The Taming of the Screwed – A Recap of Gossip Girl’s “War at the Roses”

OMFG! 

Three words.  Ten letters.  HOT . . . HATE .  . . SEX.

This week, sexually frustrated Gossip Girl fans everywhere FINALLY got the vicarious release they’ve all been waiting for, since the Season 4 premiere.

There’s nothing like a little Birthday Sex, to kick off your twenties with a BANG!

So, now that we’ve all been . . . ahem . . . satisfied . . . let’s take a look back at how everything “went down,” shall we?

“Coffee is the thing you pay for, before you go have sex.”

Come on, Gossip Girl writers!  How naive do you think WE ARE?  A Celibate Serena?  Talk about an Oxymoron!  I mean that would be like a Classy Jenny . . .

. . . or an Interesting Vanessa . . .

Zzzzzzzzzzzzzzzzzz . . . .  Sorry.  I just fell asleep looking at that picture . . .

Anyway, everyone KNOWS that Serena is absolutely incapable of withholding sex from a man.  Might I remind you of the widespread panic that took over Manhattan a few weeks back, when Serena was thought to have an STD?

Nonetheless, this week, we are led to believe that Serena is preserving her nonexistent“virtue” with Professor Colin . . .

 . . . at least, until she completes his course in Tantric Sex Psychology of Marketing.  And so, the couple-supposedly-yet-to-“couple” meets each morning for “coffee and conversation.”  However, since the only words Serena knows how to “converse” with end in “_uck,” “_crew,” and “_ang,” these sessions never seem to last more than a few minutes . . .

When Serena tells Blair about her hot and foamy rendezvous with Professor Sugar, No Cream, Queen B is “morally aghast” (as she is about once per episode) with her friend’s teacher-mounting ways . . .

“I am morally aghast!”

“Coffee is the thing you pay for, before you go and have sex,” lectures Blair (and she would know . . .).

Blair wisely instructs Serena that she should stop licking cream off her Studly Business Professor, if she cares at all about her education.  Not liking Blair’s advice one bit, Serena (who’s obviously a MORON, and clearly has selective amnesia), seeks comfort from the girl trying to RUIN HER LIFE, Juliet . . .

“This is just too friggin EASY!”

Upon learning that Serena is “involved” with her professor, Juliet immediately recognizes an opportunity to bring about Blondie’s downfall.  And so, Juliet “kindly” suggests to Serena that if the Professor is not getting his “cream and sugar” from Serena, he is most certainly getting it from somewhere else.  As if on cue, Serena spies Colin escorting a rather attractive woman out of her cab, and into his house.

“I am so spitting this FOAM in your FACE, the next time I see you, Professor Scumbucket!”

A perturbed Serena stomps right up to Colin’s door, ready to catch him in the act.   However, when she gets inside, Serena sees that the Professor’s “lady friend” is wearing an apron and carrying a broom. 

“Oh, Professor!  You are such a Dirty Boy!  A nice sponge bath will clean you right up!”

Somehow, Colin manages to convince Serena that the lady currently “cleaning his clock” and “dusting his balls trophies” is his housekeeper, and not his lover .  . .  Nonethless, Serena, recognizing the extent of her own jealousy (but not her idiocy), decides to put a stop to “Office Hours” and “Coffee Time” with Professor Maid Humper until the end of the semester.

And yet, avoiding Professor Stud Muffin will be easier said than done — especially when both he and Serena are scheduled to attend Blair’s 20th Birthday party, the following evening  . . .

Speaking of things that are easier said than done . . .

“I guess this is goodbye.”

Not believing their friends Chuck and Blair to be capable of staying “true” to their “truce” on their own, Nate and Serena agree to put aside their own differences, and broker a “Peace Treaty” between the uncoupled- couple. 

CHUCK: “In the spirit of peace, if you give me the Standard on weeknights, I will give you The Carlyle for the entire Christmas Season.”

BLAIR:  “Done.  But I want an addendum that you can’t bed hostesses from the roster of restaurants I frequent.”

While the words coming out of our hero’s and heroine’s mouths are pure business, their body language is a bit more . . . suggestive.  Lips are licked.  Collars are fidgeted with.  Fingers are ran through hair.  Legs are crossed and uncrossed.  Necks and chins are stroked amorously. 

Oh, yes, boys and girls!  There is some SERIOUS sexual tension in the air!  “There is just one last point to negotiate . . . in private.  Attorneys, you are dismissed,” Blair says pointedly, throwing serious F*ck Me Eyes in Chuck’s direction.

(Photo provided by ChuckandBlairthePerfectPair  – check them out for all the latest GG promos, stills, production intel and spoilers!)

Unfortunately, we don’t get to see what went on between Chuck and Blair during the last few moments of Treaty Negotiations.  (I, personally, like to imagine them cementing the terms of their agreement, by screwing like bunnies . . .

 . . . but that’s just me.)

The next time we see Chuck and Blair, they are leaving the “conference” and heading toward their respective limosines.

“I guess this is goodbye,” says Chuck, with more than a bit of uncertainty, as he extends his  hand for Blair to shake.

Blair begins to reach for Chuck’s hand as well.  Then, remembering the electric current of sexuality that coursed through her veins the LAST TIME she shook Chuck’s hand, she thinks better of it.  “Let us not forget about Article 19.  No touching,” concludes Blair, with a certainty she does not feel.

With a wistful look in eachother’s direction, the two slowly part from one another, and withdraw to their respective vehicles.

Meanwhile, in Dorky Dan Land . . .

Dan’s Lame Attempt at Vengeance #1

Poor Dan!  He tries so hard to be one of the gang, with his snoozy relationship troubles, droll one-liners, and feeble attempts to be Bad Ass.  And yet, he fails miserably every time.

Annoyed that last week’s rendezvous with Chuck andBlair has left Little J cowering in a trash can, like the Raccoon Zombie she is . . .

 . . . and concerned that Jenny’s hermit-like tendencies will keep his father and stepmother from celebrating their first anniversary in style, Dan (with the help of Mini van der Woodsen) . . .

“Do you think, maybe, sometime this Season, someone can write me a storyline that’s not . . . you know .  . . TOTALLY LAME?”

 . . . develops a Dastardly Scheme of Revenge.

(And by “Dastardly” I mean, “Uninspired and Incredibly Stupid”)

Dan decides to . . . SEND A FAKE POST TO GOSSIP GIRL ABOUT BLAIR SUPPOSEDLY SLEEPING WITH JACK BASS, WHILE SUMMERING IN FRANCE!

Wait . . . that was it?  That was the entire plan?  Silly, Dan!  Fake blasts to Gossip Girl are SO Season 1 . . .

Anyway, Dan hopes that Chuck will be SO MAD about this fake blast, that it will send him running right into the waiting arms of Jenny . . .

OK, first of all .  . . EWWWW!  And, second of all, wasn’t Jenny’s illicit relationship with Chuck what started all these problems, in the first place?

What ON EARTH would make Dan think that this was a good idea?

When Dan arrives at Chuck’s house, he is surprised to find Chuck having tea with . . . none other than Blair Waldorf, herself.

After weeks of seeing these two spar AGAINST one another, it was nice to see Blair and Chuck have a little fun together at Dorky Dan’s expense.  As it turns out, Blair and Chuck recognized the blast as a fake immediately, and met up to revise their treaty to include additional terms, which would govern the pair, in the event that such fake blasts occurred in the future. 

“Jack Bass wasn’t even in France this summer.  He was in Chile,” Blair says nonchalantly.

Chuck pauses at this.  “Wait . . . how did you know that?”   He asks.

