Tag Archives: Happily Ever After

Once Upon a Time’s Recent Reconstructive Surgery Will Render It Nearly Unrecognizable In Season 7, But It’s Far From the First Show to Go Under the Knife

(soon to be cross-posted at Agony Booth.com)

After her memorable portrayal of the earnest and refreshingly relatable Baby Houseman in the original Dirty Dancing (not to be confused with the atrocious remake that will appear on ABC this week), actress Jennifer Grey seemed destined for a long and glorious Hollywood career. And then she went and got a nose job.

Though her talent agents undoubtedly praised her new appearance as being more in line with the American Beauty Standards of the day, Grey and her new nose no longer resembled the strong-willed teen that nobody was allowed to “put in a corner.” The surgery nearly ended her career. And though the actress does occasionally appear on TV and film (most recently as the real estate agent mother of the main character in the Amazon series Red Oaks), one can’t help but wonder what might have been had she refused Hollywood pressure to go under the knife.

Television series are a bit like Jennifer Grey’s face, I think. Over time, they are naturally going to age, and evolve as seasons pass. But if they change too much, or too quickly, from what made fans like them in the first place, those changes will undoubtedly result in the series’ demise.

This past week, in a two-hour season finale that I wasn’t able to timely recap because I was overseas, Once Upon a Time closed the storybook on its sixth season. It was an episode that could have functioned as a series finale, had the show not been picked up for a seventh season. Emma Swan, the series’ main protagonist, fulfilled the Prophecy of Saviors by sacrificing her own life to protect goodness against evil, only to have her life restored at the last minute by the ever-abused Plot Band-Aid that is “True Love’s Kiss.” Rumple, the series’ on again, off again (but mostly on again) peripheral baddie, took grand steps toward redemption by killing his own mother, the Black Fairy, who also so happened to be the Big Bad of the Season. In doing so, Rumple (1) broke the curse that his Mommy placed on the town, (2) reunited with the love of his life, the much put-upon and criminally underutilized character, Belle, and (3) got a second chance to raise his son Gideon, who was conveniently reverted from troubled 28-year old man with a perma-scowl to baby boy following the final battle.

The show even went as far as to add a series-ending-esque musical montage epilogue to the finale, which depicted each of the main characters experiencing their so-called happy ending, by returning to their respective loved ones and resuming “business as usual” in the much-abused town of Storybrooke.

Had Once Upon a Time ended with its sixth season, it would have been a respectable run for the series, by any stretch of the imagination. At 133 episodes (22 to 23 per season, which is almost unheard of in this current culture of “sexy” 9-to-10 episode truncated season runs), Once boasts 12 more episodes than the uber successful and generally beloved (except for maybe it’s series finale) Lost, another ABC series that coincidentally featured the same writing team as Once.

The series is also well over the “age limit” generally required for syndication (four seasons). This means that, after Once ends, it’s pretty much guaranteed a second life in reruns and re-airings, both in the U.S. and overseas.

Up until a few weeks ago, at least, a sixth season run seemed precisely where Once Upon a Time was headed. This seemed particularly true, in the wake of news that nearly three-quarters of the original cast (most notably, Jennifer Morrison who plays main protagonist Emma, and series stars Josh Dallas and Ginnifer Goodwin, who play Prince Charming and Snow White, respectively) would not be returning to the show for future seasons. In addition to a truncated cast, the show was also struggling HARD in the ratings department. Having garnered a respectable average of around 11 million viewers per episode in its first season, by its sixth, the show was averaging less than 3 million. To add insult to injury, ABC had recently announced plans to move the series from its six-year home on Sunday nights to the dreaded Friday night death slot.

That’s right, Emma. Drink away the pain!

And yet, despite all this, the Once Upon a Time was renewed, and its showrunners decided to continue the saga for an unlikely seventh season. With virtually none of its original cast returning, the showrunners decided to pitch the season as a reboot of sorts. The plot would now focus on Emma’s son, Henry Mills (now grown, and played, understandably, by an older, and much more attractive, actor) and his scrappy daughter.

Puberty has been REALLY kind to you, Henry!

Cast veterans Lana Parilla (who plays the Evil Queen), Collin O’Donohue (who plays Captain Hook), and Robert Carlyle (who plays Rumplestiltskin) would reportedly continue on with the series, though their role in this restructured show, at least, at this point, is uncertain.

It wouldn’t be the first time that a long running show was forced to shift gears in later seasons, as a result of cast member departures and/or flagging ratings. Medical drama ER (which lasted on air for a whopping 15 seasons), and its contemporary Hot Doc Show, Grey’s Anatomy (still going strong after an impressive 13 seasons) have both made a point of casually introducing new cast members each season by cycling through classes of medical interns. This is a clever way for a show to test out the likability of new cast members on a smaller scale, and, if they pass the ratings test, gradually increasing their roles on the series, so that they can eventually take the place of primary cast members, should they eventually decide to depart from the series. To date, only four of the original Grey’s Anatomy cast members still remain on the show.

