Don’t Cry for Me, Sue Sylvester!: A Recap of Glee’s “Home”

  

Glad to see my girl, Mercedes, happy and smiling again!

This week’s installment of Glee might not have been the show’s most GLEE-FUL (Everyone was CRYING during it!), but it was certainly its most heartfelt.  As you can probably gather from the title, the episode’s theme was “home” (and just in case you didn’t get the theme from the title, the entire cast hit you on the head with it, sledgehammer style, by using the word, about every 5 minutes).

The “home” in question, referred to a house, in the literal sense, like the one Mr. Schuester was trying to sublet, pending his divorce.  It also referred to “home” in the more abstract sense, like the inner peace Mercedes had to regain, regarding her body.

“All this talk about HOME is making me HOMESICK, Toto!”

Let’s revisit, shall we? 

There’s No Place Like Inside Will Schuester’s Pants . . .

When the episode begins, the Glee club is homeless, due to Sue Sylvester’s commandeering of the auditorium for use by her Cheerios (of which, by now, half of the Glee kids just so happen to be members).  Ummm . . . to be honest, I’m not sure why this was such an issue.  I always thought the Gleeks held their practice sessions in the music room, you know, the one we always see them practicing in.  Anyway, as a result of this plot device unfortunate circumstance, Mr. Schuester (a.k.a Will) is forced to search for a temporary “home” for his Glee club, and randomly decides that the 1980’s would be a perfect place for them to go (last week, after all, was the Madonna episode). 

So, our favorite Glee coach travels back in time . . . to a roller rink . . . and to a previous episode of the show, guest starring Kristin Chenoweth . . .

Yes, boys and girls, you probably remember Kristin’s guest starring role on Glee, during the first half of the season, as the boozy songstress, April.  Well, now, apparently, April is back, and conveniently in charge of the roller rink that constitutes the “only possible” place for our Gleeks to practice (aside from the music room, of course).  April gallantly lets Will use the roller rink as Glee Club practice space.  She’s also willing to prospectively help him find a subletter for his home.  Why, you ask?  Because April is a girl, and everyone knows that all GIRLS on Glee (except for maybe, Sue Sylvester)desire a coveted spot inside the Schuester pantalones (a spot which is becoming increasingly less exclusive as the weeks progress)!

“Come on inside, ladies.  There’s room in here for EVERYBODY!”

April swings by Will’s place, ostensibly to check out the apartment, but ends up spending the night.  Surprisingly, these two don’t actually do it!

I know, Mr. Monkey, I was shocked too!

However, they did sing a couple of rousing show tunes together, about how lonely they both were.  And nothing says foreplay like SHOW TUNES!

After the foreplay show tunes singing, Will goes into Daddy mode, and self-righteously lectures April on how crappy her life is right now.  (Right, because YOU are the epitome of healthy living, Man Slut Will).  And to his credit, Will Schuester must be REALLY good at singing show tunes, because one talk with him is all it takes for April to decide to clean up her life and head out of town, but not before she buys the Glee club its auditorium, of course .  . .

Our Parents are Dating Eachother, So We Should TOTALLY Date TOO . . .

“You’re so TENSE future step-brother.  Maybe a full body massage would help.”

Speaking of pantalones, I’m not exactly sure what gave Kurt the brilliant idea that, if you have a crush on someone, becoming related to them is the PERFECT way to get them to do it with you (particularly if that person is straight, and you are gay)!  And yet, that was precisely our boy Kurt’s dastardly plan at the beginning of this episode.  We watch as Kurt deftly orchestrates the coupling of his widower father (played by Mike O’Malley) with Finn’s widowed mom.  And, wouldn’t you know it, these two fall completely in love, during the course of a SINGLE EPISODE!

Finn, who sees any “moving on” he and his mother might do, as a direct betrayal of his deceased dad, is not too happy with this new state of affairs.  And he lets both Finn and his mother know it, in no uncertain terms.  I love how when a very hurt Kurt sings “A House is Not a Home” directly to Finn during Glee practice, Puck mouths to Finn “Are you gay?”  (It might have been wise for Kurt to ask Finn this same question, before he started going through all this trouble!)

To further complicate matters, when Kurt and Finn, and their respective parents, all go out to eat together, Kurt’s dad starts talking football with Finn, which makes Kurt, who has always desired a closer relationship with his “man’s man” father, extremely jealous.  But . . . wait . . . isn’t Kurt on the football team too?

Did Kurt not WIN a football game for his school, by distracting the opposing team with his hypnotic “Single Ladies” dance, just a few months ago?