And yet, he recovers quickly, in an attempt to exhibit a unified front, in the face of a ridiculous enemy.  “The intricacies of war games are too complex for a prole like you to fathom,” Chuck scoffs at Dorky Dan.

Blair, for her part, adds that she could care less what Dan’s Gothic Barbie sister does to try and undermine Chuck’s and Blair’s treaty.

I see a resemblance.  Don’t you?

To prove just how much she doesn’t care about Jenny, Blair boldly invites Chuck to her birthday party, right in front of Dan.  And Chuck agrees to attend.

Take THAT, Dan the Dipstick!

The Serena van der Woodsen Escort Service

While Dan is striking out with Chuck and Blair, Serena begins to worry that her plan to NOT screw Professor Sexy Pants will also fail miserably.  Dumbbell Serena decides that Psycho Stalker Juliet would be the “ideal candidate” to act as her Professor Buffer (How dirty does that sound?) at Blair’s party. She, therefore, invites the little wench to attend the affair as her date.

However, when Nate finds out about Serena plan, he offers to be the Buffer between his ex-girlfriend and her new boyfriend.  It is important to note that, in doing this, Nate is taking the place of his other ex-girlfriend, who was supposed to the Buffer originally, while attending the party of a third ex-girlfriend (Blair).  AWKWARD!

“I treat my ladies like cowpoke at a Rodeo! Round em up.  And keep em in line!”

“You aren’t fighting with Mr. Chuck.  So, you fight with everybody else!’

If anyone really needs a Buffer, it’s Blair!  The girl has been running around like a chicken without a head, ALL AFTERNOON!  Poor Blair has been seriously fretting about her party, and whether it will allow her to make her mark in society, as a “powerful woman.” 

Incredibly stressed out, and bursting with sexual energy — as a result of her recent heated encounters with Chuck — Blair is being a total BIATCH to all her poor lowly servants, including the loveable Dorota.

“What’s going on with me?”  Blair asks her trusted friend (and slave) worriedly.

“You aren’t fighting with Mr. Chuck, so you are fighting with everybody else,” Dorota says decisively.

As it turns out, Blair would be better off using that pent-up energy to fight off Dorky Dan.  The pathetic loser has just stolen a copy of Blair’s and Chuck’s treaty from the moronic Nate.  Apparently, Nate the Nincompoop was dumb enough to leave the darn thing lying around, even though Chuck demanded it be “locked away in a safe . . .”

Sex, Lies, Videotape, and Family Members?

Blair isn’t the only one who is the subject of a revenge plot, this evening.  When Serena ditched Juliet for Nate, the Psycho Stalker rounded up an “alternate” date to Blair’s birthday party: namely, Professor Screws-a-Lot.

While “distracting” Serena from the Professor, Nate spies him engaged in a heated conversation with Juliet.  Nate then quickly becomes convinced that the Professor is two-timing Serena with his own ex-girlfriend.

When Nate confronts Juliet, she explains that Colin is her cousin, who has paid her way through school, and who she cares for deeply.  In talking with Nate, Juliet comes to realize that Colin is the Professor that Serena is dating. 

And we, as fans, come to realize that Colin might not be the manipulative scheming snake we originally thought he was, based on his suspicious conversations with Juliet last week.  This also means that Colin might . . . gasp . . . actually like Serena for her PERSONALITY!

Juliet calls Brother Ben in jail again to break the news to him.  (Seriously?  How much phone time does this guy get?  This must be the most LENIENT PRISON EVER!)

“Hey Juliet.  Listen, I’ve gotta go.  The strippers will be here any minute.”

Brother Ben who, oddly enough, looks like he’s lost a bit of hair, since last week’s episode (Comb over, much?), can clearly give two craps about whether Juliet’s screwing over Serena will, by extension, end up screwing over his own cousin.  “Get proof [that she’s boinking our cousin], and get Serena expelled,” Brother Ben demands.

In the next scene, we see that Serena has received a note from Colin telling her to meet him upstairs.  The couple rendezvous in her bedroom.  Things get pretty hot and heavy up there.   Personal space is invaded.  Fingers lightly probe body parts.  Eye F*cking occurs.  Shockingly, it’s Serena that puts a stop to it.

“What the heck is this?  Invasion of the Body Snatchers?   Who is this girl and what has she done with the Real Serena?”

“We’ve already gone farther than we should have,” says Serena.  “Old Me would have gone farther.  New Me wants to wait.”

I knew it!  I was right!  Serena’s TOTALLY been body snatched .  . . by some alien named NewMe!

Leaving Colin with a lingering goodbye kiss on the lips, Faux-Serena exits the bedroom, having, shockingly, never gone farther than first base with her new sweetheart.  Juliet creepily watches the events unfold in the window, from outside and below

Meanwhile, unbeknownst to anybody, except Juliet (and maybe Brother Ben), a camera, which Juliet(?) has planted inside Serena’s bedroom, most certainly catches one Hot and Bothered Professor tending to these . . .

Dan’s Lame Attempt at Vengeance #2

After Mini van der Woodsen wisely backs out of Team Doofus, Dan telephones some random company that does “roasts” and invites them over to Blair’s party to exhibit a “very special video” in Blair’s honor.  I was right there with Penelope and Blair’s minions, in hoping that Dan would embarrass Queen B in front of all those fancy people she invited to her party, by showing them something juicy like . . . say . . . a Chuck / Blair Sex Tape. 

That would have been HOT!

I should have known not to overestimate Dan’s abilities at .  . . well . . . doing anything.  What he actually ended up showing was an old video of Blair drunkenly singing “Stand By Your Man,” in a rather humorous fake southern accent, while Chuck tried in vain to pull her off the stage.

OOPS!

Despite my thinking that the video was (though mildly humorous) pretty unexiting, in terms of blackmail material, Blair was actually quite mortified by it.

Apparently, the disavowal of this tape was the “extra” treaty term that Chuck and Blair had sent Serena and Nate away to discuss earlier in the episode.  Blair rushes to turn off the video.  In doing so, she inadvertently knocks over fashion designer Rachel Zoe, who somehow ends up on the floor, covered in chocolate fudge.

“I’m MELTING!  I’m MELLLLTINNNNG!”

Mistakenly believing that Chuck was the only one who knew about the video, Blair immediately assumes that he is the one responsible.  Interestingly enough, despite being enraged at, and extremely hurt by, Chuck, it is at this moment that Blair admits something very heartfelt to him.  As it turns out, Blair only knew of Jack Bass’ whereabouts, because she had sent a private investigator to look for Chuck, while he was missing – despite he purported hatred for him during that time.

Chuck, understandably, seems touched by this admission.  “I hate being at peace with you, but I didn’t do this.  We have a Treaty,” he promises.

It is at this moment, that Dorky Dan, clearly proud of himself, comes clean about his “Dastardly Deeds.”

And honestly . . .  no one really cares that much . . . well almost no one . . .

Rufus and Lily quickly put Dan in his place, calling him out for what a Douchebag he’s always been become, since he’s started hanging with the Upper East Side Scooby Gang.  Like Goth Barbie / Raccoon Zombie before him, Dan begins to feel guilty for having stooped to Chuck’s and Blair’s level . . . . zzzzzzzzzzzzz. 

And I just put myself to sleep typing that sentence . . .

AND FINALLY .  . . THE GOOD STUFF!

After the party, a humiliated Blair has a heart-to-heart with her mother, about  . . . who else . . . Chuck.  “What I want is to be a powerful woman.  But Chuck makes me feel like a weak little girl.”

I have to say, the often absent and dismissive Eleanor surprised me this week, by giving Blair some pretty sound (not to mention, uncharacteristically, Pro-Chuck) advice.  “Sometimes you have to allow yourself to be weak, in order to become stronger.  You don’t have to lose the girl, to become a woman,” Eleanor concludes. 

