A Long Time Ago, We Used to Be Friends – A Recap of Once Upon a Time’s “Breaking Glass”

“Use distorted mirrors . . . because plastic surgery is for p*ssies.”

Did you hear the one about the sassy, sarcastic, blonde teen with trust issues, and her best friend Lily, who tragically kept secrets that ended up prematurely ending their friendship?

No? Me neither  . . .

This entirely new and original premise, which featured soooo much lesbian sexual tension between two presumably heterosexual teens that I thought I had accidentally switched channels and started watching LOGO, formed the basis for this week’s Very Special Life Lesson Masquerading as Flashback on Once Upon a Time.

(It also made me crave a crossover episode of Once and Veronica Mars, during which Young Emma and Veronica casually debate the merits of leather versus denim jackets, and Captain Hook and Logan take the old yacht for a spin, get totally wasted on rum, and proceed to spend the next seven or so hours practicing their broody-but-sensitive longing looks at an unseen camera.)

Hey, it could happen!

Meanwhile, back in the present day, Emma and Regina ironed out their differences by generously sharing in heaping helpings of one another’s “Glorious Finger Magic.”

“Woo, I’m going to need to smoke a cigarette after this!”

Hook and Charming each got the opportunity to do a little Dr. Phil-ing on their lady loves . . .

Elsa learned that handcuffs can, in fact, be recreational .  . .

Fifty Shades of Frozen

And Regina got royally screwed by a piece of Glass . . . but not in a good way.

Let’s review, shall we?

[You can check out the rest of this recap here.]

Dead Girls Who Text, Underage Sex, Kind of Perplexed – A First Look at ABC Family’s “Pretty Little Liars”

Yesterday, I wrote a blog entry about the television shows I planned on watching this summer.  My awesome blogging buddy Amy, over at Imaginary Men, suggested I add to my roster ABC Family’s latest attempt at undermining its reputation for being the “Good Little Christian Cable Channel.”  The show, entitled Pretty Little Liars, is based on a young adult novel series of the same name, which was written by Sara Shepard, and produced by Alloy Entertainment (a.k.a. the folks responsible for the Gossip Girl series).

And, boy am I glad I did!  This show is a snarky recapper’s DREAM!

But before I get started with my official recap, let me take a moment to discuss some of the casting decisions for this show . . . particularly the casting of its adults.  Now, on most teen shows, “adults” aren’t generally given all that much to do.  Rather, their limited screen time tends to fall into one of two categories.  There is the: “I’m a sweet, but bland, parent with no discernable personality, who has absolutely no clue about what my kid does everyday” type; and the “I am a raging a-hole parent, with no redeeming qualities, who is totally intent on screwing up my kid’s life” type.  Based on what I’ve seen from the pilot, this show is no exception.

Surprisingly, however, some of the “adults” on this show, were given an impressive amount of speaking lines in the pilot.  And I’m thinking that this anomaly probably can be attributed to who they are.  Ready to feel REALLY OLD, fellow 90’s era TV watchers?  Try this on for size . . .

One of the character’s moms is played by Holly Marie Combs.  You might remember her as Piper, the “smart sensible sister” on the television series Charmed, who also happened to be a bonafide witch.

Her husband on the show is played by Chad Lowe, brother of THIS GUY . . .

(Sorry Rob!  We know you are supposed to be all “respectable” now.  But some of us still remember your sex tape scandal . . .)

As for Chad himself, a few of you might remember him as “Jesse” a.k.a. “the loner kid with the earring, from Life Goes On, who just so happened to have AIDS.”

But more of you probably remember him as the former Mr. Hilary Swank.

This time, let’s try to say NO to drugs, Chad!

Next up is Laura Leighton, who you might recall playing “that crazy slutty b&tch Sydney” from the OLD Melrose Place . . .

 . . . OR “that crazy slutty middle-aged DEAD b&tch” from the NEW (and recently cancelled) Melrose Place.

Oh, and even though she doesn’t technically play a “parent,” I would be remiss not to mention Torrey Devitto, who plays one of the Pretty Little Liars’ obnoxious significantly older sister.  Torrey is perhaps best known for playing Crazy Nanny Carrie on One Tree Hill.

This was the storyline that made me stop watching One Tree Hill.  It was THAT BAD!

She is also the lucky chica rumored to be engaged to THIS GUY . . .

That’s right boys and girls, Crazy Nanny Carrie and Vampire Stefan apparently do the nasty together, on a regular basis.  It’s a good thing vampires can’t have kids, because otherwise, he would DEFINITELY have to hide HIS from her!

Anyway, now that I’ve written virtually an ENTIRE blog entry on the supporting cast of this show, perhaps its time I get on with the actual recap.  So, here goes . . .

It was a DARK and STORMY night!

Bet you thought the above-referenced tired cliche went out of style during your grandma’s time.  NOT SO!  Because that is exactly the setting for our opening scene, which takes place in an old dirty barn, that probably smells like horse poop, in a small town in Pennsylvania, one year ago.  This is where we meet the girls for the first time. 

First up is Aria (Lucy Hale), who we KNOW is supposed to be the “loner bad girl” because she wears black and has (gasp) a pink stripe in her hair.  Then there’s Spencer (Troian Bellisario), who is obviously the “smart girl,” because she wears argyle sweaters.  Third, is Emily (Shay Mitchell), a.k.a the jock.  She’s gotta be the jock, right?   Because what other high school girl would wear SNEAKERS to a dirty barn party!  Finally, there is Hanna (Ashley Benson), who we instantly realize is the “fat dorky girl who is about to become thin and popular” because she wears . . . wait for it . . . baggy t-shirts and hoodies.

