“I Know Who Killed Me,” a Recap of Gossip Girl’s “The Fugitives”

[Greetings Fangbangers!  The TVD Season 3 Finale Recap is on its way.  I should have it up by early Saturday morning, EST!  We have A LOT to talk about!]

“Try and hit me with your car again, LOSERS!” 

Greetings Upper East Siders! This week on GG, Donut Dan’s frightening Medusa-like bedhead, and crippling self doubt, threatened to end his relationship with Blair.

But,  unfortunately, it’s not quite dead . . . yet . . . just paralyzed from the waist down, and begging to be put out of its misery.

Also on GG, Lola and Ivy gave us a glimpse into the future of both of their respective acting careers  . . . by posing as high middle lower-middle class call girls.

Meanwhile, Serena, after weeks of pretending to be Gossip Girl, put on a headband, and pretended to be Blair Waldorf instead.  (Clearly, this is a Multiple Personality Disorder waiting to happen.)

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In other news, Bart Bass is adjusting to not being dead anymore.  And who knows?  In another year or two he might even re-learn how to emote and display real facial expressions . . .

So, slap on your sassiest headband, pick up your favorite flavor of gelato (as long as it’s not pistachio), and, for Heaven’s Sake, hide your diary, because it’s time for another GG cap . . .

“What did we bury that day?”

I suspect few GG fans would disagree with me, when I say that, as amusing as Bart Bass: Real Estate Magnate of the Undead is to watch, it’s pretty much the most ridiculously unbelievable plotline these writers have ever put on our screens . . . well, except for maybe that whole “Pact with G*d” thing.  Actually, Chuck Bass thinks it’s pretty ridiculous too. This is why he meets with his father, early on in the episode, in hopes of getting some much needed answers for himself, and, by extension, GG viewers.

“You look pretty good, for someone who’s been underground for three years, dad.  Was there a tanning bed in your hidey hole?” 

Bart explains to Chuck how one of his Big Bad Competitors . . . one with some all-too-convenient “connections to the mob,” tried to get Bart killed in that fateful car accident.  So, Bart, being the strong, powerful, manly man that he is, decided to deal with it by . . . going Ninja on his would be killer’s ass      going to the police and having him arrested  ruining him financially by buying out all his hotels    using his own mob connections to kill the guy right back  giving him a royally painful wedgie  burrowing in an underground hole for three years, while wearing a Snuggie, and watching a whole lot of Real Housewives episodes.  Bart Bass . . . MY HERO!

“This guy even makes ME look good!”

But Chuck’s not done with his interrogation.  There’s so much about this situation that still confuses him . . . and me.  Like, for example, how did Bart manage to fake a flatline in the hospital, while the entire Bass / VDW clan was standing over him, pretending to be genuinely upset about his demise?  And what or who exactly did they put in Bart’s coffin for the faux funeral?  Actually, I have a few ideas about that one . . .

Also, how did Zombie Bart manage to sneak blood to Chuck, without anyone knowing he was there .  . . or that he supposedly has no pulse?  Chuck wants to know the answers to all these questions.  But, most of all, he wants to know who tried to have his father killed, so that he can get REVENGE.

 “Avenging the not real death of my father . . . I think I read a book about that once . . .”

So, Bart answered these questions, right?  I mean, of course, he had to answer these questions.  A show simply can’t have a character come back from the dead, after three years, without explaining to fans how it happened . . . right?  RIGHT?

Noooo . . . sorry.  You lose, Chuck Bass!  Thanks for playing!  Better luck next Undead Dad!

By the way, I miss Monkey.  Where’s he been lately? 

It would have been easy to laugh off a moment like this.  But Ed Westwick gave the situation some genuine gravitas, illustrating how this cold callous man had the power to transform the  dignified, often cocksure, adult Chuck Bass, into a vulnerable boy in desperate need of his father’s love and affection.  “What is this?  You’re kicking me out?  You’re just going to disappear, and leave me alone again?” Chuck inquires, eyes filling with tears, as one of his father’s henchmen bodily removes him from the premises.

It’s literally impossible not to feel for Chuck in this scene.  And yet Bart Bass seems to manage it quite well.  Seriously, I’m starting to think that the guy is actually a cyborg.  It would explain so much . . .

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Louis-bot approves . . . 

Despite all this, Chuck is still determined to vanquish his father’s enemies, Amanda Clarke from Revenge-style.  He turns first to one of his most “loyal and trusting” henchmen, Andrew Tyler.  You know, the guy who Chuck is forever throwing ridiculous sums of money at to provide him with misinformation nearly every week?  But Andrew doesn’t want to take the case, despite Chuck’s willingness to pay him three-times his normal fee.  He, apparently, has better things to do . . . like needlepoint . . . or spelunking.

“I’m not just a P.I. / lawyer.  I’m also dress up like a clown for children’s birthday parties . . .” 

Come on, Andrew Tyler!  Buck up, buddy.  Chuck is offering you obscene amounts of money to find the secret not-killer of a secret not-dead guy.  And he’s pretty much guaranteed to pay you, even if you provide him with the wrong name.  (He’s done it before!)  So, tell him it was Oscar the Grouch or something, take the money, and run.  It’s not like you actually have “morals,” or anything . . .

Shunned by his father, and spurned by the uber-un-talented Andrew Tyler, Chuck is now more determined than ever to find out who orchestrated his father’s car accident, all those years ago . . .

“No need to be a Jealous Freak.”

While Donut Dan is in the shower, wrestling with the ferocious Chia Pet that, since last week, has made a nest in his head and given birth to an entire litter of tiny baby Chias . . .

. . .  Blair is busy sexting with Chuck . . .

Chuck’s reply text: “I’m fine now that I got this pesky underwear off.  How are you?”

(By the way, I love that Blair is so prim and proper in her texting. She even uses capital letters and punctuation marks.)

Unfortunately, before Blair can tell Chuck that she’s not wearing underwear, she receives a call from Dan’s agent, who quickly informs her that the Donut has turned down Italy on her behalf.  Blair, understandably, is furious.  I mean, here she was, finally being given the opportunity to spend the summer away from Donut Dan, so that she could carry out an awesomely torrid affair with Chuck Bass across every limo in Manhattan . . .

. . .  and Humpty Humphrey totally ruined it for her.

So, selfish, right?

Blair begs the Donut to reconsider his decision.  After all, she explains, “Rome is just two glasses of Chardonnay away . . . assuming you drink wine really, really, really slowly.”

She goes on to assure this puff pastry that he has absolutely nothing to worry or be jealous about, when it comes to Chuck.  And her argument would probably be considered pretty convincing too . . . provided Dan has never rented the first four seasons of Gossip Girl on DVD . . .

“The most important thing in a relationship is trust . . . after sex, hygiene, and earning potential.”

Though Blair acts all cool, calm and collected with her hairy temporary tattoo of a boyfriend, beneath the surface, she’s furious with him for lying to her.  And so she turns to the only woman who could really understand her pain . . . Serena van der Woodsen, the woman who’s not-so-secretly still in love with Dan.  Way to be sensitive, Waldorf!

Ditched by Dan, canned by Nate, bested by Serena, and ousted by Gossip Girl herself, you can tell that the slings and arrows of life have started to take their toll on Serena.  For starters, she’s wearing a sweater that looks like it’s been chewed up and spit out, by a pack of rabid coyotes . . .