I mean that’s gotta count for something, right?  During the episode, Kurt comes to terms with his relationship with his father, while Finn comes to terms with the loss of his.  Ultimately, Finn allows Kurt’s dad to sit in his father’s sacred chair, while the two bond over a college football game.  Kurt looks on wistfully, but with a new understanding of the situation.

What it takes to be Beautiful . . .

“Just for cheering, not for EATING!”

Poor Mercedes!  The minute Sue Sylvester calls her and Kurt into her office, we just know she’s in for some trouble.   “How do you two not have a show on Bravo?”  Sue inquires, as the spunky pair banters with one another, just seconds before Sue rips their hearts out.  (And, she’s RIGHT!  I would TOTALLY watch a Bravo show starring these two!)

Check out Kurt and Mercedes in Bravo’s new hit show “Girl Talk,” on Thursday nights (right after Project Runway)

In preparation from an upcoming interview with a premiere journalist, Sue Sylvester has given her newest Cheerio an ultimatum: “Lose ten pounds, or you’re off the squad.”

To her credit, Mercedes initially goes about losing the weight the right way, by ordering a healthy lo-cal lunch at the cafeteria.  Unfortunately, Mercedes’ “friends” intervene, giving her “advice,” ranging from the bad to the downright insulting.

“Don’t ruin this for me!” Kurt says.

“Would you rather feel bad and look good, or feel good and look bad?”  Santana asks, after suggesting that Mercedes drink a “meal replacement” shake, that will cause her to instantly regurgitate all her food.

“We like you no matter what you look like,” says Artie (good sentiment, poor delivery)

“I’m pretty sure my cat has been reading my diary,” says Brittany.

(LOVE this girl!  I’m so glad they’ve decided to upgrade her to series regular status.  She totally deserves it.)

 . . . and so does her cat. 

Mercedes soon begins starving herself, to the point where she faints in the lunchroom.  Surprisingly, the only person with anything remotely supportive to say to Mercedes throughout this entire ordeal is Quinn.

In a very touching scene, Quinn visits Mercedes in the nurse’s office, offers her a granola bar, and tells her she is beautiful.  “You’ve always been at home in your body.  I admired that about you,” Quinn counsels.

Having had body issues in the past, and having gained a new understanding about healthy eating, as a result of her pregnancy, Quinn is able to commiserate with Mercedes, and provide her with some good advice.  I love the journey the writers have taken with Quinn this season.  She has certainly come along way from the shallow self-righteous girl we knew from the pilot. 

At the pep rally, Mercedes surprises everyone by giving a heart-warming speech about the importance of feeling comfortable in your own skin.  She then asks the entire student body to join her in a rendition of Christina Aquilera’s Beautiful, that, in my opinion, was by far, the best performance of the evening.  (Then again, maybe that’s just because I’m not a big fan of show tunes.)  You can hear Mercedes, in all her glory, here:

After the performance, a nervous Sue Sylvester . . .

 . . . meets with the journalist, who she is convinced will berate her for the impromptu performance.  And, initially, it seems as though he will do just that.  “The minute I met you, I instantly disliked you . . . Twice you called me Rerun, and I was also beginning to think you were a little racist.”

NOT the journalist!

While the journalist initially had plans to expose Sue for her bad behavior, he was pleasantly surprised by what he saw during the pep rally.  Assuming that Sue had orchestrated the whole thing, he calls her a visionary, and promises to “open doors for her,” by writing a highly laudatory article about the cheerleading coach.  To Sue’s credit, she ACTUALLY looks like she feels kind of guilty about all the undeserved praise she is receiving.  But just like the other few times us viewers have been made privy to Sue’s softer side, I’m sure it won’t last very long . . .

• That’s all folks.  It was definitely not my favorite Glee episode, but it had some good moments.  What did you think?  Are you excited about the prospect of Kurt and Finn as step-brothers?  Were you as shocked as I was that Jesse St. James had NO lines during this episode, and Rachel only had one?  Would you watch a Bravo show starring Mercedes and Kurt?  If you were Brittany’s cat, would you read her diary too?

 

Back to School – A Recap of Grey’s Anatomy’s “Time Warp”

When I heard that this  Thursday’s installment of Grey’s Anatomy was going to be a “flashback episode,” one that intermingled the characters’ present day experiences with events of the past,  in order to shed some light on the characters’ current behavior, I found myself struck with an overwhelming sense of deja vu.  I couldn’t kick this feeling that I had been here before.  That I had seen this before . . .

Oh, yeah . . . now I remember . . .