Alone again and fortified by her mother’s encouraging words, Blair heads toward her bedroom.  However, before she reaches the stairs, she encounters a familiar face in her entrance foyer . . . it’s CHUCK!

“I just wanted to let you know that the treaty is off,” Chuck begins.

“Good.  The pretense of civility was exhausting,” Blair counters.

“We are not friends.  We don’t have to like eachother,” offers Chuck, his brow furrowed, fists clenched.

“I’ll never like you either,” seethes Blair, moving closer to Chuck.  “In fact, I hate you.”

“There’s a firery pit of hate inside of me, and it’s ready to explode,” counters Chuck, moving so close to Blair that their faces are almost touching.

Chuck then rips the treaty up right in front Blair.   Blair watches wide eyed, as Chuck grabs on to her shoulder.  He then yanks her closer to him, and . . . KISSES HER!

As music thunders in the background, Chuck and Blair start going at it, ferociously ripping one another’s clothes angrily, while hungrily probing eachothers’ bodies, and furiously making out.  Then, the camera starts to do strange and trippy things (which I DID NOT LIKE — don’t mess with CB SEX, you MEAN OLD CAMERA MAN!),

In the final moments of the episode, Chuck pushes Blair up against a piano, and proceeds to “hatefully” screw her brains out.  Man, I wishes someone “hated” me like that . . .

Tune in next week Chair fans, when, based on the promos, there will be PLENTY MORE where that came from! 

XOXO!

[www.juliekushner.com]

Anatomy of a Film Franchise – Disney’s Tron Legacy

Admittedly, I might not be the ideal blogger to provide you with the inside scoop on Walt Disney Pictures’ upcoming action film, Tron Legacy.  After all, I never saw the original film, which hit theaters back in 1982, and starred that guy who played The Dude in The Big Lebowski.

Jeff Bridges

I did recently catch the original trailer on YouTube, however!  I found it highly amusing . . . though probably not for the reasons its creators intended.

Was this a comedy?

Given that the film is heading into its late-twenties, I expected the special effects to be more than a bit dated.  What I didn’t expect was the unintentional hilarity of Cheesy TV Announcer Guy.  Seriously, this guy should do stand-up!  Take, for example, this gem-like line from the trailer:  “Trapped inside an electronic arena, where love and escape do not compute.”  (Now, if only I could find an excuse to make use of this awesome phrase, in my day-to-day life . . .)

“Hi, you’ve reached TV Recappers’ phone.  I can’t take your call right now, because I am trapped in an electronic arena, where love and escape do not compute . . .”

But, before I go any further, perhaps I should give you the opportunity to enjoy the 1982 trailer for yourself . . .

Cheesy and over-dramatic as it may seem now, apparently, THIS was the film that paved the way for all of the CGI graphics and high tech special effects we take for granted today.  It also spawned a commercial EMPIRE, including a line of toys;

a cavalcade of super sexy fan geeks;

Yum!

and, perhaps, most importantly, a video arcade game featuring lots of PRETTY COLORS . . . and . . . not much else.

But, believe it or not, all this 80’s themed goodness, is NOT what prompted my interest in Tron Legacy.  Rather, it was my, way too late, introduction to THIS GUY .  . .

Meet Garrett Hedlund, age 25,who will be starring alongside Jeff Bridges in the NEW Tron Legacy.  Although the actor has been mistakenly tauted as a “newcomer” by members of the American press, he’s not.  Here’s a picture of Garrett in the 2004 film Friday Night Lights (on which the successful NBC TV series of the same name was based).

And here’s a picture of Garrett chilling with Mark Wahlberg and Tyrese, on the set of the 2005 film Four Brothers.

Here’s a picture of Garrett in that Ridiculously Bad Lindsay Lohan movie, Georgia Rule  (although, I imagine he would prefer we just forgot about that one . . . ).

“Hey, baby!  I’m thirsty!  How’d ya like to pour some beer on my SCRAM bracelet!”

Finally, here’s a screencap of Garrett taken by yours truly from the Tron Legacy trailer that aired during the movie, Inception.  It was this picture that prompted me to fall in love with Garrett, and, eventually, write this blog post . . .

Sigh!

But, perhaps you aren’t as shallow as I am.  And the appearance of Garrett alone isn’t enough to make you see this film. 

I know, Monkey.  It doesn’t make sense to me either .  . .

Well, it also stars the  Olivia Wilde, a.k.a. that enviably attractive, intimidatingly cool, and unfairly talented lady, of House and The O.C. fame.

Remember that time when she made out with Mischa Barton?

Good times!

But Tron Legacy not only has a stellar cast, it’s also absolutely destined to have an amazing soundtrack!  After all, Disney hired none other than Daft Punk to pen the film’s score.

Now, even if electronic music is not really your thing (and, I admit, it’s not usually mine), you have to appreciate the talent of a band like Daft Punk.  Technologic remains my favorite workout song of all time!  Try listening to this song and NOT getting pumped up.  (Note:  I WOULD have embedded the video for Technologic in this post, but the creepy Robo-Baby in it scares me.  Click on the link, and you’ll see what I mean . . .)

Another cool Daft Punk song is Harder, Better, Faster, Stronger.  Unlike Technologic, this one has a very cool, non-scary, music video accompanying it.  Therefore, I will post it here for your viewing pleasure:

Along with a fabulous soundtrack, to promote the film, Disney will also be releasing a brand new, slightly less rainbow-y, video game, entitled Tron Evolution, as well as some brand new toys!

Most notable, among of the toys, of course, is the Sam Flynn / Garrett Hedlund ACTION FIGURE!

Sexiness that fits in your pocket!

Now THAT’S something I’d buy!

As for the trailer itself, it’s pretty intense.

“Look at me!  I’m intense!’

The basic premise of the film is that Garrett’s character, Sam Flynn, enters into the computerized world of the first film to retrieve his father, Computer Genius, Kevin Flynn (Jeff Bridges), who he hasn’t seen in 20-years.  And, let me tell you, they’ve got some good botox in Computer World, because the first time we see “The Dude” in the trailer, he looks like THIS . . .

But then, later in the film, the Botox must wear off, because he starts looking like this . . .

So, without further adieu, the trailer for Tron Legacy . . .

Not enough Tron Legacy goodness for you?  You can catch the other two released trailers for the film here and here.  You can also learn more about the film, here.

Tron Legacy hits theaters December 17, 2010.  Will YOU see it?

[www.juliekushner.com]

Where’s My Wren? – A Recap of Pretty Little Liars “Reality Bites Me”

If you’ve read any of my recaps before, you know that I generally like to choose a cheesy title for them, one that hopefully encapsulates the tone of the particular episode I am recapping.  Unfortunately, I couldn’t do that this week, because I was a little distracted.  The problem, I think, was that I just didn’t love this episode, as much as I loved previous ones.  It just seemed like something was missing, but I couldn’t quite put my finger on what it was. 

Then it hit me . . .

The “thing” that was missing from this week’s installment of “Pretty Little Liars” started with a “W” and ended with a “ren.”  The entire time I was watching this episode, I kept listening for that adorable British accent, watching for that smile, and waiting for that hot drunken schmuck to drop another flower pot on Spencer’s floor . . .

. .  . but he never showed.

The episode even tried to trick me, by having a “Wren stand in” pop on the screen to flirt with Spencer.  And, truth be told, that guy looked a little drunk too (More on him later.).  But you can’t fool ME, ABC Family!  Personally, I think you are trying to hide the fact that Wren was kidnapped by the Witchy A, ruiner of all TV relationships . . .

