Tag Archives: Joe Pesci

July 4th Movie Quote Contest (a.k.a. The post my lazy butt came up with at the last minute, because I drank too much on July 4th)

Have you ever noticed how there is nothing AT ALL to watch on television during the entire July 4th weekend?  Case in point:  Earlier this evening, I was flipping through channels in search of decent programming.  The viewing selection on my small screen was SO bad, that I actually watched an infomercial . . . on a motor scooter for the elderly . . . for a full half hour.  It was only 10 p.m.

Four glasses of wine in my belly, and I was actually about to purchase this . . . another two glasses, and I would have bought a spare one for my pet cat.

But you know what DOESN’T suck during July 4th weekend?  MOVIES!

July 4th weekend is a time when film production companies tend to release their highest budget films, in hopes of scoring big at the box office, and, thereby, achieving that much coveted “blockbuster” status.  It is also a time when television networks tend to air some of Hollywood’s most successful blockbusters, during prime time hours.  Networks tend to do this because (1) why bother putting out new content, when everyone is too sunburned and beer-logged to watch it; and (2) the few people who ARE watching are so happy to find something decent on television to watch and so very drunk, they won’t care at all that it’s a movie they have already seen 25 times.

For this reason and because I have had too much to drink to be genuinely creative, I have decided to run a little informal contest / game here at TV Recappers Anonymous.  The winner gets . . . well . . . to be honest, the winner gets nothing, because I don’t have anything to give him or her.

However, having a contest win of any kind under your belt WILL provide you with massive “street cred” on the blogosphere, not to mention something to brag about at all your upcoming July 4th parties!

OK . . . Here’s how the game works.  Got a pen and paper handy?

Good!

I’m going to show you a YouTube video featuring 100 famous movie quotes.  As you watch the video, jot down as many movies and quote-uttering actors as you recognize.  Then, tally up your points.  You get one point for each movie you correctly identify, and one point for each actor. 

And remember NO CHEATING!  If I hear later from your friends that you paused this video and started trolling around IMDB for the answers, I am going to find out your home address, and personally mail this to it . . .

Don’t think I won’t do it, either! 

If you’d like, feel free to comment here on how many points out of the possible 200 you received.  If not, don’t worry, I won’t be insulted . . .

 .  . . well, maybe I’ll be a little insulted.  But I’ll get over it.

This would actually be a pretty cool game to play with your friends on July 4th, assuming the party you are attending is extremely lame.  Additionally, I’m pretty sure there is a way to turn this into a drinking game.  I just haven’t quite figured out how to do it yet.  (Your suggestions in that regard, of course, are welcome too.)

So, without further adieu, here are 100 famous movie quotes in under four minutes . . . Good luck!

(At some point, I MIGHT add a comment to this post that includes the “answers” to this game.  Until then, you are on the honor system.  And remember, I’ll be WATCHING YOU!)

 Happy July 4th, everyone!

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“A” is for Attention Whore (and A-hole) – A Recap of Pretty Little Liars’ “Can You Hear Me Now?”

Damn that “A”!  She’s like a pesky little toddler — you know, the one who is always standing on her head, doing cartwheels, and annoyingly tugging on your shirt, while continually screaming, “Look at ME!  Look at ME!”  . . . during a funeral service  . . . for her Grandma.  As the weeks progress, “A” just seems to get more  and more insistent on keeping the girls’ attention, with her mean-spirited messages and evil tricks. 

This week, the girls actually did what I thought they should have done in the first episode (well . . . after calling the cops, of course).  Namely, they made a concerted and unified effort to cut off all communication with the mysterious “A.”  Well, it turns out, when it comes to Stalker Teens, I’m not nearly the expert I thought I was.  Because this actually ended up being a HUGE MISTAKE!  

Let’s revisit, shall we?

Spencer Ruins Saves the Day!  (And the girls sexually harrass Mr. Fitz.)

The first moments of the episode, feature our favorite cyber-stalking victims, gathered on a park bench. (Well. . .  the first few moments, aside from Hanna’s SUPER lame, blink-and-you’ll miss it, run-in with the cops, which I refuse to recognize as an actual scene, due to its sheer pointless ridiculousness.  “So, you STOLE and totalled someone’s car, Hanna the Infamous Shoplifter?  No big deal!  At least you’re not fat anymore . . .),.

