Tag Archives: Breadsticks

Puck-er Up! It’s Valentine’s Day! – A Recap of Glee’s “Silly Love Songs”

Ahhhhh, February 14th!  It’s that time of year when hearts go a-flutter, and boys’ bank accounts go a-bust.   On this day, all convenient stores, as a rule, must look like they’ve been vomited on by Love Bunnies; and every television channel suddenly resembles Lifetime, Hallmark, or Oxygen.  It’s the day when I always eat too many of those, let’s face it, REALLY NASTY, Conversation Hearts, and am rewarded for doing so, with Massive Tummy Trouble.  It’s a time of hope, a time of anticipation, a time of  . . . intense nausea. 

Of course, I’m talking about Valentine’s Day . . . or, as I like to call it, Singles Awareness Day . . .

But don’t let the cynicism of the above paragraph fool you.  Because, beneath my snarky bluster, and rough exterior, lies a Deep Dark Secret.  And here it is:  I have a real soft spot in my heart for the lovey-dovey, ooey-gooey, mushy-gushy, sappy sweetness, of Valentine’s Day-themed television episodes.   And, for this reason, I ADORED Glee’s most recent  installment, “Silly Love Songs” (also . . . Puck was in it A LOT, which is always a good thing, in my book).

Be my Valentine, you Crazy Mohawk Man, YOU!

So, what are we waiting for Gleeks, let’s get SAPPY!

Puck Spells Woman “Z-I-Z-E-S” (and I spell CRAZY, “P-U-C-K”)

“I know I’m supposed to be staring at Lauren Zizes.  But, deep down, I can’t stop thinking about a certain TV Recapper . . .”

OK, Confession Time!  So, earlier this week, in response to a comment someone left me on my recap of the Glee Superbowl Extravaganza Episode, I MAY have noted that I love Puck as a character SO MUCH that I’d be willing to see him couple with any castmember, provided that doing so allotted him the increased screentime he so richly deserves.  ANYONE . . . I said . . . EXCEPT LAUREN ZIZES . . .

Do you ever get the feeling that your favorite television shows are MOCKING you?

When the episode begins, our resident Bad Boy, Puck, is all piney over a certain Full-Figured Woman, with whom he spent LESS than Seven Minutes in Heaven, swapping spit in a closet somewhere, pre-hiatus . . .

No Fat Jokes, No Fat Jokes, No Fat Jokes.

Having decided that Lauren is precisely the dessert he wants to enjoy, after his Valentine’s Day Dinner No Fat Jokes, No Fat Jokes, No Fat Jokes he decides to court his lady love, by giving her a Box of Chocolates No Fat Jokes, No Fat Jokes, No Fat Jokes, and proposing to her with a RING POP You’re KILLING ME HERE, Puck!

“This is a Promise Ring Pop.  It represents the Duration of Our Love.  I’m yours, until the last lick.  Because Diamonds may be Forever, but Artificial Flavoring tastes better . . .”

To Puck’s advances, Lauren typically responds by spouting out REALLY ANNOYING lines from rap and R&B songs of the late 90’s and early 00’s.  Some of these “gems” include, “I don’t think you’re ready for this jelly,” and “you better check yourself, before you wreck yourself,” and “you best, stand corrected.”  Honestly, the whole time I was watching, I kept waiting for her to whip out a line from Sir Mix A-lot’s CLASSIC Rump Shaker, “I Like Big Butts.”  Unfortunately, she never did . . .

Excellent Opportunity for Hilarity = Wasted

But Lauren’s increasingly rude rejections of the Puckster only served to fuel the Righteous Flames of Love burning in his pants (Then again, maybe that was just his STD talking.).  So, when Mr. Schuester invited the Glee kids to perform songs that embodied their feelings about love, Puck surprised EVERYONE by rocking out to Queen’s Fat Bottomed Girls

“Left alone with Big Fat Fatty.  She was such a Naughty Natty.  That Big Woman made a Bad Boy out me,” Puck crooned, so VERY inappropriately, as he did this move with his crotch that I can only liken to the movement one makes when riding one of those quarter-operated Electric Horses you find outside your local Super Market . . .

You GO Puck!  RIDE THAT PONY!  (And no, I intend that as a Fat Joke . . .)

You can check out ALL of Puck’s X-rated moves, by clicking on the internal link below . . .

“I’ve never been serenaded before . . . and it made me feel like crap,” Lauren pouts.

You know who else was feeling like crap after Puck’s song?  ME!  Santana!  After all, she’d paid many a quarter to ride Puck.  And yet, she seems to be the ONLY Glee girl that he’s never serenaded.  Hey, remember when Puck decided he “loved” Rachel and sang “Sweet Caroline” to her, because Neil Diamond is Jewish, and so is she?

How about when Puck sang “Beth” to Quinn, because that’s what he thought she should name her daughter, to whom he was the Baby Daddy?