But I digress . . .  A LOT.  Seeing as how I just wasted 200 words of my recap on a guy who wasn’t even IN this week’s installment, PLEASE, PLEASE, PLEASE bring him BACK!  I imagine I should probably start recapping the actual episode.  So, let’s get started . . .

A Lip-sticky Situation

Hanna was a TOTAL Nancy Drew this episode, wasn’t she?   Nothing much exciting really happened to her, but she made up for it, by expertly shoving her nose in the more exciting lives of others.  Oh, and did I mention she got her gay boyfriend to take her back, after she smashed his uber expensive car to smithereens?  Gotta love the forgiving hearts of the filthy rich . . .

“Hey, no worries!  My dad has ten just like it.  We used to lend that one out to the “help.”  They can hitchhike . . .”

But before all that happened, Hanna was eating breakfast, after a slumber party with the girls, when she received yet another mysterious text message from A.  (Apparently, the girls unblocked their cell phones after last week.  So they can now conveniently receive A’s messages again.  I bet you are all SUPER relieved to hear this. I know I was.) 

But this message was different from the others, because it contained . . . an . . . ATTACHMENT!

But, seriously, the ATTACHMENT was actually pretty creepy.  It was a video taken from inside Spencer’s closet.   The video featured our Fabulous Foursome freaking out, after finding that Lipstick Threat on Spencer’s mirror last week . . .

The girls immediately rip open the closet, and something falls on top of them, causing them all to scream.  At this point, I got very excited.  Unfortunately, it wasn’t anything cool, like severed head, or bloody knife, or even a mutilated Barbie doll.  It was .  . .wait for it . . .  a tube of lipstick.

LAME! 

Oh, and it wasn’t even a pretty lipstick, like the one illustrated above.  It was an ugly ass hot pink lipstick, in a shade that was obviously created  to be exclusively worn by airheaded teenage girls in 80’s movies.

Oops . . . she didn’t like that comment, did she?

Clearly, we were supposed to believe that the hot pink tube of crap hiding in Spencer’s closet was the same lipstick that “A” used to write on Spencer’s mirror.  And yet, seeing as the writing on the mirror was BRIGHT RED, not pink, I just didn’t buy it.

Later, Hanna headed off to Sean’s parents’ dental office to receive her “punishment” for wrecking their car.  Supposedly, the purpose of Hanna’s indentured servitude was to “pay” for the car’s repairs.  However, I personally think, Sean’s parents had a more sinister reason for doing this.  My theory is that Sean’s parents were hoping that Sean would take one look at Hanna in that hideous “Kitty Smock” uniform, and decide not to date the illustrious shoplifter / car thief, after all.

Please officer, I’d much prefer the orange jumpsuit and handcuffs, if you don’t mind.  Purple cartoon cats ALWAYS make me look fat.

Granted, when I was little, I used to go to a dentist’s office, where all the hygienists wore outfits like Hanna’s.  Back then, I thought they were the COOLEST shirts EVER!  So, it’s possible that I am simply not the target demographic for the Kitty Smock.  Who knows?

As Hanna rides the elevator on her way to work, who enters but . . . Creepy Blind Jenna!

And what does Jenna do as soon as she steps in the elevator for a three-second ride?  Well, she does what everyone else does in that situation, of course!  She puts on her lipstick!

Wait . . . are you telling me you DON’T put on lipstick while in a moving compartment, because you are afraid of THIS happening?

Yeah . . . me neither.  But apparently BLIND Jenna does it ALL THE TIME!

Did I mention that she’s BLIND?  Not that there is anything wrong with being BLIND, per se.  It’s just that .  . . well . . . why the heck is she LOOKING in the mirror to apply her LIPSTICK?

Hanna doesn’t seem bothered by this anomaly, at all, however.  She is more concerned with the putrid color of lipstick Jenna is wearing.  Lo and behold it’s the EXACT same UGLY ASS lipstick that the girls’ found in Spencer’s house that morning. 

Jenna asks Hanna (who she can’t SEE, of course), if Hanna likes the lipstick she is wearing.  Hanna, of course, lies through her teeth, fearing that if she tells the truth about how hideous Jenna’s lipstick is, the latter’s EVIL CANE of JUSTICE will break both her kneecaps. 

Speaking of which, where the HECK was Jenna’s cane this week?  Did she leave it in the same place as her good taste in lipstick?  Speaking of “color coordination,” have you ever noticed that Jenna ALWAYS wears the same black outfit in every episode?  Weird . . .

Anyway, after doing some pretty impressive snooping, Hanna later learns that Jenna was in the building seeing her therapist.  Oh yes, boys and girls, Jenna goes to THERAPY!  OMG!  Now, if that doesn’t scream KILLER / STALKER, I don’t know what does!  (Yeah, I’m being sarcastic, in case you haven’t figured it out by now.)

Later, Hanna is rewarded with even more juicy gossip, when she receives an instant message on her laptop from the mysterious “A,” one that contains  . . . wait for it . . . another ATTACHMENT.  This one actually made me giggle.  Wanna see?

If you recall, SOMEONE made A BUTTLOAD of copies of those cheap photobooth makeout pictures that Emily and Maya produced a couple weeks back, seemingly for this exact purpose.  Props to Hanna for not being the b*tch I thought she would be about this discovery.  Not only did she not tell anyone else about what she learned.  But when she spoke to Emily, she was actually really supportive — telling Emily that if she met someone who made her happy, whoever that person was, than that was all that mattered.  She’s kind of growing on me, that Hanna . . .

Hanna gets rewarded for her kindness at the end of the episode, when she’s asked to the homecoming dance by the Almost Definitely Gay Sean.  She didn’t think he would ask her, because she STOLE AND WRECKED HIS CAR!  She also thought he had recently started dating this blonde chick who was driving him around everywhere.  But really, Sean and the blonde chick were just attending some cult group meetings for RLW, which stands for Real Love Waits.  Hanna’s so excited about the homecoming dance, she agrees to attend these cult meetings with him. 

“I would LOVE to go to the dance with you, Honey!  My last beard date TOTALLY cancelled out last minute.”

“Awesome!  We should totally color coordinate!  I found this lipstick in Spencer’s closet that would really complement both of our complexions . . .”

Relationships on the Rocks (Shaken, Not Stirred)

Poor Aria!  If Hanna was getting LUCKY this week, with all her windfalls of juicy gossip, Aria was getting . . . well . . . SUCKY.  For starters, after finding that letter from A about her father’s affair, Aria’s mother, understandably was on the rampage.  Fortunately, she took the news maturely, and didn’t take it out on Aria, who had been forced by her father to keep the affair a secret for an entire year.  But it still made dinner at the Montgomery house mighty awkward!

Douchey Daddy!  Now we know why Hilary Swank left your ass!

Fortunately for Aria, at least, initially, she had her relationship with Mr. Fitz to fall back on.  So, when Fitzy told her that he would be doing a lame short story reading gig that night, Aria jumped at the chance to go watch her beau in action.  Randomly, the place where Fitzy did his reading looked suspiciously like a sports bar.  Quite possibly, it was the SAME sports bar, where Aria and Fitzy did the deed in the potty during the pilot episode.

I KNEW I recognized that toilet!

If that last line about “balloons” was any indication, Fitzy’s writing was BAAAAD!  But Aria wanted back in the Fitzy Pantalones so badly that she didn’t seem to notice.  Someone else DID notice, however — namely, Fitzy’s BFF from college.  I think his name was Artie or Marty or something.  No matter, he was basically just there to toss out some good one-liners and screw things up between Aria and Fitzy . . .

“Happy lovers, have no fear!  Sergeant C*ck Block is HERE!”

