Tag Archives: Kristen Stewart

When Boob Tube Meets Silver Screen – 5 films that could probably “cut it” on the small screen

This past Friday, IGN Entertainment released THIS trailer, to promote an upcoming television series, based on the popular, and EXTREMELY profitable, Harry Potter book and film franchise . . .

Of course, if you recall, this past Friday was also April Fools’ Day.  And the above – trailer for the new FX series, The Aurors, set to premiere this summer, ended up being a FAKE (not to mention a Big Fat F-YOU to Wizard Lovers, EVERYWHERE)!

And yet, you have to admit, if a series like this actually DID air on FX, there’s a good chance it would be fairly successful.  After all, The Aurors, has all the ingredients for a television ratings darling, including:

(1) an allegiance to the Harry Potter brand, and the massive geek-chic cult following that comes along with it;

“When I wave my magic wand, millions of dollars in advertising revenue will appear, right before your VERY EYES!”

(2) a savvy nod to the world’s current obsession with All Things Supernatural;

(3) action adventure; and

Might I suggest some prune juice, Harry.  I hear it helps with your . . . condition.

(4) that Crime Procedural Mumbo Jumbo, which tends to bore the STUFFING out of me, but seems to be genuinely popular among most of the American viewing public (as evidenced by the success of the 85,000 versions of Law and Order and CSI currently clogging our television sets).

Don’t shoot!  I swear, I didn’t mean it!

This got me to thinking about other popular films that have the potential to make the transition from the Big Screen to Your Screen.   And so, without further adieu, here are my top five picks (in no particular order) for movies I’d like to see take that oh-so-dangerous small-screen leap  .  . .

1) Inception

I don’t think I’ve ever had as many in-depth, and complicated, conversations about a film, as I have had about this psychological action thriller.  The idea of being able to enter people’s dreams, and by doing so, altering their perception of reality, is just so inherently intriguing and ripe for discussion.  And for a television show revolving around a crack team of insanely attractive and ridiculously well-dressed, “dream engineers” — hired to basically control people’s minds from the inside-out — the possibilities are literally endless.  

Episodes can revolve around a different “dream hijacking” each week, or can slowly unravel an extensive “dream heist” throughout the course of the season.  Of course, at the show’s core would be the brilliant, but deeply troubled, Dream Makers, each of whom has their own extensive backstory, as well as specific, but complicated, rationalizations for choosing this, admittedly morally ambiguous, career path.

Speaking of morally ambiguous career paths . . .

2) The Town

Back in September, I fell in love with a film about a small town called Charlestown, Massachusetts, where children were raised to be bank robbers, con artists, and criminals, with the same intensity and efficiency that other towns invest in growing bankers, doctors, and lawyers.  Everybody loves a “brooding bad boy with a good heart” (especially when he takes his shirt off often).  And The Town had a whole cast of both Brooding Bad Boys and Hard-Nosed, but still hot, Cops to love.  Most notably, it had THIS GUY . . .

Oh, yeah!  That’s Ben Affleck!  And, upon seeing this picture, I totally took back, all those jokes I made about that awful Gigli movie.  Because THIS guy could ABSOLUTELY kick my ass!  Let’s find  a “kinder, gentler” picture.   Shall we?

That’s better!

And THIS guy . . .

A television series based on The Town would boast an extremely unique location, the likes of which has never before been depicted on television.  It would also undoubtedly feature a cast of scorching hot twenty and early-thirty somethings, each with their own idiosyncrasies, family dramas, romantic subplots etc.  And of course, the crime capers depicted in each episode would put the ones in those Ocean’s Eleven movies to SHAME!

Speaking of Ocean’s Eleven (and one of it’s stars, i.e. Matt Damon) . . .

3) The Adjustment Bureau

Ever wonder if the Universe has a specific plan in store for you?  The Adjustment Bureau was a romantic drama / action flick that dealt with the question of “fate” and “circumstance” in a way that  absolutely caters to the self-absorbed and egocentric world in which we live. 