Or when he sang that Sammy Davis Jr. song to Mercedes because .  . . Do I really have to go there?

Well, apparently, Santana remembered ALL OF THESE MOMENTS, and the fact that she wasn’t involved in any of them, made her feel mighty unloved . . .

So, she buys herself some jewelry from Jared, and tries to slap Puck with the receipt. 

(Nice product placement there.  But wouldn’t it have been better if we  . . . I don’t know . . . actually saw the jewelry?)

But Puck’s not biting, because there is only room in his heart for one BIG woman.  So, he rejects Santana’s pint-sized patootie, in favor of something a bit more.  . . meaty.  Unfortunately, for Santana, her day is about to get about TEN TIMES worse.  As luck would have it, Lauren arrives on the scene, just as Santana is calling her a White Whale.  And, let’s just say, Fat Bottomed Girl is NOT PLEASED!

Santana talks a good game about being from the “mean streets” of Lima Heights Adjacent.  But those of us who watched the Britney / Brittany episode know she’s really a doctor’s daughter, who is able to afford boob implants, and $1000 hair extensions.  So, of course, Wrestler Lauren knocks the silicone right out of her.  Watching this makes Puck practically orgasm with excitement.  So, he BEGS Lauren to go with him to Olive Garden Breadsticks, which is apparently the ONLY RESTAURANT IN TOWN, the night before Valentine’s Day.

But Lauren actually has the gall to STAND HIM UP!

B*TCH IS CRAZY!

So, Puck makes out with a Random Chick, which makes me kind of happy, because I too, am a Random Chick . . .

Just when it seems as though all hope is lost for this Head Scratching Mind Boggling Completely Bizarre Adorable Couple (YIPPEE!  Make it stop!  Make it stop!), the next day, Lauren FINALLY agrees to go out with Puck to . . . you guessed it Breadsticks again, provided he agrees to take their relationship slow.  (A part of me just died, typing that sentence.)

And in that moment, all of my hopes to become a random extra on Glee, and get to make out with Mark Salling/Puck in the Olive Garden “Breadsticks” parking lot were irreparably shattered . . .

But, hey, at least there’s still a shot at me kissing Finn (Why not?  He kisses EVERYBODY ELSE!) . . . once the Mono goes away, that is!

Quinn and Sam = Finn-ished?

“Oh, come on!  Don’t dump me NOW!  Aren’t you the least bit curious, what would happen if Barbie and Ken procreated?  Our babies would be heralded by science, as the blondest, most blandly perfect looking infants on the planet!”

If you watched the Glee Super Bowl Extravaganza Episode, you know that Finn and Quinn played tonsil hockey, with one another, during its final moments.  Well, this week’s episode finds Finn wanting a rematch . . .

Operation Get into Quinn Febray’s Panties is A GO!

So, Finn comes up with the incredibly douchey very generous idea of running a Kissing Booth, where people pay a dollar to suck his face for five seconds.  (Ladies, buy gum, instead . . . it’s cheaper, and longer lasting.)  Proceeds from the lip locks will go toward the Glee Club budget.  Way to take one for the TEAM, Finn!

Our favorite (and by “favorite” I mean “only”) New Directions star / McKinley High Quarterback figures that do-gooder Quinn won’t be able to resist kissing him for a Good Cause.  And then, once she’s tasted those Dorito-covered lips of his, she’ll no longer be able to resist his social awkward bumbling personality intense charms.

But Quinn REFUSES to kiss Finn.  And she tells him as much, when she visits him at the kissing booth.  And yet, the hardcore eye f*&king she gives him, while she’s saying this tells a different story entirely . . .

Needless to say, Quinn’s Macauley Culkin Doppelganger Boyfriend, does not take this well . . .

Sam really showcases his “massive intelligence,” by convincing his girlfriend to KISS Finn, in order to prove that she isn’t attracted to him. 

“I’m CRAP with the ladies, and even I know that’s a TERRIBLE idea!”

“I’m pretty, but I ain’t dumb,” Sam insists, by way of explanation.  (I hate to break this to you Sam, but “dumb” is precisely what you are.)

Don’t feel bad, Sam.  Stupid people get the best lines on this show!”

So, while Sam watches intently (because THAT’s not creepy at all), Finn and Quinn lock lips a second time . . .

Only, THIS TIME, this happens . . .

Thrilled by the prospect of Another Opportunity to Cheat on a Boyfriend Harlot Barbie makes plans to meet Finn in the auditorium the following evening. 

But things take a dark turn for these two naughty humans, when Santana notices that something is going on between them . . .

“Finn only gets that Gassy Infant Look, when he’s feeling guilty about something,” Santana notes astutely . . .