While Aria is sitting with the bromantic buddies, Artie / Marty / What’s His Face plays nice, regaling Aria on Fitzy’s “adorable” little quirks, such as laughing in his sleep.  (Now that’s just plain creepy.)  But when Aria leaves, Artie /Marty / What’s His Face really lets Fitzy have it for his underage fling. In fact, he falls just short of calling Poor Fitzy a child molester.  The conversation irks Fitzy considerably.  So much so, that he gives Aria the cold shoulder when she comes back to his place.  Aria mends fences quickly, however, by making out with him, and seductively offering “more later.”  Well played, Aria!

“I’m sure Artie / Marty / What’s His Face is great and all, but can he do THIS for you?”

Unfortunately for Aria, Artie / Marty / What’s His Face isn’t the only person trying to break up her relationship with Fitzy.  When Aria returns to Fitzy’s apartment the next day, to retrieve her cell phone, he is LIVID with her over a text message she received from A about the pair’s relationship.  Fitzy dumps Aria on the spot. 

Expect LOTS of REALLY BAD poetry to come out of the loss of this relationship . . .

Love at First Mixtape

Creepy Toby was only SLIGHTLY less creepy this week.  But the minor personality change was enough to make Oh-Golly-Gee-Please-Don’t-Let-Me-Be–a-Lesbian Emily take notice.  As usual, Toby used his alone time with Emily as an opportunity to lecture her on “being herself” and “not caring what other’s think.”  I swear this dude is like a walking After School Special . . . assuming the After School Special  features the main character killing a girl in the shower, while dressed as his own mother.

From his conversations with Emily, we learn that Creepy Toby is an artist, and that he and Emily share the same taste in music.  He offers to make her a mixtape.  She offers to meet him for coffee.

The problem is that when Emily arrives at the ONE COFFEE SHOP IN TOWN, Hanna and Spencer are already there.  So, Wimpy Emily, not wanting her friends to know she is dating the dude that very possibly could be A / Alison’s Killer, completely ignores Creepy Toby, and goes to sit with the girls instead. 

Creepy Toby angrily stalks off, leaving the waitress at the coffee shop Emily’s mixtape, with instructions that she deliver it to Emily.  The mixtape has a picture of Emily on the front cover — the gesture is either really sweet, or really disturbing, I haven’t decided which yet.

The next day, Emily seeks out Creepy Toby, in hopes of setting things right between them.

Is it merely a coincidence that when Emily finds him, Toby is reading The Catcher in the Rye, a book so commonly associated with serial killers that many libraries put a watch out on anyone who takes it out of the library?  (No joke!)  Why isn’t he reading To Kill a Mockingbird, like everyone else in that school?

Anyway, although clearly pissed with Emily, Creepy Toby quickly forgives her wimpiness he’ll chop her body into little tiny pieces and eat them, later.  By way of apology, she gives him a mixtape.  And even though it doesn’t have Toby’s picture drawn on it, Emily throws her OWN hat into the “Creepy Ring,” by cutting letters out of magazines to spell out “Toby’s Mix” on the CD cover — you know, like they do for ransom notes in the movies?  It’s a Match Made in Disturbia between these two  . . .

Spencer Whacks Some Balls .  . . Her Father’s

Were you at all surprised that Spencer ended up winning the Golden Orchid award for her that paper on the Russian Revolution that she stole from her sister?  I wasn’t.  And neither was Spencer.  She did feel guilty though, especially when her father, who has spent the entire first part of the season completely ignoring her, was suddenly showering her with positive attention.  He even offered to take her to the country club to meet an important prospective client.  Spencer and her dad were to play doubles with this  prospective client and his daughter.

Spencer is so psyched about the opportunity to bond with her dad, that she races off to the tennis club to practice.  There she meets not Wren Alex. The two flirt a bit, as Alex compliments Spencer on the take-charge manner in which she handles balls.  But when the time comes for the match, Spencer’s dad insists that Spencer THROW the game, so that he can soften up the prospective client.  Spencer reluctantly throws the match, and feels terrible about it. 

To make matters worse, her new boy toy not Wren Alex sees the whole thing.  He confronts Spencer about it, commiserating over the abundant pressure to “play games” in order to succeed in high society.  Gutsy Ball Whacker Spencer decides to take the bull by the horns, and ask Alex out.  He can barely contain his surprise and excitement, when he says yes.  You GO GIRL THAT’S NOT WREN!

“Hey Alex, you remind me of someone.  I can’t put my finger on who.  How are you at doing British accents?”

Later that evening, Spencer’s father admits that, not only did he throw the match to woo this client, he also blamed his inability to get a table at the club on a “ball attendant”  . . . namely, Alex.  Spencer is LIVID!  She tells her Dad off for his cheating ways, brilliantly ending the rant with a confession about stealing her sister’s paper.  She sure showed him! 

At the end of the episode, Spencer is seen heading out on a date with not Wren Alex.  Apparently, Spencer isn’t only capable of whacking balls, she can juggle them as well.

That’s all I’ve got folks!  Tune in next week when, hopefully, WREN IS BACK!

We miss you, Drunky!

 

 

Explosions! Car Crashes! Deaths! Kisses! And the Twist to End all Twists! – A Recap of The Vampire Diaries’ Season Finale “Founder’s Day”

Prior to the airing of The Vampire Diaries first season finale, the show’s creator, Kevin Williamson, admittedly, set the bar pretty high for himself.  By all accounts, The Vampire Diaries had a freshman season most television shows only DREAM about . . . a cast that was both beautiful AND talented;

 a show concept that, in the age of Twilight  and True Blood, was pretty much guaranteed to be a ratings dynamo with the core 18-49 TV viewing demographic;

sharp and snappy writing, and brilliant plotting that was genuinely unpredictable, without a single “jump the shark moment.” 

Stay cool, Arthur Fonzarelli!  Your services will not be needed here this season!

After its midseason hiatus, The Vampire Diaries truly came into its own!  No more lame diary writing scenes and voiceovers, no more “Damon as crow” CGI-laced images. 

We all have to “eat a little crow” sometimes . . .

The show had become a lean-mean plotting machine, with each subsequent episode besting the one before it, both in terms of shock value and sheer greatness.

See?  Greatness!

As if there wasn’t enough pressure on Williamson to produce television gold this week, the show creator himself decided to up the stakes.  In a number of interviews he gave before the finale, Williamson promised a season-ending episode that would literally stop hearts!  E! Online and Entertainment Weekly both teased that the show’s finale, entitled “Founder’s Day,” would offer fans no less than EIGHT cliffhangers, a car accident, two major deaths, and a shocking first kiss . . .  

We can dream, can’t we?

To be honest, going into this finale, I was a bit worried for my good pal Kevin.   After all, he and I go WAY back to the early 00’s, during his Dawson’s Creek days.

Pacey and Joey, forever!

Oh, hush up, Dawson!

So I really, really didn’t want my old friend to fail.  And yet I feared that he would.  I mean, who could live up to ALL THAT HYPE?

Answer . . . this guy!

I am happy to report that, this finale did, in fact, deliver! (Did it EVER?)   It was truly everything all those spoiler blogs promised, and so much more! 

I did have one complaint though . . . There were no Shirtless Salvatores!   

Nor were there any open-shirted Salvatores!

Not even was there a Salvatore in wife-beater tank top!

 Not a single bit of skin to whet our appetites until next season.  Kevin, honey, I love you, but that’s just plain cruel!

Clearly, Dawson agrees!

Excess clothing aside, surprisingly, the finale still left me an extremely happy girl.  (And that’s saying a lot, especially considering how much I love my shirtless men!)  So, without further adieu, on with the recap!