The girls are chatting away when they hear A NOISE!

But when they go to investigate, it ends up only being the soon-to-be-dead, Alli (Sasha Pieterse).  At least initially, Alli is provided with very few defining qualities, aside from being kind of mean.  She also has a habit of saying weirdly foreshadowing things that no human being would ever actually utter in real conversation.  Here’s an example: “It’s important to share secrets.  It keeps us close.”  

Yeah, whatever, girlfriend!  Your days are numbered . . .

Later that night, the girls are asleep on the dung covered barn floor (still in their dress clothes and shoes, of course — too poor to buy PJs and slippers, I guess?), when one of them wakes up and realizes that two of them are missing: soon-to-be-dead Alli, and “smart” Spencer.  Spencer comes back, looking really creepy, and says that Alli is GONE! 

And no one suspected this Spencer chick of any wrongdoing, why, exactly?  Oh, that’s right .  . . “smart girls” who wear argyle CAN’T POSSIBLY be killers . . . How foolish of me to forget.

Sex in a Fetid Public Bathroom is HOT!  (But doing it with your teacher is not . . .)

One year later, “bad girl” Aria is back from a year long stint in Iceland . . .  And she’s DIFFERENT!  Apparently, her year in Europe scared that pink stripe right out of her hair.  And now, she doesn’t wear BLACK anymore.  She wears PURPLE!  Clearly, this is a changed woman . . . 

Based on a stilted and awkward “we needed to include this scene, in order to give you information” chat she has with her mother, we also learn that Aria and the other girls drifted apart after the “Alli Incident.”

Speaking of “chats,” when Aria leaves the house, she has a creepy conversation with her dad about promising to keep his “secret.”  And if this wasn’t ABC Family, I’d be really worried about the implications of that awful-sounding statement.  But it is ABC Family . . .  so I’m not terribly concerned.

After dropping her little brother off at Lacrosse practice, Aria heads to a local bar to pick up a cheeseburger.  While there, she meets Ezra (Ian Harding), a recent college grad who just got a teaching job in town.  Ezra has bland, goofy good looks, bad hair, and an ineffectual, almost effeminate, quality about him.  He also “woos” Aria with cheesy lines like, “If you write for yourself, it’s true passion.” 

In short, Ezra is Hugh Grant in every movie he has EVER been in . . .  except Bridget Jones’ Diary.

Not wanting Ezra to know she is jailbait, Aria, without exactly lying, subtly allows Ezra to believe that she is in college.  After chatting for about a minute, these two start boning in a nasty unisex bathroom, right there in the bar.

Way to stay classy, former Goth Girl!

Wouldn’t you have loved to see the exchange that led to this?  Here’s how I think it probably went:

Ezra:  “Hey .  . . I hear the bathroom here is INSANELY CLEAN.  Wanna check it out?”

Aria:  “Actually, I don’t really have to pee.”

Ezra:  (Tries to wink, but can’t, and ends up looking like he is having a seizure.) “Neither do I.”

The next day at school, in a scene that surprised precisely NO ONE, we learn that Ezra is Mr. Fitz (Could the dude HAVE a geekier name?), Aria’s English teacher.  “Brilliant” college grad that he is, Mr. Fitz responds to this revelation by saying “Oh Crap!” 

He does so loudly, and in front of the entire class.  Clearly, this guy WANTS to be arrested for statutory rape.  As if being called out for boning the English teacher wasn’t enough, Aria’s phone rings loudly to inform her she has text message.  (Ever heard of the “vibrate” function, Aria?”)  This is the message she receives . . .

So much for her dad’s “Big Secret.”  Aria instantly suspects the “A” who sent the message is Dead Alli.  (Hmmmmmm, how much do you think texting minutes cost in Heaven?  Because, I’m willing to bet they aren’t cheap . . .)  Through a flashback, we learn that Aria and Alli were running away from a dorky girl at school named Mona, when they came across Aria’s dad making out with one of his young students in his car. 

Speaking of making out with your students, Aria approaches Ezra and tells him she still wants to be his permanent f*ck buddy.  Statutory rape regulations BE DAMNED!  Ezra responds by making this speech about what an amazing girl she is, and how much she means to him.  (Am I missing something?  Because from what I saw, all these two did was make out in a bathroom.  We’re not exactly talking Romeo and Juliet here . . .) 

 Anyway, despite his “undying love” for the youngun, Ezra breaks it off with Aria.  Ever the idealist, Mr. Fitz truly believes that one day he will find an 18-year old, someone who, unlike Aria, he can screw in the potty, without fear of repercussion.  Aria is crushed . . . especially since she probably caught a bad case of hepatitus from that toilet seat . . .

Aw Man!  My Mom Never Screwed a Cop for Me!

Next up on this “Where Are They Now?  Dead Alli Reunion Special” is Hanna, who we find shopping (or rather shoplifting) at the mall with fellow former dork, Mona.  We know that Hanna is thin and popular now, because she wears tight tops, and “mean girl” music plays virtually every time she is on screen.  After flirting with the customer service guy, Hanna quickly exits the mall with an expensive pair of sunglasses she totally didn’t pay for. 