Perhaps, no series has been more successful at cycling through cast members than the Canadian high school drama, Degrassi, which has been on air in some form since as early as 1982! Using a similar model to Greys and ER, Degrassi is known for introducing a new class of freshman students each year, and gradually shifting focus toward those students, as older characters graduate from high school, and the cast members who play them depart the show. In fact, Degrassi has been shuffling cast members for so long that some of its original cast members now play the middle-aged parents of characters who recently graduated from college, and subsequently were married to one another. And you know what that means . . . Degrassi Grandparents aren’t out of the realm of possibility in seasons to come.

Other series have been forced to make abrupt changes in their main cast lists, as a result of the sudden departures of series’ protagonists. Pitched as a family drama revolving around a father raising teenage daughters, and based on a book with the same name, 8 Simple Rules, had to switch some pretty serious gears after its first season, following the untimely death of John Ritter, who played the show’s patriarch. David Spade and James Garner were brought on for the show’s final two seasons as family members’ of the main characters.

Spin City a sitcom about the goings on in NYC local government lost its star Michael J. Fox after four seasons, as a result of the increased severity of his Parkinson’s disease. Fox was replaced by Charlie Sheen, who played a different character, naturally, for the series’ final two seasons.

Sheen went on to star alongside John Cryer on Two and a Half Men, which lasted for 12 seasons on air. Coincidentally, this time, it was Sheen’s turn to depart a successful series, as a result of his own misbehavior and issues with substance abuse, around season 8. Sheen was replaced by Ashton Kutcher, as a series co-lead. The latter’s tenure on the show lasted for four seasons, and ended only when the series was cancelled in 2015.

The aforementioned series are all shining examples of moderately to majorly successful cast member replacements. And it was these examples the showrunners’ of Once Upon a Time undoubtedly cited in the writers’ room, when they were pitching the idea of continuing their series without most of the original cast.

However, unlike all of these shows, Once has not had the opportunity to gradually introduce or test out its new leading cast members, Andrew J. West of The Walking Dead and Alison Fernandez of Jane the Virgin. (Though both characters were featured in the series finale, they had a combined screen time of less than five minutes.) And while three of the original cast members still plan to continue on with the series, in order to provide some consistency and appease loyal fans, the veterans’ chemistry with the new additions to the cast still remains a question mark, as the two new additions to the cast appeared in scenes only with one another during the finale.

Regina: “Who is the new hot guy with the little girl?” Emma: “I think that’s supposed to be our son and his kid.” Regina: “So, basically, in the last five seconds, I just learned I’m a grandparent at 40. I also inadvertently expressed attraction to my own child. So much to talk about in my next therapy session with Jiminey Cricket.”

Nonetheless, the showrunners of Once remain cautiously optimistic about the new direction in which the show is headed in its seventh season. “It’s like a new book. So, we’re starting with new stories. Although it’s going to have some of the people that we’ve loved for six years at the center of it, we are going to meet new people and new worlds,” Executive producer Adam Horowitz explained in a recent interview with Entertainment Weekly.

New people. New worlds. New time slot. New cast members. In fact, the series name will be just about the only thing Once Upon a Time will retain this fall from its first six seasons. But new and different doesn’t always mean better, as Jennifer Grey’s nose will most certainly confirm. And so Once Upon a Time has headed to hiatus, leaving fans with the greatest cliffhanger of all. Will this series will be able to survive its forced reconstructive surgery, and obtain it’s long awaited Happily Ever After in Syndication Land? Only time will tell . . .

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Hot Box Time Machine – Lost’s “Happily Ever After” Q & A

Tonight’s episode of Lost marks yet another chapter in the tale of our favorite Scottish time (and dimension?) – traveler, Desmond Hume.  This is our seventh Desmond-centric Lost episode. (For those nitpickers out there, I am counting the two hours of “Live Together, Die Alone” as separate episodes . . . basically, because I like the number seven, DAMMIT!)  To me, Desmond’s episodes have sort of a different feel than the episodes we typically see on Lost.  While all Lost episodes deal with themes of love, destiny, good versus evil, and science versus faith, Desmond-y episodes seem to express those themes in a more heady, philosophical way.

Desmond episodes = Advanced Placement Lost (for “gifted” TV watchers)

 Tonight’s episode was no exception.  During “Happily Ever After,” we definitely learned a thing or two about our hero, as well as the overall mythology of Lost.  Here are just some of the questions that were answered during this hour:

Why is Desmond “The Package?”

Desmond is The Package because he looks like this . . .

 . . . oh, and I almost forgot .  . . HE HAS SUPERPOWERS!

Superpowers?  Cool!  Can he leap tall buildings in a single bound, like Superman?

Ummmm  . . . no.  But he CAN be shocked with thousands of volts of electromagnetic energy without, you know, dying.  He can also toggle back and forth through time and alternate dimensions, without having to take a dip in a Hot Tub, or jump in a DeLorean with a young Michael J. Fox.