The purpose of this bonding session?  To create a memorial for Alison, the same “Dead” Chick who currently seems to be making all their lives a living hell.  And, based on the flashbacks shown, Alison more or less made their lives a living hell, while she was alive too.  

“Kiss my psycho stalking ASS, BITCHES!  If you don’t, I’ll never make you cheap ugly friendship bracelets AGAIN!”

(SERIOUSLY!  Even BEFORE she died, Alison seemed like a majorly annoying, judgmental b*tch!  Why did these girls bother hanging out with her, in the first place?  I can understand Emily, because she obviously had a BIG lesbian crush on the girl.  And Hanna needed Alison to make her popular, despite her weight.  But Aria and Spencer?  I just don’t get it . . .)

So, anyway, the girls fight a bit about which one of them should get stuck holding on to Dead Alison’s fug bracelet.  Fortunately, Spencer, who clearly enjoys stealing other people’s things (like, for example, their term papers and their boyfriends), gallantly offers to take the ugly piece of fabric back to her place for some “good loving.”

For SALE!  The one and only friendship bracelet that spent time in an ACTUAL coffin and LIVED TO TELL THE TALE!  If you sniff closely, you can even SMELL the rotted flesh!  It can be yours for the price of $29.99 (plus shipping, handling, and a small portion of the corpse’s estate tax.)

Then, Spencer, who apparently takes her laptop EVERYWHERE (including the bathroom), randomlywhips it out (no pun intended), and uses it to prevent herself from receiving texts, calls or e-mails from any and all unknown numbers.  (Who knew small town parks had such excellent WiFi?)  The other girls borrow the computer from Spencer and quickly follow suit.

While they are doing that, Mr. Fitz rides by on his bicycle.  Fitzy is looking Super Femme, with his ghostly pale stick legs and tight ass bicycle shorts.

“LIVE STRONG, underage minors that I will eventually screw!  LIVE STRONG!”

Although I was fairly unimpressed with the whole “Fitz and Bicycle” package, the girls apparently liked it just fine.  Spencer and Hanna, in particular, took joy in hooting and hollering at Fitzy, with all the class and tact of an overweight construction worker, or a middle-aged Wall Street type, trying desperately to “score some hos” at an overpriced, slightly seedy, Titty Bar.  Noticeably silent during this love fest, were Closet Lesbian, Emily, and Aria, who totally could have totally shouted out “I’ve tapped that” . . . but didn’t (unfortunately, because that would have been funny).

Just when the girls are beginning to celebrate their newfound freedom to sexually harrass their professors without killjoy “A” looking over their shoulders, an “Alison is Lost” flyer conveniently falls in their laps.  “Ding Dong the B*tch is Dead!” is scrawled across the front in marker.

My sentiments exactly . . .

Re-Learning To Kill a Mockingbird, as taught by a Very Pissy Professor

“That Scout character seemed kind of cute.  Think she would date me?”

At school, Aria once again visits Ezra Fitz in between classes, to tell him how much fun her friends had objectifying his man parts at the park the other day.  Fitzy’s eyes noticeably lightup, as he mulls over the possibility of a Pretty Little Fivesome, with himself as centerpiece.  But, for now, he will have to settle for being a One-Cradle kind of Robber.  He tells Aria that they need to “talk,” and invites her over to his studio apartment for some noodles and sex.  Aria, desperate to learn what’s underneath those bicycle shorts, promptly agrees.

Fitzy and Aria start talking about how Aria thinks her dad is probably boinking the teaching assistant again.  When Fitzy gently suggests that she let her parents work out their problems in their own way, Aria gets WAY TOO UPSET!  Suddenly, she’s going at Fitzy like a pit bull in heat, only not in a hot way.  In fact, Aria actually kind of reminded me of Joe Pesci in that famous scene from Goodfellas.  Except, instead of repeatedly asking Fitzy whether he thought she was efffing “funny,” she continually demanded to know whether he thought she was effing “immature.”

“So what?  You think I’m a BABY!  A f*&king BABY?  Like I’m immature?  Do I look like a wear a f*&king poopy diaper to YOU?”

Aria then storms out of the house, leaving Fitzy to clean up the trail of poopy and spitup his baby left behind . . .

The next day in Mr. Fitz’s class, the group get into a discussion about Harper Lee’s classic novel, To Kill a Mockingbird.

