Once Upon a Time’s Recent Reconstructive Surgery Will Render It Nearly Unrecognizable In Season 7, But It’s Far From the First Show to Go Under the Knife

(soon to be cross-posted at Agony Booth.com)

After her memorable portrayal of the earnest and refreshingly relatable Baby Houseman in the original Dirty Dancing (not to be confused with the atrocious remake that will appear on ABC this week), actress Jennifer Grey seemed destined for a long and glorious Hollywood career. And then she went and got a nose job.

Though her talent agents undoubtedly praised her new appearance as being more in line with the American Beauty Standards of the day, Grey and her new nose no longer resembled the strong-willed teen that nobody was allowed to “put in a corner.” The surgery nearly ended her career. And though the actress does occasionally appear on TV and film (most recently as the real estate agent mother of the main character in the Amazon series Red Oaks), one can’t help but wonder what might have been had she refused Hollywood pressure to go under the knife.

Television series are a bit like Jennifer Grey’s face, I think. Over time, they are naturally going to age, and evolve as seasons pass. But if they change too much, or too quickly, from what made fans like them in the first place, those changes will undoubtedly result in the series’ demise.

This past week, in a two-hour season finale that I wasn’t able to timely recap because I was overseas, Once Upon a Time closed the storybook on its sixth season. It was an episode that could have functioned as a series finale, had the show not been picked up for a seventh season. Emma Swan, the series’ main protagonist, fulfilled the Prophecy of Saviors by sacrificing her own life to protect goodness against evil, only to have her life restored at the last minute by the ever-abused Plot Band-Aid that is “True Love’s Kiss.” Rumple, the series’ on again, off again (but mostly on again) peripheral baddie, took grand steps toward redemption by killing his own mother, the Black Fairy, who also so happened to be the Big Bad of the Season. In doing so, Rumple (1) broke the curse that his Mommy placed on the town, (2) reunited with the love of his life, the much put-upon and criminally underutilized character, Belle, and (3) got a second chance to raise his son Gideon, who was conveniently reverted from troubled 28-year old man with a perma-scowl to baby boy following the final battle.

The show even went as far as to add a series-ending-esque musical montage epilogue to the finale, which depicted each of the main characters experiencing their so-called happy ending, by returning to their respective loved ones and resuming “business as usual” in the much-abused town of Storybrooke.

Had Once Upon a Time ended with its sixth season, it would have been a respectable run for the series, by any stretch of the imagination. At 133 episodes (22 to 23 per season, which is almost unheard of in this current culture of “sexy” 9-to-10 episode truncated season runs), Once boasts 12 more episodes than the uber successful and generally beloved (except for maybe it’s series finale) Lost, another ABC series that coincidentally featured the same writing team as Once.

The series is also well over the “age limit” generally required for syndication (four seasons). This means that, after Once ends, it’s pretty much guaranteed a second life in reruns and re-airings, both in the U.S. and overseas.

Up until a few weeks ago, at least, a sixth season run seemed precisely where Once Upon a Time was headed. This seemed particularly true, in the wake of news that nearly three-quarters of the original cast (most notably, Jennifer Morrison who plays main protagonist Emma, and series stars Josh Dallas and Ginnifer Goodwin, who play Prince Charming and Snow White, respectively) would not be returning to the show for future seasons. In addition to a truncated cast, the show was also struggling HARD in the ratings department. Having garnered a respectable average of around 11 million viewers per episode in its first season, by its sixth, the show was averaging less than 3 million. To add insult to injury, ABC had recently announced plans to move the series from its six-year home on Sunday nights to the dreaded Friday night death slot.

That’s right, Emma. Drink away the pain!

And yet, despite all this, the Once Upon a Time was renewed, and its showrunners decided to continue the saga for an unlikely seventh season. With virtually none of its original cast returning, the showrunners decided to pitch the season as a reboot of sorts. The plot would now focus on Emma’s son, Henry Mills (now grown, and played, understandably, by an older, and much more attractive, actor) and his scrappy daughter.

Puberty has been REALLY kind to you, Henry!

Cast veterans Lana Parilla (who plays the Evil Queen), Collin O’Donohue (who plays Captain Hook), and Robert Carlyle (who plays Rumplestiltskin) would reportedly continue on with the series, though their role in this restructured show, at least, at this point, is uncertain.

