably known all along.  Emma isn’t ashamed of Will at all.  She’s ashamed of HER parents.  And here’s why:  One of them was on the show, Happy Days.  They are . . . wait for it . . . GINGER SUPREMACISTS.

Huh?

I know weird right . . . of all the strange deviant things the writers could have come up with for Emma’s parents, THIS is what they choose?  People who hate those who don’t have red hair?  SERIOUSLY?  Oh, and they are emotionally abusive too, which helps add some poignancy to the plotline but not much..

Well, they certainly LOOK evil . . .

All snarkery aside, when Emma’s mom, mocked Emma’s incessant silverware cleaning at the table, by calling her “Freaky Deaky,” and telling the rest of the table that she has a “case of the Cleanies,” you could tell just how much it tore Emma apart.  Kudos to Jayma Mays for adding some real legitimacy and depth, to what could have been a REALLY ridiculous story, with her impressive acting ability.  My heart really went out to Emma in this scene.

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And Will too, creepy as he may be, most of the time won some major points from me for standing up to Emma’s parents, calling them out on their racism, and emotionally abusive treatment of their daughter.  He also, more or less told them that Emma is a wonderful human being, OCD and all.

Later that night, Will finds Emma frantically rubbing her hands together compulsively before bed.  It is clear that Emma’s recent run-in with the parental units has made her OCD that much worse.  Will, of course, feels incredibly guilty (AS HE SHOULD!)  And though not a particularly religious man, he kneels down to pray with Emma, when she admits that doing so gives her comfort at her most out of control moments.

WILL: “Dear Lord, please allow me to have sex again, before I’m old enough to require a little blue pill to help me get it up.” 

And its a sweet, quiet scene . . . until Will starts singing Coldplay’s Fix You, which, though well intentioned, could be interpreted as a bit condescending, not to mention kind of contrary to the notion of Will loving Emma, exactly as she is.

I mean, yeah, Emma’s is clearly uncomfortable with her condition, and it prevents her from HAVING AWESOME SEX making the most of her life.  But still, in light of what just happened, wouldn’t it have been nicer for Will to sing something a bit more comforting?  I know, the Glee cast has already covered Bruno Mars’ “Just the Way You Are.”  But hey, Billy Joel sang a song with that title too!

Also, I never particularly cared for Will’s “falsetto voice.”  The songs he sings on a lower register tend to be a bit less  . . . how do I put this kindly . . . annoying.  (For example, his renditions of “Tell Me Something Good,” and “Bust a Move,” remain some of my favorite Glee singles.  His version of “Kiss” by Prince . . . not so much.)  Other than that . . . um . . .  GREAT SONG!

Meanwhile, back at school .  . .

Divas Never Win (And Winners Never Diva)

“Remember when I used to be the most well-liked girl in Glee club . . . That was nice while it lasted.” 

Mercedes new Bad Influence Boyfriend, Shane, has been Lady Macbeth-ing her to shun all her friends, in pursuit of the role of Maria in West Side Story.  He puffs up Mercedes head with a lot of hot air, by telling her that the Glee club doesn’t appreciate her talents.

I couldn’t help but notice that both Mercedes and Bad Influence Boyfriend are eating tater tots in this scene.  Ahhh . . . memories. 

And that she is more like the part Beyonce played in Dreamgirls, even though she thinks of herself as the part Jennifer Hudson played.  (Umm . . . Shane . . . wait . . . wasn’t Jennifer Hudson the STAR of Dreamgirls?  Didn’t she WIN AN OSCAR FOR IT?  And wasn’t her character supposed to be . . . THE BEST SINGER IN THE GROUP?)

I mean, I get it . . . Effie in dreamgirls was a character whose talent her producers and bandmates didn’t appreciate, due to her weight . . . but still, BAD ANALOGY SHANE!  Oh, and maybe I’m stereotyping here.  But somehow I have difficulty envisioning this big burly football player going all gaga over the musical version of a chick flick . . . Just sayin’

Anywhoo, Mercedes has been a bit under the weather lately.  She is nauseous, weak, fatigued, and sore.  (Thank the lord, Amber Riley confirmed that her character is not preggars, because I REALLY can’t handle another BABY TALE!)  And because of this, she’s been a bit lax in her Glee practice and booty camp attendance.

So, of course, the increasingly screechy Will is quick to call her out on this fact at Booty Camp.  (Why is Will telling off his students becoming a weekly event on this show?)  If Mercedes expects to get support from her fellow Gleeks for her plight, she is sorely mistaken.  The recently returned to New Directions’ Santana (Mr. Schue’s candidate for screeching in Episode 1), is quick to call Mercedes out on her “laziness,” and poor eating habits.

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(Read Santana’s lips in this GIF.   Doesn’t it kind of look like she’s telling Mercedes to f*&k off?)

Tired of being (what she considers) picked on by her friends and supposed mentor, and bolstered by Bad Influence Boyfriend, Mercedes chooses to sing the soulful song “Spotlight” for her Maria audition.

Her performance impresses all of the casting directors (Beiste, Emma and Artie) greatly.  And so Mercedes begins to believe she may have a shot at being the Beyonce character in Dreamgirls, after all!

Torn between casting Rachel or Mercedes in the role of Maria, the casting directors decide to hold . . . you guessed it  .  .  . a diva off to see which “Maria” is best for the part.

SURPRISE!

Feeling like she is destined to end up in the shadow of Rachel’s spotlight, once again, Mercedes acts out in Booty Camp class, when Will berates her for not being able to successfully perform the “Widowmaker” dance move.    She accuses Will of playing favorites with Rachel, at the rest of the club’s expense.