And the whole scene made me feel as old as dirt.  I read the novel my freshman year of high school (which wasn’t THAT long ago, mind you).  However, upon viewing this scene, I quickly realized that, while I recalled a few general things about the characters in the story, I remembered next to nothing about its plot.  It truly shames me to say that, before I wrote this recap, I headed off to Wikipedia, and read the To Kill a Mockingbird entry, in hopes of truly understanding what went down here. 

First off, you just knew Fitzy was in a BAD MOOD, when he started calling Atticus Finch a hypocrite.  Now, like I said, I don’t remember that much about the book, but I KNOW that NOBODY messes with ATTICUS!  That’s like the literary equivalent of kicking the Pope in the nuts.

“You are going DOWN, Fitzy, you muthaf*&ka!”

Fitzy’s point, I think, was that, while Atticus looked down his nose at his hometown, for its failure to provide justice for Tom Robinson, he was more than willing to help Boo Radley escape the arm of justice, after the latter had killed Bob Ewell.  Aria then makes some lame argument about there being an equal “exchange,” and Atticus’s son Jem having been “raised right.” 

Fitzy interrogates Aria, like a scorned lover, in front of the ENTIRE class.  Then, when another student tries to offer his opinion, Fitzy jumps down his throat for no reason whatsoever.  Later that night, Aria, scolds Fitzy for his bad behavior.  They kiss and make up . . .

 The Femme Ranger rides AGAIN!

But then, Aria comes home to find that “A” has spilled the beans to her mom about her father’s affair through a letter.   The letter seems to suggest that Aria knew about the affair all along (which she did).  Aria’s mom looks PISSED!

Creepy Toby strikes again!

“Emily, after Chem Lab, I would very much like to eat your liver with some fava beans and a nice chianti.  Sound good?”

Like I said, I don’t remember much about To Kill A Mockingbird.  But I DO remember the characters.  Particularly, I remember reading about Boo Radley.  I  remember how,  for most of the book, I was absolutely certain the dude was a child molester.  And then, at the end of the novel, Boo ended up being kind of a nice guy. . . just misunderstood (Sorry for spoiling it for you, if you haven’t read it yet.)  It’s highly possible that the writers wanted us to feel that way about Toby Cavanaugh by the end of this episode — namely, that he is a nice guy who is simply misunderstood. 

That might end up being true.   But you know what?   He still creeps the crap out of me!  I wouldn’t be at all surprised if, next week, we learn that Toby chopped off the heads of the kids who put shaving cream in his locker this week, and used their teeth to make a neckace . . .

 At the beginning of the episode, Emily is flirting with her almost-girlfriend, Maya, when the latter gives the former a bright red leash scarf.

Emily seems flattered by Maya’s gift.  However, she is so embarrassed by the prospect of people knowing the two of them are “an item,” that she takes it off, anytime anyone seems to be watching her.  So, of course, Emily’s new lab partner, Creepy Toby, has to make some awkward comment about how “nice” it looks on her, even though he only actually saw her wearing it for a split second.  Emily freaks out a bit when she opens her chemistry book, and finds in it those missing pictures from last week of Emily and Maya making out in the photobooth.

When Emily confronts Maya about this, she denies having anything to do with putting the photos in Emily’s book.  However, she doesn’t appear to be particularly concerned about their being made public.  Later in the episode, Emily more or less “dumps” Maya, claiming she needs “her space.”

Toward the end of the episode, Emily confronts Toby about the photos, when she finds him lurking around late at night near her garbage can. (Oh, I’m serious!)  Toby also claims not to have put the photos in her chemistry book, and basically denies ever having even seen them.  He then makes this long drawn out speech about “being yourself” and “not caring what others think of you,” that, again, was supposed to be nice, and, again, I found INSANELY creepy . . .  Hide your pet bunnies, Emily!

Open Wide, Hanna  . . .

Be careful, Hanna!  I read that excessive tears can cause weight gain!

So after enduring that pesky little grand theft auto issue (notice how it took WEEKS of Hanna’s mom screwing Deputy Douchey to expunge Hanna’s record of her minor shoplifting offense, but the car theft is just a blip on the radar), Hanna needs some time to unwind.  She is excited to receive a call from her long absent pompous ass of a father.  Convinced that her dad wants her back in her life, Hanna practically sprints to her father’s car.  However, she becomes suspicious when her father makes some snide remark about her “poor driving skills.”  (Haha, this guy’s a LAUGH riot!  He should really get his own comedy show . . . Yeah, I’m being sarcastic.  Papa Marin sucks!) 

