Tag Archives: John Stamos

“Maybe You’re Not the Worst Thing Ever” – A Recap of Galavant’s “Joust Friends”

galavant-top-tv-shows-to-look-forward-to

“Your frigid and demanding, I shudder at your call.

Whenever you come near me, my skin begins to crawl.

But sometimes there are moments, I’m not repelled at all.

Maybe, you’re not the worst thing ever.”

Galavant – Episode 2

So says the final song of the first of two episodes of ABC’s Galavant, an eight-part medieval musical miniseries conveniently squatting in Once Upon a Time’s time slot over the next few weeks. They also pretty much embody my feelings toward the series pilot in general.

Although there were some genuine moments of laugh-out-loud funny, this sitcom gets bogged down by a mish-mash of other ho-hum stuff like a tired musical training montage, a forced will they/won’t they/obviously they will love-hate relationship between the lead and his “princess in distress,” and a few winking Game of Thrones references.

haters going to

(And don’t even get me started on the Galavant-inspired singing commercials we had to endure throughout the hour. If I never hear anyone sing a song about ABC’s Revenge again for as long as I live, it will be too soon . . . although I suspect I will . . . probably as early as next week.)

despise you

On a lighter note, the Evil King is my absolute favorite! Is it terrible that I’m genuinely 100% rooting for the bad guy to win in this one?

picky eater

So, get on your high horses, raise your swords high, and try not to get gravy on your tummy flowers, because it’s time to gallop into the weird, wacky world of Galavant . . .

You can check out the rest of this recap here.

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I Wanna Sex Ed You Up! – A Recap of Glee’s “Sexy”

During the last episode of Glee, we learned that alcohol is fun.  But if you drink it at school, you WILL projectile vomit all over your friends in a public setting.  And if you drink too much of it, you will drunk dial your ex, or, maybe, accidentally, your greatest enemy, and tell them that you were thinking about boning them, while riding a bull . . .

This week, we learned that sex is fun.  But there are “feelings” involved.  And you shouldn’t make sex tapes, if you are under 18.  Oh, also, wear condoms.  Because everyone has . . . a “RANDOM.”

And they said Glee wasn’t educational!

So, slip into something “more comfortable,” dim the lights, and snuggle up under the covers, with you know WHO . . .

 . . . because it’s time to get “Sexy.”

You Put Your Chastity Charm WHERE?

The episode begins at a meeting of the McKinley High Chastity Club . . . well, I use the term “club” loosely.  Since, at least at the beginning of the episode, the “club” only has three members.  And one of those members pretty much gets humped at least twice every episode . . .

Those balls won’t be blue for LONG!

Emma, the MARRIED 30-year old sex abstainer, seems vehement about fellow members, Rachel and Quinn, avoiding sexual activity for as long as humanly possible.  (Hate to break it to you, Emma.  But for the GIRL WHO HAD A BABY, that ship has sailed . .  . around the world . . . three times . . . and sank into the ocean.)  The problem with Emma’s celibacy speech, is that it seems less designed to keep her students safe, and more designed to keep them virginal, simply so SHE doesn’t feel “left out.”

More inspired than Emma’s speech, however, are the “chastity charms” she gives members of the Celibacy Club, and, it seems, anyone else who wants one.  The charms feature a heart-shaped locket and a key.  Of course, Emma is horrified when she learns that the charms are being used as nipple rings . . .

“Omigod!  They look like cow udders!”

Really, McKinley High students?  Because, honestly, I can think of a WAY more appropriately symbolic place to hang your chastity charm than on your boob, if you catch my drift . . .

In the student lounge at lunch time, Emma complains to Will and Beiste about the alarming sluttiness of the student body.  Cue the very slutty entrance of Holly Holiday a.k.a Gwyneth Paltrow a.k.a. McKinley High’s New Substitute Sex Ed Teacher . . .

Now, cue the 21-Gun Salute that takes place in Will’s pants . . .

Like Emma, Holly is also concerned with her students’ relationship with sex, namely, their lack of knowledge about it.  Through a flashback, we see Holly showing her class how to put a condom on a cucumber.  “Wait . . . cucumbers can give me AIDS?” Finn inquires nervously.

Beware the Evil Aids-Giving Cucumber.

Emma and Holly then get into an argument about the proper way to teach kids about sex.  Emma believes in NOT teaching them, and, instead, preaching abstinence.  Holly argues that celibacy for teens and married 30-year old guidance counselors is simply not realistic.  However, if you are open and honest with students about sex, they can make better decisions relating to it.  Holly then tells the crew that she is “off to have crazy sex, because she is crazy informed about it.”

Upon hearing this, Will gets down on all fours, and starts panting like a dog . . .

Schuester LIKE!

OH NO!  NOT ANOTHER PREGNANCY STORYLINE!  Oh . . . wait . . . nevermind.

Back at school, Santana wants to spend an evening sharing Lady Kisses and watching Sweet Valley High with Brittany, even though I’m pretty sure that show hasn’t been on television in about 10 years.  (Maybe one of the Glee writers was a fan?)  But, unfortunately, Britt can’t hang, because she thinks she’s pregnant . . .

“OH NO, NOT AGAIN!”

Of course, rumors of Britt’s Shocking Pregnancy spread around the Glee club, like wildfire.  But when Brittney explains that the REASON she think she’s pregnant is that there is a “stork’s nest outside her bedroom window,” Will comes to the shocking realization that Holly was right.  His students are TOTALLY clueless about sex!  And so, he puts on a ridiculous-looking leotard, and asks Holly for help.  (Note:  I couldn’t find a a screencap of Will in his nut-hugger.  Suffice it to say, he looked a lot like this . . .)

Holly decides that singing a sexual song to the Glee kids, while dressed in a trampy outfit, and humping chairs, is the best way to teach them the birds and the bees. 

So, after a very brief introduction .  . .

Source

 . .  . she launches into a rockin’ rendition of the song “Do You Wanna Touch Me?” 

The moral of this song, of course, is McKinley High apparently has NO school dress code whatsoever wear a RUBBER,  BOYS!  Because everyone has “A Random!”

Practice Makes Perfect Sex Faces . . .

We find Blaine and Kurt at . . . SURPRISE . .  . the coffee shop!  (Man these two consume a lot of caffeine!)  Sue Sylvester stalks them there, and inexplicably tells them that they have to sing a sexy song in order to be relevant to the episode’s theme the McKinley High kids are upping their sex appeal.  So, if the Warblers want to win Regionals, they will have to do the same . . .

But what do the Warbler boys know about being sexy?  After all, most of them haven’t seen a FEMALE in about four years, let alone “wet hugged” one!  So, Blaine decides to invite over some females from the local girl school to “test the waters” . . .

I bet there are about EIGHT porno films that begin just like this . . .

With their human sexy barometers in place, the Dalton boys begin rocking out to “Animal” . .  . and . . . SURPRISE . . . Blaine’s got the solo . . . again!  But wait . . . Kurt’s there too!

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But . . . why does Kurt look like he has to pee?

Source

Perhaps, it has something to do with all the water . . .  and foam . . . and Warbler “Wet Hugs” . . .

Source

You can watch the Warblers, in all their humpy, soapy, animal-y goodness, right here:

After the number, Kurt and Blaine are alone together again. (Does anyone else notice how, ever since Kurt arrived at Dalton, Blaine has stopped hanging out with any of the other Warblers?  Interesting  . . .)  Blaine starts having hot horny bunny sex with Kurt wants to know why Kurt was making all those weird faces during the performance?  Kurt explains that those were his “sexy” faces.  So, Blaine asks to see them up close, so that he can judge for himself . . .

Unfortunately, for Kurt, his “sex faces” don’t really make Blaine want to give him a “Wet Hug.”   Rather, they remind him of someone who has gas . . .

For what it’s worth, I disagree with Blaine.  I think Kurt’s “Sex Face” looks more like a cross between Derek Zoolander . . .

 . . . and Charlie Sheen . . .

Either way . . . NOT SEXY!

The problem, of course, is that Kurt has NO sexual experience, whatsoever.  I mean, his idea of a hot porno is the Dalton Academy’s production of Sound of Music . . .

Blaine figures,  if he ever plans to “Wet Hug” with Kurt, he’d better nip this issue in the weiner . . . FAST.  And so he attacks the problem at its source, by visiting Kurt’s dad . .  .

Blaine starts by telling Burt how envious he is of the great relationship he and Kurt share.  (I think most of us are a bit envious of that, actually.)  Then he lets the other shoe drop.  If Burt doesn’t hurry up and give Kurt the “birds and the bees ” talk, there’s a good chance that his son will learn about sex from boning Blaine by watching those Eating Out movies they are always showing on the Logo channel, late at night . . .

As a straight girl, can I tell you?   These are SO HOT!  (The acting is usually crap, of course.  But, let’s be honest.  That’s not why you’re watching.)

So, Burt, being the kickass dad he is, goes out and picks up some pamphlets.  And then he tells his son that it’s time for The Talk . . .

Needless to say, Kurt is not particularly receptive, at first.  But then Burt reigns him in by giving him the BEST SEX TALK EVER!  I mean seriously, if I ever have kids, THIS is the Sex Talk, I’m going to give them . . . well . . . maybe a slightly modified version . . .

Here are the highlights:

“You know, when you’re intimate with somebody in that way, you’re exposing yourself.  You’re definitely going to be more vulnerable. And that scares the hell out of a lot of guys. . . . Once you start doing this stuff, you’re not going to want to stop. You just . . . You’ve got to know that it means something.  It’s doing something to you, to your heart, to your self-esteem.  Even though it feels like you’re just having fun.  Kurt, when you’re ready, I want you to be able to do everything.  But when you’re ready, I want you to use it as a way to connect to another person. Don’t throw yourself around like you don’t matter. Because you matter, Kurt.”