Source

Noticing that Quinn is also looking particularly gassy today, Santana eventually puts two and two together, and decides that the Happy Pair are having an affair.  So, what’s an Evil Temptress, who’s just been rejected by Puck, and called a Raging B*tch by her entire class, to do?  This sounds like a job for . . .

The Slutty Pedophile Candy Striper from Outer Space!

 So, Santana, who’s supernaturally whorish charms have apparently earned her some bizarro immunity to mononucleosis, “I’ve had Mono so many times, I’ve turned it into stereo,” heads to the local Elementary School in search of Man Meat.  She then quickly (and conveniently) finds a prepubescent Mono sufferer, aggressively ambushes him, and shoves her tongue down his throat . . .

I’m pretty sure this is illegal in about 15 states.  Little Stewie Woodcock doesn’t seem to mind too much, however.

Did you ever see the movie Species, where Natasha Hendstridge plays this sexpot alien who lures men into her bed, starts screwing them, and then, at the last moment, totally ALIENS OUT, and rips their bodies to shreds?  Well, that’s kind of the feeling I got watching Santana “work her magic” during this episode.  Evil Ho Bag then attacks Finn with her germy tongue at the kissing booth, and her work here is done.

Now, all she has to do is wait for Finn and Quinn to have their little rendezvous . . .

MISSION ACCOMPLISHED!

The very next day, since Santana’s alien Mono-Spreading Powers apparently also speed up the victim’s display of symptoms, both Finn and Quinn are wearing A LOT of pasty white face makeup looking and feeling extremely ill . . .

Santana helpfully explains that both of their symptoms seem suspiciously similar to Mono, something you get from TONGUE KISSING . . .

Sorry Sam!

(By the way, those of you who ended off this episode, feeling sorry for Sam, can take heart.  Something tells me he won’t be alone for long .  . .

Source

. . . me thinks our main man, Macauley, has some serious Mono / Stereo in his future.  Way to go, Samtana!)

While lying in the nurse’s office together, Quinn wisely notes to Finn that the last time she cheated on her boyfriend (which was FINN, by the way) she got knocked up, and this time, she got Mono.  Perhaps, the Universe is trying to tell her something ( . . . like that Harlot Barbie will be discontinued by Mattel, if she doesn’t straighten up, and fly right).  But Finn doesn’t care how slutty and tempermental Quinn is,  he wants to bang her ANYWAY!

“Pssst . . . the nurse won’t be back for another twenty minutes.  What do you say, we push these two cots together, and try to get you pregnant?  You can tell Sam it’s his . . . wait . . . why does this so sound so familiar to me?”

Quinn, however, refuses to make monkey with Finn, until she figures out her true feelings Macauley Culkin (She loved Home Alone, but hated Home Alone 2.  Quite the conundrum!), and HE figures out his feelings for Rachel.

Speaking of Rachel . . .

Rachel Sings a Love Song . . . to Herself (Then again, isn’t that what ALL her solos are?)

“Will YOU be my Valentine, hairbrush?”

Poor Rachel!  She’s been hung up on Finn since he dumped her ass on Christmas for hooking up with Puck.  This would be fine, if she ACTUALLY got to hook up with Puck.  However, Puck had to go and grow a conscience on her.  Leaving our poor heroine, both alone, and UNLAID. 

“What’s a girl to do?”

Nothing if not creative (She says, sarcastically), Rachel’s big plan for winning back Finn’s heart is . . . wait for it . . . to KISS HIM AT THE KISSING BOOTH.  You know, like EVERY OTHER GIRL IN SCHOOL.  Unfortunately, when Rachel does finally make it to the booth, dollar in hand, Finn greets her with . . . a peck on the cheek . . .

“W . . . T .  . .F!”

When Rachel confronts Finn about his cheeky ways, he offers her the Gold S tarnecklace he planned to give her during Christmas, conveniently advising her that she should stay single until he gets bored with Quinn and decides he wants her again, because she is such a STAR, that being saddled to a lame-o high school boy (like him) might weigh her down.  

“You need to shine.  Just because I can’t be with you because I’m boning Quinn, doesn’t mean I don’t believe in you,” Finn said sweetly.

It was a good line, one that I might have found touching, if it wasn’t coming out of the mouth of such a Hypocritical Douchebag . . .

Douchey-ness aside, Rachel is at Sick Finn’s bedside, while the Poor Boy suffers from Santana’s Supernatural Mono strain . . .

Rachel blathers on a bit about how much prettier Quinn is than her.  (Umm, honey, you’re both on TV, so stop pretending your not hot, K?)  She then asks Finn what kissing Quinn was like.  He tells her it made him see Fireworks.  (Asshat!  Why the f*&k did he have to tell her that?)

“Did you see fireworks, when you kissed me?”  Inquires the Glutton for Punishment.

LIE FINN!  LIE!  SHE CLEARLY WANTS YOU TO LIE!