“I’m Here to Eat Cotton Candy and Steal Your Girl”

Tonight’s finale started innocently enough.  It was the day of the Founder’s Day Parade, an event that probably looked a lot like your high school homecoming parade.  That is, if you were lucky enough to go to high school with super hot vampires, and if your school had a substantial wardrobe budget for historically accurate dresswear from the late 19th century.  (Come to think of it, it probably didn’t look like your school’s homecoming parade at all . . .) 

Our heroine Elena, with ringleted hair and a gown that made her look suspiciously similar to her (heretofore seen only in flashbacks) vampire doppelganger, Katherine, rode the high school’s premiere float, along with her escort, the no longer blood-crazed, Stefan, 

as well as the recently plotline-light couple, Matt and Caroline.

The CW is still paying us . . . We might as well make ourselves useful.

And then Damon magically appeared . . .

Sigh!

And boy was our newly out of the “Elena-closet” lover boy an emotional rollercoaster, this evening!   When we first see him, he is very much the cocksure badass we know from early Season 1.  When Stefan questions him about why he’s at this event, he remarks, in classic Damon fashion, “I’m here to eat cotton candy and steal your girl . . .”  (By the way, do vampires eat in Vampire Diaries’ world?  Because I’ve never actually seen it happen . . .)

Dear Damon,

BITE ME!

Signed,

Julie Cotton Candy

Unlike many television characters who find themselves on the outskirts of a love triangle, Damon is NOT a silent piner!  From the moment Isobel called Damon out on his love for Elena last week, he has made sure the world knows his feelings!  Starting with Stefan.  After having been surprisingly civil to one another these last few episodes, Damon and Stefan really went at it this week.  Snarky comments flew through their air like boomerangs in the Australian outback. 

 And yet, not a single punch was thrown!  In fact, Damon’s and Stefan’s encounters looked a bit more like “girly catfights” than, “macho man brawls.”  This made the interactions between them all the more adorable.

Catfight!  Ladies in your corners!

In other news, Damon confronts, Witchy (and Bitchy) Bonnie (who, thank goodness, is no longer sporting those awful bangs we’ve seen on her in past weeks) to “thank” her for curing Ancestor Gilbert’s “invention” of its Vampire Torture properties.  The scene is particularly interesting,  since we learned last week, that Bonnie only pretended to do this . . .

I bought you something, Bonnie . . .

“I can turn you, Jeremy.”

Poor Jeremy Gilbert.  It seems like this guy is an Angst Magnet.  Having recently re-learned about the tragic and bloody death of his erst-while girlfriend, Vicki Donovan . . .

Jeremy now has another dead body on his hands, his new vampire girlfriend Anna’s mother, Pearl. 

Having initially balked at the idea of turning Jeremy, Anna, now truly alone in the world, offers to turn Jeremy for real, going as far as to offer him a vial of her blood for safe keeping.  (Speaking of blood vials . . . remember when Angelina Jolie used to wear one of those around her neck?  And make out with her brother?  Good times!)

To a sincerely angry and depressed Jeremy, Anna extols the virtues of vampirism in a way that we heard echoed by nearly all of the vampires on this show.  “You can turn your feelings off, whenever you want.  It won’t hurt so much,” she explains.

And, I’m sorry, but I call BS right here.  Because, really, is there anyone on this show more emotional than the vampires?  First you have broody Stefan, who, though usually even-keel, gets  a single drop of human blood in his system, and quickly becomes a raving lunatic. 

Then there’s Damon, who alternates between making snarky comments, to breaking characters’ necks for no reason, to mooning over his sweetheart. 

 

(He looks hot doing all of the above, by the way.)

 And now, we have Anna, who has gone back and forth throughout the season between needing Jeremy and wanting to be left alone, wanting to turn him, and wanting to protect him from vampire kind. 

If THIS is vampires turning their feelings OFF, I’d hate to see them with them turned on . . .

Ummm . . . did I just say that?   Because I totally take it back!

“The Eye Thing”

Later, Elena stops by the Only Bar / Social Establishment in Mystic Falls and runs into Damon.  In a fabulous scene you may have seen posted on YouTube or, perhaps, on this blog, before this episode even aired, Elena confronts Damon about “Stefan’s concerns” regarding Damon’s “feelings” for her.  Initially, Damon plays it coy, as if to say, “I have no idea what on earth you are talking about.” 

However, Elena has his number, and calls him out on his “flirty comments” and  signature “eye thing,” (which I could watch on continuous loop for hours, by the way).

In fact, I think I WILL!

And yet, things start to get truly interesting, when Elena says these words to Damon, “Don’t make me regret being your friend.”

At this point Damon’s face falls noticeably.  Some might say, it’s merely because he has been explicitly tossed in the “friend zone.”  However, I think it is something more.  As callous as Damon might appear to the outside world, he truly loves Elena, and would much rather be her friend than nothing at all.  He nods imperceptibly, and probably for the only time this entire season, we watch Damon pine, just a little bit, as Elena walks away to talk to her brother. 

Elena tries to smooth things over with Jeremy, but he basically tells her to go to hell.  Damon hears this and promptly goes into full protective boyfriend mode, threatening Jeremy that he better be kind to his sister, “Or else.”

At which point, Stefan magically appears .  .  .

 .  . . and surprises us all, by openly admitting to Jeremy that, although Damon may have been the one to erase his memory, it was Stefan, and not Damon, who ultimately killed Vicki.

From a Whisper to a Scream . . .

It is not until the night of the Founders Day fireworks that the poo really hits the fan!  Here, we learn that the hidey hole vampires are back with a vengeance!  (And we thought they were gone!)  After all, thanks to the “Founders” these guys have been stuck underground since 1864, with nothing to do but be pissed off!  So, understandably, a lot of them have anger issues. 

To further complicate matters, Creepy Uncle John (who I guess we now have to refer to as “Father John,” since he seems to be Elena’s Daddy) . . .

I SO HATE THIS GUY!  (How the heck did Elena come out so NORMAL with Wackjob Bio Parents from Hell, John and Isobel?)

 . . . has decided to reenact that lovely old 1864 flashback, where the townspeople rounded up all the vampires and burned them to a crisp inside an abandoned building.  Except now, he has the “invention” to help him out.  He also, at first glance, has a traitorous vampire on the inside to help things along, Vampire Anna . . .

But all is not as it seems, because Vampire Anna is playing both sides.  She warns Damon of the respective plans of both the hidey hole vamps and Uncle John.  But before, Damon can rescue Stefan and “his girl,” Uncle John breaks out the crazy invention, and we finally get to see what it can do.  It’s a bit disappointing that the “invention” turns out to be nothing more than a dog whistle for vamps. 

 Turn it on and vampires crumble to the ground incapacitated, by what looks like nothing more than a super intense migraine.

As the invention “plays,” we watch as Anna, Damon, Stefan and the Hidey Hole vamps immediately fall to the ground.  This is not surprising.  What IS surprising is that the Mayor of the town is affected too, as is his son, Tyler . . .

 . . . who, while driving with Caroline and Matt, swerves upon hearing the sound, and gets into a massive car crash, leaving Caroline extremely wounded.  “But they aren’t vampires,” claims the Mayor’s wife / Tyler’s mother.

So what are they? If you’ve been reading online interviews about the show, it should be no secret that Tyler comes from a family of werewolves, a fact that will undoubtedly be explored in greater detail during Season 2 of this show. 

Who knew Ancestor Gilbert’s crazy invention extended to ALL supernatural creatures?  (How very True Blood of the show’s creators!)

All Hell Breaks Loose

In a scene eerily reminscent of those Civil War-era flashbacks from the Blood Brothers episode, Uncle John decks the town Sheriff, and proceeds to round up all the writhing headache-suffering supernatural creatures of Mystic Falls, tossing them into an abandoned building, which he promptly douses with gasoline.  Vampires Anna and Damon are inside, as is the Mayor of the Town.  Stefan, however, somehow manages to avoid the frey.  