All together now, “AWWWWWWWWWWWW!”

(Did you ever wish you could hug someone through your television screen?  Because that’s what I wanted to do to Burt Hummel, after this scene was over.)

In other Sexy news . . .

“You’ve just been Zized!”

So, Puck wants to star in a sex tape .  . .

. . . with Lauren Zizes . . .

Apparently, this is all part of  Lauren’s “big plan” to be “famous,” like the “Kardashians,” and have her “own reality show” with a “clever tagline” :  “You’ve just been Zized.”

The most bizarre part of this whole storyline for me (aside from the obvious, of course) was that Puck and Lauren “researched” their sex tape, by watching other sex tapes on the internet in the SCHOOL LIBRARY.  (Public School FAIL!)   They also conveniently told Ms. Holiday about their plans, when she caught them in the act . . . of watching the tapes.  (What did you think I was going to say?)

Holly helpfully informed the budding new couple that, if they made a sex tape, they would both be guilty of CHILD PORN.  Having been accused of being a creepy pedophile by his OWN SEX ED teacher, a clearly traumatized Puck finds himself, for the first time in his life, NOT WANTING TO HAVE SEX!

You would think that GETTING A GIRL PREGNANT last season would have the same effect on him  . . . but no.

So, Puck joins the Celibacy Club . . .

 . . . which seriously pisses off his horndog girlfriend . . . that is, until she learns that he “like, cares about her . . . and stuff.”

PUCK:  “Haha, my evil plan has worked!  I am so getting laid tonight!”

Meanwhile . . .

Boys are like Wasa Crackers.

Best . . . product placement . . . EVER!

Ahhh . . .  Will Schuester . . .  such a martyr.  Once again he is trying to get laid . . . to educate his students, of course!  So, being the “Swell Guy” he is, The Schue commandeers Holly for a little musical number, specifically, a tango, to the tune of Prince’s Kiss . . .

You can tell immediately that Will is extremely aroused during this performance.  For starters, his singing voice gets so high that you literally can’t tell it apart from Holly’s.  (Yes, I realize that Prince, himself, had a high voice.  And that this was the whole point of the musical number . . . But I still found it bizarre.  Sorry!)

The dancing was pretty hot, though!  Watch, and you’ll see what I mean . . .

After the number, Will takes the opportunity to ask a sweated up Holly Holiday on a date.  And she TURNS HIS ASS DOWN!

“I break Nice Guys like you, like Wasa Crackers,” Holly explains.  “You married your high school sweetheart, and then went out with a virgin,” Holly notes, adding insult to injury.   (You’ve got to admit.  Girlfriend’s got a point!) 

Speaking of virgins . . .

Emma has herself an Afternoon Delight . . .

Concerned that Holly’s teachings are only offering teens one viewpoint about sex, Emma decides to lead the Celibacy Club in their own musical number, to illustrate an alternate way of thinking.  With the help of Rachel, Quinn, new Celibacy Club member, Puck, and her new husband, Carl,  Emma performs “Afternoon Delight.”

Watching this not-very-good musical number, I must admit that I was . . . confused.  To give you an idea of  just how confused I was, here are some of the recapping notes I took, during the performance:

-Why are they singing Afternoon Delight?  Is the choice of song supposed to be ironic in some way?  Wouldn’t a song like Meatloaf’s “Paradise by the Dashboard Light,” a.k.a. A Cautionary Tale About Car Sex, be more appropriate for this purpose?

-Why are there pictures of dessert in the background?  That’s kind of kinky!

-Why are they dressed like THAT?

-Why is Emma so friggin annoying?   I kind of feel like the Emma character unintentionally functions as the Poster Child for Teen Sex.  In other words, “have sex young, or you will end up like Emma.”  Way to send positive messages, GLEE!

Of course, after the musical number, all is explained.  (Well . . . almost all.)  You see, apparently, Afternoon Delight, is not just a euphemism for “sex on your lunch hour,” it is also . . . a DESSERT, which, when you think about it, is kind of fitting! 

Later, Carl and Emma decide to visit Holly for some much-needed “couples’ counseling.”

As it turns out, these two have been married for HALF A YEAR, and still have NEVER HAD SEX WITH ONE ANOTHER!  See what I mean . . . about the whole Giving Virgins a Bad Name thing?  I mean, “waiting until marriage” is one thing . . . waiting until your Golden Anniversary, is quite another.  In the words of Jesse from Full House, himself.   “Have MERCYYYYYY!”

I’ll admit I made this exact same face, while I was watching this scene.

Holly perceptively figures out that Emma’s longstanding love for Will, might be the glue that’s keeping her legs together.  When Holly suggests as much to Emma, the latter can’t deny it.  The realization forces Carl to storm out of the room, and possibly the marriage . . . something a Smart Guy would have done SIX MONTHS AGO . . .

“I could have told him THAT!”

In completely unrelated news, that doesn’t fit anywhere else in this recap . . .

 . . . these two doofuses are making monkey again.  (I wonder where SHE hung HER Chastity Charm?)

Speaking of making monkey . . .

Brittana Experiences a Landslide of Emotions

Last we checked, Brittany was dating Artie.  And Santana was dating Sam.  But that’s not stopping these two former Cheerios from boning in Santana’s bedroom on a fairly regular basis . . .

But don’t worry, guys!  It’s not cheating, if the “plumbing is different!”  At least, that’s what Santana says!  (Speaking of which, I have a clogged toilet that needs fixing.  Now, I know who to call!)

In a surprisingly coherent post-coital moment, Brittany complains to Santana that all they do is bone.  And they never talk about their feelings.  But Santana is not exactly the sharing type.  And she tells Brittany as much.  Nevertheless, the girls decide to visit Holly Holiday for their own version of couples’ counseling.   So, Holly plops the pair down in a Sexy Sharing Circle . . .

. .  . and asks them if they think they might be lesbians.  The Sharing Scene, by the way, is accompanied by Rotating Camera Shots, which always make me dizzy and slightly nauseous.  This scene was no exception.  (WHY MUST SHOWS ALWAYS DO THIS?  WHY?!)

Anywhoo . . . since the girls can’t articulate their feelings for one another, Holly suggests they sing about it.  And they do . . . with Holly’s help, of course. Because, apparently, it is in Gwyneth’s contract that she must perform at least three musical numbers during each Glee episode in which she appears to prove that she is a “Real Artist” . . . or something.  So, Holly sings “Landslide,” while the two besties exchange tearful and longing looks with one another.  It’s kind of heartbreaking, really.

At the end of the number, Brittany and Santana share a hug, laced with emotion and symbolism . . .

Upon seeing this, Sam turns to Artie and says that he wishes that the two of them can have a relationship as close as the one their respective girlfriends share . . .  (And you’ve gotta love the latent homoeroticism in THAT!)

After class, Santana confronts Brittany by the lockers.

She then tearfully explains to Brittany that she loves her, and wants to be with her, and ONLY her.  In fact, Santana has wanted this for a long time, but was afraid of what people would say about her behind her back, if she submitted to these desires.  Brittany admits to Santana that she loves her too, and would totally be with her . . . if it weren’t for Artie.

Oooops!

“Whoever thought being fluid would mean you could be so stuck,” Santana explains morosely.

Brittany then moves in to hug her again, but a heartbroken Santana pushes her away. 

It was a powerful scene.  One that was beautifully acted by both Naya Rivera and Heather Morris.  It’s refreshing to see these two actresses finally getting the chance to display themselves as more than just The Comic Relief.  And I hope we get to see more scenes like this between them in the future.

In other news, Will and Holly made out at the end of this episode.  Now, they are dating.  Zzzzzzzzzzzz  Yippee!

Next week on Glee, New Directions heads to Regionals with “Original Songs.”  You can watch the promo for the episode here:

See you then, my fellow Gleeks!

[www.juliekushner.com]

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Would you like some wine with your cheesy? – A Recap of Glee’s Mid-Season Finale “A Very Glee Christmas”

“Is that an elf in your pants, Santa, or are you just happy to see me?”

Ahhhhh, Christmas.  It’s a holiday seeped in tradtion: the presents, the mistletoe, the egg nog, those ugly Christmas sweaters, the Yule Log, those ridiculous old made-for-tv movies on Lifetime and ABC Family . . .

It’s enough to nauseate warm even the coldest of hearts . . .

This week’s pre-hiatus Glee episode was all about the Holiday of Giving.  And it offered up enough Christmas Cheer and Yueltide Cheese to keep you in Sugar Shock, well past New Year’s (which I guess — considering that new episodes of Glee won’t air until February 2011 — is a good thing). 

Poor Will!  Based on the way things ended for him this episode, it doesn’t look like he’s going to be getting LAID, until after the Superbowl, either . . .

Let’s recap, shall we?

Secret Santas Got a Brand New Bag

When the episode opens, Emma — who has experienced some major coldness from the MAN WHO IS NOT-SO-SECRETLY IN LOVE WITH HER, ever since she announced to him that she ran off with Jesse from Full House Dr. Carl Howell for a Plot Device Vegas Wedding  — invites Will to a Christmas party at the Tanner Household La Casa de Carl.

“Have MERCY!”

Understandably, Will looks like he would rather stab an ice pick through his heart, than spend Christmas watching Emma and Carl PDA and “Santa Baby” on the “Most Wonderful Night of the Year.”  (Can you blame him?)

Fortunately, Will’s Sulkfest 2010 is interrupted by a Beiste Bearing Gifts . . . well actually . . . more like a Beiste bearing names, as the faculty at McKinley High plans to exchange Secret Santa gifts this year.  Will gets THIS NAME . . .

 . . . which makes him do this .  . . again.