Finn almost imperceptibly shakes his head.

YOU SLIMY BASTARD!

Rachel responds to Finn’s announcement, by thanking him for not giving HER Mono too.  You see now that she has no other options, Rachel realizes that being single is the best way for her to focus on her path toward Super Stardom.  To emphasize this New Discovery, Rachel chooses Katy Perry’s “Firework” as her lovesong . . . to herself.

You can watch Rachel sing about how badly she wants to tongue kiss herself, by clicking the internal link below . . .

Meanwhile, over at Dalton Academy . . .

Jeremiah Was a Bull Frog.  (i.e. The Best GAP ad EVER!)

Kurt and Blaine are stepping out together for a little coffee break.  Blaine tells Kurt he’s a card-carrying member of the I Heart Valentine’s Day Club.  As it turns out, Kurt’s not a big fan of V-day.  But he’s a HUGE of Blaine, particularly when Kurt realizes that Blaine knows how he takes his coffee and what his favorite sexual positions are.  When Blaine makes mention of wanting to show his newest Man Crush his true feelings, Kurt immediately becomes certain that Blaine is referring to HIM.  (Those of us, who saw the advance release clips from this episode, however, knew the Poor Guy was DEAD WRONG!)

Back at school, Blaine tries to convince his fellow Hogwarts Wizards to (gasp) leave the school grounds on a Romantic Pilgrimage to the Gap.  The Warblers are understandably horrified by his request . . .

“We are not safe in the outer world!  What if Lord Voldemort finds us?”

Fortunately for Blaine, Kurt ultimately convinces the Warblers to “step outside their comfort zone,” using one of his “When I was a New Directions Gleek” stories that I am SURE his fellow acafellas are forced to listen to EVERY SINGLE DAY.

“This one time . . . at Glee Club . . . I stuck a flute up my . . .”

And yet, when Kurt realizes that Blaine was NOT in fact, planning to sing to him, but, rather to some GAP manager named Jeremiah, he can’t help but wish he wasn’t so gosh darn persuasive.  Nevertheless, thanks to a Sweet Slumber Party, some hair braiding, and a whole lot of  SERIOUS Girl Talk with Gal Pals Mercedes and Rachel, Kurt ultimately decides to “be a man” and, be there to support Blaine, during his Mall Serenade . . .

Here comes my FAVORITE musical number of the evening!  Now, those of you who read my Superbowl Recap may recall that I was a bit harsh on Blaine and the Warblers, due to their awkwardly robotic dancing, and inability to let anyone sing solo, aside from “Junior Member” Blaine.  All those problems still existed, during Blaine’s rendition of Robin Thicke’s “When I Get You Alone.”  And yet, for whatever reason, all these negatives combined to make what I felt was a TRULY entertaining, foot-tapping, finger snapping music number!

Poor Jeremiah!  If the Warblers are Hogwarts wizards, he’s most definitely the Draco Malfoy of this situation.

A Brief Note to the GAP:  This musical number would be the BEST COMMERCIAL YOU’VE EVER HAD!  Heck the Warblers even modeled your merchandise for you, during the song!

Now, why the heck aren’t they selling those awesome pink sunglasses at MY GAP?

You can check out all the performance, in all its fabulousness, here:

Now, as much as I love “When I Get You Alone,” (The song actually remains one of my all-time favorites), in hindsight, it probably wasn’t the best choice for a Declaration of Love Anthem.  For one thing, there’s a definite predatory, and almost frighteningly ANGRY, stalkerish aspect to the lyrics.  (“Because you walk pretty, because you talk pretty, because you MAKE ME SICK, and I’m NOT LEAVING, ’til YOUR LEAVING!”)  And don’t even get me started on the song’s Horror Movie-esque opening notes.  (“Bum-bum, bum, BUMMMM!  Bum-bum, bum, BUMMM!”)

“You do know that if you don’t have sex with Blaine, we are going to beat you to a pulp, tie you up, and shove you in the bathroom of our tourbus, don’t you?”

Talk about a SERIOUS LETDOWN, after his award winning musical performance, Blaine is shocked to learn that the Object of his Affections (1) got fired because of him; (2) isn’t “out” to his coworkers (Telltale Gay Hair, notwithstanding); and (3) doesn’t like him in that way, especially because he’s underage.

“You know, there’s another GAP a few miles from here.  Think anyone gay works THERE?”

Finally, toward the end of the episode, Kurt confronts Blaine about the sort of mixed signals he’s been sending out, resulting in Kurt thinking that HE was the object of Blaine’s desires, NOT Jeremiah the Bullfrog.  Blaine apologizes, and the pair commiserate over how inexperienced and bad at romance they both are.  They decide to take things slow, and stay friends for now, in order to preserve the strong bonds of friendship the pair has forged, during the short time they’ve known one another. 