“Some girls eat their feelings, when they get upset, I eat my fabrics.”

And when Blair starts waxing poetic about the trust issues threatening her totally lame relationship with the Donut, and how honestly is like the eighth most important thing in a good relationship (distantly behind good sex and hygiene, and not getting your hair done by the Tazmanian Devil), Serena feels compelled to confess her own Gossip Girl-centric sins to her bestie . . .

“Oh, while we are on the subject, I’m also secretly Perez Hilton and that ‘I’m a lawyer’ guy from TMZ.” 

So, was Blair furious with her BFF for hiding this HUGE secret from her?  Not a bit!  In fact, Blair seemed more disappointed that she herself didn’t get the opportunity to dirty blog the “scandalous lives of Manhattans elite,” than betrayed by her bestie.  Now that Blair mentions it, I too am kind of disappointed that the sassy, manipulative and side-splittingly sarcastic, “Origina Gangster” Queen B never got to take the helm as Gossip Girl.  For one thing, I think she would have been ten times better than Georgina or Serena at the job . . . giving the actual GG a real run for her money, in the process.

Also, it would have been a heck of a lot more interesting to watch then this whole “pretending to date Dan fiasco.”

Speaking of Blair’s love life, she runs into Chuck Bass, as she’s leaving Serena’s place.  As per usual, the chemistry between the two is electric.  Blair looks at Chuck, eyes filled with concern and thinly-veiled longing.  She wants to know how he’s processing this overload of information regarding his father.

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She can see the pain in his expression, though he tries to remain strong.  When Chuck tells her that his father is leaving town again, and asks for her help and moral support, she agrees without question.  It’s the only thing she can do.

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BLAIR: “You mean, aside from in your pants?  Not that I can think of?”

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“Waiiiiittt . . . what about meeeeeee?!!!” 

So, Blair follows Chuck into his limo for the second time in as many episodes LIMO SEX! LIMO SEX!  LIMO SEX!, while, Dan searches for her to share some boring important information about Italy. Haha!  SUCKA!

“When this Chair’s a-rockin  . . . take a taxi Humpty Humphrey.” 

“Dan needs you . . . to pretend you still have feelings for him.”

While Chuck and Blair wait to speak to Diana, in hopes of getting answers about Bart Bass’ past, Serena calls Blair to warn her that the Donut is on the prowl.

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“Dan needs you,” Serena warns.

(Um, sorry Dan, but Chuck needs her more.  Why don’t you call back when Rufus fake dies, and we can talk?)  Nevertheless, Serena’s guilt trips works on Blair enough to get her to leave Chuck with his not-mother Diana.

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Speaking of Diana, didn’t she have like the longest guest star stint, ever?  Because it sure seemed like she did.   That said, it’s hard not to enjoy a scene that begins with Chuck “thanking” Diana for lying about his father, traumatizing him for life, by pretending to be his mother, and f*&king his best friend.  (For that last one, Diana thanks him right back.  After all, when it comes to Nate Archibald, Chuck Bass has always been the Best Pimp Ever.)

“Nate always gets so slutty when he drinks.” 

Knowing full well that Nate Archibald has become the sex / blackmail monkey on her back, Diana is eager to strike with her not-son.  She agrees to tell Chuck who tried to kill his dad, in exchange for him getting Nate off her tail, and shipping her back to run a London newspaper with her “reputation” in tact.  (Um, what reputation, Slutty McWhoreson?)

Later, Diana pops by Chuck’s house to offer him the name of the murderer, in question: “Mason Nevens” . . . fakest . . . name . . . ever (my apologies to all those Mason Nevens out there, who might be reading this).  Apparently, “murderer” and “mob connected” aren’t Mason’s only flaws.  He also has a fetish for twin prostitutes.  (Apparently, it’s a requirement on the Upper East Side for all real estate magnates to be psychotic manwhores.)

Why am I thinking these aren’t the type of twins he’s talking about? 

Though Diana initially seems willing to help Chuck catch Mason en flagrante with the Ladies of the Night, in order to help him achieve vengeance on his father’s behalf  (I don’t know . . . I still think “murdering dad,” is a lot higher on the “bad news” list than “embarrassing me with fake hookers.”  But, hey, what do I know!), she quickly changes her tune, when she learns that Nate and Lola ratted her Escort Service running self out to the New York Times.

Chuck is understandably furious.  So, he comes clean to the rest of the gang about the whole situation with his not-dead dad, so that they know exactly what they just cost him.  Then again, since Diana already gave Chuck all the information he needs for the Mason Nevens smackdown, it sort of doesn’t matter anymore, anyway.  Feeling more than a bit guilty for what just happened, NJBC . . . and Lola vow to help Chuck carry out his plan.

“Exxcceeellllent.” 

Elsewhere, Blair learns that Dan has somehow managed to get back on the Summer in Italy writers roster, and has scored Blair a spot as well.  Blair, honestly, doesn’t seem too enthused about spending another summer, in another European country, with another boring boy toy who isn’t Chuck (remember Louis-bot?).  And yet, possibly out of feelings of guilt, Blair agrees to the trip, as well the preliminary interview with the folks who are running the program, which is supposed to take place later that day.

Of course, minutes before the interview is supposed to take place, Blair gets a call from the NJBC informing her that her scheming services are needed for Chuck’s Mason Neven’s Takedown.  “Ummm . . . I’ll be right back.  I have to go get . . . macaroons gelato . . . or something,” Blair fibs, as she makes her hasty retreat to Chuck Town.  Yeahh  . . . that’s my girl, Queen B.  It’s good to see that you have your priorities back in order . . .

“Handcuffs . . .every good girl has them.”

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To be perfectly honest, Blair’s role in the scheme of coaching Lola, and her “twin” Ivy in the art of playing believeable prostitutes, was kind of superfluous.  She absolutely could have done it over the phone, and still made it back in time for Dan’s stupid interview.  And the fact that Blair sent Serena to do it in her place, just shows how much more important Chuck is to her than the Donut.  Because of that, I agree with her actions wholeheartedly . . .

Oh yeah, and her High Class Hooker 101 monologue was just jam-packed with awesomeness.  “You think this is the first time I’ve entrapped someone with prostitutes,” Blair quips, when questioned about how exactly she knows all this stuff.

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(Are those crotchless panties? OMG!)

Speaking of Blair’s lingerie choices . . .

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(I see what you did there, writers.  You naughty little teases, you!)

Original Gangster Blair indeed . . .

Meanwhile, Nate’s and Lola’s New York Times tip, has Diana on the lam.  She’s planning to take Bart Bass out of the country, never to be seen again, ASAP.  This means Lola and Ivy better hurry up and be hookers fast (shouldn’t be that hard for Ivy)  . . .

. . . or Chuck will lose his father again . . . this time, possibly for good.

“You two make an . . . interesting . . . couple way more interesting than the REAL Dan and Blair.”

Back at La Casa de Waldorf, Donut Dan is shocked, when a headband clad Serena introduces herself to the “Italy Trip Interviewer Guy” as Blair.  So, he makes this face . . .

What I adored about the scene was the way that Serena used the interview and her false identity as a way to subtly bash the Dair relationship.  “We couldn’t stand eachother for years. Now we’re madly in love.  It’s like a movie,” Serena quips.  “We’re like Brad and Angelina, once they got Jennifer Aniston out of the way.”