We later learn that Sue Sylvester has actually rigged the Secret Santa so that EVERYONE pulls her name.  In the words of Stephanie Tanner from Full House,  HOW RUUUUUUUUDE!

Meanwhile .  . .

I Saw Someone Still Believing in Santa Claus . . .

When Artie learns that his “Very Special” girlfriend, Brittany, still believes in Santa Claus, he becomes determined to preserve the Magic of Christmas for her.  But he ultimately ends up shooting himself in the foot (wow that was inappropriate on SO many levels), when he takes Brittany to Santa Land at the mall.

While the rest of the Glee kids ask “Santa” for reasonable things like “bling” (Santana), “Puck’s Love” ( me Lauren Zizes), or for Channing Tatum to star in less stuff (Mike) . . .

(I think its an “abs” thing.  Some guys just don’t know how to handle a little competition . . .)

(Coincidentally, you can catch Channing Tatum in the upcoming film The Dilemma, starting January 14, 2011.)

 . . . Brittany asks for Artie to be able to walk, which reminded me of the time when he DANCED . . .

But, seeing how that was just a dream sequence . . . yeah . . . Artie is kind of screwed.

Would you rather be slusheed, or hit in the head with a designer shoe?

While Brittany has no trouble keeping herself in the Christmas spirit, the rest of the Glee kids are feeling a bit more Scroogey.  After all, they are STILL getting slusheed in the hallways (though now the slushees are in festive Christmas colors!).  And, when they try to sing “Need a Little Christmas” to classes around the school, in order to collect money for a charitable holiday class trip . . .

 . . . they get heckled and hit in the head with Christmas boots.  Bah Humbug!  Decorating the Glee choir room and singing “Welcome Christmas” does little to lift the kids spirits.  Although THIS helps some . . .

Speaking of sporting a little Christmas Wood . . .

Blaine and Kurt heat things up, while singing about the cold . . .

In my absolute favorite performance of the evening (even though plotwise, it didn’t really fit in with the rest of the episode, AT ALL), Blaine finds Kurt studying alone in the lounge at Dalton Academy, and asks him for a sexual favor.  You see, Blaine was selected to sing “Baby it’s Cold Outside” at some random Christmas pageant, and simply can’t play with himself practice alone. 

And so, the duo launch into a modern take on the classic song.  The result is fun and adorable enough to warm the cockles of even my cold, cold heart.   Those of you who haven’t seen it yet, can enjoy it here:

After the solo, Will randomly shows up at Dalton Academy — a school that not only has a “No Tolerance for Violence” policy, but, apparently, also has NO SECURITY WHATSOEVER.  You would think that the Spanish-teacher-who-hasn’t-spoken-a-lick-of-Espanol-since-the-pilot-episode was there to wish Kurt a Merry Christmas, or give him advice of some sort.  But NOOOOOOO . . . this visit was all about Will, and his problems!  (What else is new?)

You said it, Sista!

Here’s Kurt, suffering the slings and arrows of unrequited luuuuuuuuuve, and all Will wants to do is bitch about how can’t figure out what to get Sue for her Secret Santa gift.  Selfish much?

OOPS!

Will’s only gift ideas so far have been a Robot Dog and a Soul.  Now, I don’t know about that whole “Soul” thing, but a Robot Dog would be an AWESOME Christmas present . . . (hint, hint Mom .  . . if you are reading this)

(My cat would never be without a companion!)

Kurt suggests a fur-lined tracksuit, instead . . . and I, for one, am hoping he meant faux-fur . . .  At least, with the Robo Dog, you can be sure that no living creatures were harmed in its making . . .

Though some might beg to differ with that assessment . . .

You’re a Mean One, Sue the Grinch

Coincidentally, this is exactly what I look like, after eating bad cafeteria food . . .

On Secret Santa exchange day, Emma and the rest of the teachers quickly discover that Sue rigged the Name Pot (Name Jar?), in order to get all the presents for herself . . .

“You a regular Agatha Christie, except even more sexless,” Sue says of Emma, when the latter reveals Sue’s devious plan to the rest of the faculty.

The teachers stomp off in a collective huff, as Sue, along with her new minion, Becky, sort through all her new Christmas gifts with sadistic glee . . .

Not surprisingly, about six different people got her The Shake Weight . . .

Teachers and Late Night Infomercials — It’s a Match Made in Heaven (plus tax)

Eventually, Will returns to take all Sue’s gifts back.  He claims she has no legal right to them (which, I guess is true, but, then again, neither does he).  Will plans to take the undeserved gifts to the underprivileged children in a nearby district.  Though honestly, I’m not sure what a bunch of kids would do with an adult fur-lined track suit, a blender, and six shake weights . . .)

Sue, of course, is APPALLED . . .

“I’m appalled.”

And so, she decides to get revenge, by inexplicably painting her face Grinch Green (riiiiight, because no one will recognize her NOW!), and heading to the choir room — along with her trusty Reindog Becky — to steal back the gifts, and ruin Christmas for Will and the Glee kids . . .

While Sue and Becky snatched presents, smashed ornaments, tore tinsel, slashed mistle toe, and cut down the Glee tree, a voice in the background eerily broke into a rendition of Sue the Grinch.  I later learned that voice belonged — not to anyone in the Glee cast — but, instead, to K.D. Lang .  . .

Ummmm  . . . yeah . . . because that’s not random at all.

At the end of the song, Brittany arrives, decked out in her best Cindy Lou Who attire . . .

(By the way Gossip Girl fans, I bet you will never guess who played Cindy Lou Who in the movie version of the Grinch Who Stole Christmas . . .  I’ll give you a hint, her name starts with a Raccoon and ends with a Zombie.)

Meet Cindy Lou Who, also known as Little J / Taylor Momsen.  Poor Dr. Seuss must be rolling over in his grave right about now . . .

Anywho . . . Brittany mistakes Sue for Santa (Other things Brittany mistakes for Santa: tomatos, bananas, Stop Signs, Soap Scum on her shower.).  Not seeming the least concerned that Santa is “green” and “ruining Christmas,” Brittany joyfully admits to the Grinch herself, that the presents under the tree are for the homeless.  Brittany’s innocence and sheer honesty, in the face of such evil, makes Sue turn a little green . . .

. . . but it doesn’t make her feel bad enough to clean up her mess . . .

The next day, the Glee kids enter the choir room to find THIS . . .

Determined to save Christmas for his fellow Gleeks (it is his favorite holiday, after all), Finn offers to go pick out another tree for the choir room.  And Rachel (seeking entrance back into The Finn Hudson Pantalones) offers to come along for the ride.  After all, her first bid to win back Finn’s heart — which involved, you guessed it, her SINGING (lamest . . . Christmas gift . . . ever . . . Cheapskate) — failed miserably.  So, she really had nothing to lose!

“Merry Christmas, Darling.  Please enjoy the Gift of My Voice to make up for the fact that you are no longer entitled to the Gift of My Virginity . . .”

At the Christmas Tree Farm, Finn and Rachel sing a duet of the song Last Christmas . . .

When the song is over, Rachel, who has rubbed herself in car air freshener, for the occasion . . .

The best little roll-on perfume $2.50 can buy!

 . . . makes her second play of the hour for Finn’s fickle heart.  “Last year for Christmas, I asked Santa to give me you even though I am Jewish, and don’t celebrate Christmas and he did!  It’s time for you to forgive me,” she said matter-of-factly, offering him a big wet and slobbery tongue kiss, as proof of the veracity of her statement.

But Finn, who is a self-righteous asshat (WOW!  I can’t believe I am actually taking Rachel’s side on this one), runs away like the whiny b*tch he is.   In doing so, the bastard completely forgets about his lofty plans to “Save Christmas,” and leaves Rachel to smell like the inside of a car, all by her lonesome . . .  (Then again, maybe smelling Pine Fresh, will make it easier for Rachel to hitch a ride home with a Lonely Trucker or Hairy Mountain Man.)

“Last Christmas, I gave you my heart, and the very next day, you gave me a fart . . .”

Meanwhile, back in the Better Plotline . . .

Brittany, Meet Santa Claus . . .

The Glee kids beg the increasingly adorable Shannon Beiste to be “Santa” at Brittany’s house, because she “has the right body type.”  (Yeah . . . because THAT’S not insulting at all!)  Artie hopes that “Santa” can kindly break the news to Brittany that “he” will not be able to get Brittany her requested gift of A Walking Artie . . .

That night, Brittany is thrilled to see Santa Beiste doing a “Christmas Dry Run,” right in her own living room!

However, her face falls, when “Santa” explains to her that she must instead give Brittany the gift of patience, instead of what she asked for, as “fixing Artie’s legs” is not a present that can be delivered overnight.  To support her position, Beiste tells Brittany the story of a husky young girl who wished that Santa would make her look like all the other girls for Christmas.  But, instead, Santa gave her the gift of “patience,” allowing her the time to eventually realize that she didn’t really WANT to look like all the other girls after all!

Gee, I wonder who that “Little Girl” could be?

“Was it Ricki Lake?”  Brittany asks.

(You’ve gotta love when the writers of this show have the Glee kids making totally age inappropriate pop culture references.)

Though Brittany feigns a polite perkiness with Santa Beiste, the next day, Artie finds his girlfriend at her locker, looking completely crestfallen.  “I used to believe that Santa could do anything. If Santa isn’t magical, I don’t even know if I want to believe anymore,” she mutters.

In a move that makes me LOVE this couple even more than I did last week (Sorry Team Artina, I am 100% Team Bartie now!), Artie rushes Brittany home, to help her cope with her newfound crisis of faith.  Once there, however, Brittany finds a very special gift under her tree . . .