Yes, Joe and Jane Average Citizen, SOMEONE “up there” has BIG PLANS for YOU . .  . and for your life.  In fact, you can find those plans in a BOOK, filled with multi-colored SQUIGGLY LINES that resemble those mazes they put on the back of Happy Meals at McDonalds.  (Those of you who saw the movie, know what I mean by this . . .)

Not only that, the world is crawling with Cute Men in Funny Little Hats who’s LIFE’S MISSION is to make sure that YOU reach your destiny . . .

And there’s a good chance that one of those “Cute Men in Funny Little Hats” probably looks a lot like Roger Sterling from Mad Men.

Because all of us like to believe we were put on this earth for a “reason,” and because we all find the idea of Cute Men in Funny Little Hats chasing us around the City all day, monitoring our every move, oddly appealing (or mildly creepy, whichever you prefer), a television series revolving around the titular Adjustment Bureau would likely be a fun-filled hour of escapist fantasy for the masses.

  Like the Inception series suggested above, The Adjustment Bureau series would work well as either a serial drama, in which a different “guest star’s” fate was adjusted each week, or a long-running storyline, in which the future of a particularly Important Person (like the politician Matt Damon played in the film) is systematically modified in every episode to achieve a specific goal. 

High concept mind benders, philosophical discussions, and crime capers aren’t your thing?  Fear not!  I have two more prospective television series ideas that might be more to your liking . . .

4) Adventureland

This past summer, I rented this fun coming-of-adulthood “period piece” (The film took place in 1987.)  about a recent-college grad, (played by The Social Network’s Jesse Eisenberg) who, without any immediate prospects for his future, was forced to take a summer job at a small-town amusement park.  Working the “ring toss” with Jesse, was none other than Twilight’s Kristen Stewart (playing a character who kind of, but not exactly, resembled Bella Swan), and 2010’s Sexiest Man Alive, himself, Ryan Reynolds . . .

Yes, I DO find every excuse to put pictures of hot, half-naked men in my blog.  Thank you for noticing!

In addition to having an all-star cast of up-and-coming actors, intriguing characters, and some stellar script writing to its credit, Adventureland boasted a refreshingly fun sense of time and place. 

As an 80’s baby, who spent most of the decade clad in Care Bears underwear, I’ve always been a bit jealous of those folks who actually got to experience this admittedly awesome decade as teenagers, and early 20-somethings.  From the killer music, to the amazing made-for-teen movies (John Hughes anyone?), to the care free days spent making out and getting high behind the Tilt-a-Whirl at your local theme park, the 80’s just seems like it was a great time to “come of age.”

An Adventureland television series would allow us to do just that!  Along with its “youngish” (and indubitably attractive), cast of characters, viewers could “travel back in time” each week, and experience the slings and arrows of early adulthood, all while enjoying a kickass soundtrack, drinking some cheap beer, and riding that old broken down Ferris Wheel for the 25,000th time . . .

5) Scream

At first blush, this one might seem like an odd choice for a television series.  After all, half of the fun of watching horror movies, like Scream, is seeing the characters get killed off, one-by-one, in increasingly gruesome (not to mention, patently ridiculous) ways, while trying to figure out who the killer is, right?  So, how does that translate to an entire season of small screen viewing, you ask?   And I say, how does it NOT?

“Do you like SCARY movies television shows?”

Think about it.  What is the BIGGEST, MOST SHOCKING, thing that can ever happen to your favorite television drama?  The one thing that’s CERTAIN to get ratings buzz for your favorite program, and ensure that EVERYBODY will be talking about what they saw the next day . . .  Of course, I’m referring to the DEATH OF A MAIN CHARACTER.  On most shows, this Major Television Viewing Event only happens about once or twice every season (typically, around sweeps week). 

But imagine the fun and excitement of MAIN CHARACTER DEATHS (along with “fun” Celebrity Guest Star Cameo Deaths”) occurring EVERY SINGLE WEEK!  Nobody is safe!  Everyone is a suspect!  And everyone is at risk! 

The “killer’s identity” would presumably be revealed in the Season Finale.   Or, perhaps, the mystery could be carried over into subsequent seasons, with new cast members regularly replacing the “old dead” onces.  Sure, it’s a gimic!  But look how long they’ve taken to reveal that darn MOTHER on How I Met Your Mother? 