Later, while Hanna and her mom are eating dinner alone together. (Daddy apparently skipped town, probably after watching Mommy “act” in the New Melrose Place.  Can you really blame him?)  Their discussion is interrupted by a visit from the Shoplifting Police. (Oh I’m serious!)  They are here to arrest Hanna for taking those darn sunglasses.

At the police station, while Hanna’s mom is trying to talk her daughter out of trouble, Hanna, like Aria, receives a “mysterious” phone message from the “mysterious A.”

Very clever A!  But I was kind of hoping for a “don’t drop the soap” joke  . . .

Finally, Hanna and her mom are allowed to leave the police station.  While in the car, Bad Mommy tells Hanna how important it is not to do anything to jeopardize her newfound popularity.  She instructs Hanna to deny the shoplifting allegations. 

Later at home, while Hanna is watching TV and eating ice cream, Bad Mommy stumbles in, making out with none other than the Chief of the Shoplifting Police!  The two start going at it, RIGHT IN FRONT OF HANNA!  To make matters worse, Bad Mommy, looks RIGHT AT Hanna, while she is making out with Sheriff D-bag, just before taking him upstairs to bone him.  EWWWWW! 

So, it looks like Laura Leighton will be playing a Crazy Slutty B*tch on this show.  Thank goodness, she doesn’t have to worry about being typecast.

Les-be Friends!

Someone new is moving into Dead Alli’s house.  Apparently, that family is Amish, and doesn’t watch television.  Otherwise, I hope they bought the place dirt cheap.  After all, unsolved disappearance/ murder locations are not exactly top sellers in the real estate market.  When Jock Emily brings a “welcome basket” over to the new neighbors, she meets Maya (Bianca Lawson), a girl around Emily’s age. 

Maya is obviously supposed to be a teenager.  However she looks, talks, and acts, like the star of a gay porno loosely based on that old 70’s movie, Jackie Brown . . .

Everything Maya says to Emily is followed by an exaggerated wink and suggestive nod.  Her dialogue is laced with a series of bad puns and sexual innunedos that would make Samantha from Sex and the City proud.  Here are some of my favorites:

“Oh, I bet your a great swimmer.  You TOTALLY have the body for it.”

“I just really want to get to KNOW you better.”

“I’m corrupting you!”

“Is this your first time?”

Maya conveniently has a picture of her “boyfriend back home” in her bedroom.  But the dude has “beard” written all over him.  They don’t actually show the guy’s face, but I bet if you zoom in, you will find out that it’s someone like THIS GUY . . .

I’m talking about the openly gay Kurt from Glee, in case you missed it . . .

While walking home from school one day, Maya and Emily decide to make out.  Later, at school, Emily gets a letter in her locker from A, who, apparently, blew all her Heaven cell phone minutes, and now needs to resort to more inexpensive methods of communication . . .

My Sister’s Creeper . . .

Back in Uptight Over-Achieving Land, Spencer is basking in the glory of her new cottage, which she decorated herself and plans to move into during her junior year.  Unfortunately for Spencer, Crazy Nanny Carrie her older sister has other plans.  Her and her fiance are waiting for their own place in the city to be finished.  Meanwhile, THEY will be moving into the cottage. 

Crazy Nanny Carrie Spencer’s sister can really care less about what this does to Spencer.  However, her boyfriend, Wren (Julian Morris), is more sympathetic.  We know these two are going to connect, instantly, because they both  share a love of argyle.  It’s a match made in Heaven!  Too bad Crazy Nanny Carrie Big Sis is in the way . . .

If Ezra is Hugh Grant from every movie OTHER THAN Bridget Jones Diary, Wren is Hugh Grant FROM Bridget Jones Diary.

In fact, Ezra and Wren look SO MUCH alike, I almost couldn’t tell them apart.  While his fiance is away, Charming and Cute, But Super Sleazy Wren hits on Spencer shamelessly.  My favorite exchange between them is when they are both in their swimwear, and Spencer pulls out the oldest guy-getting trick in the book, by faking a sudden neck injury.  

Fortunately, Shirtless Ezra has come to the RESCUE!  After all, he is a future med student.  And EVERYBODY knows that sexy pornographic massages are the first thing you learn how to do in medical school . . .

Later, Spencer is up in her room “fantasizing” about Wren, when she gets an e-mail from the highly prolific “A.”

In a flashback, we learn that this isn’t the first time Spencer has made a play for one of her sister’s men.  She also apparently got down and dirty with Crazy Nanny Carrie’s (See, I didn’t even bother crossing it out this time.) last boyfriend, who, interestingly enough, bore a striking resemblance to both Ezra and Wren. 

OK . . . now this is getting weird .  . . Is there some sort of unwritten rule in this town that EVERY guy who lives there HAS to look like a young Hugh Grant?

The Body, The “Jenna Thing,” and the Return of the Shoplifting Police

Toward the end of the pilot, Alli’s body is magically found.  Horrified and frightened, the girls admit to one another, that they have each received messages from A, the Most Chatty Dead Girl Ever!  Later, at Alli’s funeral, the four former friends sit together at the front of the church.  They share looks of horror when JENNA– star of the mysterious “Jenna Thing” the foursome have been ominously referring to throughout the hour — arrives to attend the funeral.

Apparently, Jenna is blind.  How did she become that way?  Did the girls do something to bring about her blindness?  Did she simply watch too many episodes of the New (now cancelled) Melrose Place?  Here’s hoping they don’t cancel this show, before we can find out . . .