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Dopey Dan, of course, knows exactly what Serena is doing, and is clearly uncomfortable in the situation, which makes me very happy.

Not surprisingly, Faux-Blair and Donut ace their interview, since Serena and Dan have always been a much more believable couple than Dan and Blair ever were.  Things almost go south, when Interviewer guy runs into Blair’s mother, who unwittingly refers to Serena by her proper name. But, fortunately, Dorota takes the bullet.  “I’m Serena!  I’m doing fine Miss Waldorf,” she says quickly.

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How can you not love Dorota?

After the interview, Donut Dan wonders out loud why Blair keeps lying to him.  He suspects it’s because she doesn’t really love him, and doesn’t want to go to Europe with him.  (Gee, ya think?)  Despite still being madly in love with Dan, Serena quells his fears about his relationship with Blair, by telling him the truth about the whole Chuck Bass Thing.  Donut Dan seems relieved by the explanation.  Donut Dan is an idiot . . .

“Inappropriate Transient Women.”

Back at the Whore House Hotel, Lola and Ivy giddily practice striking “sexy poses” in overpriced lingerie . . . .

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 . . . while they wait to entrap the elusive Mason Nevens.  Then, Andrew Tyler randomly pops up, and tell them that Chuck wants them to follow him back to Bart’s hideout.  Oh, come on Andrew!  “Daddy said you should come with me?”  That’s the Oldest Trick in the Child Abduction Handbook.  Anyone over the age of five would know that . . .

But not Ivy and Lola, who seemingly fall for the trick, hook, line and sinker.  However, Lola is skeptical enough at least to tell Blair where she’s going.  She, in turn, tells Chuck, and the plan is back in motion .  . . except there’s now a new target, Andrew Tyler himself.

In a TOTAL, “Scooby Doo,” “those meddling kids moment,” Father and Son Bass corner Mr. Tyler, and he sings like a canary.  Apparently, HE was the one who sold out Bart to Mason, when the latter threatened the lawyer / PI’s family.  Of course, the police are conveniently right outside the door to hear Little Orphan Andy say all of this.  They arrest him right there on the spot.  Nice knowing you, Andrew Tyler.  Try not to drop the soap!

Alone at last, Bart boredly thanks his son for bringing . . . well . .  . not his actual not-killer . . .  but the henchman of his not-killer  .  . . to justice.

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Although honestly, the elder Bass doesn’t seem all that enthused about it.   Is this just a Botox thing, or is Bart still hiding something?

For his part, Chuck conversationally quips that the only thing he ever learned from his father was how to screw around with “inappropriate transient women.”  On behalf of Inappropriate Transient Women everywhere, I’d like to take this opportunity to thank Bart Bass for that as well.

Oh, and Bart still has to break it to Lily that she now has two husbands.  This ought to be fun . . .

*DOH!* 

In other news, Nate decided to not sell out Diana for being a Whore Monger, after all . . . how nice for her.

“Dear Diary . . . I’m so f*&ked.”

Back at the Waldorf house,  S and B share a super sweet moment, where they congratulate eachother on yet another NJBC victory, and Blair thanks Serena for doing such a great job impersonating her . .  . even if she did volunteer to teach English in Italy on Blair’s behalf. (Oops!)

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The besties then declare their love for one another, and Serena encourages Blair to DUMP THE DONUT, SO SHE CAN DATE HIM tell the Donut how she really feels about him.

But Blair and “I love you,” kind of have a bit of a checkered history . . .

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. . . so it’s understandable that she is a bit gun shy about saying those words to anyone other than Chuck Bass again also, she’s not in love with Dan . . . like at all.

“I want the next time I say [I love you] to be the last,” Blair muses.

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Good for you, Blair! That’s one of the smartest things you’ve said all season . . . though that thing you said before about the handcuffs was pretty genius too . . .

So, of course, now that S’s and B’s relationship is awesome again, the real Gossip Girl has to go eff it up, right?

Yep,  it appears Chuck Bass wasn’t the only one with vengeance on his mind this week.  Gossip Girl, herself, is still mighty pissed at Serena for stealing her laptop, and her title.  So, Serena’s going to pay for that, big time . . . with her relationship to Blair.  Apparently, Blair keeps a not very-well-protected diary of her inner most thoughts.   (Really, Blair?  Have you learned nothing from Every Teen Show Ever?)

Now, Gossip Girl has Blair’s pages scanned on her computer.  And she’s ready to share them with the world, GG-style.  She’s also proud to share the source of this new information.  And the winner is . . . wait for it . .  . Serena van der Woodsen.

So, what does the first page of the diary reveal?  Why, Blair’s lukewarm feelings for Humpty Humphrey, of course.

Ruh-roh Upper East Siders, I smell a cat fight!

Next week on Gossip Girl, Serena gets drunk and jiggy on a bar with maybe Donut Dan . . . or dreams about getting giggy with him .  . . or gets jiggy with Donut Dan’s bad hair twin, and imagines it’s him.  Also, Blair still loves Chuck.

Duh!  XOXO!

[www.juliekushner.com][Fangirls Forever]

Where There’s Smoke, There’s a Liar . . . – A Recap of Pretty Little Liars’ “Eye of the Beholder”

Greeting, my Pretties!  This week on PLL, we got a deeper glimpse into “Vivian Darkbloom’s” past.  In other news, Blind Jenna got a wicked eye patch, Fitzy got a bit testy with the parental units, and Facelift Vampire Jason’s home underwent some “explosive” renovations.  Oh, and don’t even get me started on Spencer and all the awesome eye sex she got to have this week.  It’s a good thing retinas can’t get pregnant . . .

They can’t . . . I promise! 

So, hop into that rickety plane with a complete stranger, and hold on to your music box, because it’s time for another Pretty Little Recap . . .

(Screencaps provided by prettylittleliarsfans.com)

Well, THAT was awk-ward . . .

So, remember that cute little cupcake shop, where “A” COMPLETELY BRUTALIZED Hanna, by forcing her to eat a vomit-inducing amount of little piggy-shaped cupcakes, in front of a crowd of judgmental jocks?  Well, apparently, Hanna was not quite as traumatized by that moment as I would be.

(Let’s not forget, this is a girl who’s already been HIT BY A CAR, ARRESTED AS A SUSPECT IN HER “BEST” FRIEND’S MURDER, and almost DROWNED IN A LAKE.  It’s entirely understandable that our ideas regarding what’s considered “traumatizing” would differ.)  After all, the episode opens with Hanna enjoying a CUPCAKE (not pig-shaped) with her fellow little liars at that very same sweets shop.

As the girls pretend to eat cupcakes, and chat, we learn a bit more about the Anonymous Hot Guy who mistook Aria for “Vivian Darkbloom” at the end of last week’s episode.  It turns out, his name is “Duncan.”  He has a last name, but since I wasn’t paying attention when it was referenced, I’m just going to call him Duncan Donuts, OK?

“You can trust me, because I dress like I’m 75.”

So, apparently, Duncan Donuts and Vivian Darkbloom were REALLY close . . . as in close enough to go on numerous secret dates in a town nearby . . . and close enough for him to buy her a not particularly cheap red jacket . . . but not close enough for him to CALL HER ON THE PHONE, AFTER NOT HAVING HEARD FROM HER FOR OVER A YEAR . . . and certainly not close enough for him to READ THE LOCAL PAPERS, SEE HER PICTURE ON THE FRONT PAGE, AND FIND OUT SHE’S A CORPSE.