OK . . . just keep smiling and pretend you actually know who “The Mother” is . . .

 If they can do it, so can WE!

So, there you have it folks, five sure-fire television success stories, based on five popular films.  So, which movies would YOU most like to see transition to the small screen?

[www.juliekushner.com]

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Filed under movies, Television Show Ideas

Oh My Gaga! – A Recap of Glee’s “Theatricality”

  

OK.  I have a bit of a confession to make  . . . Here it goes . . . I’m not exactly a huge fan of Lady Gaga.  Don’t get me wrong.  It’s not that I don’t think she’s sublimely talented.  I DO!  Much like her predecessor, Madonna, Lady Gaga is a masterful self-marketer.  The girl is constantly reinventing herself.  She, therefore, can keep her music relevant, in a fast-paced, quick-change, ADHD world.  She even made Hello Kitty, cool again!

It’s just that . . . how do I put this kindly . . . that girl scares the STUFFING OUT OF ME!  I think it started when she made that bizarro Paparazzi video.  You know, the one where she dressed up like a depraved, totally effed up, version of Minnie Mouse  . . .

. . . and KILLED an eyepatch-wearing Alexander Skarsgard!

I DON’T UNDERSTAND!  I thought vampires were supposed to be IMMUNE to poison!

In fact, up until last night ;), the ONLY version of Poker Face residing on my iPod was Chris Daughtry’s acoustic cover of the song (which, if you’ve never heard it before, is AWESOME, in my humble opinion.)

This was all, of course, BEFORE I watched last night’s episode of Glee, which, I’ll admit, left me a bit “gaga” for Gaga.  Let’s recap, shall we?

Tina Dresses “Goth” / Has Parents Who Hate Kristen Stewart .  . .

When the episode begins, Principal Figgins is berating Tina, for what he describes as her “goth vampire” style of dressing.  Now, I’m going to have to disagree with him here.  I wouldn’t classify Tina’s look as goth or vampire!  It’s actually more ’80’s punk, than anything else . . .

Discrepancy aside, the opening scene was pure WIN for me, because it (1) gave the often-underused Jenna Ushkowitz an opportunity to show off her comedic chops; (2) exposed Principal Figgin’s deep-seated fear of vampires (This will undoubtedly come in handy later.) . . .

 . . . and (3) included some light Kristen Stewart bashing (“My parents think Kristen Stewart is a bitch,” says Tina)

 .  . . which, as far as I’m concerned, NEVER gets old!  (Just keep on toking, Bella Swan!)

Anyway, Mr. Schuester . . .

 . . . inspired by his outrage over Principal Figgins refusal to let Tina dress the way she wants (Speaking of which, don’t YOU wish that you had a cute teacher to personally accompany YOU, and hold YOUR hand, everytime YOU got in trouble?), decides to give the Gleeks a Gaga-inspired assignment.  In order to complete the assignment, the crew would be required to (1) dress-up really weird; and (2) sing a song by This Week’s Musical Sponsor either Lady Gaga or Kiss.

Rachel Confronts Her Bio Mom / Wears a Dress Made of Suicidal Beanie Babies . . .

While spying on their chief rivals, Vocal Adrenaline . . .

 (which reminds me, WHERE WAS JESSE THIS WEEK?  And, no, you can’t say, “on vacation,” like you did to explain his absence two weeks ago, Glee!  Because NO ONE gets that much off time in high school!  Not even local celebrities who recently transferred into the school, solely to bring about a mother / daughter reunion.  You know what?  I smell a little neglect here!  I’m calling CHILD SERVICES!”)

See? He’s wandering the streets of New York City ALONE! And probably panhandling!  And quite possibly getting involved in prostitution!  Have his parents no shame?

 . . . but I digress . . .