“We can be like When Harry Met Sally . . . only I get to be Meg Ryan,” Kurt notes cheerily.

“I can see a resemblance.  Don’t you?”

Didn’t those two end up together in the end?” Blaine inquires cautiously.

Oh, Kurt . . . you Sly Dog, you!

Artie and Mike Chang are Friends (with Benefits?)

Now, don’t get me wrong.  I LOVE ME some Michael Jackson.  And P.Y.T., though a tad lecherous, in terms of it’s theme, was a fun little ditty for Artie to croon.  It was also an excellent showcase for Harry Shum Jr. (who plays Mike’s) very M.J. esque dance movies.  And yet, did anyone else, at least at the beginning of the musical number get the impression that these two dudes were singing the love song to EACHOTHER, as opposed to their Lady Loves?

Ummmmm . . .

TINA:  “I think our boyfriends are about to make out with eachother.”

BRITTANY:  “That’s SO HOT!”

(Yeah, I couldn’t find a clip of this one.  So, you’ll just have to take my word for it.)

Tears of a Clown

Have you ever loved someone so much, the mere thought of being with them evoked tears of joy?  No?  Me neither, which was why Tina’s cringeworthy blubbery rendition of “My Funny Valentine” was probably the most uncomfortable three minutes I’ve ever spent in front of my television screen . . .

Please, lord, make it stop!

But as awkward as I felt during this scene, it doesn’t even compare to how MIKE CHANG must have felt!

Just keep smiling . . . just keep smiling . . . Don’t let her know she’s crazy or she will KILL YOU.

The episode concludes with Kurt gathering the whole Glee crew together at . . . wait for it . . . Breadsticks (where ELSE?) for a meeting of the Lonely Hearts Club.

After a brief speech about love and singledom, Kurt introduces the Warblers (Woah, TWO off campus outings in ONE EPISODE?  Way to live dangerously boys?).  The group, led by Blaine (SURPRISE!) serenade the crowd with their rendition of the titular song “Silly Loves Songs.”

And that was more or less the episode, in a nutshell.  Did you like it?  Would you accept it as YOUR Valentine?  Or would you prefer to throw it back in the sender’s face, like Lauren Zizes did with Puck’s sucky chocolates?

[www.juliekushner.com]

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Sam and Quinn are adorable. But . . . what the Puck? – A Recap of Glee’s “Duets”

“Quinn, what the f*ck?  He’s not even a natural blonde!  At least with me, you already know what our babies will look like  . . . With him, it’s a total crap shoot.”

Let me start by saying that I ADORED this week’s episode of Glee.  Sure, before last night, I had never heard about 75% of the songs the cast performed.  (Who knew my lack of knowledge about Barbara Streisand, and 70’s musicals, would be such a handicap, when recapping a show about singing high schoolers!)  Yet, the episode was FUN, the performances – stellar, the dialogue — witty and realistic . . . well . . . at least about as realistic as dialogue on this show could get.

HOWEVER . . .  I had two BIG problems with “Duets.”  Here’s one . . .

“The horror!”

 . . . and here’s the other . . .

“This is SO uncool, man.”

For Puck’s part, his absence was explained away, early in the episode.  According to Mr. Schue, he’s in JUVIE.

Just don’t drop that soap, pal.  I hear those communal showers can be a little .  . . HARD.

Puck’s infraction?  Something having to do with a convenience store and ATM.  Unfortunately, I was too busy screaming, crying, and throwing my shoes at the television to really hear the explanation.

I REALLY should have forked over the extra cash for that warranty . . .

Now, as my mother calmly explained to me, as I proceeded to have a nervous breakdown to her over the phone, during one of the commercial  breaks, Puck’s temporary absence was necessary, plotwise, to enable the inevitable, Quinn / Samm (Quisamm?) relationship to blossom.

It starts with holding hands, it ends with holding *&$%s.

Besides, Mark Salling (who plays Puck) is busy finishing up and promoting his new album, Pipe DreamsSo, in all fairness, the guy is probably entitled to a day off or two.  But SUE?  Well, her absence was just inexcusable . . .

Glee staff writers, HOW,  I repeat, HOW could you create an episode that was both SUE-less AND PUCK-less?  Need I remind you, that this is the last episode before Glee enters a NOT ONE, but TWO-week hiatus?  Given that fact, this week’s TOTAL and COMPLETE lack of “Bad Boy” and “Bad Woman” was just majorly CRUEL!

See, you’ve gone and made Mr. Schue, CRY!  You should be ASHAMED OF YOURSELVES!

*takes a deep breath*

OK . . . I’m better now.  Let’s get on with the recap, shall we?

Meet Sam I Am (Gay?)

When the episode opens, Will begins glee club practice by making three anouncements.  The first concerns the absence of Puck .  . .

GRRRRRRRR!