Aria thinks she should give Duncan Donuts a call, basically because her contract requires her to have a boyfriend-type figure in every episode.  And Fitzy and Holden won’t be sharing scenes with her, this week . . .  From experience, every PLL girl already knows that meeting Strange Men — who may or may not have had sexual relations with Dead Ali in the past — while alone, is a bad idea.

However, they wholeheartedly support Aria in her stupidity.  That’s what friends are for, right?

Oh, hey, look who’s back in town?  It’s Abs Toby and Blind Jenna . . . correction, it’s Abs Toby and Half-Blind, Eyepatch Jenna.  That’s right, my Pretties!  As we’ve long been promised, Jenna finally had her groundbreaking,” blind-no-more” surgery . . . in one eye . . . which hasn’t healed yet.  Yep, they are really going to drag this plotline out for as long as possible. aren’t they?

“At least I will save money on my pirate costume, this Halloween!”

Truthfully though, we are less concerned with the return of Half-Blind, Eyepatch Jenna, than we are of the return of Spencer’s ex-boyfriend with the HOT haircut, and the ice COLD chip on his shoulder.  Cue the Spencer Face . . . the longing looks (on Spencer’s part), and the glares (on Toby’s part) to the tune of . . .  Intense Mood Music, and Slo-Mo Walking.

Also, notice how Abs Toby is no longer treating Half-Blind, Eyepatch Jenna like the brother-raping, police boy banging, little-liar framing, ninety pounds of pure evil she actually is!  He actually seems to NOT MIND hanging out with her, as evidenced by the way he keeps . . . you know . . . touching her and stuff.  Did they give you a lobotomy with that haircut, Tobster?

Spencer runs into Abs Toby again later at school.  And she’s all, “What’s the deal with your Creepy Sister and her fugly eyepatch?”

So, Toby’s all, “She finally had the operation.  What’s it to you, you Maneating B*tch?  I miss you!  I love you.  Why did you start humping that hot British doctor, when I would have let you be part of my Abs Toby Sandwich?

So Spencer says, “Let’s get back together.  Mm-kay?  Because Emily was totally kidding about me banging the British guy.  I didn’t do that until we were ‘on a break.’  ‘A’ still might end up murdering in your sleep, because you’re dating me.  But that’s just the price of True Love, right?”

But Toby’s all, “Ya snooze ya, lose, Ho!  I LOVE YOU SPENCER!  KISS ME, YOU FUNNY-FACING MAKING BUNDLE OF LOVE!”

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Then Half-Blind Jenna emerges from the Principal’s office, and creepily tells Spencer, she KNEW she was standing in front of her, despite Spencer not having uttered a word, since Half-Blind Jenna’s appearance.  This means Half-Blind Blind Jenna knows her Pretty Little Liars so well, that she can smell them, when they are close by.  Yeah . . . because that’s not creepy, at all . . .

“Stop sniffing my ex-girlfriend.  That’s MY job!”

Missed Calls and Mixed Messages . . .

Back at the Marin household, Hanna and her mom are in a fight.  It turns out that Mama Marin won’t buy Hanna a new phone to replace the one she DROPPED IN THE SOAPY SINK, last week, in order to prevent Mama Marin from confiscating it.

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As much as I adore my Hanna, you have to admit, this was a pretty ballsy request on Hanna’s part . . . I mean, sure, we all know that Hanna only destroyed the phone to prevent her mother from discovering A’s identity, thereby, putting herself in danger.  But she has to see that, from her mom’s perspective, the whole “phone drowning” thing, came off as a very deliberate and highly personal “F-U Mommy.”

Besides, Mama Marin worked hard to steal that money from the Old Dying Lady!  She can’t be going off spending it, wily nily, on electronics, every time Hanna decides to drown them, or throw them in a blender!

Part of me thinks it would have been REALLY funny, if Hanna got one of those prepaid phones mailed to her by “A,” with a message like, “Try not to get this one wet, or make it into a smoothie.”

However, considering it was Mona, who ended up providing Hanna with a replacement phone, and many people think SHE’S “A,” perhaps my scenario is precisely what happened.  More and more, we are seeing Mona get involved in the PLL girls’ dealings with “A” in ways that help the mysterious evildoer complete her master plan.  In this case, obviously “A” wants Hanna to have a phone, so that she can continue to taunt her with text messages . . . like the one the girls received later on in the episode: “Where there’s smoke, there’s payback.”

But here’s a question for you?  Assuming the cell phone Hanna received from Mona was on Mona’s account (which Mona explains to us that it is), how did “A” manage to snag Hanna’s new number, if not from Mona herself?  (Assuming Mona and “A” are two different people, of course.)  Unless, Mona somehow transferred Hanna’s old number to Mona’s account, in which case, I take back everything I just said  . . .

Speaking of anonymous, and not-so-anonymous communications, “Maya” has been secretly contacting Emily, with text messages saying she is “OK,” and sweet, exceptionally well-written e-mails, about their great times together and “perfect goodbyes.”  Emily is touched that Maya is reaching out to her, but torn as to whether she should clue Maya’s parents in to her possible whereabouts.  In the end, she decides to confront the St. Germaines with the information she has received.

The question is . . . did Emily jump the gun?  After all, Maya’s messages (particularly the e-mail) certainly SOUNDED like they were from Maya. But what if they weren’t?  After all, both messages were sent from an “undisclosed sender.”  Is it possible that “A” has been sending these messages, on Maya’s behalf, to keep her off the trail of a girlfriend in danger?  Only time will tell . . .

Come Crash Fly with Me!

Duncan Donut has two dates meetings with Aria, in this episode.  The first one is normal.   The second one is ridiculous.  First Duncan Donut meets Aria in the school courtyard, where he admits that he knows that Vivian Darkbloom was just an alias for Ali.  (No mention as to whether he believed that big ole black wig was actually her real hair.)

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He also seems to know a heck of a lot about Ali / Vivian’s friends, including Aria . . . “the writer . . . who keeps journals.”  Interesting . . . because the only time I’ve ever heard Aria even talk about writing was in the pilot episode . . . right before she humped Fitzy in the bathroom.  I thought the whole “writing thing” was just a pickup line.  Go figure!

Talk about being the bearer of bad news!  Aria then has to tell Duncan Donuts that Vivian/Ali is . . . you know . . . not-so-much alive,  anymore.  Check out Duncan Donut’s face in this scene.  He’s clearly shocked . . . and totally crushed by the news . . . either that, or he’s a really great actor.  P.S. He claims to have been with Ali / Vivian the weekend she supposedly disappeared . . .

Having had so much fun on her first date with Duncan Donut, Aria decides to set up a second one with him, this time in a totally secluded area in a town called Brookhaven.  Be careful Aria.  Your best frenemy hung out with this guy, and then DIED.  Does that make him a killer?  Not necessarily.  Does that make him REALLY bad luck? Absolutely . . .

So, you know those comedy sketches that take place in front of green screens, where it’s supposed to look like the television character is doing something CRAZY, like water skiing on Niagara Falls, or climbing the alps, or hanging off the top of Mount Rushmore.  But actually, they are basically just standing in front of a piece of paper with a picture on it.  Well, those all look WAY more realistic than the image of Aria and Duncan Donut flying a plane together on their date / mutual interrogation session.