So, while Rachel, Quinn and Mercedes are spying on Vocal Adrenaline’s sectional rehearsals, they catch it’s coach randomly belting out her own rendition of Barbara Streisand’s Funny Girl to show off illustrate to her students the importance of theatricality.  Upon hearing the song, Rachel instantly recognizes Shelby’s voice as that of her mother (who she recently heard singing on a tape Jesse gave her).  Rachel then immediately confronts Shelby, informing her, right in front of her class, that she is in fact, her daughter.

That would certainly explain the uncanny resemblance . . .

And I have to say, for someone who went through the trouble of having one of her prize students SWITCH SCHOOLS to make sure Rachel learned her true identity, Shelby didn’t seem all that happy to have been found.  In fact, on first meeting, Shelby was downright COLD to Rachel, refusing to sit in the same row as her in the auditorium, while the two engaged in their first “heart-to-heart.”

What a TOTAL WITCH!

Rachel is so distraught over the awkward encounter, that she comes to school wearing a dress made of STAPLED BEANIE BABIES. (Stuffed animal abuse, anyone?) .  The outfit is so hideous, that not even the beanie babies want to be a part of it.  They’s rather jump to their DEATHS, instead. 

 “Annnnnd  . . . we have a jumper!”  Kurt quips, as a frog beanie baby successfully escapes Rachel’s dress, only to, mere moments later, meet an untimely death on the choir room floor!

R.I.P. “Legs!”  We hardly knew, ye!

After the rest of the group is done bashing on Poor Rachel, the Girls (and Kurt) peform their portion of Mr. Schuester’s assignment, a fun and flashy cover of Lady Gaga’s “Bad Romance.”   And while I couldn’t find a clip of the crew performing the song on the show, I was able to find a decent recording of the Glee cast performing the number LIVE on Tour in Los Angeles.  (Just take what you see, and imagine it with MORE cast close-ups, and a bit less “shaky cam.”)

(Thanks so much for sharing this with us, YuckFoutube!)

I think my favorite part of the whole song is when Kurt (Chris Colfer) belts out, “Because I’m a freak, BABY!”  (Classic!)

You might have noticed, that in the video, Lea Michelle, who plays Rachel, is wearing an outfit that is decidedly NOT the Suicidal Beanie Baby Dress I screencapped for you, above.  That is because, in the scene following her performance, Mommy Not-So-Dearest, Shelby, actually does something NICE for a change, by hooking Rachel up with a Gaga-inspired outfit that doesn’t include on it a bevy of warning labels, about babies accidentally swallowing foreign objects . . .

You know, if it didn’t have that weapon-esque jagged edge sticking out the side of it, I might ACTUALLY wear something like this . . .

After receiving some REALLY BAD advice from Mr. Schuester, Witchy Shelby decides to, more or less, “break-up” with her long lost daughter.  Her rationale for doing so seemed really warped to me . . . something about Rachel being TOO OLD to start a relationship with.  (Ummm, yeah, because 16 is positively ANCIENT!) 

Happy Sweet 16, Rachel!  Did you remember to put on your Depends?

However, I’m thinking that Shelby’s asshat actions were little more than a plot device, aimed toward ensuring that Mother and Daughter have an emotional and permanent reunion, come Season Finale time.  Therefore, I will refrain from calling Shelby too many evil names, just yet . . .

As a parting, “I’m sorry for being the Worst Mother Ever,” gift, Shelby offers Rachel a cup . . . with a star on it . . . for in case she gets “thisty.”

I know, I know . . . It didn’t look like this . . . I’m trying to make a not-so-subtle point here, OK?

You see, if Shelby DOESN’T reunite with Rachel in the Season Finale, I’m willing to bet that the next time “Thirsty Rachel” uses her “star cup,” is on her twenty-first birthday, when she totes it along with her, in her purse, on her bar crawl.  And with each of the 21 shots she pours into it, she will raise her glass, and SING, in an increasingly inebriated manner “F-U Mommy!”

My personal anger at Shelby aside, I must admit that the Mother-Daughter duet to Lady Gaga’s “Poker Face” was the second most poignant moment in the entire episode.  (I’ll get to the MOST poignant, in just a bit.)  Aside from Idina Menzel and Lea Michelle having the most beautiful voices ON THE PLANET, I just loved how many layers this song had.  And how deft the two accomplished actresses were at subtly revealing them. 