The second involves the introduction of New Kid, Sam, to Glee Club.  Sam hails from an All Boys Boarding School . . . and all that implies.

Coincidentally, do you think all that “communal showering” Sam did back at board school can account for his OBVIOUS penchant for walking around HALF NAKED throughout most of this episode?

Not that I’m complaining . . .

So, anyway, Sam introduces himself to the Gleeks by making a VERY lame Green Eggs and Ham reference.

Said reference proved precisely TWO THINGS about this character.  (1) He can read up to at least first-grade level, putting him leaps and bounds above SOME other Glee club members . . .

“Sam I Am?  Brittany I am!”

 . . . and (2) just in case any of you out there thought this guy was “too cool” to be a Gleek, he’s DEFINITELY NOT!

While he is in front of the class, Chatty Cathies Kurt and Mercedes take this time to size up the “Fresh Meat.”

“He’s on Team Gay.  No straight boy dies his hair to look like Linda Evangelista circa 1993,” whispers Kurt knowingly.

Coincidentally, 1993 was probably also the year the Kurt character was BORN.  (Watch those pop culture references, Glee writers!)

And, yet . . . the kid DOES have a point . . .

For his third announcement, Mr. Schue announces that New Directions will be having a “Duet Competition.”  The winning pair is to receive a dinner for two at The Olive Garden Breadsticks . . .

 . . . a restaurant, whose big claim to fame is . . . you guessed it . . . All You Can Eat Breadsticks . . .

OK . . . Is anyone else REALLY hungry right now?

To Couple, or NOT To Couple

Within moments, we are treated to our first of many obligatory Shirtless Sam shots, when Kurt accosts the Newbie in the men’s locker room and practically demands to be his “duets” partner.

“*sings*Gimme a head with hair.  Long, beautiful dyed hair.  Shining, gleaming, streaming, flaxen, waxen . . . Oh . . . I’m sorry Kurt.  Were you trying to ask me something?”

He’s going to have to think about it . . .

Meanwhile, in Sort of/ Kind of Lesbi-land, Brittany and Santana are laying on Brittany’s bed and TOTALLY MACKING ON EACHOTHER! 

HOLY MACK-ERONI!

And, I mean, they are really going at it.  In fact, I haven’t seen this much girl-on-girl action in a show about high schoolers since . . .um . . . ever.

Observe the telltale Post-Sex Head.

Things seem to be going great for “Brittana,” what with Brittany cooing over “Sweet Lady Kisses,” and Santana making surprisingly naughty (especially for 8 p.m. on Fox) references to “scissoring.” 

But then, Brittany mentions the duet competition.  Suddenly, Santana halts the Massive Makeout Session, and gets all huffy.  (That’s NOT WHAT I MEANT!  Get your mind out of the gutter!) 

“I’m not making out with you because I want to  . . . sing about making lady babies.  It’s just that with Puck gone, I need to get my mack on,” scoffs Santana.

Poor Brittany looks totally crushed by her lover / bestie’s massive KISS OFF.  In fact, it’s probably a good thing she ISN’T a guy, otherwise she would TOTALLY have a pair of THESE right now . . .

Rather than lead Brittany on more than she already has, Santana opts instead for an unlikely duet partnership with Mercedes, since the two share such complementary voices and styles.  If you recall, these two ALREADY sang one duet to the song “The Boy is Mine” last season, back when both divas were battling for PUCK’S affections.  (See, it always comes BACK TO PUCK!  WE WANT PUCK!  WE WANT PUCK!)

Meanwhile, Finn badgers Kurt about ruining Sam’s reputation, by performing a duet with him.  Later, in one of their trademark touching scenes, Kurt’s dad (who seems to be recovering quite nicely from his heart attack, by the way) surprises Kurt, by calling him out for aggressively trying to “out” people who may not be ready to do so.

Kurt, in a surprising show of self-sacrifice, ultimately gives up the opportunity to partner with Sam, leaving the new kid and his INSANE abs free to pair up with Quinn.

Meanwhile, in the Oddest Pairing of the Century, Brittany starts dating Artie . . .

  . . . she does this despite the fact that, for while, she thought he was a robot . . .

“Before we duet, we are going to do it,” says Brittany, in her trademark emotionless deadpan.  

And with that, the Dumb Blonde lifts Artie up, and carries him to the same bed where she was macking on Santana, a few scenes ago.  And then they . . . ACTUALLY DO IT!

So, just in case you were keeping score, that makes our final couples for the Duet Competition:

(1) Rachel and Finn (duh!)

(2) Mike and Tina (double duh!)

(3) Mercedes and Santana

(4) Quinn and Puck Sam

(5) Brittany and Artie

(6) Kurt and . . . um .  . . Kurt

Let’s see how they did . . .

Rachel and Finn – Like Grease 2, only with Nuns . . .