Why does Aria get into a plane with this Admittedly-Hot, but not particularly stable-seeming loon, you ask?  It beats the hell out of me.  Supposedly, this was something Ali/ Vivian just loooooooved to do.  According to Duncan, flying with him (he has a license, she didn’t), made her feel free from all the little people on the ground, who were trying to kill her.  You know, because death-by-plane crash is much more pleasant than death-by-shovel-repeatedly-bashed-into-brain.  (So much for that dream!)

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Throughout the entire experience, Aria basically looks like she is about to pee in her pants.  So, of course, this gives Duncan Donut the brilliant idea to FORCE her to takeover the controls, despite her complete lack of experience flying planes, under the ridiculous rationalization that this will help her “understand” Ali.  (If you mean because they will both be dead, by the time they have finished with you, then, yes, this is a brilliant idea, Duncan Donuts.)

It certainly doesn’t help matters that Duncan is sporting a serious case of the Crazy Eyes throughout the entire scene.  I’ll be honest, this made me miss a lot of what the pair were talking about, because I was so busy screaming at my television, “Don’t kill Aria, before she gets to have that sex scene.  Ezria fans will FREAK!”

Nonetheless, here’s what I got out of this lovely near-death-by-green-screen conversation:

(1) Duncan Donut would have loved to have intimately explored Vivian’s “dark bloom” (if you catch my drift), before she died.  However, he suspected that there were other men out there, who were beating him to the punch.

(2) Aria admits to Duncan Donut that she thinks the police and the newspapers are wrong regarding Ali’s murder.   Creepy Pedo Ian didn’t kill Ali.  He was either framed, or willingly took the fall for someone else, before he died.

(3) Duncan Donut notes that on the weekend prior to Ali’s disappearence, he flew her to Philadelphia from Brookhaven, which means she had been back in town for hours, by the time she met up with the girls.  (What was she doing in Rosewood, during all those missing hours?)

(4) Duncan observed that Ali seemed “different” the last time he saw her.  He assumed this was because she had “just figured something out.”  However, the proponents of the “Ali has a twin” theory, could easily surmise that “Ali” seemed different, because she was actually a different person, than the one with whom Duncan had developed a relationship.

Oh yeah, and he and Aria didn’t end up dying in a plane crash.  So, yay for hot people surviving the danger of their own idiocy . . .

Speaking of men who want to put their hands all over Aria’s “controls” . . .

Fitzy Must REALLY Like that Couch . . .

Fitzy, you little lazy scamp, you . . . why do you always seem to be laying on that couch of yours?  Aren’t you afraid of falling asleep and missing your classes?  Do you actually teach any classes?  Or do they just pay you to sit on that couch and pretend to grade papers?

After “Who’s A?” and “Who killed Ali?” this is the third biggest mystery of PLL.  Fitzy is an enigma wrapped in plaid, wrapped in a nerdy sweater vest, wrapped in Aria’s arms . . .  He also seemed to grow a pair this week, when he was visited by not one, but BOTH elder Montgomery’s.

How did he grow a pair, you ask?  Well, he basically told them both where to stick it, in terms of their attempts to control his career / relationship with their daughter.  (Well, on second thought, he was a bit more polite to one than the other . . . bet you can’t guess which one . . .)

Oh, one more thing about Fitzy, before I recap the conversations he had with Aria’s parents . . . he can be a little . . . how do I put this kindly . . . intense .  . . when he’s feeling disrespected.  We saw this for the first time, during his “don’t wake a sleepwalker” speech to that scheming harlot, Jackie.

We saw it again tonight.  Now I’m not SAYING Fitzy is “A.”  (For one thing, he lacks a comprehensive motive . . . so far.)  However, I will say that those of you who subscribe to that theory, got a lot of juice out of his scenes in this episode . . .

First up was Mama Montgomery, who also, seems to rarely teach, as she just decided to hop on over to Hollis college smack in the middle of the day to give Fitzy a piece of her mind.  “I’m not an ally,” insists Mama Montgomery to the Perpetual Couch Dweller.  “I don’t have an opinion on [the job offer my husband is using to manipulate you to leave town].”  She adds.

“It matters what you think of me,” Fitzy replies stoically.  (Well, that was a nice thing to say, under the circumstances . . . I guess.)

And yet, lest you think this conversation is a total waste of time (which I’ll admit I did, initially), before leaving, Mama Montgomery lays her cards on the table, regarding why she REALLY made this long journey to Fitzy’s office in the middle of the day.  I’ll give you a hint: it starts with the letter “A.”

Apparently, Mama Montgomery is still very much hot on the trail of the “A” who (1) initially informed her about her husband’s affair; (2) clued in Byron to the continuing nature of the Ezria relationship; and (3) may or may not be torturing Aria and her friends on a fairly consistent basis.  So, she turns to Fitzy for clues, hoping that, perhaps, one of Aria’s Deep Dark Secrets will help yield another.

Fitzy’s words are brilliantly filled with alternative meanings, and double entendres, depending on whether you view him as an “A” suspect or not.  For those of you who view Fitzy as 100% innocent in the torture of Aria and her friends, his statements, “I would never intentionally hurt Aria,” and, “there was someone who would want to hurt [me], but not any more” seem perfectly honest and straightforward.  The first statement, simply refers to his complete and unabiding love for Aria, and the second refers to Jackie, the one person, aside from “A,” Aria’s parents, and, of course, Bushy Eyebrows Noel, who ever sought to ruin the Ezria relationship.

And yet, those who think Fitzy might be “A” see the statements in an entirely different light.  Assuming for a second that Fitzy was “A,” his statement regarding how he would never “intentionally hurt Aria,” seems to dovetail directly with fans “concerns” regarding the fact that, of all the liars, “A” goes the absolute easiest on Aria.  As for Fitzy’s statement about someone wanting to hurt him and Aria, but “not anymore,” well,  one might surmise that he was referring to Ali, herself . . .

Just a suggestion . . .

While Fitzy’s meeting with Mama Montgomery was all mixed meanings, and double entendres, his conversation with Papa Montgomery gives off a much clearer message.  And that message is: ‘I hate your guts . . . BASTARD.”

*insert growling noise*

Whatever your feelings are regarding Ezria, you have to admit that this scene was just incredibly fun to watch.  Initially, the two grown men are icy, yet cordial, to one another.  Fitzy informs Byron he’s not going to take the job in New Orleans, and Byron says he’s “sorry to hear that.”  But that’s when the gloves really come off.

Fitzy tells Byron that the reason he’s not taking the job in Mardi Gras town is that he doesn’t want Papa Montgomery to have that kind of “power” over him.  There was also some smack talk flying back and forth about which man had the bigger “ego.”

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 In other words, Classic Male Pissing Contest.  It was awesome.  Fitzy’s been running scared from the Montgomery’s for such a long time now.  It’s nice to see him finally taking charge of his own life even if he does end up being “A.”  Oh, and, after it was all over, he called Aria, and told her he loved her, thus proving that Classic Male Pissing Contests are exceptionally good for the libido  .  . .

“I wanna whack her like a pinata!”

Oh, Mona!  I used to find you insanely annoying.  But now I kind of adore your smart mouth, and warped sense of loyalty.  You are like the female version of the comedically- inclined hitman character on one of those mob shows.  (So, I really hope you don’t end up being “A.” like you were in the books.)