In an effort to differentiate himself from former Chief Webber McBoozy (although after 45 days of sobriety, I guess it is no longer appropriate, nor fair, to call him that), and to make a name for himself as the “touchy feely” Nu-Chief, Dr. McDreamy Shepherd reinstitutes Lecture Day at Seattle Grace.

“See?  I’m the sensitive one.  Look into my puppy dog eyes,  and tell me I’m not sensitive.  Just don’t make me cry, because I’ll punch your lights out, if you do.”

As guest lecturers, Shepherd commandeers Bailey, Callie, and Chief McBoozy Webber (sorry, force of habbit).  Webber takes a bit of extra persuading on Shepherd’s part.  After all, learning that you have just been demoted from “Chief of Surgery” to just plain “surgeon” does not exactly make one feel all “happy-go-teachy.”  Nonetheless, Webber ultimately agrees to guest lecture, and what appears to be the entire staff of Seattle Grace packs a rather large auditorium to see him do so. 

(Seriously, Seattle Grace?  Your entire staff?  This is why you aren’t ranked in the top ten!  This is why your patients die all the time!  Doesn’t anyone practice medicine here any more?)

But I digress . . . Here’s what we learned from our three lecturers:

Webber’s Lesson: “When I was your age . . .”

Our first flashback took us all the way back to 1982 – a time when the medical profession was very much an all-boys club, an all white boys club;  a time when doctors were largely ignorant about and frightened of immune system-related diseases and homosexuality.  It was also a time when people dressed like this . . .

Back then Webber was a just teetotaling, ambitious young resident trying to make a name for himself at Seattle Grace, while, at the same time, boinking Meredith’s Mommy, Ellis Grey, in the on-call room.  Yes, apparently, they did that in the 80s too.  Talk about sexually transmitted diseases . . .  How often do you think they sterilize that place?

“28 more years of this and we will ALL be under quarantine . . .”

When Ellis and Webber encounter a patient with a rare bacterial infection, they begin to suspect that he may have GRID, Gay Related Immune Deficiency Disorder, or AIDS, as it is now commonly called.  This was a highly sensitive subject for any doctor to broach during that time, let alone a young resident with minimal job security.  After all, few cases of the disorder had been discovered at this point, and very little was known about the disease. 

Apparently, homosexuality was just not something you talked about back then, it being a time before

 Will and Grace and . . .  well . . .

Grey’s Anatomy!

Initially, the patient takes Webber’s inquiry into his sexual orientation very badly.  He leaves the hospital in a huff, refusing treatment.  Unfortunately, a few weeks later, he returns, now extremely ill and desperate for help.  The problem is that, now that his secret is out, most of the doctors and nurses at Seattle Grace are afraid of infection and unwilling to help him.  THIS MUST BE A JOB FOR  . . .

 . . . no, not them, just Young Webber and Young Ellis Grey.

The dynamic duo risk their careers and, as far as they know, their lives, to save this patient.  Fortunately, the surgery goes well.  (Yay!) But . . . then the patient dies anyway (Boo!)  But, not before Webber learns of his own fallibility and the importance of maintaining your humanity as a surgeon.  (Yay!)  Then, afterwards, Ellis bullies the future Chief McBoozy into taking his first alcoholic drink. (Boo!)   But, before, that, we got to see how adorable Meredith looked at age 5.  (Yay!)

Needless to say, it was a very emotional rollercoaster-esque lecture.  Yet, at its conclusion, Webber gives a rousing speech about the importance of doctors adhering to the Hippocratic Oath.  He then raises his right hand and recites the Oath himself.  Admittedly, it was some pretty powerful stuff, and really served to highlight Webber’s true love of medicine.  Clearly affected by his own speech, the Old Chief ultimately decides to accept McDreamy’s offer and return to work.  (Yay!)

Bailey’s Lesson: Shark tales, a.k.a. The Birth of the Nazi

Before Miranda Bailey became the Nazi; before she turned into a strong, smart, powerful, but often angry, woman who looks like this . . .

Bailey was an overachieving but painfully shy and polite-to-a-fault intern, who looked like this . . .

The year was 2003.  While medicine had come a long way since 1982, there were still many obstacles for women who wanted to succeed in the healthcare industry.  And for many women, their biggest obstacle was one another.  That’s right.   Mean girls, unfortunately, stuck around long past the 80s . .

This movie came out in 2004 . . .

Despite the fact that Mean Girls wasn’t due out in theaters for another year, one of them had managed to sneak into Seattle Grace.  Bailey’s resident “advisor” is  a bitch with a Capital B.  And, like any two-dimensional villian, this 30-something year old woman tortured Young Bailey with the zeal, intensity (and maturity) of a 16-year old cheerleader who just found out that her boyfriend has decided to go to prom with the class nerd.