Will is so outraged by this accusation that he offers Mercedes an ultimatum: “Shape up, or you are out of the Glee club for good.”

These harsh words inspire Mercedes to have . . . you guessed it .  . . a Dreamgirls’ Dream Sequence, with Mercedes in the role of Effie, and the rest of the Glee Club members (sans Rachel), as .  . . well . . . slightly meaner and more flashily dressed versions of themselves, I guess.  The Dream Sequence — which is based on the scene in the movie, where Effie is kicked out of the Dreamgirls for her purportedly bad behavior, when, unbeknownst to everyone else in the group, she is only acting that way because she is pregnant — pretty much features the entire cast telling Mercedes off and ditching her ass to the tune of Dreamgirls‘ “It’s All Over.”

On the day of the Diva Off, a nervous Mercedes and Rachel stand at opposite ends of the stage, with their respective boyfriends waiting in the wings to offer them support.  The song they both sing is “Out Here on My Own,” from Fame.  And though the song is not necessarily my favorite, and sounds a bit too much like the recently performed “Spotlight,” for my taste, both contenders do an admirable job performing it, with Mercedes edging out Rachel ever-so-slightly, during the parts of the song that require belting.

“I am quite the belter . . .” 

(In a way, this song was custom-made for Mercedes’ deep sultry voice, and enviably powerful pipes, thereby putting the softer, sweeter-voiced Rachel at a distinct disadvantage.)

Sorry!  That’s just how I feel. 

Rachel comes out of the audition,  certain that she has lost the role to Mercedes.  Fearing that not having the lead in the school play will make getting into that fancy New York performing arts school she covets, near impossible, Rachel impulsively vies for another after school activity to put on her resume . . . coincidentally . . . or  not-so-coincidentally . . . it’s the same after-school activity for which Kurt is campaigning (who has recently graciously accepted his boyfriend’s decision to try out for the lead in the play as well, and is even surprisingly supportive of his decision).

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“Don’t worry.  I promise it’s not a gun.” 

Kurt is crushed that his bestie would betray him in this way Not to mention surprised.  I mean, don’t you have to be POPULAR to win class president.  Most of the school HATES Rachel!.   And he is not exactly shy about telling her exactly how she feels, ” —-”  Even Finn, who, himself is no stranger to selfish behavior, seems appalled by Rachel’s lack of sensitivity.   He doesn’t even know if he’s going to vote for her!  (And now she’s probably only going to get one vote . . . her own.)

Oops!

When it comes time to choose who gets to play Maria, the show’s casting directors (lamely) decide to cast BOTH women in the role, each person gets the part for a week.  Though frustrating from a plot perspective, it seems like a fair deal for both girls, and Rachel, for her part, accepts the offer fairly readily.   But NOT MERCEDES!  Recognizing that she probably had the better audition (a point about which Rachel doesn’t necessarily disagree), Mercedes becomes convinced that the directors cast both girls, in order to protect Rachel’s feelings.

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And so she THROWS A TEMPER TANTRUM, and quits the show ALTOGETHER .  . .

. . . thereby giving Rachel the part by default.

Talk about shooting yourself in the foot!  Or maybe not . . . toward the end of the episode, Mercedes approaches the director of the virtually singer-less (save the tone deaf, Sugar Motta) SECOND school Glee club, Shelby Corcoran, of being admitted into HER club, where, by default she will undoubtedly become it’s version of Rachel Berry.

The power-hungry Rachel then decides to continue to run for class president ANYWAY, despite the fact that she now has FULL reigns to the lead in the School Play, and a solid chance of getting into the ollege of her dreams, while her “friend” Kurt is still struggling to find HIS ticket to admission.  (Yeah . . . she’s kind of a b*tch . . .)

“Ooh!  You’re so BAD!” 

And the part goes to . . .

In the final moments of the episode, we FINALLY get to see who got the parts in the West Side Story  musical.   And though, the results are not all that surprising (After all, for the most part, the only people we saw rehearse all got the parts for which they rehearsed), it was still uplifting to see the looks on those Gleeks faces when they learned their school play dreams had come true . . .

I loved seeing Kurt sweetly hug Blaine, upon seeing that he was rewarded the lead role of Tony.  (Kurt ended up landing the part of Officer Krupke . . .  not bad!)

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And Santana’s adorable little understated (but obviously thrilled) smile, upon seeing that she got the part of Anita, was countered with a HUGE EMBRACE by an ecstatic Brittany.  (Have I mentioned yet today how much I ADORE these two.)

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Mike Chang’s winning the role of Riff brought tears to my eyes for about the third time, during the hour.

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And Rachel’s win of the part of Maria, though bittersweet, was not entirely unexpected, or unwanted.

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(Remember when Blaine and Rachel drunk kissed last season, during the “Blame it On the Alcohol,” episode?  Oh yeah!  We are going to get some more of that!)

So, that was Glee, in a nutshell.  I must say, I share many Gleeks admiration for this touching, and well-acted episode, which I feel truly harkened back to the show’s Season 1, heydey.  Mercedes, Will, and Rachel kind of pissed me off, though . . .

“Et tu Recapper?”

Tune in next MONTH, when Quinn makes a play for Baby Beth, Puck makes a play for Shelby . . .

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 . . . and Mercedes and Santana shoot for ALTERNA-GLEE CLUB super-stardom.  You can check out the trailer for the next episode, which is entitled “Pot O’Gold,” here:

So, my Gleekies, what did you think of “Asian F?”  Was it all you hoped for in a Glee episode and more?  Or did you find it to be a bit overhyped?  Are you as much in love with Mike Chang  (and his abs) as I am?  Do you think Mercedes is a bigger diva than Rachel?  And, perhaps least importantly, which Glee kid do you think Mr. Schue is going to freak out on in Episode 4?