If you recall, up until this point, Damon used to be on the Mystic Falls Vampire Killer Council.  Me thinks he won’t be invited back next year . . .

Elena sees Uncle / Father John entering the burning building, and tries to reason with him, explaining that she knows he is her father.

Don’t worry Elena, Father’s Day sucked for Luke Skywalker too . . .

Elena hopes that her admission will soften John’s heart . . . not so much.  The Evil Creepo Dude enters the building and STAKES ANNA . .

 . . . giving us our first major (and very sad) death of the episode.

The second death belongs to the Mayor, also killed on the scene, at the hands of Damon himself (having woken from his headache).  He does this, presumably in hopes that when this is all over, his true identity will not be exposed to the town.  (Did NOBODY else in Mystic Falls see the Extremely Hot Man writhing on the ground?  Unlikely . . . Sorry Damon!)

Outside the now-burning building, Elena, who has come to realize that her friend Bonnie is a total poopyhead, who lied about curing the vampire torture invention, confronts her fairweather friend.  The two duke it out a bit over the merits of dating and befriending vampires.   Then Bonnie starts mumbling some witchy hoo hah.  We worry she’s merely doing this to speed up the death process for the Grandma-killing blood suckers she hates so much.  However, she surprises everyone by stopping the burning, and allowing Damon to get free . . .

The Aftermath and the MAJOR OMFG Twist . . .

Meanwhile, at the hospital, Caroline remains in critical condition, and one of the eight cliffhangers of the episode is thereby revealed. 

Looks like you got a storyline, after all, Candice Acola . .  . but probably NOT the one you wanted, huh?

Another one follows shortly after.   A newly free Damon comes to see Jeremy, and admits to him that Anna is dead.  The two share a sweet and gut-wrenching moment, brilliantly acted by them both, in which they discuss, love, vampirism, and, of course . . . you guessed it . . . turning off one’s feelings.

  Surprisingly, Damon even goes as far as to apologize for how he treated (and ultimately turned Vicki).  Damon then offers to remove Jeremy’s memories again, but Little Gilbert declines.  The last time we see Jeremy, is staring forlornly at the mirror, drinking Anna’s blood and swallowing a mouthful of pills.  Will he die?  Will he turn into a vampire?  Or none of the above . . . It looks like we will have to wait until next season to find out . . .

With all of their friends rescued, Stefan finally has time to confront Elena about Damon’s purported feelings for her.   She assures him repeatedly how much she loves him.  And yet, me thinks thou doth protest to much . . .

Be afraid Stefan, be very afraid! – Love, Elena Cotton Candy (See what I did, there?)

Back at the Gilbert house, Damon is waiting outside Elena’s doorstep when “she” arrives home. 

In yet another heartfelt conversation  (And this episode had a TON!), a wistful Damon discusses the nature of his desire for redemption.  He feels fortunate that Stefan and Elena saw something in him, worth saving.  The two lean close to one another and . .  . wait for it . . . SHARE A HOT KISS!  At first it is small and chaste, on the cheek.  And then not so chaste, complete with hands around necks and fingers in hair.

Unfortunately, I couldn’t find a good screencap of these two hotties . . . so look at this picture and imagine Isobel as Elena!  (Or YOU as Isobel . . . because that’s fun too!) 🙂

And at that moment the entire TVD watching population shares a big fat O, if you know what I mean . . .

In classic style, of course, that “O” is interrupted by none other than Useless Aunt Jenna, who forces “Elena” to come inside (and I don’t mean in a fun way, either) . 

Aunt Killjoy

(But note the “invitation,” because it’s going to become important, in just a few brief moments.)

As the two leave, Damon strokes his mouth, and you just know the memory of that kiss will take an eternity to erase.    And I would have been content for the episode to end right there .  . . but BOY was there more!  “Elena” heads to the kitchen and meets up with Evil Uncle / Father John, who tries in vain to explain his actions to his vampire loving daughter.  By way of a truce, he offers to cook a meal with her.  She complies . . . by grabbing the knife, and cutting off his hand containing the ring of immortality!  She then STABS HIM IN THE CHEST! 

And her then face gets all veiny and puffy eye baggy!  We know that look!  That’s not Elena at all!  It’s her doppelganger, Vampire Katherine! 

“I’m back bitches!  Thanks for inviting me in, Useless Aunt Jenna!”

Dun Dun Dun!

At the end of the episode a non-veiny and non-eye baggy Elena arrives home, calmly leaving a message for Stefan on her cell phone (I love you, blah, blah, blah).  She is completely unaware, of course, of the carnage into which she is about to walk. 

“Hey, Kev W!  What gives?  Why are you always picking on me?  Haven’t I been through enough?”

A potentially dead biological father?  A potentially dead or vampiric little brother?  An angry Aunt Jenna who thinks she’s a cheater?  A lovestruck Damon who thinks so too .  . .  but likes it?

Throughout this series, I’ve always totally envied Elena Gilbert’s life.  During this episode’s concluding moments, for the first time this season, I didn’t envy her  . . . AT ALL!

So, there you have it folks.  A brilliant end, to a brilliant first Season.  It’s truly been a wild and amazing ride recapping this fabulous show.  And I sincerely thank all of you, from the bottom of my heart, for sharing it with me.  (Especially, Amy over at Imaginary Men, who shared my obsessive fangirl love through many a comment and email, and was still willing to speak to me, after our failed liveblog event.)

 And to show you all my thanks, I’d like to leave you with these lovely gifs, that may help ease the pain of a Salvatore Brother-less summer . . .

(The people over at Gif Soup are officially my NEW BEST FRIENDS!)

Until next season . . . (or until they start airing the reruns).  Bite ya later!  🙂

Separating the Men (and the Women) from the Babies – A Recap of Grey’s Anatomy’s “Hook Line and Sinner”

This week’s installment of Grey’s Anatomy was all about making choices.  The episode also featured a lot of “baby talk” . . .

  . . . and not nearly enough shirtlessness and/or sex for my taste . . .

A Shirtless Justin Chambers is a TERRIBLE thing to waste!

As is a Shirtless Jesse Williams, for that matter!

What choices did our characters make this week?  Let’s analyze, shall we?

To Grandpa, or Not to Grandpa . . .

In the past, Mark Sloan has been known throughout Seattle Grace as the Resident Man Child, a walking Mid-Life Crisis in Scrubs, if you will.  The moments he wasn’t in the operating room (and, let’s face it, we almost NEVER see this guy operate), Mark could typically be found trolling for women . . . .

 . . . making sexually suggestive (and slightly creepy) comments to anyone who would listen,

“Hey baby, did I ever tell you about the big yacht I own?  It’s IN MY PANTS!”

 . . . and starring in sex tapes with actresses and call girls . . .

(Oh, wait . . . that last one only happened in REAL life)

However, lately, viewers have begun to notice a “softer side” of Mark Sloan.  During the last few episodes, Mark has been toying with the idea of settling  into a serious relationship, and starting a family.  This idea was first brought to the forefront a few episodes back, when Mark’s long lost 18-year old daughter, who he heretofore never knew existed, arrived on the scene and announced she was pregnant.

Mark and his daughter (Little Sloan) had previously discussed Mark raising his grandchild on his daughter’s behalf.  However, Little Sloan got cold feet, and decided to put the baby up for adoption.  In the opening scenes of this episode, Little Sloan arrives on Mark’s doorstep about to give birth.   Fortunately for Little Sloan, Mark lives in Doctor Central.   So, she didn’t even need to go to the hospital to deliver her baby.   Dr. Teddy Altman . . .