After the ceremony, the girls are confronted by none other than the Chief of the Shoplifting Police!  I was about to remark that it is highly inappropriate to discuss contraband designer sunglasses at a FUNERAL.  However, apparently, that wasn’t the reason for the Chief’s visit.  

It seems that when Chiefy is not making out with slutty mommies, or taking teens to the slammer, for failing to pay for chewing gum at the local 7-Eleven, he likes to solve murders!  And he plans on solving Alli’s murder!  Be afraid, girls!  Be very afraid!

So, what did you all think of Pretty Little Liars?  Did anyone actually watch it, besides me?  If so, are you planning to watch it again?  Or was this just a one night stand?

(Pretty Little Liars airs Tuesdays at 8pm on ABC Family.)

Separating the Men (and the Women) from the Babies – A Recap of Grey’s Anatomy’s “Hook Line and Sinner”

This week’s installment of Grey’s Anatomy was all about making choices.  The episode also featured a lot of “baby talk” . . .

  . . . and not nearly enough shirtlessness and/or sex for my taste . . .

A Shirtless Justin Chambers is a TERRIBLE thing to waste!

As is a Shirtless Jesse Williams, for that matter!

What choices did our characters make this week?  Let’s analyze, shall we?

To Grandpa, or Not to Grandpa . . .

In the past, Mark Sloan has been known throughout Seattle Grace as the Resident Man Child, a walking Mid-Life Crisis in Scrubs, if you will.  The moments he wasn’t in the operating room (and, let’s face it, we almost NEVER see this guy operate), Mark could typically be found trolling for women . . . .

 . . . making sexually suggestive (and slightly creepy) comments to anyone who would listen,

“Hey baby, did I ever tell you about the big yacht I own?  It’s IN MY PANTS!”

 . . . and starring in sex tapes with actresses and call girls . . .

(Oh, wait . . . that last one only happened in REAL life)

However, lately, viewers have begun to notice a “softer side” of Mark Sloan.  During the last few episodes, Mark has been toying with the idea of settling  into a serious relationship, and starting a family.  This idea was first brought to the forefront a few episodes back, when Mark’s long lost 18-year old daughter, who he heretofore never knew existed, arrived on the scene and announced she was pregnant.

Mark and his daughter (Little Sloan) had previously discussed Mark raising his grandchild on his daughter’s behalf.  However, Little Sloan got cold feet, and decided to put the baby up for adoption.  In the opening scenes of this episode, Little Sloan arrives on Mark’s doorstep about to give birth.   Fortunately for Little Sloan, Mark lives in Doctor Central.   So, she didn’t even need to go to the hospital to deliver her baby.   Dr. Teddy Altman . . .

 . . . (who Sloan just so happened to be screwing, while his daughter’s water was breaking all over his Welcome Mat), delivered the child, with nothing more than a pair of scissors and a bunch of towels.  Once the baby was born, a highly hormonal Little Sloan began to have second thoughts about giving it up for adoption. 

And despite the fact that Little Sloan had Bad Mommy written all over her (Her idea of “baby gifts” was a messy purse filled with enough lame dollar store doodads to LITERALLY choke a baby!  These “bite-sized” toys might as well have had “Swallow Me and Die” written on their surfaces), Big Sloan seemed to think it was a GREAT idea!  He was thrilled at the prospect of being able to have a grandchild in his life.  Fortunately, Arizona stepped in to show him the error of his ways. 

In a heart-wrenching scene, Mark is forced to hand the child over to his new adoptive parents.  Once it is all over, he and his daughter vow to remain a part of one another’s lives.  So, it seems as though Seattle Grace’s most immature resident may have FINALLY grown up.  (Oh, and did I mention that Little Sloan was significantly less annoying this week, than she has been in past episodes?)

Oh Baby or No Baby . . .

Speaking of Arizona . . .

 . . . she and Callie seemed to be having baby issues of their own this week, since Callie wants to have a child, and Arizona doesn’t.  Throughout the episode, Callie tried a number of tactics to get Arizona aboard the Baby Train.

First Callie tried guided imagery.  “Picture a beautiful baby,” she prodded.

“I’m picturing a trip to Spain, a glass of Sangria, and you in a bikini,” replied Arizona.  “Oh, wait.   We can’t go to Spain . . . or DRINK, because of the BABY!”

Callie then tried to psychoanalyze Arizona, patronizingly explaining to her that the real reason Arizona didn’t want a child was that she was afraid it would get sick and die, like Arizona’s own brother, or the babies she treats at the hospital each day.  Arizona is offended by Callie’s insinuations.  “I’m not broken.   . .  I just don’t want a child,” Arizona explains, before storming out of the room.

And even though the couple seemingly made up at the episode’s conclusion, I am not entirely sure that this is something they will be able to overcome, in the long term.

To Be a D-Bag, or NOT to be a D-Bag . . .

Remember all those times, when Seattle Grace was in financial trouble, and Derek self-righteously lectured Chief Webber on the importance of not letting the interests of money and prestige override the need for a comfortable work environment, where doctors can work together as a team?  Remember that “Back to School” episide, where Derek tried to demonstrate that Seattle Grace was, above all, a “teaching hospital”?  Well, it appears, that “power corrupts,” because the Derek of this week’s episode has completely turned his back on everything he once believed.

For what seemed like the umpteenth time in the past few seasons, ANOTHER “Cardio God” entered the hallowed halls of Seattle Grace.  And, once again, the typically tough-as-nails, Cristina Yang, turned into a puddle of sycophantic mush around him.  Karev was right when he said she treated well-renown doctors like trading cards . . .