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Feel free to sound off in the comment section below.  And please,  take your time . . . we have a loooong hiatus ahead of us . . .

[www.juliekushner.com] [Fangirls Forever]

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Show Me Your Horn, Baby! – A Recap of Glee’s “I Am Unicorn”

“Now, Brittany, I understand that sex sells.   But don’t you think that using a picture of me with a giant stick coming out of my head is a bit  . . . um . . . horn-y, for a high school campaign?” 

Greetings Gleeks!  This week’s episode was all about embracing who you are, and being yourself unless you are a goth-looking skank, or a bad-dancing mechanic, then this episode was about being someone more socially acceptable.  Though admittedly light on musical numbers (there were only three, and all of them were show tunes), “I Am Unicorn,” was filled with a ton of heart, a sh*tload of unicorns, and some REALLY, REALLY big horns . . .


“It’s not the size of your horn, but where you stick it how you use it that really matters.”

Let’s review, shall we?

Because I’ve Always Personally Been Curious About the Bathroom Habits of Mythical Creatures

 

It starts off just like any other morning at McKinley High.  Kurt is primping and prepping in front of his locker, and making googly eyes at the wallet-sized snapshot of Blaine that hangs therein, when Brittany arrives.  Brittany has great news.  Apparently, Kurt is the Biggest Unicorn in the entire SCHOOL!

What is a unicorn, you ask?  Well, according to Brittany, a unicorn is a horse who got a horn for doing a good deed.  Then, he poops out cotton candy, until his horn falls off, and becomes a zebra.  Wait . . . what?  Did I really just type that?

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Apparently, I did . . . 

As bizarre as this all sounds, in Brittany’s Little World, being told that you poop cotton candy is a compliment of the highest order!  Brittany is so impressed with Kurt’s individuality and ability to survive insurmountable odds, that she wishes to become his campaign manager for Student Council President.  Brittany believes that her popularity, coupled with the fact that she is kind of slutty, can help the Mythical Creature Kurt to win a ton of votes.

And so, she invites herself over to his house to go over poster ideas.  A skeptical Kurt asks Brittany why SHE didn’t want to run for Student Council herself.  To this, she responds that she’s not smart enough.

This made me sad . . . (almost sad enough to poop cotton candy).

Fortunately, I manage to restrain myself (and took some Immodium) for the sake of continuing this recap.

After school, Brittany heads over to Kurts house, to show him his new campaign posters.  And they are, pretty much, the most awesome campaign posters I have EVER SEEN!  And yet, one can’t help but notice that they have a bit of a “theme” to them . . .

Kurt, who is currently clad in his tight green henley shirt, and sailor’s cap, is just appalled by how “GAY” the posters are.  He says that he’d prefer a more neutral campaign poster, like THIS one . . .

Ummm . .  . Kurt?  I hate to break it to you, but your poster doesn’t exactly scream “I like to bang chicks,” either.  It also says “winning” on it, a word that has been forever ruined by Charlie Sheen . . . just sayin’. 

And besides Kurt, Brittany’s campaign strategy is AMAZING.  It involves giving everybody at school Big Pink Sparkly Glitter Bags with minature versions of Tinky Winky in them.  And who doesn’t love Tinky Winky?

Now THAT’S a teletubby who knows how to accessorize!

When Brittany (with Santana’s help) begins the process of putting her posters up all around school, Kurt freaks out and starts ripping them down (more on why later).  His ungrateful reaction stuns and deeply hurts Brittany, who now believes she has failed her precious unicorn.  That is until Santana comes to the rescue, with her surprisingly sweet, and heartfelt, pep talk.  (How adorable are these two?)

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Santana tells Brittany that her campaign is brilliant . . . that there is no one like her . . and that she IS the unicorn.


And what’s great about the speech, is that it’s so NOT the typical type of thing the usually-caustic Santana would say. But Brittany brings out a sort of protective, and almost maternal, kindness in Santana that few other people get the chance to see.

Plus, she’s right.  Those posters rock! And Kurt rose to the top of my Poopy List for denigrating them . . .


Take THAT
Hummel!

Speaking of maternal influences . . .

Two Glee Clubs (for the price of one), One Baby (for the price of hair dye)

“Awww . . . see that little piece of hair sticking up on the side?  That’s Baby’s first Mohawk!”

Did anyone else find it fishy that Shelby Corcoran, Vocal Adrenaline’s first coach, arrived at McKinley High to run a second Glee Club it doesn’t need, right around the time that Dustin Ghoulsby, Vocal Adrenaline’s second coach (a.k.a. the HOT one) . . .

 . . . was purportedly fired from his position, leaving New Direction’s main rival without a supervisor?  Here’s hoping this isn’t another one of those annoying Vocal Adrenaline SPY plotlines.  After all, it certainly wouldn’t be the first time such a thing has happened . . .

 . . . or the second, for that matter . . .

Anywhoo, just as many of us suspected, tone deaf, self-diagnosed Asperger’s sufferer, Sugar Motta, didn’t take being rejected by the New Directions lying down.  Instead, she had her daddy pay for the school to start a WHOLE NEW Glee club, one where she will be the star.

“And we shall call our selves ‘Mr. Motta’s Strangled Cats,’ because our unique sound will be similar to that of animals dying.’

Nevermind the fact that NOBODY at McKinley High, save for the people ALREADY IN GLEE CLUB, have any interest in show choir (in fact, most of them HATE show choir . . . and want to throw slushees at it).  Also, nevermind the fact that McKinley High never seems to have any money for the after-school clubs it ALREADY has . . .