It seems that the Glee writers have been reading our recaps, in which we all bitched and moaned about how utterly detestable Rachel has been since the beginning of this season.  Because this week, they had to go and make her a SAINT . . . well .  . . at least a nun.  (I wonder how long THAT’S going to last!)

It all started while Rachel and Finn were practicing their first choice of song for the duet’s competition, “Don’t Go Breaking My Heart” (originally performed by Elton John and Kiki Dee).

When it was all over, Rachel surprised Finn (and the ENTIRE VIEWING PUBLIC) by wondering if the performance was simply “too good.”

Self-absorbed, personal recognition-grubbing diva, say WHAT?

Apparently, some time between this episode and last, Rachel randomly decided that she is . . . SELFISH.

 So, she decides she wants to be a better person.  Being a better person apparently starts with improving the Glee Club’s moral.  And, in order to do this, she and Finn must THROW THE DUET COMPETITION!

“Clearly, the apocalypse has come to McKinley High.  I never should have eaten that Grilled Cheesus.”

Of course, I commend Rachel for her new found generosity.  And, yes, Iagree with her that, lately Glee New Directions has become “The Rachel Show,” so change was definitely needed.  However, I have to say, I was surprised by who Rachel selected to “win” the competition. 

Why the New Kid?  Wouldn’t it make sense for one of the more seasoned, and more frequently shafted Gleeks to get a chance to shine?  Like . . . say . . . MIKE CHANG . . .

Nevertheless, Finn and Rachel begin concocting their “evil” plot to foil the competition.  Suddenly, Rachel has an idea.

She randomly recalls how inferior Grease 2 was to the original Grease, and attributes that negative comparison to Grease 2’s poorly written songs.

Now, while I’ll admit that most of the songs in Grease 2 did, in fact, suck, I will ALWAYS love me some C-O-O-L-R-I-D-E-R!  Come on, tell me that was NOT classic!

And so, in a move that would make those guys from The Producers proud, Rachel and Finn decide on a performance that is so “offensive” they can’t possibly win.  The song they choose is called “With You I’m Born Again,” and it was originally sung by Billy Preston. 

Yes, it was bad.  But, honestly, at first, I didn’t really get what exactly everybody thought was so “offensive” about it.  And based on the message boards I perused after viewing the episode, many of you didn’t, either.  So, I did some research. 

As it turns out, “With You I’m Born Again,” is all about spiritual awakening through . . . sex.   So, yeah . . . a song about sex, sung by a nun and a priest, who can’t have ANY SEX . . . ever . . . well . . . I guess that could be construed as kind of offensive. 

Then again, wasn’t that what the ENTIRE Sister Act movie was about?

Tina and Mike – MIKE CHANG FINALLY SANG! . . . sort of.

Now, if you’ve read my Gleecaps before, you know I was particularly excited about this plotline.  After all, I’ve been giving Good Ole Mike Chang quite the hard time for failing to sing (or talk much) throughout the show’s entire first season.  But hey, I guess can complain no more!  After all, in his duet with Tina this week, Mike Chang had more “speaking” (and “singing”) lines than he had ALL FIRST SEASON combined . .

When we first visit Tina and Mike, we see that things haven’t been quite so rosy, since the couple left Asian Math Camp.

Mike’s awesome abs, notwithstanding.

You see, Mike’s really big into his culture.  And he shows this, by repeatedly taking Tina on dates for Dim Sum.  Did I mention that HIS MOM always comes along?

As if that wasn’t bad enough, Tina wants to do is just once eat a salad that doesn’t have Chicken Feet in it, and Mike wants to go to ASIAN COUPLES THERAPY?

“I bet I’m starting to look REALLY good now, aren’t I Tina.”

To further complicate matters, Mike, who can dance like a dream, REALLY CAN’T SING, which is ironic since GLEE CLUB is for SINGING PEOPLE.  And yet, Tina and Mike make this work to their advantage by performing their duet to song “Sing” from “Chorus Line.” 

During the song, Mike basically talks to music about how he can’t . . . sing . . . and Tina finishes his sentences.  Through it all Mike does an awesomely comic little dance.  In short, I loved it.

This almost makes up for an ENTIRE season of laziness, Mike . . . almost.  Just stop taking your mom on your dates, will ya?

Santana and Mercedes – Rockin the Tina Turner Tune

In terms of a recap, I really don’t have much more to say about this duet.  Santana and Mercedes rocked out to Tina Turner’s “River Deep, Mountain High,” another song I had never heard before this episode.  The song highlighted both girls’ vocal range extremely well.  But, of course, it was the duo’s sexy sassy dance that really made it their own.

By the way, does it bother anyone else that the Cheerios ALWAYS wear their uniforms? 

Sometimes when I see them, I feel like I’m watching some cartoon where the characters always wear the same thing — like Charlie Brown or The Simpsons. 