Be careful Bailey!  This never ends well for people like you . . .

Fortunately, for Bailey, she is due for a major personality transplant and stat!  And who performs said transplant, you ask?  None other than Superman Webber of course!  “Surgery is a shark tank, and sharks have teeth.  Be a shark, not a minnow,” the then-Chief instructs Bailey. 

And I bet you know what happens next . . .

That’s right!  Our Neo Nazi Bailey solves a difficult medical mystery.  Then,  in what we now know was the first of her eloquently angry, yet rousing, monologues, Bailey hands her bitchy resident advisor her ass on a platter for ordering countless unnecessary surgeries for a patient, who merely required medication.  “You are going to be a brilliant surgeon one day,” commends Webber (and we know that he is right!)

In addition to being an awesome surgeon, Bailey is also terrific public speaker.  She owns both the stage and her audience, awarding them for class participation with chocolates.  And as a nearly perpetual student, I can tell you that candy bribes WORK and work well!

Callie’s Lesson: “Everybody f&*ks Alex.”

You know who’s not so hot in the public speaking department?  The typically loud and brash Callie.  After vomiting up her breakfast in anticipation of the big event, Callie stumbles around stage, head tucked inside her notes, mumbling almost incoherently about the club footed patient her and Alex cared for back in 2006, when she was a new resident.

With Alex’s help, however, Callie ultimately recovers nicely.  She recounts for the group the immensely gratifying experience of repairing the leg of a 28-year old student who was told he could never walk.  When all of the other doctors discounted the patient, and berated Callie for mismanaging his expectations, Callie refused to give up.  As a result, this formerly bed-ridden man can now roam freely (with the help of some crutches, of course). 

And this wouldn’t be Grey’s Anatomy if the story didn’t end with an on-call room boink fest between Alex and Callie . . .

“I am so much better at doing this than public speaking  . . .”

Apparently, Alex has screwed the entire staff at Seattle Grace, and most of its patients.  That is one dirty boy!

Not only is Alex a slut, he is also, apparently a liar.  And Callie catches him in a real whopper.  As punishment, she forces him to perform the surgery he claimed to have already done by himself in an elevator shaft, even though that surgery was actually completed by Callie’s ex-hubby, the now deceased, George.

R.I.P. Dude!  The show hasn’t been the same since you left . . . really.

So, there you have it, folks.  A love letter to medicine, with three flashbacks, two sex scenes, lots of chocolate, and a shout out to an old friend.  Not bad for a single episode.

Go Greek! (It’s Guilt Free!)

Here is yet another blog post where I try to use my admittedly limited influence as a blogger to convince you to watch a fun-filled and entertaining television show that you may be missing because (a) it is not found through the usual channels (i.e. ABC, NBC, Fox, CW, HBO etc.); and (b) it is not particularly well advertised.  Now in its third season, Greek airs at 10 p.m. on ABC Family (during the last hour before the channel goes all scary religious).

If you’ve ever read this blog before, you probably know by now that I LOVE my one-hour high school teen dramas.  However, on occasion, I do experience some feelings of guilt and generalized perviness for crushing on / drooling over the 16-year-old male characters featured in them (the fact that some of these characters are played by actors who are actually my age helps a little bit, but not enough . . .).  Therefore, I was understandably pleased to find Greek, an hour-long dramedy with all the relationship drama, good humor, and soapy goodness of a teen show, but with characters that are universally LEGAL!  (A majority of the “Greeksters” are now in their senior year of college.)

Most of us are even old enough to drink without fake IDs!  Pretty cool, right?

Like Freaks and Geeks, a show I discussed in an earlier posting, Greek features, as its main characters, an older sister and her socially awkward, slightly nerdy, younger brother.  In the Pilot episode,  older sister Casey is a junior at the fictional Cyprus Rhodes University and an up-and-comer in her elite sorority, Zeta Beta Zeta.  She fears that the entrance of her geeky brother, Rusty, into the school as a freshman will cramp her style and spoil her painstakingly crafted reputation.

On the surface, Casey may look like the typical 80’s movie cliche, a pretty, popular, and vapid sorority girl.  And, yes, Casey is pretty and popular.  However, she is also smart, snarky, goofy, and insecure enough to be a truly likeable and relateable character.  Plus, Casey and her friends make up only half  of the show.  Rusty’s attempts to juggle a full load of engineering classes with his fraternity duties as a Kappa Tau, AND maintain a romantic relationship, add an entirely distinct and quirky level to an already enjoyable hour.  Rusty’s best friend, the uber religious and ultra nerdy, Dale, is, surprisingly, one of the show’s funniest, most unique, and best-written characters.