In Shelby’s defense, she doesn’t seem particularly interested in coaching show choir, at all.  She’d much rather spend her time flirting with Mr. Schue, apologizing for abandoning singing more random duets with her Bio Daughter, Rachel, and taunting Puck and Quinn with the baby they gave up for adoption this past year.

Nothing says, I’m sorry I crippled you with self-doubt, Daughter, by skipping town, right when we were starting to get close, like dramatically holding hands, during a musical number . . .

While I’m still not buying Shelby as being a warm and / or maternal individual, she IS a good musical coach.  And her advice to Rachel that she should sing West Side Story’s “Somewhere,” during her audition for the aforementioned play, as opposed to the well-worn, and, obnoxiously conceited (not to mention, Rachel already sang it in another episode) “I Feel Pretty,” was solid.  I also feel like this duet was WAY more story- appropriate, and pleasing to the ears, than that admittedly bizarre duet that the mother/daughter duo did to Lady Gaga’s “Poker Face,” during Shelby’s last appearance on the show . . .

You can listen to “Somewhere” in its entirety, by clicking below . . .

After possibly saving her biological daughter from a lifetime of therapy, Shelby schedules a visit with Puck and the now-skankified Quinn to discuss their possibly becoming a part of THEIR biological daughter’s life.

“Just because I now look like Frenchie from Grease, and have a ridiculous Minnie Mouse bow in my head, doesn’t mean you should keep me from seeing my child.” 

Shelby gives Puck and Quinn an ultimatum.  They can be part of their daughter’s life, provided they agree to look like they came out of a J Crew catalogue at all times.  (I know, I know, that wasn’t she said.  But I’m trying to prove a point here.)

Those of you who have read my Glee-caps before probably know that I’ve been SERIOUSLY missing my darling Puck-ster, ever since the odious Lauren Zizes hijacked his personality (and his balls), last season.

No comment. 

So, the fact that I was treated to a deliciously poignant Puck-centric scene this week, really did mean a lot to me.

Puck visits Shelby at her own home, so that his in-person pleas to be able to see his daughter Beth cannot be ignored.  “I’ll do anything to prove to you that I can be her life.  Please, just give me a chance,” Puck exclaims earnestly.  He even comes bearing some surprisingly impressive (It’s better than I can do, anyway) artwork for the child . . .

Who doesn’t love a good Clown Pig? 

Eventually, Puck’s surprising politeness, and adorableness crack Shelby’s hard facade.  She eventually lets Puck hold (and spend some quality time) with his daughter, with whom anyone could tell he is already enamored . . .

Now, Baby’s got a REAL Mohawk! 

As for Quinn, she’s busy helping the Skanks stuff small girls’ heads in toilets, so they can steal their lunch money  .  . .

Fun! 

New Congressional Hopeful, Sue, immediately recognizes Quinn’s estrangement from . . . well . .  . everything and everybody.  And so, she decides to explot her, in order to undermine Glee club, as per usual bolster her Congressional campaignSue asks Quinn to star in her “The Arts Ate My Life” campaign promo.  And Quinn agrees, provided Sue puts couches under the bleachers, so that Quinn doesn’t have to strain her now emphyzema-filled ASS, while she’s busy trying to “be bad.”

“Doesn’t wearing a hat like that make your head sweat?”

No longer content to just shame Mr. Schue’s program, Sue has to go and humiliate Mr. Schue himself, by having Quinn confront him about how “Glee club ruined her life,” on video . . .

Though Sue’s manipulation of the situation is not particularly surprising, Mr. Schue’s reaction to the event definitely is . . .  He proceeds to scream right back in Quinn’s face, dishing her out some incredibly tough love about how she is basically a spoiled brat, who perpetually plays the Victim Card, whenever things don’t go her way.

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SING IT, Sista!

He also claims that she has no one to blame but herself for her own misfortune.  (Well . . . in Quinn’s defense, that’s not entirely true.  Quinn’s teenage pregnancy was also Puck’s fault . . .at least a little bit. After all, eggs alone do not a baby make, right?)

They do make for a mean omlette though . . .

The harsh speech definitely has its intended effect on Quinn, who runs out of the room in tears, declining to complete the promotional spot.  However, a real change in the character doesn’t occur until SHE, like Puck before her, visits Shelby in her classroom, to talk about the possibility of HER seeing Beth . . .

*sniffle, sniffle* “I’ve just got all these FEELINGS!” 

 Shelby is mildly sympathetic to her plight (after all, she apparently, also had a nervous breakdown and shaved her head after giving up Rachel).  “Stop punishing yourself for things you did when you were a child . . . er  . . . I mean . . last year . . . says Shelby, sympathetically.  However, the former Vocal Adrenaline coach is still not prepared to waver on this issue:  “No Pink Hair Bleachy Back to Blondie = No Baby.”

The next day, at Mr. Schue’s Mandatory Booty Dance Camp for Horrible Glee Club Dancers, (Hello Finn and Kurt) . . .

 . . . Mr. Schue has just completed teaching Finn the complex wonders of the box step, when Quinn enters the room.  Once again, she is clad in her “pure” white dress, and boring blonde hair, a.k.a. back to being the Stepford Wife everybody always wanted her to be . . .


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Quinn asks to be accepted back in Glee club.  And Mr. Schue, (who really was kind of an asshat to her anyway) “graciously” accepts.  Puck is in Bad Dancing Class too.  And he is looking at Quinn with stars in his eyes, thrilled that, he can once again begin boning someone, who isn’t as awful as Lauren Zizes . . . while wearing condoms, of course that the two of them will now be able to see their baby and become a part of her life . . . together.