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Anywhoo, the PLL girls have plenty of good reasons why they want Abs Toby to stay away from Half-Blind, Eyepatch Jenna.  For one thing, that’s SPENCER’S man, dammit though, I still prefer Wren.  For another, Half-Blind is a fairly awful human being, who never really forgave the girls for their part in her blinding, and has more than once framed them for some Very Bad Things.  For a third, she’s just CREEPY.  And has been known to do things like rub Toby’s leg, while saying that she “wants to surround herself with things she love, and you [MY BROTHER WHO I LIKE TO SCREW] will be there too.

“Get your paws off me, pirate!’ 

(By the way, where the heck are Half-Blind Jenna’s and Toby’s parents, during all this?  Did Half-Blind Jenna eat them?)

To be honest, I’m not quite sure why MONA hates Half-Blind Jenna (assuming she’s not “A,” of course).  But whatever the reason, she’s REALLY quick to offer a helping hand in getting Hanna some alone time with the Tobster, for anti-Jenna reasons.  (She’s also really quick to offer to basically BEAT HER TO DEATH, but that’s neither here nor there.)

“If you show me your abs, I’ll give you this car.”

Mona get Toby alone by offering a threesome with her and Half-Blind Jenna claiming to have some random “car question” for him.  But once she’s got him cornered, she’s out like a tubby girl in dogeball, and in comes Hanna.  Now, in Abs Toby’s defense, Hanna comes on just a LITTLE bit strong, with her whole, “How dare you hang out with your sister, when she’s so mean to your ex girlfriend,” logic.  That said, Abs Toby, is more than a bit douchey in response, by playing the whole “YOU BLINDED HER” CARD, and then storming off, like it’s his job.

Speaking of doucheyness, Abs Toby has an extra special dose of it lined up for Dr British Hotpants Wren, when he happens by Half-Blind Jenna in the hospital, on the day she is supposed to have her bandages taken off.  If looks could kill Hotpants would be one very sexy puddle on the floor.  That said, I have to give the Line of the Day Award to Half-Blind Jenna, who refers to Dr Hotpants as “Spencer’s personal physician,” and insists that “even a lie would sound good in that accent.”

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Truer words have never been spoken . . .

 Ali DiLaurentis – Closet Hoarder?

It’s odd, isnt’ it, that mere days after Maya goes missing, Facelift Vampire Jason pops by to claim that she ”just happened” to drop some of Ali’s stuff by the house, in a big fat duffelbag?  The PLL girls are thrilled, assuming that they will find something in the bag that leads to discovering who either “A” or Ali’s killer is.  Unfortunately, most of the stuff in there is just a bunch of childhood junk (though I did notice the Voodoo doll from the Halloween special in there. YAY, continuity!) . . . or is it?

While searching through the crap, the girls realize that the newspaper in which it is wrapped, is actually from prior to Ali’s disappearance, and contains within it, some sort of a code.  (Thank you Hanna for your insanely accurate memory of Michelle Obama’s wardrobe).  It seems that Ali and “A” were communicating with one another through personal and classified ads prior to Ali’s death.  (How very low tech!  I’m disappointed in you, A.)

In fact, on the weekend of Ali’s demise, she met “A” at .  . . wait for it . . . the Creepy Doll Hospital.

(Oh, Ali also has a creepy music box.  I’m not entirely sure why that’s relevant, but the producers seemed to focus on it a lot, so I figured I would throw it in there.)

Burning Up for Your Love

Upon realizing that the bag might contain even more clues than originally suspected, the girls rush to retrieve it from Facelift Vampire Jason’s porch, where they had dutifully returned it, earlier that day.  Hanna gets to do the honors.  So, you can imagine her suprise when HALF-BLIND JENNA’S FACE POPS OUT OF NO WHERE, and THE ENTIRE FIRST FLOOR BURSTS INTO FLAMES.

It’s Hanna and Spencer (when did she get here?) to the rescue, as they pull Half-Blind Jenna from the wreckage, just seconds before the flames . .  . excuse the expression, whack her like a pinata.

Off to the hospital we go to assess the damages.  Surprisingly, Hanna is absolutely fine, aside from her hair smelling like smoke (which, of course, brings back memories of Emily’s “I have glass in my hair,” moment.)  But Spencer has glass in her HANDS.  YAY!  Wait . . . why am I saying, yay, to Spencer’s injury?

THAT’S WHY!

Wren is “cleaning and mending Spencer’s hands” very carefully (which I wish was a euphemism for something, but isn’t).  He’s also talking to her in this super sweet and soft voice of his, and telling her that she has a very complicated life.  (See, Wren is smart!)   He then eye sexes her up, so hard, she pops out about ten eye babies.   Upon eye baby delivery, he asks her if she would like to pretend certain things between them (like massive makeout, eyesex, half-nude massages, and drunken sleepovers) never happened.

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Spencer responds, “HELL TO THE NO!”  (As most of us would.  Because, seriously, who would want to forget  any time spent with Dr Hotpants . . . I mean, really.)

In other news, Spencer’s mom is apparently not on Team Facelift Vampire Jason, for obvious reasons.  Spencer takes issue with this because . . . well . . . he’s her half-brother, a.k.a. family.  (Makes sense.)   In fact, judging by the way things are turning out for the Hastings brood,  he might very well be the most SANE hastings of the bunch . . .

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But for not so obvious reasons, Mama Hastings claims that SHE, and not her husband, was the one who spent $15,000 for the private investigator to find Ali.   Hmmm . . .  Why do I feel like we are still missing a big chunk of this story?  Toward the end of the episode, Facelift Vampire Jason and Mama Hastings seem to share some not entirely antagonistic words at the hospital.  So . . . um . . . progress!

Controlling the world . . . one Rosewood Resident at a time . . . 

Oh, I guess you’re interested in finding out how Half-Blind Jenna is, right?  Well, she’s fine . . . if you ignore the fact that she is still half-blind . . . hysterical crying . . . and of couse, an evil brother-f*&king shrew.  As it turns out, Half-Blind Jenna was in Facelift Vampire’s house based on a message she supposedly received from Jason . . . a message he claims he never sent.  In other words, “A” basically tried to have Half-Blind Jenna killed, but Hanna saved her life (with Spencer’s help).  “Where there’s smoke, there’s payback,” right?

Again, where the F*&k are Half-Blind Jenna’s parents?  HELLO!  YOUR KID ALMOST DIED!  Time to return from the mall, or wherever the heck it is you’ve been for 2.5 seasons

There is an interesting, and suprisingly divisive, scene toward the end of the episode, in which a tearful Half-Blind Jenna asks Hanna why she would possibly save her, given the awful history the two have with one another.  (The Slap Heard Round the World Comes immediately to mind here.)  To this, Hanna responds with a rather icy, “You’re welcome,” before exiting stage left.

Having perused the message boards, I notice that a lot of you felt this was rude of Hanna, considering Half-Blind Jenna’s emotional state.  However, I kind of think, under the circumstances, Hanna handled the situation quite well.

After all, Hanna and Half-Blind Jenna are NOT friends, in fact they are nearly enemies.  So Hanna certainly didn’t save the girl out of any fondness or loyalty she felt toward her.  Rather, she simply did it, because it was the RIGHT thing to do . . .  She probably would have done it for ANYONE . . . possibly even a complete stranger (like Duncan Donuts).  While this is a perfectly good reason to save someone’s life, it’s not a particularly nice thing to say to someone.:  “I saved you because I was SUPPOSED TO DO IT.”