“Did you come here because of the car?”  Hanna inquires, eyes blinking back tears.

“No, that would require me to actually give two sh*ts about you, which I don’t.”   Hanna’s father doesn’t admit or deny her daughter’s accusation.  Instead, he takes her to dinner in order to reveal to her the real reason for his visit.

Apparently, while Hanna was busy stealing clothing, crashing cars, making out with her possibly gay boyfriend, and dieting, Papa Marin was getting his screw on with his Stepford Wife-esque new fiance, and fathering her instantly unlikeable daughter, Kate.  Understandably, Hanna doesn’t take the news too well.  She copes with the situation by more or less threatening to murder Kate at sea, while the latter theoretically teacher her how to sail. 

 (Honestly, can you blame her?  Just looking at this self-righteous chick makes me want to revise my current views on gun control!)

When called out for her mean spiritedness, Hanna replies by passive aggressively saying, “What?  It’s a joke.  And this is a fork!”  (Apparently, Hanna hopes to one day add “homicide” to her growing list of criminal offenses.)  When Hanna’s father informs her that she will be paying off the cost of Sean’s car repairs by working at his father’s dentist office, she takes the opportunity to make another jibe at Kate and her rather large, fake teeth . . .

And yet, by the end of the night, it’s “A,” who gets the last laugh.  While Hanna is driving home from dinner (Wait!  They are still letting her DRIVE?), she learns that someone has made a dedication to her on the radio!

But it’s from A . . .

The song is called “I Don’t Need You Anymore,” and it more or less adequately describes the way Hanna’s father is treating her.  Ouch A!  Under the circumstances, threatening to kill Hanna at sea, or making fun of her horse teeth would have been WAY more humane!

And the Reward for Most Adorable Drunk Ever Goes To . . .

So, depending on how you look at it, Spencer is either having the best or the worst day ever.  On one hand, Spencer has been nominated for the prestigious Golden Orchid writing award.

. . . but it’s for a paper she STOLE from her sister.

She’s home alone, because the rest of her family went away to Europe and left her there to rot.

And SOMEONE BREAKS INTO HER HOUSE!

But it ends up just being Drunk Wren who LUUUUUUUUVES her and wants to hug, kiss, and squeeze her, forever and ever.

Except that while Spencer and Wren are getting their flirt on, some creepo is videotaping them from outside Spencer’s house!  Oh, and did I mention Wren dropped a  FLOWER POT on Spencer’s floor?

When Spencer leaves Drunk Wren off at the hotel, the two of them make out with one another hardcore!

And when she comes back, someone has cleaned up her flower pot mess for her . . .

But the flower pedals are arranged in the shape of the letter “A,” and a video camera is inside.  SOMEONE is (or was) in the house!

And then SOMEONE wrote “It won’t be that easy, b&tches,” on Spencer’s mirror, in the color of lipstick that Alison always wore!

And that’s all I’ve got folks.  What did you think of this week’s installment of Pretty Little Liars?  Think you are any closer to learning “A'”s identity, or that of Alison’s killer?  Were you as turned on by Drunk Wren as I was?  Are you a fan of Fitzy’s legs?  All important questions . . .

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My Favorite Mobsters: My Picks of the Top Ten “Made Men” to Grace the Silver and Small Screen

Why are we so fascinated by mobsters?  Is it the way they talk?  (“Fuhgeddaboutit!”  “I’m gonna make him an  offer he can’t refuse!”  “Go to the mattresses.” “I amuse you?  I make you laugh?”)  Their funny accents?  Those snazzy suits and hats they always wear? 

Or perhaps it’s something deeper.  After all, mafia men are loyal to a fault.  They adhere to a strict code of honor.  They place the institution of  “family” above all else.  If you really think about it, mobsters were the first, and ultimate, “bad boys.”  The most successful ones are powerful, strong,  sexy . . . and deadly dangerous.

So, without further adieu, here’s my list of the Top Ten Fictional Mobsters of all time . . .