BUT WAIT!  There’s a twist!

Apparently, Quinn’s meteoric “Return to Normalcy” (it took less than two episodes, after all . . . which is kind of disappointing, I must say) is not entirely for the reasons everybody thinks.  With a maniacal laugh, and bleached mustache twirl, a disturbingly determined Quinn reveals ot a horrified Puck that she is going to do whatever it takes to get full custody of Beth, even if it means having to give up her pre-existing spot in “Jem and the Holograms.” pretending that she’s NOT having a nervous breakdown . . ., which she most definitely is . . .

“Is this the part where your head starts spinning around and spewing out green stuff?” 

Meanwhile, elsewhere on campus . . .

The Perfect Camille (but not the perfect Tony)

“So, guys, how about that Packers game, last night?  That final play was really something, wasn’t it?  Did you notice how cute his butt looked in . . . oops .  . . I did it again, didn’t I?” 

McKinley High’s production of West Side Story will be produced by Emma Pillsbury, Coach Beiste (who eats an entire chicken at EVERY MEAL), Artie Abrams, and NOT MR. SCHUE .  . .

 . . . because he has to focus on winning Nationals . . .

Auditioning for roles in the play will be Kurt (of course), Mr. I-Have-Magically-Become-a-Junior-Even-Though-I-Started-The-Show-Older-Than-Kurt Blaine, and NOT FINN . . .

. . .  because he will be busy trying to become a less sucky dancer . . .

“You put your right foot in.  You put your right foot out.  You put your right foot in, and you shake it all about.  You do the Hokey Pokey . . .”

 . . . and working at Burt Hummel’s car shop as a mechanic . . . which Rachel Berry is trying not to judge him for . . . but she TOTALLY is judging him . . . only because she thinks he is “better than that” and, therefore, should follow her around like a puppy dog in New York for the rest of his life, as she pursues her dream to become the next Barbara Streisand.

RACHEL: “If I have to hit you with this big stick thingy to get you to listen to reason, I will.”

FINN: “It’s called a tire iron.”

RACHEL: “Whatever, my on-staff chauffeur will be servicing my cars, when I grow up . . .” 

Kurt, for some reason, thinks that the perfect audition song for the role of a macho former-gang member / alpha male named Tony is a Barbara Streisand song, in which he calls himself the “perfect Camille,” prances around the stage in short pants, and flips around some monkey bar contraption like a female gymnast . . .

The song he performs is called, “The Greatest Star,” and you can watch his audition, in its entirety, here:

But then Kurt overhears the show’s directors and producers discussing how Kurt might not appear manly enough to play Tony.  So, he decides to remedy their opinion by GETTING INTO TIGHTS, AND ROLLING AROUND ON A MATTRESS WITH RACHEL BERRY, WHILE SPOUTING SHAKESPEARE MONOLOGUES ABOUT BIRDS?

The results of his second impromptu audition are unsatisfying to say the least.  (But, HILARIOUS!)

It’s Kurt’s devastating realization that he will never get to star in an action movie, or play the romantic lead in a movie about a pro wrestler . . . or a football player . . . or any male character that would feel out of place wearing a pink ascot, that makes him freak out on poor Brittany for pasting those Big Gay Posters, featuring a very horn-y Kurt throughout school . . .

That is, until, he has a talk with his Trusty Old Dad . . .

“Cue the Full House music son.   It’s time for the lesson of the day.” 

Burt tells Kurt, “SURPRISE!  You’re GAY!”

 

“Like . . . really gay  . . . like singing like Diana Ross and owning a Chocolate Factory, gay.”

“Excuse me, Burt.  Did you just call me, Willy Wonka, gay?  I’m NOT gay.  I just really like children and candy . . .  I might be a pedophile, though . . .”

Burt tells Kurt that, if he wants to be a star, he is going to have to chart his own career path, and create his own roles.  And to do this, he must embrace his Big Gay Unicorny self.  So, Kurt decides to do just that.

But it’s too late, because Brittany has already decided (thanks to Santana) that SHE’S a unicorn too.  And she’s going to run for Student Council President against Kurt.

 (And it seems pretty obvious that, mentally challenged or not, she’s TOTALLY going to kick his ass, so . . .)

But that’s OK!  Because, Kurt might still get the role of Tony.  After all,  there’s no one really talented enough to take the role in his place . . .

Well . . . there’s Blaine, but he wouldn’t audition for Tony.  After all, he’s a JUNIOR right?  And a junior wouldn’t want to step on a senior’s toes right?  RIGHT?

OK . . . OK . . . so Blaine’s rendition of “Something’s Coming,” a song that Tony (not someone named Camille) ACTUALLY sings in West Side Story, was pretty darn amazing.  And Blaine’s a pretty manly looking (and acting) guy . . .

 . . . well . . . at least when he wants to be!

But that doesn’t mean the producers are going to GIVE him the role of Tony over Kurt, does it?

Yeah, sorry Kurt!  You’re totally screwed . . .

Until next time, Gleeks!

[www.juliekushner.com][Fangirls Forever]

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Mistaking Nipples for Pepperoni (and Tattoos for Irony) – A Recap of Glee’s Season 3 Premiere “The Purple Piano Project”

Blaine is THRILLED that Season 3 of Glee has begun.  Mr. Schue is just excited that he and Blaine own the same sweater vest . . . 

Welcome back, Gleeks!  Well, the summer is over.  And that means school is back in session.

But hey!  School’s not ALL bad!  After all, it’s senior year for most of our McKinley High students.  And senior year is AWESOME!