And like Mommy always says, when you don’t have anything nice to say, don’t say anything at all . . . which was exactly what Hanna did . . . at least in my opinion.  (That said, giving Jenna a little smile when she said it, certainly wouldn’t have hurt . . .)

In the final moments of the episode, Gloved Hand leaves Police Boy Garrett’s badge on the floor near Facelift Vampire Jason’s house, thereby implicating him in the fire.  In hindsight, he’d make for a good suspect, considering we’ve seen him arguing with Half-Blind Jenna, and angrily fleeing her home many times in the past.

Ahhh, the plot thickens.  Next week on PLL, more Creepy Dolls, Creepy Old Ladies, and an Ezria sex scene?  You can check out the promos here . . .

So, who do YOU think is A?  Until next time, my Pretties . . .

[www.juliekushner.com][Fangirls Forever]

They’re Bringing Sexy Back! YEAH! – A Recap of Grey’s Anatomy’s “Shiny Happy People”

These are two ACTUAL screencaps.   Both were taken from the first FIVE MINUTES of Thursday night’s Grey’s Anatomy.  You’re welcome.

After last week’s cringe-tastic, surgery heavy, UGLY episode . . . thanks to which, I will never view this image in the same way EVER again . . .

. . . it was really nice to see Grey’s getting back to it’s roots this week — You know, surgery-lite;  mushy-gushy relationship stuff / shirtless men HEAVY.  I don’t know about you, but I tend to prefer my Grey’s simple and super girly.  And a girly Grey’s was exactly what I got!

“Give me an E – S -T -R- O -G -E-N!  What’s that spell?”

Couples really took center stage during this episode of Grey’s.  Heck, even this week’s medical mysteries featured “couples” of some sort.  Well . . . except for ONE medical mystery . . .

WOAH!  This Disney Chick can ACT . . .  so well that I can almost forgive her for that Princess Protection Program movie . . .

 . . . ALMOST.

So, what are we waiting for?  Let’s get on with this girly boink-fest!

We’re Having a Party . . . Everybody’s Slutty!

The episode began with a PARTY at the Mer and Der House!  It was a party to celebrate McDreamy!

For what reason, I am not entirely sure . . . for being Chief, I guess.  The only problem was . . . it wasn’t a very good fiesta.  Karev, perhaps, said it best when he remarked, “This party blows.”

For one thing, everyone looked all stuffy and uncomfortable, in their suits and “business casual” dresswear, i.e. dowdy dresses, that don’t show anything above the knee.  Who the heck has house parties like this?  Your grandpa, that’s who!  And that’s when it suddenly occurred to me.  Our Greysies are getting OLD!

It’s TRUE!  Meredith proved it, when she said, “At my parties, we drank tequila and danced on tables!”  

And that was true . .  FIVE SEASONS AGO . . .

Remember the Boozy Slutty Dysfunctional Meredith of Season 1?  Good times!

But it’s not true now!  The one good thing about the party, was that it offered us this lovely picture, of our suave and suited Grey’s men, sipping scotch and poring over floor plans . . .

How very Ocean’s 11 of them!  Not this Ocean’s 11, mind you . . .

 . . . more like this one . . .

See what I mean . . . about the OLD?

Anyway, things improved quickly, when we LEFT the party and were delivered NOT ONE, BUT TWO, shirtless prelude-to sex scenes . . .  The first one was between Bailey and her latelyMIA Gas Man . . .

Remember him?  If you didn’t before, I bet you won’t forget him NOW!

The second scene, not-so-surprisingly, featured Mark “I-Get-More-Play-Than-A Slot-Machine-In-Vegas” Sloan.

What was surprising, was who he was with.  It wasn’t his current girlfriend, Teddy, nor his ex-girlfriend, Lexie.  Nor was he with his “friends with benefits” gal pal, the recently single, Callie.  Nope, Sloan was with . . .

 . . . that annoying pixie-haired Mercy Wester chick, who hasn’t been around for half the season? 

Ummm . . . yeah, so McSteamy is coming out of the shower all steamy, after what was probably a fairly tepid round of lovemaking with Slutty but Boring Doc Reed, when, who walks in and catches them post-coitus? 

You guessed it, his current girlfriend TEDDY!  To Sloan’s credit, he doesn’t do that thing you see in romantic comedies, where the guy gets caught in the act of cheating, and he starts jumping around like a jack rabbit, sputtering, “It’s NOT what you think!”  (When it always is exactly THAT!) 

Instead, he INVITES TEDDY TO JOIN THEM!

Way to go McSteamy!  You may be a mental midget when it comes to the ways of women, but you sure are COOL!

Unfortunately, the producers cut away from the scene, before we can find out if Teddy accepts the proposition, but I’m thinking . . . NOT!  Truth be told, Teddy is only interested in one threesome, and one threesome only .  . . this one.

News Flash Cristina Yang, Owen is Just Not That Into You . . .

Hey, Yang!  Wanna join my book club?  We’re reading one that you will LOVE!

Speaking of the World’s Most Unhappy Threesome Ever, while Teddy is being cheated on by Mark, Owen is impulsively asking a drunk Cristina to move in with him, “because my therapist said it was a good idea.”  Now if that’s not a ringing endorsement for romance, folks, I don’t know what is! 

Cristina instantly AGREES to this lame proposition, and I start to wonder whether the majority of her brain cells are housed in her scrubs.  After all, it seems like such an uncharacteristically DUMB move on the part of a woman who, normally, is one of the most intelligent characters on this show.  Then again, it wouldn’t be the first time that a man made Cristina do less than brilliant things . . .

EEEVILL!

 Meredith overhears this exchange, and is again faced with the moral crisis she dealt with last week.  You see, Meredith is convinced that Owen’s failure to follow Cristina’s wishes, and help Teddy keep her job, was incontrovertible evidence that Owen is secretly in love with Teddy.

“I LOVE YOU . . . so I tried to get you fired.  My therapist said it was a good idea . . .”

 So, on one hand, she owes it to her BFF Cristina to let her know that her boyfriend is a poopy head .  . .

.  . . and, like all poopy, deserves to be unceremoniously dumped.  On the other hand, the information she learned about Owen, came from Derek, and the confidentiality requirements associated with Post-It Note Marriages, are SERIOUS!

Nothing says loving like Sticky Paper, purchased in a 150-note multicolored pack (2 for $3.00!) at CVS . . .

So, Meredith decides to play King Solomon and split the baby . . .

 . . . instead of outright telling Cristina about her poopy head boyfriend, she drops annoyingly coy hints of his emotional infidelity, throughout the episode.  Initially, Cristina, who has always been a “shoot the messenger” type gal, gets pissed at Meredith, and denies that such infidelity exists.  However, with the seeds of doubt successfully planted, and love triangles seeming to haunt her wherever she goes, Christina starts to question the nature of her relationship with Owen. 

Ultimately, in a really great scene, Meredith confronts Owen about his feelings for Teddy.  Meredith explains to Owen, that if he is a “good guy,” he will come clean to Cristina about his throwing Teddy under the bus, when her job was on the line, and then lying about it.  In true Grey’s fashion, Teddy, of course, overhears all of this.  But to her credit, no trace of a sh&t-eating grin can be found on her face, upon hearing the good news.