So what does that have to do with Charles Widmore?  Why does HE need Desmond back on the Island?

Two words: Course Correction.  If you recall (Of course, you recall.  Your a Lost fan.  You remember EVERYTHING.  And have the screencaps to prove it), back at the end of last season, Juliet detonated a bomb on the island back in 1974, in hopes of preventing Oceanic Flight 815 from ever crashing on the island.  Instead, her actions set off a major chain of events (i.e. that whole flash-sideways business) that left a lot of Losties extremely UNLIKELY to get laid in the foreseeable future. 

For starters, in Flash-Sideways World, Desmond’s not with his “soul mate” Penny, which means she can’t bear his child.

Charlie never met Claire . . .

No, I’m NOT taking about the bat-shit crazy version!  (NO ONE wants to meet HER!)  I’m referring to the  sweet, innocent, hygenic version from the first three seasons . . .

(Sidenote:  Was it me, or has Charlie’s hairline receded IMMENSELY since we last saw him on this show?  Perhaps hair loss is another side effect of living in Flash-sideways World, because Jack Shephard seems to be having the same “follicular” issues, of late.)

“I’m not LOSING my hair!  I’m just GROWING out my forehead . . .”

Speaking of Jack, in Flash-Sideways World, he and Sawyer never made out with / screwed (in a bear cage) Kate

Oh, the humanity!

Sayid’s not with Nadia.  Jin’s not married to Sun, so her and their child may DIE.  Daniel never met Charlotte.  Hurley never met Miles.

Catch what I did there?  Pretty clever, huh . . . 

As for Widmore, a permanent existence in Flash-Sideways World will undoubtedly result in the loss of his daughter Penny, his grandchild, and his son.  Oh, and did I mention that he will be stuck married to this scary biatch?

As if all that wasn’t bad enough, you and I would be stuck watching Friends reruns on Tuesday nights at 9 . . .  It’s a dystopian society, indeed!  And so, understandably, Widmore has hired Time-Traveling Desmond to merge the two timelines created by the bomb’s blast back into a single timeline, where they belong.

How the heck is Desmond going to do that?

One word: The Constant.  (well, that’s actually two words.  Sorry?)  Remember when Desmond was doing all those weird mind-warp time traveling things back during Season 4?  (During the episode conveniently entitled “The Constant.” )  Do you also remember how Daniel Faraday, who was experimenting with time travel at the time, had written in his journal – “Desmond Hume will be my constant?

(Presumably the aforementioned statement meant that whatever year it happened to be, Desmond would provide Daniel with the personal connection he needed to gain a necessary foothold in his current timeline)

“Oh, hey look!  Desmond is wearing a neon jumpsuit.  I MUST be in the 80s . . .”

Well, it seems that Widmore would like to hire out Desmond to be The Constant for everyone on Oceanic Flight 815 . . . well, at least everyone that mattered.  Presumably, Desmond will do this by making all of the passengers AWARE of the original timeline, the memory of which, as we learned today, lies buried in all of their subconscious minds.

How exactly is Desmond going to convince the other Losties about the original timeline?  Because if some stranger walked up to me and told me (with a Scottish accent, no less) that I was stuck in the wrong dimension, I would run in the other direction FAST!

I have one more word for you: LOVE 

Charlie (perhaps unwittingly) awakened Desmond to the existence of the original timeline, when the car the pair was driving, swerved off road and went underwater.  When Desmond tried to free Charlie from the drowning car, Charlie’s hand pressed against its window, revealing this message:

Of course, this was the same message, Charlie showed Desmond before dying during the Season 3 Lost finale episode “Through the Looking Glass.”  The message was intended to inform Desmond that the “rescue” boat that had been sent for them, was not sent to the island by Desmond’s lover, Penny.  Rather, it was a trap.  Seeing this message again, triggers Desmond’s alt-timeline memories of his love for Penny.  These memories come at him full force, later on in the episode, while he is receiving electromagnetic pulses to his brain during an MRI.  Likewise, both Charlie and Daniel Faraday began to recall THEIR alternate existences, upon seeing their respective Lostie lovers Claire and Charlotte in person.

Presumably, armed with the Oceanic Flight 815 manifest provided to him by former fellow alt-world time traveler, George Minkowski  (a chauffer and lackey for Charles Widmore in Flash-Sideways World) . . .

time traveling + NO superpowers = insanity, lots of nosebleeds, and a painful death . ..

Desmond will find all the Losties in Flash-Sideways World and attempt to trigger their memories of Real World, by tantalizing them with suggestions of lovers from another dimension . . .  which, leads me to my last question: 

Who’s YOUR Constant? 😉

Next week on Lost, we get to watch loveable Lostie Hurley talk to more dead people, make more dry (but hilarious) comments about the current state of the show, and (probably) eat some tasty treats along with way.  Awesome!

Until then . . .

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