It’s called a Re-Walk, and its experimental technology allows people, heretofore bound to wheelchairs, temporary use of their limbs.  (Believe it or not, Re-Walk technology is very real.  You can read more about it here.)  Artie brought his Re-Walk back to school, to share it with the rest of the Gleeks.  Seeing her Christmas wish come true literally brought tears of joy to Brittany’s usually vacant eyes . . .

And, all cheese aside, if this Glee moment didn’t melt your heart, just the slightest bit, you are simply not human . . .

No offense!

Speaking of melted hearts . . .

How Sue Saved Christmas . . .

Desperate times call for Desperate Measures, and when Will finds the Glee kids, going all Gift of the Magi on themselves, to raise money for their trip to see the underprivileged kids, he is impressed and disturbed at the same time.  (The boys gave up their watches, while the girls were prepared to chop off their hair.  Umm . . .  does that sound like an unfair trade off to anyone else?) 

Fortunately, Will has a money-making idea that will allow the girls to keep their luscious locks, and the boys to still always know when its time for sex lunch.

In the next scene, the Glee kids sing in front of a group, for the second time this hour.  This time. however, the audience is made up of teachers.  So, the kids won’t have to worry about getting shoes thrown at them again . . .

Well . . . maybe they have to worry a little bit.

The song the kids sang, as their coffers filled with faculty donations, was “Welcome Christmas,” a song with which, I’ll admit, I was completely unfamiliar, before this episode.   And yet, one line of the song really stood out for me:  “Christmas time it will always be, just as long as we have Glee Tuesday nights at 8 p.m. on Fox”  Now how’s THAT for product placement?

Conveniently, at the last moment, Sue walks in on the “caroling,” and immediately vomits is touched with the Christmas spirit.   By the time the kids return to the choir room, all the Shake Weights are back under the tree, and everything is as it should be.

But wait!  There’s MORE!  Sue also convinces the Glee kids to go to WILL’S house, so that he doesn’t have to spend Christmas alone.  (What’s the matter Glee kids?  Do none of you have parents?)  Will is touched by the gesture, and shocked that it was Sue who orchestrated it.  “I thought you hated the holidays,” says Will incredulously.

“No, I just hate you,” Sue replies.

Did I mention that Sue bought Will a Christmas gift too?

It’s a razor!  So, Will can shave his HEAD!  Get it?  Well . . . I guess some things never change.  (And yet . . . now that Sue mentions it, Will would look kind of hot with a crew cut . . . kind of like Channing Tatum . . .)

Sorry Mike!

The last moments of this very Yuletidey mid-season finale feature the Glee kids celebrating Christmas together at Will’s house . . .

It’s a schmaltzy, but sweet, end, to a schmaltzy, but sweet, Glee episode.  Well, that’s all I’ve got, folks.  So, Merry Gleestmas to all, and to all a Good Night! 

(Oh, and see you next year, my fellow Gleekys!)

[www.juliekushner.com]

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Can’t We All Just Get Along? – A Recap of Glee’s “Special Education”

Last year’s Sectionals brought our Glee kids together, in a really big way, by forcing them to pull an ENTIRE set list out of their collective butts, in the last few seconds before showtime.  (If you recall, during that episode, New Directions’ original set list had been stolen by both of their competitors, thanks to one, very naughty, Sue Sylvester.)  This year, however, that same competition seemed to drive a wedge between our Glee kids, the likes of which we haven’t seen before . . .

It seemed as though Kurt’s absence from McKinley High and the Glee club had cast a dark pall over all of our characters, as well as over the episode, in general.  It was enough to make me wish that SOMEONE would stick a “warbler” up Karofsky’s ASS, so Kurt could come back to New Directions where he BELONGS, and things could go back to normal again . . .

To save Glee, this brave warbler is willing to BOLDLY go where no bird has gone before . . .

Pucker up those cheeks, Karofsky . . . and not the ones you used to kiss Kurt, either!

And yet, amidst all that darkness were some seriously sweet scenes between new couples (Artie and Brittany / Sam and Quinn), best frenemies (Kurt and Rachel), and prospective future couples (?) (Blurt and Puckleberry).  Let’s recap, shall we?

“I feel like punching you, everytime you open your mouth.”

Woah, Quinn!  Why don’t you tell us how you REALLY feel?

When Emma nervously suggested to Mr. Schuester, during the episode’s opening, that he too often relied on Finn, Rachel and Mercedes during New Directions’ public performances, at the expense of the rest of the Glee club, even the biggest Finchel fans out there had to admit the woman had a point.  Lately, the Rachel/Finn Opening Ballad, and Mercedes Song-Ending Beltfest have become almost as common in Glee episodes as mash-ups, show-tunes, and Journey songs . . .

Here they go again . . . and again . . . and again . . .

However, when Will announced to the club that the solos typically performed by Finn, Rachel, and Mercedes would go to Sam, Quinn, and Santana, during this year’s Sectionals (with a little Mike and Brittany dance number thrown in for good measure), Finn whined like a little b*tch, and Rachel carried on, as though she had just been stabbed by her best friends in front of the Capitol Building, a la Julius Caesar . . .

*insert tragic Death Music here*

Rachel’s Lament seriously offends those Glee kids who actually HAVE been given solos, for once.  And yet, no one is MORE offended than Santana, who chooses this precise moment to drop the bomb on Rachel regarding her illicit lovefest with Finn, during Season 1.   “But we were ON A BREAK!”  You can almost hear Finn argue in his head, though, at the time, he actually says very little in his own defense.

For what it’s worth, Finn.  Ross Geller from Friends feels your pain.

Later, at “couples counseling,” Emma (riiiiiiight, because, clearly, Emma is a Relationship Expert) suggests Finn and Rachel sing Eagles songs to one another to work out their problems.  However, Rachel would much prefer slapping Finn in the face.  (What’s with all the violence this week, Glee ladies  Make LOVE, not WAR!)  And so, Emma suggests that Rachel “storm out” instead, thereby accomplishing ABSOLUTELY NOTHING!

“I never advocate Face Slapping amongst students.  Faces, especially Teenage Boy faces, tend to be extremely germy and capable of spreading pestilence.  Just thinking about it makes me want to wash my hands 35 times.”

“Just Be Yourself” (Unless “yourself” is at all different from the rest of us, in which case . . . DON’T)

If Kurt had sent a “canary” in before him, to test the environment at Dalton Academy, that sweet little yellow song bird would have suffocated, moments after breathing the same air as those stuffy Warblers . . .  Last week, like Kurt, most of us assumed that the reason there is NO bullying at Dalton, is because of its “general atmosphere of acceptance,” and its “No Tolerance” policy for any form of violence.  This week, however, we learned that the actual reason Dalton is Bully Free, is that being a “Bully” requires a level of individuality and personality (albeit a BAD personality), which the stuffy Dalton-ites simply don’t possess.

“This place sucks ASS!  Once I get Blaine to swipe my V-card, I am SO out of here!”

Although the Dalton Academy Warblers initially seem to welcome new student, Kurt, into their ranks with open arms, when the teen has the GALL to offer some of his ideas for a Sectionals song list, the boys all start looking at him, as though he murdered all their family members, and ate them, one by one. 

So, when Kurt is given the opportunity to audition for a solo, he recognizes immediately, that he is going to need a lot of help, if he wants a shot at getting the part.  And so, he turns to the World’s Most Unlikely Ally EVER!

Though initially reluctant to help out her “competition,” Rachel ultimately relents, providing Kurt with what seems like the perfect song for him to use during the audition:  namely, “Don’t Cry for Me, Argentina” from the musical, Evita.  At the audition, Kurt really seems to knock the song out of the park — though a concerned Blaine, continually motions for him to stop waving his arms, and using dramatic gestures, while he sings. 

When Kurt loses the part, Blaine accuses him of “trying too hard.”  Apparently, at Dalton Academy, when you want to “fit in,” you also have to “blend in.”  And, as we know, “blending” is not exactly Kurt’s strong suit . . .

One Magic Comb to Rule them All

Thanks, Gleeky Tumblr!

I’ll be the first to admit that I was TOTALLY skeptical of the idea of a Brittany / Artie coupling, when the idea was first introduced a few episodes back.  I thought to myself, “How could these two POSSIBLY have any chemistry, with one another?” 

BOY, WAS I WRONG!   This week, Artie and Brittany may have even surpassed Quinn and Puck, as my favorite Glee couple . . .

Don’t worry, Puckster!  I still love YOU the most!

It all started when Artie found a terrified Brittany in the lounge, completely freaking out over her Sectionals dancing solo, with Mike Chang.  Though confident in her dancing abilities, Brittany worries about having the entire team’s hopes and dreams about winning Sectionals resting on her small shoulders.  Fortunately, Artie has an idea . . .

He tells Brittany that he owns a Magic Comb, and that, if she brushes her hair with it, they are GUARANTEED to win Sectionals.  “You are the best boyfriend ever,” says a very excited Brittany, before treating Artie to a chaste hug and lip smooch.

But then Mike and Brittany start spending a heck of a lot of time together, practicing their dance for Sectionals.  A jealous Tina begins planting doubts in Artie’s head, arguing that Mike has a thing for cheerleaders, and has started to smell like Lipsmackers (which, apparently, Brittany wears and Tina would know this, because she makes out with Brittany all the time)  Therefore, Mike and Brittany MUST be screwing . . .

Artie tries to deny to himself that his new girlfriend would ever cheat on him.  But when Brittany starts acting really coldly to Artie, and ditching him to hang out with Mike, Artie can’t help but wonder whether what Tina is saying is true.  Then, shortly before Sectionals, Artie accuses Brittany of adultery and she . . . admits to it.

Except, Brittany never actually CHEATED with Mike.