Collect them all!

At least Cristina is not afraid to ADMIT her flaws.  (I loved when she called herself a Cardiothoracic Whore!)  This, unfortunately, is more than I can say for Derek . . . 

Apparently, Seattle Grace is still in need of a Head of Cardiologogy.  And while, Teddy, who has been performing the job on temporary contract, would seem to be the most likely choice for the job, the prospect of getting a bigger name (in this case, “Dr. Evans”) to fill the position, put dollar signs in McDreamy’s puppy dog eyes.

In Derek’s defense, a skittish Teddy was screwing up all over the place, this week, sneezing on patients and failing to recognize that they were suffering from sepsis, before operating on them.  And, yes, the DULL Dr. Evans did seem like a “good surgeon.”  However, he was a Crappy Teacher, forcing Cristina to sit on the sidelines and watch a surgery she had scrubbed in on, while he performed the entire thing on his own.  Not to mention that the absence of the well-liked Teddy would have certainly caused a good deal of upheaval amongst many of the doctors — most notably, Mark Sloan who she is currently screwing.  Under normal circumstances, a doctor’s popularity and good teaching skills should not be the sole reasons for her getting a job.  However, for a Chief who got HIS job on a platform of “education and togetherness,” such reasons should certainly be persuasive ones.

Fortunately, for Teddy, she ultimately got to keep her job.  However, at the end of the episode, when Old Chief Webber makes a point to congratulate Shepherd on his decision to award loyalty over prestige, Derek defiantly admits that he had originally offered Dr. Evans the job, not Teddy.  However, Dr. Evans passed on it.  I’m not a fan of what “chiefing” is doing to Derek’s character  . . . Here’s hoping that Old Chief Webber resumes his post REALLY SOON!

“Sober up quick, Chief McBoozy!  We need YOU!”

To Threesome, or Not to Threesome . .  .

In other D-baggyish news, Owen came VERY close to cheating on Cristina, by almost making out with a vulnerable Teddy, in an admittedly sweet elevator scene.  Interestingly enough, THESE actions are NOT the ones with which I take issue.  After all, Owen ultimately DID NOT cheat (only because his pager went off . . . but still).  And, Owen and Teddy do have chemistry and a strong history together, so I can understand his moment of weakness. 

What I COULD NOT abide, was what Owen did NEXT.  In a highly uncharacteristic move, Cristina plays the Girlfriend Card with Owen, asking that he plead Teddy’s case to McDreamy, so she can keep her job.  Owen AGREES to do this.  However, once he gets inside the Chief’s office, he pleads DR. EVANS’s case instead, asserting that Teddy would be “just fine” if Derek didn’t choose her for the position.  One could argue that Owen truly believed that Dr. Evan was the “better man” for the job.  However, I think this had more to do with Owen’s own concerns that he won’t be strong enough to not make out with Teddy, the next time the two of them are stuck in an elevator . . .  And, if that ‘s the case, that seriously SUCKS for BOTH Teddy and Cristina!

To Grow Some Balls or NOT to Grow Some Balls . . .

In still MORE D-bag news, Alex treated his sort-of girlfriend Lexie like total crap this entire episode, berating her, making fun of her, and STEALING her surgeries.  When Lexie solves a medical mystery and ALMOST allows Alex to steal her thunder, it takes a tough love speech from Bailey (Doesn’t it always?), for Lexie to finally realize that she is being mistreated.  At the end of the episode, Lexie confronts Alex, by giving him a serious “I AM WOMAN, HEAR ME ROAR” – type talking to. 

Alex seems impressed.  He even gives Lexie a beer.  And you KNOW how boys hate parting with their beer.  But was it too little, to late?

Finally, in Bat-Sh&t Crazy News . . .

 . . . April continued to awkwardly fawn over the married Dr. Shepherd, much like the creepy school girl she played in that Glee episode a few months back . . .

I LOVED how Dr. Avery, a.k.a. Dr. Hotness . . .

 . . . totally called her out on her freak show behavior, not to mention skewered her with a few spot on impersonations.  “Oh, Chief Shepherd, you can spank me if I’m wrong. And I DO hope I’m wrong!”  He mimicked.

(Could somebody in the writing staff PLEASE give the funny and adorably sexy Jesse Williams more to do on this show?  A storyline?  A relationship?  A surgery?  ANYTHING AT ALL?  Need I remind you what he looks like with his shirt off?)

Anyway, methinks the slow boil of Bat Sh&t Crazy April is about to bubble over REALLY soon.  So, Derek should definitely hide his meat cleavers  . . .

 . . . and his BUNNIES . . .

 . . . both in the literal AND the metaphoric sense.  You can spank me if I’m wrong.  And I DO hope I’m wrong . . .

 

 

 

 

The Ick Factor – A Recap of Big Love’s Season Finale “End of Days”

I had mixed feelings about tonight’s Big Love season finale.  On one hand, it was certainly eventful.  There were a lot of twists and turns during this episode that I didn’t see coming.  Plus, a lot of questions that had been left unanswered throughout the series were finally resolved, although not necessarily for the better (cough, Tommy and Barb, cough). 

On the other hand, watching “End of Days” was a highly unpleasant experience for me.  A lot of the scenes and plot points were just plain uncomfortable to watch.  When you’ve come to know and care about characters during the course of four seasons, as I have with the Big Love cast, there are some situations you just don’t want to see them in.  The episode’s game-changer ending will definitely send the show in an entirely new direction next season.  I am just not entirely sure that I like where it is going . . .