On the surface, “Poker Face” is a light and fun song that uses the game of poker, as a thinly veiled metaphor for sexuality.  Shelby and Rachel have fun with this bawdy side to the song, smiling and winking at one another, during the particularly risque parts.  (Example: “I’m bluffin’ with my muffin . . .”)

On a deeper level, “Poker Face” is a song about hiding one’s true emotions, in order to protect onesself, a tactic we all use every once in a while, both in poker, and in life.  When Rachel sings the line, “She don’t wanna love nobody,” you can see the sadness in her face, as she recognizes her mother’s inability to provide her with the affection she needs.

Later when the women are singing, “I’m marvelous,” to one another,  we all know that isn’t really true, and that they are just saving face.  It’s heartbreaking to watch, yet beautiful at the same time.

Finn Experiments with Makeup / Calls Kurt the F- Word / Gets His Ass Handed to Him By Kurt’s Dad / Wears a Red Shower Curtain

Speaking of Misguided Mommies, Finn’s TOTALLY put him on the spot, by dragging him, eyes closed, to La Casa de Burt and Kurt, and informing him that he would be moving in there, RIGHT IN FRONT of Kurt and his dad!  To make matters even more awkward, Finn and Kurt were going to be sharing a room together . . . at age 16.  (A house with two-and-a-half-baths and NO GUEST ROOM!  What’s up with that, Burt?)

Then again, it does work for SOME people, I guess . . .

Back at school, Finn and the Glee boys get all decked out in full Kiss regalia and sing “Shout it Out Loud.”  A song I had NEVER heard before. 

Up until last night, I was familiar with precisely ONE Kiss song:  “Rock and Roll All Night.”  Now, I know two more (I’ll get to the second one in a bit).  Thanks for the education, Glee!

Finn and Kurt continue to bicker throughout most of the episode, regarding the respective merits of conformity versus individuality.  However, the poopy really hits the fan when Finn describes Kurt’s room decorations as “faggy,” and Kurt’s dad, Burt, overhears him.  Remember when I said, the scene between Shelby and Rachel was the SECOND most poignant scene in this episode?  Well, this was the first . . .

Kurt stands in the corner, arms wrapped protectively across his chest, barely holding back his tears, as he watches his “Man’s Man” father stand up for him, for the first time.  Burt tells Finn that by using those words, he is implying that homosexuality is something shameful and wrong.  Kurt flinches, as Burt explains that, when he was Finn’s age, he too used the term in a similarly derogatory manner.  Burt then expresses his disappointment in Finn, and unceremoniously kicks him out of the house, explaining, “I can’t have your poison here.”

After a cowed Finn stalks off, Burt turns to Kurt and tells him “[Your room] looks great.”

In a moment that got me all teary, Burt then places his hand on Kurt’s shoulder.  Kurt grabs it for a second, in silent thanks, then lets it go, as his father exits the room.  As far as I’m concerned, both Mike O’Malley, who plays Burt, and Chris Colfer, deserve Emmys for this scene.

To prove his loyalty to Kurt, and show that he’s learned his lesson about tolerating individuality, Finn protects Kurt from a couple of guys I will hereinafter refer to as “The Mean Boys” . . . (One of whom talks and gesticulates like a Poor Man’s Jerry Seinfeld . . .)

“What’s the deal with the name Lady Gaga?  I just don’t get it.  Is she a lady or a baby?”

Did I mention Finn stood up to the Mean Boys, while dressed like this?

Remember earlier, when I said that the “Minnie Mouse” costume was the most disturbing Lady Gaga costume EVER?  I stand corrected . . .

Puck Acts Like a Chauvinist / Feels Guilty About It / Sings a Sweet Song / Still Kind of Acts Like a Chauvinist / But Looks Really Hot Doing It

Awww, Puck!  Sweet ignornant Puck!  Don’t you know that naming your child after a brand of hard liquor pretty much guarantees that she will become an alcoholic later in life?