 That CAN’T be hygenic.  I mean seriously, how many versions of that leotard to those girls have.  Is it like Ronald McDonald, and those wacky suits he always wears?

Do you think that when you open up Brittany or Santana’s closet, and it’s just filled with Cheerios uniforms?   Finn and Puck are athletes, and you don’t see THEM wearing their smelly uniforms everyday. 

I just don’t get it . . .

Britt and Artie are SO NOT Lady and The Tramp

Remember that iconic scene from The Lady and the Tramp where the titular couple goes on their first date to the Italian restaurant, and they share that one strand of spaghetti?  And then Tramp pushes the last meatball with his nose over to Lady so she can eat it?

Come on!  Who of you out there DIDN’T hope to reenact that scene with your significant other one day?  Well, apparently Brittany was no different.  In fact, her dream was to win the duets competition, and take Artie to Breadsticks so they could “do it” together. 

But then Santana came along, and had to f&*k everything up.

She told Artie that Brittany was using him for his voice, and that the only thing he could get her that she didn’t already have was “super choice parking.”

(I’d put an “Oh Snap” here, if that line wasn’t so gosh darn offensive . . .)

Artie is understandably crushed.  After all, Brittany took his virginity for crying out loud.  He dumps her, and quickly drops out of the competition.  In a sad and pathetic, but still kinda funny final scene, we see Brittany eating at Breadsticks alone, pushing her meatball to NOBODY.  I guess that’s what you get for being such a TRAMP.  (pun intended).

Kurt and Kurt (and, later Kurt and Rachel)

If you recall, Kurt gave up Sam as a partner, leaving him with none.  So, Kurt decides to sing with the Glee club member he likes best . . . himself.  Kurt performs “Le Hot Jazz” from the play “Victor Victoria,” dressed in half drag. (Though admittedly the “girl” side looked more “Guy who REALLY  likes Makeup” than “Female.”  Maybe this is because, on Broadway, the song is typically performed a by a woman.)

Anyway, once Kurt starts singing, magically, all these professional dancers appear on stage to perform with him.  You know what I call that?  Cheating. 

Though, I have to admit, they did put on quite the show . . .

Toward the end of the episode, Lobotomized Nice Rachel approaches Kurt and lets him know that the rest of the Glee Club loves him.  She sweetly tells him that even though he is lonely, he isn’t alone. 

OK . . . that’s it . . . tell me what you’ve done with the REAL Rachel!

Together the pair sing a mashup of “Come on Get Happy” and “Happy Days” are here again.  Sources tell me, this same mashup was sung by Judy Garland and Barbara Streisand on network television some time back.  Whereever the song came from, it made me feel all warm and fuzzy inside.

And the winners are . . . Sam and Quinn

From the moment Quinn started washing that Slushee out of Sam’s hair, the chemistry between those two was pretty intense.  Things only got hotter when he tried to teach her how to play guitar by groping her and grazing her breasts with his hands delicately placing her fingers on the strings.  But when Sam tried to kiss Quinn, she FREAKED OUT.

Why?  Well clearly not because she’s a virgin . . .

Actually, Quinn had good reason to be tentative about jumping into a new relationship.  She has been through a lot this past season.   So, she was eager to return to just being a normal teenager / cheerleader / Mean Girl.  Quinn abruptly tells Sam she doesn’t want to sing with him, and takes off.

Later, with the matchmaking help of Rachel and Finn, the pair reconcile.  Together, they sing Jason Mraz and Colbie Caillat’s “Lucky.”  And, in the words of Santana, the performance is “so friggin charming,” it just had to win. 

Don’t believe me?  See for yourself.

So, off Sam and Quinn go to Olive Garden Breadsticks.

At dinner, Sam tries to “charm” Quinn by talking Navi . . .

“Dude, are you serious?  I speak fluent Navi, and even I know THAT doesn’t work.”

 . . . and doing a REALLY BAD Matthew McConaughey impersonation.

Hey LOOK!  It’s Linda Evangelista’s hair, circa 1993!  Now we know who Sam got the idea from!

Granted, this is the same guy who introduced himself to a group of high schoolers, by using a Dr. Seuss reference.  Can we really be surprised?  

Then Sam tells Quinn he has to confess something to her.  Of course, she immediately assumes, as Kurt did earlier in the episode, that Sam is on Team Gay.  He’s not.  Sam just wants her to know that he dyes his hair like Linda Evangelista.

Quinn is so overjoyed by this news, that she . . . MAKES SAM PAY FOR THE FREE MEAL THEY WON!

Ummmm .  . . how romantic?  Brattiness of that request aside, these two are cute together, and I truly wish them the best at least until Puck comes back.  But I couldn’t help but wonder, are those Breadsticks coupons still up for grabs, because I’m REALLY hungry!

[www.juliekushner.com]

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