She just lost Artie’s Magic Comb!  You see, Brittany confused “adultery” with “being a dolt,” and assumed that Artie was just mad at her, about losing the comb!  But, as it turns out, the Magic Comb wasn’t really magic!  (SURPRISE!)  It was just something Artie found on the floor, and used to make Brittany not nervous anymore.  “YOU are magic,” Artie tells Brittany, before treating her to a FIERCE little tongue kiss.

And they all live Happily Ever After . . . well . . . at least these two do . . . (and I guess Tina and Mike do too).  But I can’t really say the same for everybody else . . .

“You stuffed Puck in a Port-a-Potty!  You Bastards!”

If it weren’t for the whole “being stuck in a STINKY Port-a-Potty for 24-hours” thing, Puck would have had the best episode EVER!  After all, he acted heroically, not once, but TWICE, during the hour.  First, Puck REFUSED to screw Rachel, to help her get revenge on Finn for sleeping with Santana, even though he seemed to REALLY want to make sweet, sweet Puckleberry Love to the girl .  .  . even going as far as to admit out loud that he “kind of liked” her.  Way to have self-control, Puckster!

Second, Puck LITERALLY took one for the team, this week, when Schue told him to find a new Glee club member to stand in Kurt’s place for Sectionals.  Puck approached his football team first, in the Men’s Locker Room, about the opportunity, but got shoved in the stinky potty, as a result. 

Kiss ME, PUCKSTER!

 (Ummm, where were Finn, Sam and Mike, during this ordeal, may I ask?  Aren’t they on the team too?)

Rotting away in Stinkville, Puck begins to worry that all hope is lost, until Wrestler Lauren Zizes comes to his rescue.  So, Puck asks HER to go to Sectionals with him. 

Lauren agrees, provided that Puck “makes out” with her.  And guess what?   Lauren ROCKS PUCKS WORLD!

She also, despite thinking that show choir is “lame,” happens to be a pretty good singer.  So, when you think about it, Puck’s puckery lips really saved Sectionals!

Honeymoon in Vegas

“Don’t hate me Wemma Fans!  I swear I didn’t mean it!”

Remember last year’s Sectionals when Emma had randomly rushed into marrying Ken Tanaka? (Ken ended up calling off the wedding, because she was so clearly in love with Will.)  Well, it looks like the woman is at it again!  (Maybe it’s an “OCD Thing.”)  First, we learn that Dr. Carl won’t let Emma go to Sectionals with Will, because the last time the two of them hung out, they did this . . .

Then, Emma admits to Will, that, instead of going to Sectionals, she and Carl GOT MARRIED IN VEGAS!

(Now, I hate to be a cynical about this . . . but I’m kind of thinking that this happened so quickly, only because Uncle Jesse Carl convinced himself that Emma was a “wait until marriage” kind of virgin, instead of a “just haven’t gotten around to it yet,” virgin. And, having dated Emma for quite a few episodes now, the dude just REALLY NEEDED TO GET LAID.)

“Have MERCY!”

Although, Will tries to politely congratulate Emma on her nuptials,  you can tell he’s pretty torn up about the whole thing . . .

Awww, don’t worry, Mr. Schue!  We all know it won’t last!  John Stamos is only guest starring for a few more episodes!

It’s Sectionals, Baby!

At Sectionals, the first performance comes from a group of aging GED candidates called the Hipsters.  They sing Mike and the Mechanics’ “In the Living Years.”  It’s a decent performance, but, given that none of the Hipsters appears to be under the age of 70, the song choice seems a bit morbid, if you catch my drift.  They end up coming in Third Place . . .

“Dammit!  I knew we should have sang, MC Hammer’s ‘U Can’t Touch This,’ instead!”

Before Kurt goes on to sing with the Warblers, he and Rachel share a sweet moment, during which they admit they believed one another to be their only true competition at McKinley, and admit how much they miss one another, now that they aren’t going to the same school. 

Perhaps, because of this shared moment, while the Warblers, led by Blaine, sing Train’s “Soul Sister” . . .

 . . . a supportive Rachel reminds a very uncomfortable-looking Kurt to SMILE!

Thanks hiyoritic tumblr!

(By the way, did anyone else love how Blaine condescendingly told Kurt how important it was to “blend in” to the Warblers, and not show-off, when the during Sectionals, showing off and standing out were precisely what Blaine appeared to be doing?  Just sayin . . .)

After the competition, Blaine assures a nervous Kurt, that he and his new bird (All the Warblers, apparently, have to care for REAL warblers, during their time on the team), are just “changing their feathers,” and will end up fitting into Dalton just fine. 

Admittedly, it was a nice moment for the pair.  But, am I the only one hoping Blaine will be WRONG?  I don’t want Kurt to “change his feathers.”  His “New Directions feathers” suited him just fine, in my opinion.

Speaking of New Directions, they are up next . . .

Our Glee kids open with Dirty Dancing‘s “I’ve Had the Time of My Life,” with Sam and Quinn taking on the Eye-F*&cking on Stage while Singing roles, typically reserved for Finn and Rachel.  Next up is Santana, who performs a rousing rendition of Amy Winehouse’s “Valerie” . . .

 . . . while Mike and Brittany dance, and throw one another around a bit . . .

When it comes time to announce the winner of Sectionals . . . SURPRISE . . . it’s BOTH the Warblers AND New Directions.  As it turns out, they will BOTH be performing at Regionals against Vocal Adrenaline!  How convenient!

It’s a pretty jubilant moment . . . until Rachel ruins it, by admitting to Finn that she tried to sleep with Puck, to get back at him for screwing Santana . . .

They break up over this.   And it’s kind of depressing . . .

But, just in case things were getting too sad for you, the episode ends with Mercedes and Tina singing Florence and the Machine’s “Dog Days are Over.”  And we get to watch the Glee kids run around the stage like lunatics, during it . . .

But, I think my favorite part of the whole number, was when Rachel made this face . . .

(Don’t worry, Rachel!  You keep making faces like that, and Finn will come crawling back to you, in no time.  It’s a well known fact that no teenage boy can resist a good “O Face” . . .)

And, just in case that O Face wasn’t enough to put a smile back on your face, next week it’s CHRISTMAS!  (Well . . . not really . . . but at least on Glee, it will be!)

[www.juliekushner.com]

 

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Heebie Jeebies, Creepy Crawlies, and Hot Abs – A Recap of Glee’s “The Rocky Horror Glee Show”

I have to say, the Glee producers took a decidedly big risk in choosing the theme for this week’s show. 

For one thing, The Rocky Horror Picture Show itself is an “acquired taste.”  It’s got its fans.  It’s got its haters.  And it’s got a good portion of Glee’s fanbase, who have never seen it at all . . .

The show is also pretty raunchy.  (All the characters that aren’t actually “doing it” on-screen, are impliedly getting busy off of it.)

Did I mention that the fans of the show are SERIOUSLY hard core?  You mess with what made them fall in love with this show, and they will make you live to regret it!  (I mean, these guys throw toast at people . . . for fun.)

Hopefully, they don’t throw the Grilled Cheesus . . .

All that being said, I think Glee did an admirable, if slightly imperfect, tribute to a musical classic this week.  And for that, they deserve a round of applause . . .

And . . . let’s face it . . . the multitude of Half-Naked Dudes didn’t hurt either . . .

Did you ever notice, how the writers of Glee find an excuse to show Chord Overstreet more or less naked in EVERY SINGLE EPISODE?  Not that we’re complaining . . .

Let’s “Time Warp” back to the beginning of the episode, shall we?

School Musical = Foreplay?

Someone should really instruct the federal government to watch this week’s episode of Glee.  After all, it includes within it, the solution to ALL of the nation’s healthcare problems!  I mean, who the heck needs medicine at all, when you’ve got Uncle Jesse from Full House catering to your physical, emotional, and psychological needs?

Having already raised TWO Olsen twins, there’s nothing this guy can’t do . . .

Well, at least, this is what Will’s lunch meeting with Emma suggests.  Just a few dates with Uncle Jesse Carl, and our OCD Poster Child, now, not only no longer needs to cut the crusts off her sandwiches, or wear plastic bags on her hands in public, she also apparently enjoys “playing dress up” and watching The Rocky Horror Picture Show, amidst a filthy theater of costumed “Toast Throwers!”

Emma shows Will how to do the “Time Warp” . . . again.

This marked change in Emma inspires Will to do something daring: namely, use his students to try lure Emma back into his arms (and, hopefully, his bed).

. . . because using kids to get sex . . . well . . . THAT’s not creepy at all . . .

So, that afternoon, Will informs his Glee kids that they will be performing The Rocky Horror Picture Show for their school musical production.  The proceeds from the show will be used to break Puck out of juvie (come back, Puck, COME BACK!) fund the club’s trip to the National Glee Club Competition in New York City!

In “brilliantly creative” and “not-at-all stereotypical” casting news, Will wants Finn and Rachel to play the dorky male and female leads, Brad and Janet;

He also wants Artie to play . .  . wait for it . . . the Guy in the Wheelchair . . .

I’m shocked!

 Will also hopes that Kurt will play the Very Flamboyant and Sexually Ambiguous Villain, Dr. Frankenfurter . . .

“Flamboyant?  Moi?”

Unfortunately, Kurt is totally not down with dressing in drag (He ends up being cast as a surprisingly convincing Riff Raff.)

 And so, who offers to take the part, but . . .

MIKE CHANG? 

Woah!  Color me impressed!  It looks like Uncle Jesse Dr. Carl has not only cured Emma of OCD, he has also broke Tina’s Dancing “Hot Patootie” of a Boyfriend out of his chronic, nearly mute, Glee Club laziness . . .

I am already picturing those abs encased in a tight leather leotard . . . Mmmmm!

Oh and Puck Sam will play the Hot Brainless Robot, who everybody desperately wants to screw, Rocky “The Creature.”

If You Can Dream It, Be It, Buddy . . .