I mean, you might as well abandon her for 16-years, and then pop back into her life, only to give her a “Star Cup,” before leaving again . . .

Oooh, she looks really mad!  She might even send the Flying Monkeys after me!

Rather than be “thrilled” by Puck’s choice of baby name, as he suspected she would be, Quinn tells her Baby Daddy, in no uncertain terms, that she is giving up his kid to a family that WON’T name him after something that bears a warning label, specifically geared toward pregnant people.

Puck tries to make it up to her, by explaining that he had a bad home life.  Apparently, his father was too busy being “cool” to spend time with him.  Then, because this is Glee, after all.  He breaks into song.  The song he chooses is yet another Kiss song.  This one was called “Beth.”  And, like I said, I’d never heard another Kiss song, aside from “Rock and Roll all Night,” prior to the airing of this episode.  Except . . . something about this song, sounded SO FAMILIAR to me.  And I couldn’t figure out why.  Then, I remembered . . .

Remember that scene in the movie Role Models (which, if you haven’t seen it, you should skip this next paragraph, because I’m TOTALLY about to spoil the ending)?

It’s the scene after Paul Rudd, Sean William Scott, and those two kids win the LARPing competition (during which they all dressed up like Kiss, by the way . . . IT ALL MAKES SENSE NOW!)  Anyway, at the Larping After Party (Because you know how wild and crazy those LARPers can get!), Paul Rudd’s character, Danny Donahue, stands on a car, and sings a song to his girlfriend . . . who just so happens to be named BETH.  Yeah, this is the SAME SONG! 

 Glee just taught me all sorts of things I didn’t know, this week!

After the song, Puck approaches a teary-eyed Quinn, and offers to be present when their baby is born (Awww!).  He also DEMANDS that it be named Beth!

Now, don’t get me wrong.  Beth is a FABULOUS name for a baby girl.  But what the heck made Puck think that,  just because he sang ONE sweet song, that Quinn should be REQUIRED to name the baby after it?  Doesn’t SHE have a say in all this?  More importantly, don’t the ADOPTIVE PARENTS, who are going to  . . . you know . . . RAISE THE BABY, have a say?  WTF, Puck?

If you weren’t so sexy, I’d be REALLY mad at you right now!

Oh, and I almost forgot, the Principal ultimately allowed Tina to continue to dress like .  . . whatever it is she normally dresses like  . . . but only after she threatened to suck his blood, vampire style . . .

That’s all she wrote, folks!  In the words of Mr. Schuester, “Next stop, Sectionals!”

 

 

 

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Anatomy of a Trailer: Eclipse – Twilight Saga, Part 3 (Now includes NEW second trailer . . .)

I tried not to blog about this.  Really.  But it simply refused to be ignored.  So, here I am . . .

I can’t believe they are already releasing another one of these movies!  I feel as though I literally just saw the last one in theaters.  New Moon (based on Book 2 of the Twilight series) was, in my opinion, one of the most unintentionally hilarious films of all time.  

The cheesy 360-degree rotating camera shots to represent Bella’s months of “depression;”

the cartoonish CGI Wolfman graphics;

 the obligatory topless shots of those male strippers  Jacob and his wolfpack; and

the way Edward’s disembodied head would appear in the clouds, every time Bella was about to do something “bad.”

“Don’t do it, Bella!”

All of these gems made me, and the rest of the people in my theater, laugh out loud, multiple times, throughout the film.  In short, I enjoyed New Moon, but probably not for the reasons that I was supposed to enjoy it . . .

So, when I heard that Summit Entertainment had released a new trailer for Eclipse, the third book in the Twilight Saga, curiosity (and my odd sense of humor) got the best of me.  I simply had to watch it. 

Well, color me impressed.  It’s a pretty good trailer, actually.  Granted, there wasn’t a lot of action in it.  However, I think the producers did a nice job of establishing in a relatively short amount of time (90 seconds) the immensity and increasing urgency of Bella’s choice, and the impact it will have on the people she loves. 

Let’s take a look . . .