10) Fat Tony  – The Animated Mobster

Show of origin:  The Simpsons

Played by:          Joe Montegna (he does the voice)

Why he made the list: 

Fat Tony is a successful amalgamation of pretty much every movie and television mobster ever invented.  But he still manages to have his own unique style.  It’s really hard to be intimidating when you are drawn in colored pencil, and have a face like a muppet.  Yet, Fat Tony somehow manages to be genuinely menacing.  Interestingly enough, the character’s appearance is based on that of an actor who frequently appears in mafia films (and was just shy of making this list).

Paul Sorvino (Now can you see the resemblance?)

9) Sonny – The Mobster with a Heart of Gold

Film of origin:  A Bronx Tale

Played by:        Chazz Palminteri

Why he made this list:

Sure, Sonny may have shot a man in cold blood over a parking space, but it was really to protect Joe Pesci!  And, yes,  Sonny beat the stuffing out of an entire biker gang, but they had been destroying family-owned bars across the country!  When you really think about it, this New York mob boss was a pretty good guy, as far as racketeering murderers go.  And he seemed to really care about young Calogero (“C”). 

Sonny acted as a second father to C (His biological father was played by Robert De Niro, who is also on this list, TWICE.  However, not for this movie, where he played a law-abiding bus driver.)  He taught C the ins and outs of life, lectured him about staying in school, gave him advice on women, tried to keep him away from a life of crime, and, most importantly, saved his life.  Oh, and he also taught him how to gamble.  Gambling is fun!

8) Consigliere Tom Hagen – The Smart Mobster

Film of origin: The Godfather (Parts I and II)

Played by: Robert Duvall

Why he made the list:

Not all mobsters were Italian.  Some were of German and Irish descent, like Tom Hagen.  (Can’t you tell by the name?)  Tom was an educated man, a lawyer.  He acted as a sage, and mild-mannered advisor, first to Vito Corleone, and, later to his son, Michael.  Despite, living and working amongst mobsters, Tom more or less managed to keep his hands clean.  And while he remained loyal to The Family throughout his life, he did so without ever committing an act of violence.  (Then again, he did convince that one guy to commit suicide.  Not cool, Tom!)

7) Sylvio Dante  – The Loyal Rocker Mobster

Played by :         Steven Van Zandt

Show of origin:  The Sopranos

Why he made the list:  

Oh how, I love Sylvio, let me count the ways.  First and foremost, he has cool Elvis hair.

And the actor who plays him rocks out with a band from my home state of NEW JERSEY!  Bruce Springsteen’s E-Street Band, of course!

Silvio was probably the toughest muscle of Tony Soprano’s gang.  However,  unlike the hot-headed Paulie Walnuts (we’ll get to him later), he never lost his cool.  When others came to doubt Tony’s leadership, Sylvio was unfailingly loyal.  Sylvio detested rats above all else, and most of his victims were snitches and informants of some sort.  (And no one likes THEM, anyway, right?)

6) Jimmy “The Greek” Conway – The Strong and Silent (but Deadly) Mobster

Film of origin:   Goodfellas

Played by: Robert De Niro

Why he made this list:

Like Tom Hagen, Jimmy is an Irish mobster (although, truthfully, it’s hard to imagine De Niro as anything other than Italian).   And like Silvio, he is the mild-mannered muscle of his crew.  Although, Jimmy’s origin of descent prevented him from becoming a true “made man,” he never complained.  While his hands may have been dirtier than anyone else’s in his Family, Jimmy never let his job diminish his sense of class and style.  A

fter a big score had left them with untold riches, Jimmy cautioned his crew against dressing and behaving too ostentatiously.  Oh yeah, and the dude can smoke a cigar like no one’s business . . .

5) Vito Corleone – The Old School Mobster

Film of origin: The Godfather (Parts I and II)

Played by:       Marlon Brando and Robert De Niro

Why he made the list:

Honestly, how could I make a mobster list, without including the original mobster himself?  Vito was the King of the Mobsters.  The mobster on which all subsequent film and television mobsters are undoubtedly based.  And if his character didn’t have to go and die on us at the end of the first Godfather movie (we saw him in the second one only through flashbacks), I have no doubt that he would be significantly higher on this list. 

You know what?  I’m not even going to tell you why Vito is so cool.  I’m going to let him show you for himself . . .