With all those “innovative casting decisions” behind him, Will hands the club permission slips, to be signed by their parents, and sends them on their way.  And with that, Will’s dastardly plans to steal Emma from Uncle Jesse, have officially been set in motion . . .

Body Conscious

“I have no idea what’s going on in this script.  And, not in a cool, Inception way,” remarks Finn, as he and Rachel run through their lines, as Brad and Janet.

“Oh come on!  The Leo character was TOTALLY dreaming!  How else would you explain his kids not aging or changing their clothes for 10 years?”

Things get even more confusing, when Rachel informs Finn that he will be performing the scene on stage in his underwear.  (This just became like every bad dream, I have ever had . . .)

“I can’t be on stage in my Tighty Whities,” squeaks Finn.

Wait . . . Finn wears Tighty Whities?  In my dreams, I always kind of pictured him as a Boxer Guy . . .

Immediately recognizing that her boyfriend suffers from “Body Issues,” Rachel comforts him by telling him that he is the “Hottest Boy in School.” 

Hottest Boy in School . . . Third Hottest Boy in Glee Club . . . same difference, right?

As Sue Sees It . . .

Honestly, I would watch my local news SO MUCH MORE OFTEN, if it contained a segment like Sue’s Corner.  These little segments never fail to make me giggle like a school girl when I watch them.  “Halloween is a time when Little Boys to dress like Little Girls; Little Girls dress like Whores; and [both] brow beat hard working American families into giving them food,” she begins.

“We’ve lost the true meaning of Halloween . . . FEAR.”

Be afraid.  Be VERY afraid . . .

Sue concludes the segment, by advising Mommies to tell their kids that Daddy is a “Brain-Eating Zombie” who just whispered to Mommy that the kids “look delicious.”

After the segment, Sue is visited in her office by two  guys that look like insurance claim adjusters, but are actually Barry Bostwick and Meatloaf. (These guys played Brad and Eddie, respectively, in the original Rocky Horror Picture Show movie).

Apparently, Bostwick and Meatloaf also head up the Local News.  They inform Sue that they are aware that her high school’s Glee club will be putting on a very controversial Rocky Horror performance at the school.  Therefore, they would like her to write a “hard-hitting” news piece on the subject . . .

And so, with a Local Emmy on her mind and evil in her heart, Sue approaches Will about helping him out with the play. 

Will responds by reluctantly asking her to play the Criminologist in the production.  How fitting!

Hot Patootie!

Sue’s “assistance” comes in handy, almost immediately.  When Mike Chang’s parents tell their child they are “so not cool” with him wearing makeup and playing a tranny in the school play, Sue commandeers Uncle Jesse to help out . . .

Yes, because having a 40-something year old leather clad man seduce teenagers on stage is not inappropriate or creepy at ALL!

A skeptical (not to mention insanely jealous) Will insists that Carl audition before getting the role.  Apparently, Dr. Carl isn’t just an expert in cleaning teeth and curing OCD, the dude can also SING AND DANCE.  Using his signature Jesse and the Rippers’ style, Dr. Carl performs a rousing interpretation of Rocky Horror’s “Hot Patootie,” (sung by Meatloaf, in the original production) while joyfully spinning his girlfriend Emma around the classroom.

“I am SO screwed!”

A very huffy Will remarks that, since Carl will be playing Dr. Frankenfurter, he should have to audition with one of his songs.   But Carl staunchly refuses to cross dress.  And so, he will play “Eddie” instead. 

But who will play Dr. Frankenfurter?

“I’ll do it Mr. Schue,” remarks Mercedes.

Recalling the “if you can dream it, be it,” line from the show, Mercedes explains that she has always wanted to play the lead in a school play, and playing Dr. Frankenfurter would give her the perfect opportunity.  YOU GO, GIRL!

In the next scene, we get to watch Mercedes perform Dr. Frankenfurter’s iconic “Sweet Transvestite” dressed in full Frankenfurter garb.  I must admit, I was a bit skeptical at first of a women playing the part of a male crossdresser.  However, I must say that her interpretation of the song was pretty ingenious. 

“It’s astounding!”

The songs new “PG” lyrics, however, left a bit to be desired.  “Sin-sational Pennsylvania?”  Come ON, writers!  What exactly made it acceptable to use the word “transvestite,” but NOT the word “transsexual.” 

*sighs*  PRUDES!

Speaking of Prudes . . .

After the rehearsal, Will confronts Emma (who he has hired on as the show’s Sex Toy Costume Designer) about how wrong Carl is for the role of Eddie.  The conversation evolves into a discussion about Sam, and how uncomfortable he is in the barely-there tight gold undies he is forced to wear as Rocky.  Will’s solution.  “I can play Rocky!”

Riiiiiiiight, because a 30-something half-naked man being seduced by a bunch of half-naked teenagers is not inappropriate or creepy at all!

Emma, who’s clearly a moron agrees with Will that his playing Rocky would be an “amazing” idea!  And so, Will asks her to rehearse Rocky’s main musical number “Touch-a, Touch-a, Touch Me” with him. 

While Santana and Brittany watch excitedly from a nearby window . . .

 . . . (assuming the voyeuristic roles Magenta and Columbia had in the original show), Will and Emma begin to perform the musical number. 

Emma, for her part, gets “very” into the role of the newly sexually-awakened Janet . . .

When Emma is not ripping Will’s shirt off with her bare hands, or writhing on the desk like a Sex Kitten in Heat, she’s humping Will’s leg like a Happy Dog!  But when the song ends . . . well, that’s when the sparks really fly!

I really hope they don’t expect Rachel to do THAT!

Body Confidence, Part 2

Meanwhile Finn, still VERY concerned about his shirtless stage debut, is obsessively working out in the school gym, with Sam and Artie.  The usually confident Sam now finds himself feeling a bit insecure, having had his shirtless scene ripped away from him by, none other than his OWN teacher!  Finn wonders whether his shirtless part will be taken from him as well.

“Nah, the Brad part is all about being cool with being uncool.  It’s about having confidence in your body, regardless of what it looks like,” explains Sam.

For whatever reason, this inspires Finn to walk around school naked.

Not that we’re complaining!

Principal Figgins, of course, wants to suspend Finn from school for “making half the student body need therapy.”  However, Will convinces Figgins to let Finn off the hook.  “Your reasons for doing this play are murky at best,” notes Figgins. 

(Murky?  Nah!  Everyone knows that Getting the Teacher Laid is the true reason behind ALL high school musicals . . .)

An Abomination

Things go from bad to worse, when Carl interrupts a dress rehearsal, to call Will out for trying to steal Emma away from him. 

And things go from WORSE to . . . WORSER(?), when Finn finds the footage Sue filmed for the local news, which exposes the Glee club’s performance of The Rocky Horror Picture Show as an “abomination,” one which crosses the lines of human decency.

To Will’s horror, he realizes SUE IS RIGHT!

He has been using the Glee Club members as pawns in his Sick Sad Sex Games!  When Will confronts Sue, the pair engage in a surprisingly serious conversation about teens’ exposure to sexuality.  Will argues that his students are already exposed, so why not allow them to embrace it through art?  Sue replies that, as educators, they have a responsibility to protect students from those parts of life that are “Rated NC-17,” even if they can only do so within the four walls of the high school.

Then Will does something REALLY crazy.  He . . . agrees with Sue.

WOW!  This show IS scary!

Will decides to cancel the show.  Of course, this was precisely what the fame-seeking Sue didn’t want.  This leaves her screaming after Will that she “needs her local Emmy,” as he exits stage left . . . OOPS!

“Love can make you do crazy (and really creepy) things.”

Later, Will approaches Emma, and apologizes to her for having such a hot bod and making her rip his clothes off, even though she’s technically still dating the guy from Full House manipulating her emotions“You know, I only did this to get close to you.  I guess love can make you do some crazy things,” Will begins.

“I promise not to abuse our feelings for eachother anymore . . . Carl  is making you better . . . So, if I really love you, I need to back off and acknowledge that being with him, for now, is what’s best for you.”

But, is it really?  Emma didn’t look so sure, at the end of this scene . . .

Let’s Do the Time Warp AGAIN!

At the end of the episode, Will apologizes to his students, especially Sam and Finn for being a Creepy Lecher making them feel uncomfortable — and for putting on the show, for all the wrong reasons.  After all, Rocky Horror Picture Show isn’t really about running around half naked and screwing everybody (well . . . actually . . . it kind of is).  It’s about outcasts coming together and rejoicing in that which makes them different!

“In that way The Rocky Horror Picture Show is the perfect show for this club,” concluded Will.

“So, why aren’t we performing it?”  Santana inquires rationally.

“We are.  We just aren’t going to perform it for an audience,” Will replies.

Well .  . . that’s kind of lame!

The last scene of the episode features the Glee Kids, in Rocky Horro- themed — but substantially less revealing — clothes, performing the show’s iconic dance number, The Time Warp.

Fun-filled, and care-free, this was probably my favorite musical number of the whole episode (Schuester’s awesome abdominal muscles in “Touch-a, Touch-a, Touch Me,” notwithstanding). 

I just kind of wish it all  . . . you know . . . amounted to something more

While I enjoyed (despite being slighly skeeved out by) Will’s kind-of/ sort-of romantic play for Emma’s heart, I feel like it may have overshadowed the overall theme of the episode a bit.  For example, it would have been nice to have a few more scenes, during which the kids actually performed scenes from the show, even if those scenes had to be neutered to meet Fox’s newfound puritanical standards. 

(I mean, COME ON!  This was the network that brought us The O.C.,  a show where characters said and DID things that were WAY more sexually suggestive than the words “transsexual” and “heavy petting.”)

Need I say more?