 :13 – Say what you will about the Twilight movies, but the location shots in them are absolutely breathtaking.  The book and movie are both supposed to take place in the fictional town of Forks, Washington.  However, the film was shot mostly in and around Portland, Oregon.  Who knew Oregon was so gorgeous?

 :20 – I never officially came down one way or the other on the Team Edward versus Team Jacob debate.  However, I will say that Edward and Bella have an ideal height differential on their side.  In case you were curious (because I was):  Both Kristen Stewart and Taylor Lautner are in the mid to upper range of 5 feet, while Robert Pattinson is a lean 6’1”.  So, if Bella ever wants to wear heels, Edward is definitely her guy . . . 

(Then again, in the book, Wolf Jacob is supposed to be about 7 feet tall.  So, who knows?)

 :27 – I’m not quite sold on Dakota Fanning as Jane yet.  Based on my interpretation of the books, the Jane character has “pretty, but creepy looking” child star written all over her (Actors that fall into this category include: Haley Joe Osment in The Sixth Sense, that girl from The Ring movies, and those twin girls in The Shining. )

“Come play with us.”

At 16, Dakota has aged out of “pretty, but creepy looking,” I’m afraid.  She looks like a real teenager now! 

 

Perhaps Movie Jane would be scarier, if she didn’t talk so darn much!  Dakota sounds like she has a bit of a cold, in this scene . . .

:34 – Is it just me, or does Robert Pattinson look a tad constipated, here?

:37 thru :39 – I like that they included Bella’s parents in this trailer.  By choosing to become a vampire, Bella isn’t just giving up a boy, she’s giving up her whole human life.  The books often give this part of her decision short shrift.

:43 – Jacob: “You don’t have to change for me, Bella.”  (A solid argument for Team Jacob.)

1:10 – Here is our first look at Bryce Dallas Howard as the new Vampire Victoria.  As many of you know, Howard replaced the original Victoria, Rachel Lefevre, in the series, as a result of “scheduling conflicts.”   It sounds like a bunch of hooey to me. 

Personally, I think Summit probably wanted to cash in on the movie’s success and bring in a bigger name.  Don’t get me wrong, I like Bryce Dallas Howard.  I think she’s a talented actress.  I’m just not sure she’s right for this role.  She just looks too nice  and sane to play this menacing, woman-on-a-rampage, character.  Her hair even looks tamer than the original Victoria’s!

1:14 – Edward: “I will protect you, no matter what.” 

Feminists beware.  Twilight is not exactly a “girl power” series.  Until the final book, Bella mostly inhabits a damsel-in-distress type role.  Throught the book, the films, and this trailer, there is tons of talk about protecting Bella.  This is fine, I guess.  However,  it would be nice, if  our heroine fought back on her own, every once in a while.

1:19 – Obligatory Taylor Lautner Shirtless shot . . .

(He still looks pretty good, but slightly less buff in this trailer than in the last film.  No?)

1:22 – Jacob:  “I will fight for you, until your heart stops beating.” 

Based on the YouTube comments for this video, the aforementioned line was a big hit with Team Jacob fans.  I’ll admit that in the context of the film, and given Bella’s impending choice, the line is a moderately romantic one. 

However, as a stand alone, it’s more than a little disturbing.  For a second there, I thought I was watching one of those Lifetime movies.  Specifically, the ones where the wife-beater / lunatic guy chases some B-list actress (Tori Spelling?)  around the house with a knife and says, “If I can’t have you,  NO ONE CAN!”

Eclipse hits theaters June 30, 2010.  Will YOU see it?

P.S.  For all you Twilight fans out there, it looks like Summit Entertainment has recently released a new trailer for Eclipse.  Unlike the sort of lovey-dovey first one, this trailer focuses more on the action / horror elements of the upcoming film.  Let me just say, I think it is TEN TIMES better than the first trailer!   Parts of it are downright scary, and the special effects and CGI graphics seem much improved from the first and second installments of the series.   And I’m not exactly a “Twihard” girl, so when I say it, I mean it. 

Rather than make this post any longer than it already is, I’ll simply let the new trailer speak for itself . . .

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Filed under Eclipse, Movie Trailer Recaplets, Twilight Book Series