I mean, think about it . . . that’s when you decide where you’re going to college  . . . and what you want to be when you grow up . . . and if you should bang your boyfriend on prom night, and whether you should dye your hair pink, and get an ironic tattoo of Ryan Seacrest on your ASS . . . wait . . . WHAT?

Between Ripper Stefan on TVD last week, and Bad Quinn on Glee this week, this is quickly shaping up to be Evil Alter Ego Month on prime time television.  What’s next, a Homicidal Blair on Gossip Girl?


But Quinn isn’t the only Glee kid making MAJOR changes this year.  In fact, the entire hour was chock full of breakups, makeouts, oustings, school transfers, political manuevers, fire-starters, glitter bombings, food fights, and, of course, a whole LOTTA show tunes, courtesy of our favorite McKinley High School students . . .

So, tighten up your bow tie, tune up your purple piano, and get ready to dance on the lunch tables, because it’s time for another Glee-cap . . .

He’s BAAAAAAAACK!

If Carrot Top and Woody Allen ever procreated, this is probably what their kid would look like . . . 

In what has become a highly efficient, if slightly lazy, plot device, this season begins, just as last season did, with Jacob Ben Israel “video blogging” about how the entire cast spent its hiatus.  For example, Mercedes dumped Sam because the actor who played him left the show and started dating THIS GUY . . .

“Knock . . . knock.  Hey Sam, are you in there?  It’s me, Mercedes!”

By the way, does anyone else find it funny that all these so-called “outcast” Glee kids, all seem to either be on the football team, or cheerleading squad, or dating someone who’s a cheerleader or football player?  Just wondering . . .

But wait . . . I have even better news.  LAUREN AND PUCK, FINALLY BROKE UP!

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Apparently, it had something to do with Lauren wanting to be more “popular,” and thinking that Puck and the Glee club were somehow, bringing her down  .  . .

In other news, Puck’s balls have returned to the show, as returning cast members . . .  And we all know what THAT means . . .

Now, if we could just get someone to help them change back to their original color.  Any volunteers?

We also learned that Tina and Artie are the only juniors left in Glee club, which actually doesn’t really tell us anything about how they spent the summer, or what they are doing with their lives.  However, apparently, it was something the writers wanted us to know . . . you know . . . to prepare us for next year . . . WHEN THE ENTIRE CAST IS GONE!

Dear Glee Writers,

YOU’RE MEAN!

Hugs and Kisses,

Rachel Berry 

Santana aspires to be the next pre-psychotic breakdown Paula Abdul, until Jacob informs her that Paula isn’t technically a “Latina,” like Santana once thought   . . .

In other news, the cat from that old “Opposites Attract” video?   TOTALLY Latino!

As for besties, Mercedes Rachel and Kurt, the uber dramatic pair aspire to become the next Will and Grace (1) move to Manhattan together, (2) attend a performing arts college in the city, (3) achieve moderate success as broadway stars, and (4) get married by 30, but, obviously, not to one another.  (I smell a Glee reunion special!)

“Shhh . . . this segment of the show is really a campaign for Kurt and I to get our own spinoff show.  Don’t tell anyone.”

Speaking of Rachel, her milquetoasty boyfriend Finn has NO plans for the future, beyond not getting slusheed on his first day back from school . .  .

Way to shoot for the stars, Finn! 

Ohhh . . . nevermind!

Watch Out, Ladies!  This is what becoming impregnated by Puck can do to YOU  . . .

Meanwhile, somewhere underneath the bleachers, where, coincidentally, is where the cast of Freaks and Geeks used to hang out, a newly pink haired, nose-ringed, Seacrest tatttooed, Quinn Febray is hanging out with a clique of girls known as The Skanks.


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But Quinn’s appearance isn’t the only thing about her that’s changed this past summer.  She’s also started dating middle-aged skateboarders, has quit BOTH the Cheerios and Glee club, and suddenly, talks like she’s swallowed a phone sex operator . . . weird.

“You sound hot, Evil Quinn, what are you wearing?” 

I have to say, of all the storylines introduced in this episode of Glee, Bad Quinn’s is the one about which I’m most intrigued.  After all, when you think about it, Quinn’s rebellion against the status quo has been a LONG TIME coming.  I mean, here was a girl who feared that high school would be her Glory Days . . . that she would graduate McKinley High a popular pretty cheerleading prom queen, only to find herself trapped for the rest of her existence in the dull, and unfulfilling, lifestyle of a barefoot and pregnant Lima, Ohio housewife.

And then she got pregnant, and had to give the baby up for adoption . . .

 . . .  and then her boyfriend dumped her for the dork next door . . . and then she lost the title of Prom Queen to a BOY.

Here was a girl who’s only hope was that, even if she wasn’t meant to get out of her hometown, at least let her high school experience be perfect.  And then, she couldn’t even achieve THAT!  Given all that she’s lost in the past couple of years, is it any wonder that Quinn is rebelling now?

Staunchly on Team Return Quinn to Glee club and the Cheerios, are her fellow Unholy Trinity members, Brittany and Santana . .  .


This sapphic duo attempt to convince Quinn to return to the Bright and Perky Side,  by reminding her of the Good Old Days, back when the three of them were all simultaneously f*&king Puck . . .

Talk about Glory Days . . . 

However, since Quinn TOTALLY still has the option of continuing to f*&k Puck, even without returning to those pesky extracurricular activities of yesteryear (He is single again, after all!), this strategy proves ineffective.  Next up is Rachel, who offers Quinn a more heartfelt plea to return to the World of Glee .  . .

“You’ll probably get more screentime, if you come back!” 