4) Paulie Walnuts – The Wal – NUTS Mobster

Show of origin: The Sopranos

Played by:          Tony Sirico

Why he made the list:

In short, Paulie made this list because he is bat sh*t crazy!  If Silvio is the man on the Soprano’s crew you’d most want to have your back, Paulie is the one you’d most want to take out for beers.  Between his kick ass one-liners, his random flip outs, and his childlike constant need for approval, hot-headed Paulie Walnuts is nothing if not entertaining.  And talk about loyalty to family, the dude beat up an old lady, just because she wasn’t playing nicely with his mother!  Plus, he has awesome Pepe Le Pew hair . . .

(Notice the resemblance?)

3) Tommy DeVito – The Loudmouthed Mobster

Film of origin: Goodfellas

Played by: Joe Pesci (Here’s another guy that I couldn’t dream of making a Mob Hit List without!)

Why he made the list:

I’m pretty sure, a lot of what is awesome about Paulie Walnuts was inspired by this guy.  Tommy DeVito was a hotheaded sociopath, who loved killing and beating the crap out of people. In fact, he did it regularly, often for NO REASON AT ALL.  Murderous tendencies aside, he seems like a pretty cool guy to spend an evening with.  Just don’t call him funny . . .

2) Michael Corleone – The Reluctant Mobster

Film of origin: The Godfather (Parts I, II and III)

Played by: Al Pacino

Why he made the list?

Do you even have to ask?  Michael Corleone was the quintessential mob boss.  But what made him so interesting and unique was that he never wanted to be one.  Born into a notorious crime family, Michael escaped his roots at the age of 18, and went on to become an Ivy League graduate, and war hero.  He then married the straight-laced daughter of a Baptist minister, in hopes of becoming a law-abiding family man, with a lowercase “f.”

But Michael soon gets sucked into the Family’s web.  When two nearly successful attempts are made on his father’s life, he is forced to avenge them.  After his father’s death, Michael is forced to replace him as head of the Corleone crime family.

Although throughout the trilogy, Michael makes numerous attempts to legitamize the Family business, he is continually thwarted by circumstances beyond his control, as well as his growing greed and hubris.  Of all our mob men’s stories, his is perhaps the most tragic.  And that’s why we love him.

1) Tony Soprano – Jersey Mobster Supreme

Show of origin: The Sopranos

Played by:          James Gandolfini

Why he made the list?

There are those of you out there who would undoubtedly like to give me flack for placing Tony Soprano above Michael Corleone on this list.  However, I have had eight years to get to know the former, and only a few hours to get to know the latter.  So, you will have to forgive me my sacrilege. 

Tony Soprano remains one of the most complex characters in television history.  On one hand, he is a hardened criminal, a violent and cold-blooded killer — a man who regularly cheats on his wife, who betrays his former friends and members of his family.  Sure, you could probably justify his murder of Tony Blundetto as a mercy killing, a rival family was going to do him in, anyway.

And his murder of Adrianna could be called a “protective measure.”  She was going to turn Tony and the rest of the Soprano family over to the FBI.

But his shocking “hands-on” murder of protégé and adoptive nephew Christopher Moltisanti during the show’s final season? 

I’m scratching my head over that one . . .

On the other hand, Tony Soprano was always somewhat of a flawed every-man.  He tried desperately to be a good dad to his two children, a good brother to his younger sister, and a good son to his spiteful, mean, and often unappreciative mother.  And before he killed Christopher, he really did care for him like a son or younger brother (if that counts for anything).  Tony also suffered from debilitating depression and panic attacks, both of which made him seem more fragile and human.

It was these physical and emotional ailments that caused Tony to seek treatment from psychiatrist Dr. Melfi.  During these therapy sessions,  we got to see a softer side of Tony — a side that experienced guilt and remorse over his actions, one that loved and deeply cared about those around him.

Dr. Melfi brought out the best in Tony Soprano.  And even though, these two never crossed the line romantically, the intelligent interplay and sexual tension between them was extremely HOT!

This is why Tony Soprano, tops my list.  And why, I REFUSE to believe that he died during that maddening fade-to-black series finale!  In fact, I am so certain, that Tony merely finished his onion rings, waited until Journey’s Don’t Stop Believing finished playing on the juke box, and drove home, that I’ve decided to leave you with a video of the awesome opening credits to one of the best television series of all time. 

After all, these credits show a living, cigar-smoking Tony Soprano commuting home from work on the New Jersey Turnpike.  And that’s what I truly believe he will be doing tomorrow evening . . . at least in TV Land!

 

 

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Filed under film, Mobsters, television, Top Ten Lists