 . . . (who Sloan just so happened to be screwing, while his daughter’s water was breaking all over his Welcome Mat), delivered the child, with nothing more than a pair of scissors and a bunch of towels.  Once the baby was born, a highly hormonal Little Sloan began to have second thoughts about giving it up for adoption. 

And despite the fact that Little Sloan had Bad Mommy written all over her (Her idea of “baby gifts” was a messy purse filled with enough lame dollar store doodads to LITERALLY choke a baby!  These “bite-sized” toys might as well have had “Swallow Me and Die” written on their surfaces), Big Sloan seemed to think it was a GREAT idea!  He was thrilled at the prospect of being able to have a grandchild in his life.  Fortunately, Arizona stepped in to show him the error of his ways. 

In a heart-wrenching scene, Mark is forced to hand the child over to his new adoptive parents.  Once it is all over, he and his daughter vow to remain a part of one another’s lives.  So, it seems as though Seattle Grace’s most immature resident may have FINALLY grown up.  (Oh, and did I mention that Little Sloan was significantly less annoying this week, than she has been in past episodes?)

Oh Baby or No Baby . . .

Speaking of Arizona . . .

 . . . she and Callie seemed to be having baby issues of their own this week, since Callie wants to have a child, and Arizona doesn’t.  Throughout the episode, Callie tried a number of tactics to get Arizona aboard the Baby Train.

First Callie tried guided imagery.  “Picture a beautiful baby,” she prodded.

“I’m picturing a trip to Spain, a glass of Sangria, and you in a bikini,” replied Arizona.  “Oh, wait.   We can’t go to Spain . . . or DRINK, because of the BABY!”

Callie then tried to psychoanalyze Arizona, patronizingly explaining to her that the real reason Arizona didn’t want a child was that she was afraid it would get sick and die, like Arizona’s own brother, or the babies she treats at the hospital each day.  Arizona is offended by Callie’s insinuations.  “I’m not broken.   . .  I just don’t want a child,” Arizona explains, before storming out of the room.

And even though the couple seemingly made up at the episode’s conclusion, I am not entirely sure that this is something they will be able to overcome, in the long term.

To Be a D-Bag, or NOT to be a D-Bag . . .

Remember all those times, when Seattle Grace was in financial trouble, and Derek self-righteously lectured Chief Webber on the importance of not letting the interests of money and prestige override the need for a comfortable work environment, where doctors can work together as a team?  Remember that “Back to School” episide, where Derek tried to demonstrate that Seattle Grace was, above all, a “teaching hospital”?  Well, it appears, that “power corrupts,” because the Derek of this week’s episode has completely turned his back on everything he once believed.

For what seemed like the umpteenth time in the past few seasons, ANOTHER “Cardio God” entered the hallowed halls of Seattle Grace.  And, once again, the typically tough-as-nails, Cristina Yang, turned into a puddle of sycophantic mush around him.  Karev was right when he said she treated well-renown doctors like trading cards . . .

Collect them all!

At least Cristina is not afraid to ADMIT her flaws.  (I loved when she called herself a Cardiothoracic Whore!)  This, unfortunately, is more than I can say for Derek . . . 

Apparently, Seattle Grace is still in need of a Head of Cardiologogy.  And while, Teddy, who has been performing the job on temporary contract, would seem to be the most likely choice for the job, the prospect of getting a bigger name (in this case, “Dr. Evans”) to fill the position, put dollar signs in McDreamy’s puppy dog eyes.

In Derek’s defense, a skittish Teddy was screwing up all over the place, this week, sneezing on patients and failing to recognize that they were suffering from sepsis, before operating on them.  And, yes, the DULL Dr. Evans did seem like a “good surgeon.”  However, he was a Crappy Teacher, forcing Cristina to sit on the sidelines and watch a surgery she had scrubbed in on, while he performed the entire thing on his own.  Not to mention that the absence of the well-liked Teddy would have certainly caused a good deal of upheaval amongst many of the doctors — most notably, Mark Sloan who she is currently screwing.  Under normal circumstances, a doctor’s popularity and good teaching skills should not be the sole reasons for her getting a job.  However, for a Chief who got HIS job on a platform of “education and togetherness,” such reasons should certainly be persuasive ones.

Fortunately, for Teddy, she ultimately got to keep her job.  However, at the end of the episode, when Old Chief Webber makes a point to congratulate Shepherd on his decision to award loyalty over prestige, Derek defiantly admits that he had originally offered Dr. Evans the job, not Teddy.  However, Dr. Evans passed on it.  I’m not a fan of what “chiefing” is doing to Derek’s character  . . . Here’s hoping that Old Chief Webber resumes his post REALLY SOON!

“Sober up quick, Chief McBoozy!  We need YOU!”

To Threesome, or Not to Threesome . .  .

In other D-baggyish news, Owen came VERY close to cheating on Cristina, by almost making out with a vulnerable Teddy, in an admittedly sweet elevator scene.  Interestingly enough, THESE actions are NOT the ones with which I take issue.  After all, Owen ultimately DID NOT cheat (only because his pager went off . . . but still).  And, Owen and Teddy do have chemistry and a strong history together, so I can understand his moment of weakness. 

What I COULD NOT abide, was what Owen did NEXT.  In a highly uncharacteristic move, Cristina plays the Girlfriend Card with Owen, asking that he plead Teddy’s case to McDreamy, so she can keep her job.  Owen AGREES to do this.  However, once he gets inside the Chief’s office, he pleads DR. EVANS’s case instead, asserting that Teddy would be “just fine” if Derek didn’t choose her for the position.  One could argue that Owen truly believed that Dr. Evan was the “better man” for the job.  However, I think this had more to do with Owen’s own concerns that he won’t be strong enough to not make out with Teddy, the next time the two of them are stuck in an elevator . . .  And, if that ‘s the case, that seriously SUCKS for BOTH Teddy and Cristina!

To Grow Some Balls or NOT to Grow Some Balls . . .

In still MORE D-bag news, Alex treated his sort-of girlfriend Lexie like total crap this entire episode, berating her, making fun of her, and STEALING her surgeries.  When Lexie solves a medical mystery and ALMOST allows Alex to steal her thunder, it takes a tough love speech from Bailey (Doesn’t it always?), for Lexie to finally realize that she is being mistreated.  At the end of the episode, Lexie confronts Alex, by giving him a serious “I AM WOMAN, HEAR ME ROAR” – type talking to. 

Alex seems impressed.  He even gives Lexie a beer.  And you KNOW how boys hate parting with their beer.  But was it too little, to late?

Finally, in Bat-Sh&t Crazy News . . .

 . . . April continued to awkwardly fawn over the married Dr. Shepherd, much like the creepy school girl she played in that Glee episode a few months back . . .

I LOVED how Dr. Avery, a.k.a. Dr. Hotness . . .

 . . . totally called her out on her freak show behavior, not to mention skewered her with a few spot on impersonations.  “Oh, Chief Shepherd, you can spank me if I’m wrong. And I DO hope I’m wrong!”  He mimicked.

(Could somebody in the writing staff PLEASE give the funny and adorably sexy Jesse Williams more to do on this show?  A storyline?  A relationship?  A surgery?  ANYTHING AT ALL?  Need I remind you what he looks like with his shirt off?)

Anyway, methinks the slow boil of Bat Sh&t Crazy April is about to bubble over REALLY soon.  So, Derek should definitely hide his meat cleavers  . . .

 . . . and his BUNNIES . . .

 . . . both in the literal AND the metaphoric sense.  You can spank me if I’m wrong.  And I DO hope I’m wrong . . .