Rachel seems immediately to recognize Quinn’s rebellion for what it truly is, a sign of SERIOUS depression.  (I mean, if getting a picture of RYAN SEACREST tattooed on your ass isn’t a cry for help, I don’t know what is!)

Hey, I resemble that remark! 

For someone who’s typically so completely self-absorbed,  Rachel Berry sure can be awfully intuitive, sometimes.  We see this here, when Rachel tells Quinn she is sorry that the latter is so sad.  And despite the fact that the pair have been rivals for most of the series, Rachel’s admission that she misses seeing Quinn at practice, and hopes that this will be the year the two of them can “do it right,” genuinely seems heartfelt.  In fact, Quinn even seems to consider Rachel’s offer for a few extra moments, before returning to her Army of Skanks . . . and Girl with the Dragon Tattoo Wannabe Wardrobe . .  .

Speaking of filling those increasingly empty show choir room chairs . . .

We Got Beaten Up The Beat!

Hey Artie . . . I don’t want to be the one to have to tell you this, but you have spaghetti ALL OVER YOUR HEAD! 

Sometimes, I think Will Schuester is the most passive aggressively abusive teacher on the planet.

If the purple piano fits . . .

I mean, sure, the idea to have Glee club members break into song whenever they saw a purple piano (kind of like Pavlov’s Singing Dogs), was a clever one, in terms of advertising the club and drumming up possible new recruits.  But, REALLY, if you KNOW the entire school hates the Glee club, and tends to THROW FOOD at them, even in the most benign of circumstances, what on Earth would make you think it was a GOOD idea to have the entire club perform in the SCHOOL LUNCH ROOM?

I don’t know.  Perhaps, the fact that Will has spent the ENTIRE SUMMER sleeping next to Emma, and she STILL hasn’t given him sex, has caused him to want to provide EVERYONE ELSE just as much pain as his blue balls experience, EVERY SINGLE DAY . . .

But still . . . that DOESN’T MAKE IT RIGHT!

Then again, part of the fault HAS to lie with Rachel, who (1) convinced the group to perform in the first place; and (2) selected “We Got the Beat” by the GoGo’s as their musical number — a song high school kids might have genuinely enjoyed . . . back in 1982.

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And though the choice of song was decidedly MEH, and the student body seemed to be a combination of confused and annoyed, by the fact that the Glee kids were interrupting their meal time to sing it, you have to hand it to New Directions for their Mad Dancing Skillz . . .

*fans self* 

 . . .  infectiously bubbly energy, and their uncanny ability to magically produce a backup band, whenever the need arises.

“Woah!  How did we get here?  Do we even go to this school?” 

Don’t believe me?  Check it out for yourself . . .

Of course, WAY MORE ENJOYABLE than the actual music number, was the food fight that erupted afterward . . .

Particularly, THIS part . . . (Man, did I get an insane amount of joy out of watching THIS . . .)

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Does that make me a bad person?  Maybe not.  But THIS definitely does . . .

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Oh Sugar!

I mentioned that the Glee club was hoping that their lunchtime performance would drum up some new potential members.  And it did.  The problem of course, was that the ONE prospective Gleek it did entice sounded like THIS . . .

 “W . . . T . . . F?”

Now, a bad new recruit like Sugar would have been a FINE addition to Glee club, back when they were just starting out . . . And back when they weren’t under a TREMENDOUS amount of pressure to return to and win Nationals, following what Kurt lovingly refers to as “The Kiss that Missed.”

But now Schue is torn between being a GOOD teacher, and a GOOD competitor.  Since he was never much of the former, he ultimately chooses the latter, thanks to a rousing speech from Coach Beiste about Crushing Kid’s Dreams in Order to Win . .  . and Stuff . . .

“For  what it’s worth, I’d still very much like to have sex with you.” 

Sugar, who thinks she worked the song “like a Stripper Pole,” not surprisingly, is shocked and crushed by the clubs rejection of her.  Something tells me she won’t be staying away for long . . .

Since we are on the subject of people who WON’T GO AWAY  can’t stay away from the Glee club . . .

Congressman Sylvester, I presume?

Notice how Sue’s tracksuit matches the purple piano.  Coincidence, I think not! 

*sigh*  So, last season, when all this “Sue as Congressman” stuff first came up, I was THRILLED with the idea, because I THOUGHT it would mean that the writers had FINALLY given the prickly cheerleading coach something else to do other than harrass the Glee club.  And it worked . .  . for about two minutes of the season.

Doh!

Then Sue finds herself trailing in the Congressional opinion polls behind, “Undecided,” “that rapist running from prison,” “please don’t call me during dinner,” and “anyone white.”  Then comes that annoying and frustrating fateful day, when that equally curmudgeony geometry teacher actually APPLAUDS her for taking apart one of the Glee kids pianos, because she HATES artsy fartsies.  Suddenly, Sue’s new political platform is born.  And (SURPRISE!) it involves cutting ALL funding to arts and music programs until all the students in Ohio schools read at or above reading level.

And that’s when WILL gets his UBER CREEPY Glitter Bomb Idea, a.k.a. the idea to pour glitter on Sue’s head, while extolling the virtues of Arts in Schools, and putting the result on YouTube.

Perhaps the magical glitter can make this terrible storyline disappear. 

Oddly enough, Will’s flaming vigilantism, has the unintented consequence of making Sue a MORE popular candidate, due to her perceived image as a VICTIM of the Evil White Man and his Glitter.  And wow, I can’t believe I actually just typed that sentence.  Make it stop.  Please make it stop .   . .

In other news . . .

“We Totally Just Did the Gay High Five.”