On a positive note, the musical numbers this week were a lot of fun!  You can hear a taste of all of them here:

Did I mention, PUCK IS BACK NEXT WEEK?

OHHHHH YEAAHHHH!

See you then!

[www.juliekushner.com]

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How Britney Spears saved the world (well . . . at least McKinley High) – A Recap of Glee’s “Britney / Brittany”

First, let me start by saying how INSANELY happy I am that Glee has made it cool, again (at least, temporarily), to listen to Britney Spears music!  Because . . . and I’m going to come out and say it right now . . . I’m a BIG FAN!  You know, people can say whatever they want about Britney.  For example, they might comment on her poor taste in men . . .

. . . uninspired fashion choices . . .

. . . or her “Toxic” relationship with the media . . .

But, even the HATERS have to admit, her music gets toes tapping and pelvis’ gyrating, like nobody’s business! 

When I first heard that Glee was doing a Britney-themed episode, I was so excited, that I took the liberty of jotting down some song ideas for the cast.  Some of those songs actually ended up in the episode. 

Others did not. 

Here are a few that, for whatever reason, didn’t make the cut.

1) Womanizer

Premise: Now that she’s baby-free and single, Puck wants back in the Febray Pantalones, pronto.  However, Quinn’s seen the way her former beau acts around the women who’s pools he cleans . . .

. . . and she’s not quite convinced he has the “staying power” for a long-term relationship.

2) Lucky

Premise: Quinn Febray and Santana Lopez — every girl wants to be them, and every guy wants to do them.  But not even popularity can cure a lonely heart.

3) Not a Girl, Not Yet a Woman

Premise: Emma comes to clean to new beau, Carl Howell, about her Energizer Bunny-esque virgin status . . .

4) Circus

Premise: It’s Sue Sylvester’s world.  The rest of us just live in it . . .

5) If You Seek Amy . . .

Premise: Brittany’s hidden feelings for Coach Beiste cause her to explore the true nature of her sexuality.

6) Oops, I did it again . . .

Premise: Despite being involved in a very serious relationship with Mike Chang, Tina comes to the conclusion that she may have unwittingly been leading on her ex-beau, Artie.

7) Drive Me Crazy

Premise: See explanation above.

So, now that we’ve covered some of the Britney songs we DIDN’T hear on this week’s Glee, let’s talk about the ones we did.  When the episode opens, Mr. Schuester is leading the kids in a discussion about what he would like this week’s theme to be:  Easy Listening Music.  (Ugh!  What a lame episode THAT would be . . .).  Not quite down with his Kenny G or Michael Bolton, Kurt . . .

 . . . has a better idea.  He suggests the crew perform a Britney Spears song at the homecoming pep rally.  Will says, “Absolutely NOT!”

Will considers Britney to be a “bad influence,” just because she “shaved her head” and “tried to bash in the headlights of a car with an umbrella.”  (Seriously, lighten up, Will.  I mean, who HASN’T done that, at least once.  Right?)  Most of the Glee kids bitch and moan about Wet Blanket Will’s Anti- Britney proclamation.  However, to everyone’s surprise, Brittany agrees with his decision.

Apparently, having the name “Brittany S. Pearce” has given our girl quite the inferiority complex.  No matter how many times, she’s propositioned K-Fed for sex, shaved her head, or called Matt Lauer for an “exclusive interview,” Brittany has just never quite been able to live up to the legacy of the songstress with whom she shares her name.  I feel your pain Britney.  My name used to be Maddy O. Na . . .

Meanwhile, for reasons that didn’t quite make sense to me, Will invited Emma’s new dentist boyfriend Carl Howell (John Stamos) to talk to his Glee clubbers about the importance of dental hygiene.

An impromptu teeth investigation, reveals that SOME Glee kids have been SERIOUSLY neglecting their chompers.  The worst of these offenders, by far, is Brittany, who “never brushes her teeth” and “gargles soda after every meal because she thinks Dr. Pepper is a real doctor.”  It’s a wonder this girl has any teeth left at all!

Because Crest is for weenies . . .

Over at Dr. Howell’s office, America’s Sexiest Dentist demonstrates preferences for (1) knocking out ALL of his patients with anesthesia (even if they are just having their cavities filled, or getting a “killer” bleach job); and (2) rocking out to Britney Spears, while he works.  Under the influence of  some pretty heavy drugs, Brittany fantasizes herself right into a Britney Spears’ video . . . or should I say a “Brittany S. Pearce” video.  In the video, Brittany sings “Slave 4 u” (Who knew actress Heather Morris had such amazing pipes?  Why hasn’t she been given a solo sooner?), while rocking some of her namesake’s choicest outfits . . .

 . . . or lack thereof.

When Brittany awakens from her stupor, she has a few less cavities, and a completely altered outlook on life.  “Are you a cat?”  She asks Uncle Jesse from Full House.

“How could she possibly find out my secret?  I’ve never told ANYONE!”

Later, Brittany returns to the dentist with Santana, who, despite having perfect teeth, insists on being put under, so that she too can have a Britney Spears-themed hallucination.  Dr. Howell, who is starting to eerily resemble Michael Jackson’s Doctor Conrad Murray,  more and more, with every second of airtime (R.I.P. MJ!), reluctantly complies.  The two besties, SHARE a fantasy, in which they both perform Me Against the Music.  Santana takes on the Madonna role . . .

. . . with Brittany, of course, filling the Britney Spears part . . .

Fans who were hoping for a MTV Movie Awards-style smooch between the two young ingenues . . .

 . . . ended up being sorely disappointed here.

However, the fantasy did end with a nice cameo appearance from Britney Spears, herself, in which she told Brittany that the cheerleader was sweet, and (despite NEVER BRUSHING HER TEETH) actually had really good breath.

“Pssst, I’m only saying that to get my Dr. Pepper endorsement money.”

The next day at Glee Club, a newly confident Brittany announces that she is more talented than Britney Spears (and Rachel Berry). Therefore, she now wishes to sing ALL the club’s solos.

Kurt notes wryly, that Britney Spears music has given Brittany the confidence she needed to wake up from her dimwitted, seemingly lifelong, haze.  But Will STILL refuses to let the Glee kids perform a Spears song at Homecoming.  In his trademark diva fashion, Kurt overdramatically accuses Will of being too “friggin uptight” .  . .

As a result of his outburst, Kurt gets sent to Useless Principal Figgins’ office.

“Hey!  At least I didn’t (1) cut your funding; (2) threaten to cancel Glee club; or (3) take Sue’s side in an argument against you, this week.”

Unfortunately for Will, Dentist / Wanna Be Shrink, Dr. Carl  TOTALLY agrees with Kurt, about the whole “being too uptight” thing.

Carl can tell just how tightly wound Will is, by how much he grinds his teeth.  His “loosening up” advice to Will?  Eat lots of sugary candy, and buy a fast sports car you can’t afford.  (OK.  I’m going to say it.  This guy is officially the WORST DENTIST EVER!)

Now, given his estimated age (early 30’s?), Will should, theoretically, still be about a decade away from a proper Mid-Life Crisis.  However, that doesn’t stop our favorite teacher from purchasing the same “rad sports car” his dentist has, and using it to try to win back Emma.  Unfortunately for him, she is unimpressed . . .

To make matter’s worse, Will’s ex-wife / permanent cock block, Terri .  . .

. . . randomly stops by to warn Will that, if he keeps this up, he won’t be able to afford the weekly support payment he’s required to mail her by law.  And this BIATCH still thinks she’s getting Will back?  Man, I hope Mr. Schuester is not that massive of a MORON . . . However,  I fear he might be.

Sorry, Schue!  You know I meant that in the nicest way possible.  Don’t you?

Meanwhile, Finn is stressing over the fact that having been kicked off the football team, makes him officially “uncool.”

But Rachel, who has always been uncool, thinks this is GREAT NEWS.  “I want to be the only thing that makes you happy.  You know the two of us can only work out, if we are both losers . . . Now, I won’t have to decide what song to sing at your bedside, when you are in a coma.”

Ahhh, such romantic words!  It’s a wonder, Finn doesn’t bone her right there in the hallway!

During her turn in the dentist chair, Rachel has a vision of herself as the Sweet, but Secretly Slutty, school girl in Spears’ debut video Hit Me Baby, One More Time.  “Is this real life?”  Rachel slurs woozily, upon awakening from her anesthetized haze . . .

Apparently, in “real life,” McKinley High School has NO DRESS CODE, whatsover.  Because, the next day, Rachel decides to wear the outfit in question, FOR REAL.

The whole school ADORES Rachel’s new look.  And Finn, though obviously titillated, is also more than a bit jealous of the attention his girlfriend is receiving, as a result.  “This isn’t like that time I dressed all ‘Sad Clown’ Sandy from Grease,” insists Rachel.

Really?  Because it seemed EXACTLY like that, to me.

Rachel explains that Britany Spears has finally helped her to realize that she is beautiful, and can, therefore, dress like a whore, without repercussions.

Now that everyone thinks Rachel is a TOTAL Ho-bag, she is suddenly very popular.  Therefore, she finds it totally OK for Finn to rejoin the football team . . . if he can.

Later that day, Sue Sylvester contacts Will to warn him of the dangers posed by teens’ excessive consumption of Britney Spears.

“Oops . .  . I . . . did it again — made a weird ‘O’ face at the camera”

Sue then recounts the depraved tale of Jacob  . . .

Sorry!  Wrong one . . .

 That’s him!

. . . whose intense lust over the newly slutty Rachel, resulted in him sitting naked in the school library, fantasizing about her.

 . . . and, while it was a funny scene, the description of the “naked butt sweat stain” Jacob left on Sue’s office chair, was just a bit much . . . I think .  . .