So, let’s take a look at where we are going, and where we have been, shall we?

Ding. Dong, J.J.’s Dead!

“I’m MELTING!  I’m MELTING!”

One of the questions that was resolved during the season finale was what the heck J.J. was doing to get everybody pregnant.  In fact, the J.J. storyline was entirely resolved, because awesome Adaleen set his house on fire, burning that crazy mother-f’er and his wife to a crisp in the process.  So, the prospect of J.J. returning to Juniper Creek is highly unlikely.  Unless, of course, he comes back from the dead all burned and disfigured a la Freddy Krueger, which I wouldn’t put past him.  (They both have that “terrorizing children” thing in common, after all . . .)

“I will haunt your dreams, and force you to carry my creepily deformed babies to term.”

When news breaks that the polygamist compound in Kansas is rife with inbred babies, all signs point to J.J.’s involvement, seeing as he runs things down there.  Wanda comes out of her catatonic state long enough to admit that J.J. has inseminated Adaleen with Wanda’s egg (and his own sperm) in order to impregnate her.  Wanda just so happens to be J.J.’s biological sister  . . .

J.J. then tricks the infertile Nikki into coming to his “doctor” son’s office, in order to impregnate her with an egg belonging to Cara Lynn, Nikki’s own daughter with J.J.  I don’t even want to KNOW how he got that egg!

Fortunately, Bill finds Nikki just in time, and rescues her from the clutches of the evil creepy J.J.  Then Adaleen ties J.J. and his wife up, douses their home with gasoline, and watches it go KABOOM!  Who knew drippy weak-willed Adaleen Grant would turn out to be such a . . .

“Come to think of it, Mary Kay Place could totally pass for an older version of Drew Barrymore.  Don’t you think?”

At the conclusion of the episode, Nikki cuts her compound-style braid, and agrees to carry Margene’s non-incestually deformed baby to term for the Henricksons.  Ummm, yay . . . I guess?

Margene, Goran, and Anna sitting in a tree . . .

“Come and knock on our door.  We’ll be waiting for YOU!  When the kisses are HERS, and HERS, and HIS, Three’s Company Too!”

Margene’s storyline this evening would have fit really well into a swinging 70’s era sitcom.  For the past few episodes, Margene has been waffling back and forth between her marriage to Barb, Nikki, and Bill, which will result in the inevitable loss of her jewlery business, and her greencard marriage to Goran.  When she talks to Anna about it, Margene confesses that she feels guilty about marrying Goran, because she is attracted to him.  This attraction makes her feel like a Big Ho-Bag, seeing as Goran is actually in a (committed?) relationship with Anna.   

Huh?  Where did this “love interest” come from?  There was no evidence of Margene’s “attraction” to Goran throughout the entire season.  The guy seductively grabs her knee once, and all the sudden she’s in love with him?  Wasn’t it only a few episodes ago that she was talking about her romantic feelings for Ben?  It just plain didn’t make sense to me . . .

Weirder still was Anna’s response to Margene’s confession.  She was totally cool with it.  Anna told Margene that she already knew that Goran and Margene had feelings for one another.  So, why couldn’t the three of them just be happy together?  Is this the same Anna who, just last week, lectured Bill about his hypocritical one man-for-many women ways?  Truthfully, I always sensed a bit of a lesbian subtext between Margene and Anna.  However, both characters’ actions during this episode seemed inconsistent and unrealistic to me. 

“Just imagine all the hijinks we can get into now!  Wait until we tell Mr. Roper!”

At the conclusion of this storyline, Goran is seen happily hugging Anna and Margene, while fondling both of their asses.  Somewhere up in heaven, Jack Tripper is raising his fist in triumph  . . .

“Goran, I salute you!”

Barb and Tommy are Splitsville . . . But what about Barb and Bill?

“I’m going to miss you, and your sexy sweat lodge too!”

I had high hopes for Barb and Tommy at the opening of this episode.  She adorably mothered him, by trying to get him to eat a healthy and well-balanced meal, after a stressful day.  He confided in her about his family troubles (apparently, Tommy has some bad seed drug dealers in his family).  Together, they worried about how Tommy’s screwed up family history may adversely affect the casino.  Barb then vowed to help Tommy, promising him that he wouldn’t have to go through this alone.  They shared plenty of longing looks, and another sexy hug . . .

Then Bill had to go and screw everything up!

Well, in Bill’s defense, Barb made quite a mess of things herself, by offering the results of Anna’s paternity test, which showed that Bill was the father of her illegitimate child, to a local news network.  Barb did this in hopes that doing so would keep Bill from winning the Senate seat that has been slowly tearing their family apart.  Then, ostensibly, Bill ratted out and fired Tom and Jerry from the casino, to save face.  However, I thought the move had “revenge against Barb” written all over it. 

“Wow, this just occurred to me . . . probably because I never remembered the Jerry-character’s name.  Why the heck did the writers choose names like these for a pair of characters that would constantly be discussed in the series together, and in this exact order?  Seriously!”

Barb apparently thought Bill made a dick move too.  And when she FINALLY stuck up for herself, and told Bill, “I don’t think I need you anymore,” I cheered for her. 

“You go girl!”

But will she have the guts to leave him now that he is a State Senator?  Only time will tell . . .

Don, Don, Don, Don DONNNNNNN!