Wow, I didn’t know they were planning to make Strawberry Shortcake into a live action movie . . . How come nobody tells me these things?

After unsuccessfully trying to give them dating dating advice, (you know because she’s TOTALLY an expert on the subject) . . .

Emma actually helps aspiring stars Kurt and Rachel out by (1) crushing their dreams, by informing them that their dream school Juliard, actually lacks a musical theater program; and (2) reawakening their dreams by informing them about ANOTHER school in New York City that DOES have such a program, AND, (SURPRISE!) just so happens to be holding a mixer for prospective students in Lima that week . . .

And so, our intrepid future theater majors prepare for this live-changing event, by actually researching the school singing a duet to Ding Dong the Witch is Dead.  You know, because Kurt and Rachel haven’t done NEARLY enough Wizard of Oz themed numbers together, during the past two seasons . . .

Ding, Dong, this theme is dead . . . 

All sarcasm aside,  the performance was actually kind of cute, in a goofy, should-be-sung-by-actual-munchkins, kind of way . .  .

 Cut to the night of the mixer, when Rachel and Kurt find themselves surrounded by, not surprisingly, a bevy of copycat Rachels and Kurts, led by Glee project winner, Lindsay Pearce, each laden down with a bevy of acting credits (I think one of them actually claimed to be the Gerber baby), overly ambitious Singing Faces, and an over abundance of Spirit Fingers.  This group horrifies Rachel and Kurt by performing, of all things, a mashup of “Anything Goes / Anything You Can Do” that, while definitely not better than MOST of the numbers we’ve seen Rachel and Kurt perform, is DEFINITELY better than “Ding Dong the Witch is Dead.”

Obnoxious, aren’t they?

Cut to Rachel and Kurt boo-hooing intensely in the car about the reality check they’ve just experienced.   Maybe they AREN’T good enough to make it as theater geeks in the REAL WORLD?  Maybe they won’t actually get into this school?  Maybe Dorothy really DIED at the end of Wizard of Oz, and the makers of the movie just didn’t want to tell us the truth.

“I’ll get you my Pretty, and your Little Rachel too . . .” 

But, no!  Kurt and Rachel will not be so easily discouraged.  In the car, the pair comfort one another, vowing to help eachother get out of Lima and into showbiz, no matter what it takes.  And their exchange is both incredibly schmaltzy, and uplifting at the same time.  It even ends with a Gay High Five . . .

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And that’s how Kurt decided to run for student council president (to beef up his extra curriculars . . . Because, you know, Kurt is so popular outside the Glee club)  . . .

Yay Kurt! (He’s so screwed.)

 . . . and Rachel decided to cast herself as the lead in the school’s production of West Side Story (because the opportunity to see Rachel sing more solo show tunes is exactly what Glee needs).

Speaking of Kurt . . . and Blaine

It’s Not Unusual . . . to Commit Arson at Your School . . .

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Guess who just transferred to McKinley?  That’s right, my Gleeky friends!  Apparently, being a local legend / high school hero / Mr. Popularity /Warbler Extraordinaire, is NOTHING, if you can’t spend every waking minute of the day with your high school boyfriend.  Ah, the wonders of Dumb Young Love!

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(Oh, something tells me our super attractive friend is in for a RUDE awakening, the first time he gets DENIED a solo, and when his adorably tight red pants inevitably get covered in blue slushee .  . .)

By way of introducing himself to his new school, and Glee club, Blaine decides to perform an AWESOME rendition of a song that I honestly always thought was incredibly LAME, until I heard Blaine Warbler sing it outside McKinley High, surrounded by a bevvy of cheerleaders, most notably new Cheerio co-captain (along with Sue’s pet, Becky), Santana . .  .

Seriously, this was, BY FAR, the best musical number of the evening.  I mean, he even did the CARLTON DANCE during it, for crying out loud.  It just doesn’t get much cooler than that!

As you might have noticed, Blaine’s McKinley musical debut ended with a BANG, care of the cheerleaders dousing the piano with lighter fluid, and Bad Quinn flicking a cigarette on the now-flammable keys.  While the piano bursting into flames, as a result of Blaine’s AWESOME singing made for a spectacular finale, it certainly did not make one Will Schuester particularly happy.  And he ends up kicking Santana out of the Glee club for (ahem) playing for both teams . . . (See what I did there?)

“Not funny!  Can’t you see I’m in pain here?” 

Man, they really are dropping like flies in Glee club this year, aren’t they?

Oh, did I mention that Finn called Blaine out, when he was introduced to the rest of the Glee club, for being a BALL HOG, and getting all the solos at HIS school?

“Hello, Pot?  This is Kettle calling . . . guess what, YOUR BLACK!” 

The episode concludes with the remaining Glee clubbers performing a rousing rendition of yet another showtune  Hairspray’s “You Can’t Stop the Beat,” while Bad Quinn looks on longingly from the rafters . . . undoubtedly wishing her elderly skateboarding boyfriend was there to give her a hug . .  .

*sniffle, sniffle, pout, sniffle* 

And that was the season premiere, in a nutshell.  Next week’s promo promises, among other things, auditions for McKinley High’s production of West Side Story, the return of Rachel’s bio mom / Quinn’s adopted baby mama, Shelby Corcoran, some Finchel makeout sessions, and Brittany teaching us what the the REAL capital of Ohio is . . . You can watch it in its entirety (with Portugese subtitles, of course ;)), right here:

So, now that the premiere has come and gone, what are your thoughts?  Are you psyched for this upcoming season?  Or do you feel its time the whole series got itself glitter bombed?  Sound off in the comments section below . . .

[www.juliekushner.com][Fangirls Forever]

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