Nor does she break into song, belting out, “You really LIKE me!  You think I’m SEXY!  You want to DATE me!”

Color me impressed.  Ultimately, Owen confesses his lie to Cristina.  And when she outright asks him whether he is in love with Teddy, he says, articulately, “I don’t know.”  (Perhaps he should get a new therapist.  Because, clearly, the one he has now is not doing a good job, writing his “lines” for him.)

At the end of the episode, in a scene highly reminiscent of early Grey’s, a torn-up Cristina crawls into bed with Meredith and admits that she and Owen are no longer moving in together.  Meredith changes the subject, but does so in a sweet way, by showing Cristina the plans for her and Derek’s house in the woods, where there is a separate room for Cristina to crash whenever she find herself in need of a hug . . .

Awww!

Relationships are like ducks . . .

Things were going significantly better for new couple, Alex and Lexie, this week, at least, on the surface.  After expending WAY too much mental energy on the recent sexual rendezvous of her ex- Sloan, especially, for a person who claims to be “over him,” Lexie decides it might be a good idea to issue Alex an ultimatum on the state of their sort-of relationship.  And, while normally, such an ultimatum, would have sent Alex running for the hills . . .

Running shirtless .  . . (Oh come on, as if a picture like that EVER needs a proper recap tie-in to be included!)

 . . . New and Improved Alex responds by making out with Lexie in public AGAIN.  Once they are done swapping spit with one another, he tells her.  “Yeah, we are a thing.  Whatever.”  (OK, I’m thinking that Owen’s inarticulate therapist is writing Alex’s lines too.  How about you?)

Later, when Meredith questions Alex about the nature of his relationship with Lexie, he explains that he is acting like . . . a duck.

Because ducks are sexy . . . (Awesome pic “borrowed” from marginalnotes btw)

Although the metaphor was, admittedly, a bit unclear, I think Alex was referring to the whole, “If it walks like a duck, talks like a duck, and acts like a duck, it’s probably a duck” thing.  In other words, act like you are in a healthy relationship, and soon you will actually find yourself in one.  Ummm . . . yeah, I’m not so sure about that, Alex . . .

And apparently, Lexie isn’t so sure either.  When Mark professes his love to her, at the end of the episode, Lexie doesn’t immediately jump his bones, but she doesn’t put up much of a fight either.  “I have a boyfriend,” says Lexie, half-heartedly.

“But I’m telling you that you could have a husband,” replies Most-Articulate-Male-of-this-Episode, Mark (maybe more like a Dad than a husband, but, like Alex says, “Whatever”).

It’s definitely a May – December Romance.  But in terms of “couple names,” “Sexie” TOTALLY kicks “Lalex”‘s butt!

So they’ve got that going for them, at least.

The Medical Stuff

You know what was really interesting about this week’s three “medical mysteries?”  They all got SOLVED!

 . . . and NOBODY DIED!

 . . . and that burn victim chick got her hair back!

It was the happiest hospital day EVER at Seattle Grace!  First, we got to meet an awesome star from Happy Days!

“What?  You were expecting, The Fonz?”

It’s Mommy Marion Ross!  She still looks pretty good!  And, apparently, I wasn’t the only one who thought so!  In a series of events that ONLY happens on TV, Marion Ross’s character, Betty, is in the hospital, getting  .  . . something done . . . not sure what . . . when she runs into Cute Old Dude Henry, her long lost love, who she hasn’t seen in 50-years. 

 They are eachother’s “one that got a way.”  Now, with no more obstacles standing between them (because all of those obstacles, unfortunately, are now DEAD), Betty and Henry decide to move in together (once they get out of the hospital, of course), and give their relationship a go.  I know, it sounds kind of lame, but it was actually really sweet.  And Cute Old Dude Henry had a voice that sounded like it narrated fairy tales for a living, so that made it even sweeter . . .

We also got to meet a burn victim in the hospital, who was supposed to get a hair regrafting (she had lost most of it in a car explosion), when she learns that she has an infection on her arm, and needs her fingers amputated.  At first, the doctors tell her that her infection will prevent her from getting the hair regrafting operation.  But then, they decide, RISKS be damned, HAIR IS IMPORTANT! 

And so they do the grafting during the hand amputation.  Of course, had Burn Victim Girl appeared in ANY OTHER episode, aside from this one, this would have been a perfect opportunity for the writers to senselessly kill her off, and manipulate us fans into tears. ( And we know how Grey’s LOVES the tears!)  However, Burn Victim Girl was lucky, because she got to star in an episode entitled “Shiny HAPPY People.”  And because HAPPY people tend to be, more often than not, ALIVE, she got to live too!

Finally, in what was the best “medical mystery” of the episode, Demi Lovato . . .

HEY!  What did I say about referring to that film again?

Sorry . . . Demi Lovato . . .

 . . . enters the hospital as a teen diagnosed with schizophrenia, who was admitted to the hospital after, literally, trying to claw her eyes out!  Everyone at the hospital thinks she’s a TOTAL nutjob, except this guy . . .

Sigh!

Who, instead, assumes she must have some extremely rare disease.  (After all, those have been conveniently traveling around Grey’s in search of likeable guest stars patients since Season 1).  Alex runs some initial tests on the teen, and comes up empty handed.  He then confronts his girlfriend with the photographic memory, Lexie-pedia, with his patient’s symptoms.  Intially, she can’t remember where, in the many medical books she has memorized, she saw the disease.  “Lexie-pedia is FROZEN!”  Alex complains.  (I LOVE HIM!)

But then Lexie remembers that the disease can be found in some obscure medical journal from 2004 with a light green cover.  In the next scene, we watch as Alex outfits the teen in this weird scary head gear, that makes her look like Johnny Five from those old Short Circuit films . . .

As if, on cue, Demi’s eyes go all buggy, and she freaks out.  So, of course, this was all Karev needed to diagnose her as having a small hole in her inner ear, that allowed her to hear everything that was going on inside her body.  YUCK!  Apparently, all this rare disease takes to cure, is a brief operation where the hole is plugged up.  After the operation, we know that Demi is sane again, because she is wearing a bandage around her head that looks like a really stylish headband . . .

Dear Demi,

Now that your “sane,” I’d really like my headband back.

XOXO

Blair Waldorf from Gossip Girl

In Other News . . .

 . . . Callie and Arizona shared an impromptu sexy makeout session in the elevator . . .

Ooh, la, la!

But accomplished precisely NOTHING in terms of their relationship . . .

Boo, la, la 😦

Oh, and the Gas Man . . .

This pic NEVER gets old . . .

 . . . told Bailey . . .

 . . . that even though he sometimes flirts with random nurses, he saves all the GOOD flirting for her . . .

Shondra Rhimes, PLEASE don’t make us fall in love with the Gas Man, if you plan to rip him away from us next season, in order to use him on your new pilot!  (Although, I think it might be too late . . . because I’m in love already).

So, there you have it, “Shiny Happy People,” in a nutshell.  This was the LAST new episode of Grey’s before the show airs it’s purportedly “game-changing” two-hour season finale (with the hours entitled “Sanctuary” and “Death and all of His Friends,” respectively) next week.  Media sites have teased that the final two episodes of Season 6, will feature nothing less than a SHOOTING and a fairly major character death.  Here’s a sneak peak at the promo . . .

Thanks for the video, adam9316!

I’ll admit it.  I’m afraid . . . very afraid!  See you next week!