Yeah, this wasn’t a big part of the show at all.  I was just happy to see my favorite sidekick, Don, back on Big Love for the finale, even if it was just to kiss Bill’s ass again.  Despite the fact that Big Boss Man ruined Don’s life and turned his kid into a juvenile delinquent (who throws rocks through people’s windows) Don still showed up to watch Bill make his State Senate acceptance speech, and actually seemed HAPPY when Bill won . . .

Build for Bill (more like Demolish for Bill)

Meet Bill Henrickson, the family values Senator from Utah, and his family (Not pictured: illegitamate child, fourth wife, and illegal alien second husband)

Perhaps the most cringeworthy moment of the entire episode came at its conclusion, when Bill won the State Senate seat, and came out as a polygamist. As a bunch of his former supporters stormed out in anger, Bill made matters worse, by calling each of his wives up to the podium with him, singlehandedly destroying their lives along with his own.  Although the foursome held hands together at the conclusion of the speech, in a show of solidarity, each wife looked like she would rather be pulled apart by two horses running in opposite directions, than be there with Bill.

And that was it for this season.  So, what did you think of the finale?  Are you excited for a Season 5 that  revolves around Bill as a polygamist Senator?  Are you hoping that Barb leaves Bill’s ass for Tom (and Jerry)?  Are you hoping Margene leaves Bill’s ass for Anna and Goran?  Were you as happy to see Don as I was?  Were you as happy to see Marilyn and J.J. GO as I was?

 

All Work and No Play (Well, Maybe Some Play . . .) – A Grey’s Anatomy Recap

                So, I was all set to do this recap, when it occurred to me that I didn’t know what this episode was called.  The TV.com Episode Guide actually lists Thursday’s Grey’s Anatomy episode title as “I Like You So Much Better When You’re Naked.”  Seriously?   Is that not the longest episode title you have ever seen?  Even if you boil it down to its initials (as recappers and fangirls tend to do), it is reduced merely to the highly unwieldy ILYSMBWYN.

             And yet, the title, untenable as it may be, pretty accurately describes how I generally feel about Grey’s Anatomy.  Because, honestly, who really watches Grey’s for the medical stuff?  We used to have ER for that.  Now, I guess we have that Mercy show . . .

            If I had my druthers, McDreamy and Karev would be out of their scrubs way more often than in them.  That being said, I was genuinely surprised at how much I enjoyed this installment of Grey’s Anatomy, particularly seeing as it contained virtually no nudity at all, and focused almost entirely on the career ambitions of our main characters.  Apparently, even though we, as fans, don’t give two poos about the Seattle Grace staff’s prowess as doctors, they care a heck of a lot . . .

           Here’s my take on what happened  . . .

Chicken pox = foreplay

                Our favorite lesbian medical practitioners, Arizona and Callie, are getting jiggy in the on-call room (one of the episode’s few opportunities to illustrate the obligatory “naked”ness of the series) when Arizona discovers a round boil on Callie’s body and instantly diagnoses her as having the chicken pox.  Apparently, when Callie was a little girl, her daddy was much too busy (doing whatever it is super rich hotel magnates do) to allow his little girl to play with “chicken pox kids” so that she could contract the illness at a younger, significantly more convenient, age.

             Arizona, who claims to also never have had the chicken pox (And here I thought that exposure to “the pox” was a prerequisite for becoming a pediatrician), literally avoids Callie like the plague, commandeering Lexie to be her caretaker.  Lexie and Mark take turns caring for Callie.  And by “caring,” I mean talking her ear off about how each of them cheated on their relationship but do not want to tell one another about their respective indiscretions. Later in the episode, Arizona and Lexie watch as Mark gives the Itchy Callie a much-needed (and very sexy, especially for a platonic duo) back rub.

            Clearly turned on by all that “rubbing,” Arizona confesses to Lexie that she actually has had the chicken pox before (so, maybe I was right, after all, about the whole “prerequisite” thing).  However, she lied about it, because she feared that caring for Callie while she was pox-covered would somehow make their relationship “less sexy.”  Ummm . . .  really?  Now, I would find this remark shallow coming from any human being, but particularly a person who has chosen a career in the healthcare industry.  Ultimately, Arizona crawls into bed with the Poxy Callie, confident that her relationship can stay “sexy,” ugly chicken pimples and all. 

                  While I was happy that the two reconciled, I have to say, I was a little pissed that Arizona never admitted to Callie that she had already been exposed to the pox.  Instead, Arizona “bravely” told Callie she “didn’t care” if “she got chicken pox” from her lover.  So, now, Callie thinks Arizona is a selfless and altruistic human being, as opposed to the self-absorbed airhead biatch she has just proven herself to be . . .

McSteamy = McHypocrite

            Speaking of self-absorbed airhead biatches, Mark proved himself to be one as well during this episode.  Throughout most of the show, Mark waxed poetic about loving Lexie sooo much and feeling soooo guilty over his indiscretion with former fling Addison last week.  He just “got caught up” in the emotion of it all and “couldn’t control himself.” (Riiiight.  Because, nothing says “aphrodisiac” like an unborn grandbaby suffering amniotic band syndrome and a long-lost daughter suffering from medical and emotional trauma, as a result.)  Seeing as Lexie appeared to feel equally guilty about her roll in the hay with the married Karev, and seemed to be equally in love with Mark, I really thought these two crazy kids could act like adults, and work it out.