Meanwhile, Artie’s dentist chair-fueled hallucination, which featured him as a football player, alternatingly lifting weights and glaring at Tina, while singing Britney’s iconic song “Stronger”  . . .

 . . . somehow resulted in his and Finn being invited by Coach Beiste to join (and in Finn’s case, rejoin) the football team.

I know.  It didn’t make sense to me either.  The song was fun, though!

Upon hearing the news, Rachel — who has since shifted back to wearing Grandma clothes, and fears that Finn’s refound popularity will be the death knell for their relationship — offers Finn an ultimatum.  Football or her!

I’m still waiting for the episode where Rachel tries to become a cheerleader and / or a football player.  Everyone else in the club has . . .

This time, when Kurt makes his umpteenth speech about how Britney Spears is a positive influence on the Glee clubbers, Will surprises them all by saying “Yes,” to his request that they perform a Britney song at Homecoming . . .

Did I mention that WILL will be performing the number WITH THEM?

In a performance that’s very cool, but a bit creepy, in the “Will sort of fondles his underage students” kind of way, the Glee kids (“fresh off their last place finish at sectionals”) perform Toxic, at the pep rally.

The performance drives the teenybopper crowd SO wild,  that Sue is forced to pull the fire alarm.  Her impulsive move ends up only resulting in more chaos.  Sue, gets trampled and sprains her neck.  Meanwhile, Jacob grabs some guy’s ass and gets punched in the face.  When its all over, Sue, now sporting a neckbrace, threatens to sue Will for his part in the “School Sex Riot,” using her new lawyer, the ubiquitous, Gloria Allred.

Do I smell another Very Special Guest Star?

Sue also notes, quite accurately, I think, that Will owns more vests than the cast of Blossom . . .

90’s television at its finest!

Later, Emma tells Will that he shouldn’t try to change himself, because he’s “wonderful just the way he is.”  (Yeah, she TOTALLY still wants him to cash in her V card . . .  Don’t you DARE deny it, you Unpopped Cherry, YOU!).  Inspired by Emma’s words, near the end of the episode, Schuester trades in his fancy car for the old jalopy he cried in during Season 1.  He then watches glumly, as Emma rides off into the sunset with Uncle Jesse from Full House.

In the final moments of the episode, Rachel, realizing that she has, once again, been a TOTAL ass (as she generally is EVERY episode), dedicates a beautiful interpretation of Paramore’s “Only Exception” to Finn, who she loves dearly, and is going to let stay on the football team, after all.

So, what if Rachel only came to her senses, after manipulating Quinn to seduce Finn — thereby testing the latter’s loyalty to his and Rachel’s burgeoning relationship.   We’ve all gotta start somewhere, right?

Be sure to tune in next week, when Finn becomes all “born-again,” after Jesus appears to him, in his morning toast . . .

[www.juliekushner.com]

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Shut up and SING! It’s almost time for Season 2 of Glee!

 

If last Sunday’s Gleek-tastic Emmy opener put you in the mood to watch your favorite show about singing and dancing teens, Glee, well then you’ve come to the right blog post.  Unfortunately, I don’t have quite enough clout in the entertainment world (read: “no clout at all”) to show you episodes from the show’s groundbreaking Second Season, which is set to premiere Tuesday, September 21st, at 8 p.m. on Fox.

However, I DO have plenty of mildly spoilerish intel about the new season, complete with a few pretty pictures, and some relevant YouTube videos. These should tide you over, while you eagerly await the season premiere.

So, what are we waiting for?  Let’s get GLEEK-Y!

For starters, here’s the new promo for the show, which aired just a few days ago on Fox. 

Pretty cool, right?  Now, let’s breakdown what we’ve learned about Season 2 so far . . .

The Episodes

Season 2 of Glee is slated to have 22 episodes.  The first few episodes will air on Tuesday at 8 p.m on Fox.  These early episodes will culminate in a SPECIAL extended episode, which will air following Superbowl XLV.

Following that episode, Glee will move to the much coveted Wednesday at 9 p.m. timeslot.  And, you know what that means?  More sex, drugs, and violence ALLOWED by the censors!

Yes, PLEASE!

So far, the producers of Glee have released titles for the first THREE episodes of Season 2, along with brief synopses of each.  In the first episode, entitled Audition, New Directions will be forced, due to more budget cuts, to bring on additional members — a task that will cause tension between on-again, off-again couple, Rachel and Finn.

Two auditioners likely to “make the cut,” are foreign exchange student Sunshine Corzan, played by YouTube sensation and master songstress of the Philippines, Charice (more on her later)  . . .

 Newbie Sunshine duking it out with Rachel Berry in the school bathroom, to the tune of Beyonce and Lady Gaga’s Telephone.

. . . and transfer student / football jock, Sam Evans (played by Chord Overstreet) . . .

Just like another one of our favorite Gleeks, it appears that Sam’s “talents” will be discovered in the shower.  How convenient for those of us scouring the net for shirtless shots of the actor to use in future recaps.  Just saying . . .

Sam is described by producers as being a protege and eventual rival of Finn’s.  It is also rumored that he may be an upcoming MAJOR love interest for one Kurt Hummel.

The second episode is entitled “Britney / Brittany.”  This one will obviously be the much talked about “Britney Spears-themed episode,” comprised entirely of songs by the aforementioned artist, and featuring a cameo appearance by Spears herself.

Heather Morris (as Brittany) posing with Britney Spears — I can see a resemblance.  Can’t you?

The show’s third episode, entitled “Faith,” will be religous-themed, and feature songs including R.E.M’s “Losing my Religion” . . .

 . . . and Barbara Streisand’s “Papa Can You Hear Me.”

Other episodes airing this Season will include a Rocky Horror Picture Show – themed episode .  . .

 .  . . during which the cast of New Directions will undoubtedly perform the Time Warp dance.

Another episode will feature the cast singing entirely ORIGINAL songs.  There will also be a second Madonna-themed episode.

In the Season 2 finale, the cast will head to  New York City, to compete in the national Glee club competition.  There, they will most likely perform Jay Z and Alicia Keys’ anthem to the Big Apple, “Empire State of Mind.”

“New Directions” for our original Gleeks

If the scoop about Kurt’s new love interest enticed you, there is plenty more where that came from!  Speaking of Kurt, Mike O’Malley, who warmed everybody’s hearts with his performance as Kurt’s Dad, Burt Hummel, has been upgraded to season regular status . . .

. . . as have our two favorite “mean girl” Cheerios (and possible lovers?) Heather Morris (Brittany) and Naya Rivera (Santana) . . .

Our favorite love square, starring Rachel, Finn,  Quinn and Puck, is said to be in full effect next year.  However, a NEW love TRIANGLE will ALSO invade the Glee club.   This one will star, the loveable Artie, quirky goth, Tina, and awesome dancer, Mike Chang.

Sources say that when the season opens, Tina will be dating MIKE, having dumped Artie, due to his poor social skills and frequently rude comments.

New Cast Members and Guest Stars

Earlier in this article, I mentioned the cast additions of Chord Overstreet . . .

 . . . and Charice.

What I DIDN’T mention was that Charice’s character’s singing voice will be SO impressive, that it will enable her to make a play for Rachel Berry’s crown as Queen Bee of New Directions.  Listen to her sing this rather impressive cover of Beyonce’s “Halo” (a song which just so happened to be performed on the show, by Lea Michele’s Rachel Berry last season), and compare for yourself.

Another addition to the cast will be John Stamos . . .

John will be playing that dentist boyfriend of Emma Pillsbury, Carl Howell, who was briefly mentioned last season.

Although I sincerely doubt John will be singing on the show, fans of the oh-so-cheesetastic 90’s sitcom Full House, will likely remember that he CAN, in fact, sing.  This will become evident in the VERY retro clip, below.

Also featured in Season 2 will be Cheyenne Jackson, who’s character will replace Idina Menzel’s Shelby Corcoran as the coach for New Directions’ rivals, Vocal Adrenaline.  Since I am nothing without my journalistic integrity, I’ve decided it is absolutely imperative that I provide you with a picture of Cheyenne in his underwear . . .

You’re welcome.

I will not, however, be providing you with an equally scantily clad photograph of our next new cast member.  Dot Jones will appear as McKinley High’s new football coach, and rival to BOTH Sue and Will Schuester, Shannon Beiste.

Beware of THE BEISTE!

Other Glee guest stars will include Carol Burnett . . .

. . . who will play Mommy to, none other than, Sue Sylvester . . .

Speaking of Sue, Javier Bardem will guest star as one of her exes.

Woah!  Maybe I should start wearing track suits.

Susan Boyle will also guest star as the Singing Lunch Lady.

New Music

Look for songs by Billy Joel . . .

. . . Coldplay . . .

 . . . Paul McCartney . . .

 . . . Courtney Love . . .

 . . .  and Led Zeppelin . . .

. . . to be featured on the show.

Oh, and just in case you CAN’T wait until September 21st to get your Glee fix, the Complete First Season of Glee DVD set will be available for purchase on September 14th.  

You can preorder it (at reduced cost) here.

Of course, September 14th is still over a week away.  Is that too many Glee-less days, for you?  If so, worry not.  Glee: The Beginning, a young adult novel said to function as a prequel for the series, is available in stores, RIGHT NOW!

You can order it, by clicking here.

Not much of a reader?   Low on cash?  That’s OK.  I’ve got something for you too.  To conclude this Glee-themed post, I have provided, for your viewing pleasure, a video of that fabulous Journey Medley, performed by the New Directions, during the Season 1 finale.  And, just in case, you didn’t see it when it first aired, you can find a picturesque recap of the entire episode right here.

Well, that’s all I’ve got, for now.  See you on September 21st!  Until then, happy Gleek-ing out!

[www.juliekushner.com]

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Filed under Glee, Spoilers and Sneak Peaks