Of course, this wouldn’t be a teen/young adult dramedy without a love triangle.  Throughout the series we root for Casey, as she struggles to choose between wisecracking slacker Cappie, and spoiled rich kid Evan.  The fact that these two guys just so happen to be presidents of rival fraternities only serves to exacerbate matters (and make them more fun!)

Sure, Greek isn’t exactly the most realistic portrayal of the college experience (for that, Netflix the DVD for the too-soon-canceled Undeclared).  Even the hard-boozing KT frat guys look just a tad too pretty and well-dressed to be cash-strapped college students.  Plus, this is ABC Family, so there is not nearly as much sex and shirtlessness as there should be for a college show.  Nevertheless, Greek will undoubtedly  bring you back to a time in your life when your most pressing issue was whether the boy you liked would ask you to formal.  For that reason, it is definitely worth a try . . .

Freaks and Geeks – The Best Show You Probably DIDN’T Watch (and neither did I), But We Should Have

Before Katherine Heigl got Knocked Up, before Jason Segel spent an entire Hawaiian vacation Forgetting Sarah Marshall, and before Steve Carell endured the ignominious label of The 40-Year Old Virgin, there was a funny New Yorker named Judd Apatow, and a little  television show called Freaks and Geeks.

Although the show aired roughly ten years ago, I didn’t come across it until fairly recently.  I was looking for a prospective candidate to fill my ever-dwindling Netflix queue, at the time.  The show was described as a “period piece” of sorts, in that it took place at a Michigan high school during the 1980-81 school year. 

Now, as you can probably tell from this blog, I LOVE my high school dramedys.  Plus, I have always been a bit obsessed with the ’80s as a decade, despite the fact that I was itty bitty during most of it.  (The Breakfast Club was the first R-rated film my mother let me watch on video.  It is still one of my favorite movies of all time.)  So, I figured this was right up my alley.

The Pilot episode opens with a clichéd jock and his clichéd cheerleader girlfriend engaging in a vapid discussion about the nature of their relationship, while cuddling on the bleachers at the high school football field.  Within moments, the camera pans beneath the bleachers to reveal the show’s real stars: a group of stoners smoking weed, and a trio of nerds discussing Star Wars.  I was instantly hooked.

The series follows the lives of Lindsay Weir (played by Linda Cardellini of ER), a shy overachieving mathlete who becomes disillusioned with her dull life and quickly falls in with a “bad crowd,” and her younger brother, Sam (John Francis Daley of Bones), a good humored and intelligent, but diminutive and undeveloped (his voice still hasn’t changed) high school freshman.  Lindsay hangs with the titular Freaks of the show, played by James Franco, Busy Phillips, Jason Segel, and Seth Rogen (all of whom have gone on to become regular staples in Judd Apatow films).  Sam’s friends comprise the Geeks, who are played by Sam Levine and Martin Starr. 

Rather than creating a glossy and stylized version of high school, as most teen dramas tend to do, Freaks and Geeks portrayed a more realistic version of the teen years, one rife with awkwardness, discomfort, growth spurts and acne.  Unlike most teen shows airing during that time, the actors here actually looked like real teenagers (even Cardellini, despite the fact that she was already 25 when the show started taping).  They even talked like real teenagers — their speech rife with the trademark inarticulate umms and uhhs that characterize “teenspeak” (and, on occasion, my own “speak”).

Freaks and Geeks  stood out from other teen television shows, in that it was primarily NOT about romance.  The “couples” in the show weren’t portrayed as soul mates, star-crossed lovers, or adults trapped in young bodies.  Instead, the Weirs’ respective relationships much more closely resembled those of  my limited high school dating experience.  Namely, they were frightening and cringe-inducingly uncomfortable. 

I love, for example, how Lindsay’s “love interest,” Nick (Jason Segel of How I Met Your Mother), is not smooth or cool at all.  In fact, he is kind of smothery and more than a tad creepy at times.  Lindsay generally sticks with him because he is part of her social circle, and because she wants to have a boyfriend.  Unforunately, I too have been there . . .

Freaks and Geeks also took risks with its storylines.  One episode dealt with a hermaphodite student in a way that was surprisingly tasteful and heartfelt.  In another episode, viewers spent a good deal of time watching the Geeks watch a pornographic film.

So, if your Netflix queue has been looking a bit anorexic lately, and you are in need of some quality programming, I highly recommend Freaks and Geeks.

Oh, and did I mention James Franco looks really hot in it?