            I was only half right.  When Mark admitted his fling to Lexie, she was understanding, and even a bit relieved.  “Now, we are even,” she explained, as she copped to doing the nasty with Karev.  Mark, on the other hand — a guy who is best known for cheating with his best friend’s wife — chose this moment as an opportunity to suddenly become completely judgmental and self-righteous. 

               Mark was appalled that Lexie could even think of cheating on him.  After all, all he did was tell her that he would choose his virtual stranger daughter over her any day, before fleeing the state and flying cross country to screw a former fling.  “I can’t even look at you now,” he seethed piously, as he stalked off, leaving Lexie alone to ponder her own misdeeds.

Izzie and Alex are Dunzo . . . for now.

            Lexie and Mark weren’t the only pair to call it quits this week.  At the opening of the episode, Karev wakes up in bed after an amorous night with Lexie, only to find that his prodigal wife, Izzie, has returned.  Having pretty much freaked out (understandably, to some extent), following her near-terminal brush with brain cancer and subsequent firing, Izzie seemed to be in a much better place than we had seen from her in a long time. 

                  The long-MIA doc was optimistic about taking on a new job opportunity at a hospital in nearby Tacoma (even if, as Derek snobbily mentioned, the hospital did not make it into the coveted Top Twenty ranking).  Additionally, she was thrilled about her newly clean bill of health, and actually seemed excited to rekindle her relationship with her husband ,Alex.  Izzie was even understanding of Alex’s indiscretion with Lexie, explaining to him that the two of them would work through this bump in the road together.

               Unfortunately, for Izzie, Alex wasn’t having any of it.  In what was likely the most heartfelt and, yet most backhanded, compliment ever, Alex explains to Izzie that he loves her, because she helped him to realize that he was a “good person.”  However, now that Alex knows he is a “good person,” he has decided that he is too good for Izzie.  And so, he hopes that she will leave and never come back . . . but she should be happy about it, of course.

              Although Meredith begs her to stay (for specific reasons that I will detail in just a bit), a heartbroken Izzie packs her bags and leaves Seattle . . . for good?

“That’s Chief McDreamy, to You!”

            Surprisingly, Meredith, typically the darkest and twistiest of them all, seems fairly happy and well-adjusted throughout most of this episode.  When Derek informs Meredith that he wants to go to the Medical Board and rat out Chief Drunky McDrunkerson for falling off the wagon, Meredith begs him not to do so.  She does this by adorably evoking the “Post It” Marriage that binds the couple together forever (hopefully). 

              Initially, Derek bows to the all-powerful Post-It.  However, when Chief fails to appear at an important and complex surgery (after Derek has confronted him by “subtly” placing a bottle of booze on his desk) Derek becomes more determined than ever to throw Chief Boozer under the buss, for the good of the hospital.  Of course, the fact that Derek would be made acting Chief of Staff in Chief Webber’s absence doesn’t hurt either.

            When Derek informs Meredith that his first action as Chief would be to hire back the wrongly terminated Izzie (see “reasons for staying” above), Meredith relinquishes her Post-It ultimatum on her friend’s behalf.  At the conclusion of the episode, a drunken, passed-out, Chief is unceremoniously demoted.  And so, Chief McDreamy begins his rise to the Seattle Grace throne  . . .

Owen makes a choice on Christina’s Behalf

            Once again, Owen and Christina showcased what was, in my humble opinion, the best plotline of the evening.  As you might recall, at the conclusion of last week’s episode, Christina had impulsively offered Owen up to Cardio God Terry in exchange for her staying at Seattle Grace as Christina’s mentor.  Teddy, still very much in love with Owen, refused to let Christina forget her not-so-tactful statement.  The more-experienced, but less lucky-in-love Doc proceeded to lord Christina’s words over her head, giving her the cold shoulder through most of the episode.

            This caused the normally cold Christina to grow unusually introspective.  At lunchtime, she interrogated the rest of the Seattle Grace crew, hoping for least one of them to admit that they were more passionate about surgery than their respective relationships.  “This is what you guys talk about during lunch?”  The New Hot Doc inquired incredulously.  (Sorry, buddy, you may be pretty to look at, but you are way too mature and, let’s face it, normal, to hang out with this bunch of crazies . . .)

            Ultimately, Christina finds the justification she is looking for, not in her friends, but in a patient of hers.  She commiserates deeply with a rather obnoxious opera singer with a tumor on his throat, who would rather die than lose his precious voice, even if dying would bring about an untimely end to his relationship with his doting gay lover.  Teddy, although she staunchly refuses to admit it, seems to commiserate with the ass-like patient as well, opting to remove his tumor in such a way that his voice is saved, even though doing so will create a riskier road ahead for the opera singer.

            In the last few minutes of the episode, Teddy gets plastered, and uses that as an opportunity to spill the beans to Owen about Christina’s insensitive earlier statement.  I immediately became concerned that Owen would do the “typical guy thing” and become all hurt and wounded over the remark, possibly getting drunk and sleeping with Teddy out of a pure need for revenge against Christina.  (After all, that’s most likely what I would do, in a situation like this . . .)

            Fortunately, Owen is clearly a better man than I am a woman.  Instead of shunning Christina, upon confronting his medicine-obsessed girlfriend, he grabs her and kisses her passionately, ”People do matter. I matter.  We matter. You don’t get to toss me aside. I won’t let you,” Owen insists resolutely.  And at that moment, the entire female population of Grey’s Anatomy fans’, myself included, allowed their panties to drop to the floor . . . .

            And that, my friends, is the reason why I continue to watch this show . . .