It wouldn’t be the first time that a long running show was forced to shift gears in later seasons, as a result of cast member departures and/or flagging ratings. Medical drama ER (which lasted on air for a whopping 15 seasons), and its contemporary Hot Doc Show, Grey’s Anatomy (still going strong after an impressive 13 seasons) have both made a point of casually introducing new cast members each season by cycling through classes of medical interns. This is a clever way for a show to test out the likability of new cast members on a smaller scale, and, if they pass the ratings test, gradually increasing their roles on the series, so that they can eventually take the place of primary cast members, should they eventually decide to depart from the series. To date, only four of the original Grey’s Anatomy cast members still remain on the show.

Perhaps, no series has been more successful at cycling through cast members than the Canadian high school drama, Degrassi, which has been on air in some form since as early as 1982! Using a similar model to Greys and ER, Degrassi is known for introducing a new class of freshman students each year, and gradually shifting focus toward those students, as older characters graduate from high school, and the cast members who play them depart the show. In fact, Degrassi has been shuffling cast members for so long that some of its original cast members now play the middle-aged parents of characters who recently graduated from college, and subsequently were married to one another. And you know what that means . . . Degrassi Grandparents aren’t out of the realm of possibility in seasons to come.

Other series have been forced to make abrupt changes in their main cast lists, as a result of the sudden departures of series’ protagonists. Pitched as a family drama revolving around a father raising teenage daughters, and based on a book with the same name, 8 Simple Rules, had to switch some pretty serious gears after its first season, following the untimely death of John Ritter, who played the show’s patriarch. David Spade and James Garner were brought on for the show’s final two seasons as family members’ of the main characters.

Spin City a sitcom about the goings on in NYC local government lost its star Michael J. Fox after four seasons, as a result of the increased severity of his Parkinson’s disease. Fox was replaced by Charlie Sheen, who played a different character, naturally, for the series’ final two seasons.

Sheen went on to star alongside John Cryer on Two and a Half Men, which lasted for 12 seasons on air. Coincidentally, this time, it was Sheen’s turn to depart a successful series, as a result of his own misbehavior and issues with substance abuse, around season 8. Sheen was replaced by Ashton Kutcher, as a series co-lead. The latter’s tenure on the show lasted for four seasons, and ended only when the series was cancelled in 2015.

The aforementioned series are all shining examples of moderately to majorly successful cast member replacements. And it was these examples the showrunners’ of Once Upon a Time undoubtedly cited in the writers’ room, when they were pitching the idea of continuing their series without most of the original cast.

However, unlike all of these shows, Once has not had the opportunity to gradually introduce or test out its new leading cast members, Andrew J. West of The Walking Dead and Alison Fernandez of Jane the Virgin. (Though both characters were featured in the series finale, they had a combined screen time of less than five minutes.) And while three of the original cast members still plan to continue on with the series, in order to provide some consistency and appease loyal fans, the veterans’ chemistry with the new additions to the cast still remains a question mark, as the two new additions to the cast appeared in scenes only with one another during the finale.

Regina: “Who is the new hot guy with the little girl?” Emma: “I think that’s supposed to be our son and his kid.” Regina: “So, basically, in the last five seconds, I just learned I’m a grandparent at 40. I also inadvertently expressed attraction to my own child. So much to talk about in my next therapy session with Jiminey Cricket.”

Nonetheless, the showrunners of Once remain cautiously optimistic about the new direction in which the show is headed in its seventh season. “It’s like a new book. So, we’re starting with new stories. Although it’s going to have some of the people that we’ve loved for six years at the center of it, we are going to meet new people and new worlds,” Executive producer Adam Horowitz explained in a recent interview with Entertainment Weekly.

New people. New worlds. New time slot. New cast members. In fact, the series name will be just about the only thing Once Upon a Time will retain this fall from its first six seasons. But new and different doesn’t always mean better, as Jennifer Grey’s nose will most certainly confirm. And so Once Upon a Time has headed to hiatus, leaving fans with the greatest cliffhanger of all. Will this series will be able to survive its forced reconstructive surgery, and obtain it’s long awaited Happily Ever After in Syndication Land? Only time will tell . . .

TV Land in Fall 2012 – Why it’s getting LOST (in a good way)

“We have to go back!”

In the weeks between spring finale time, and the summer television season, TV fans tend to do one of two things: (1) reflect on seasons past or; (2) look ahead to the new season.  As for me, my intention in writing this post was to do the latter.  But I ended up doing quite a bit of the former, as well.

Allow me to explain.  You see, having recently watched all the new trailers from this years’ network upfronts, my original goal was to select the five new series with the most potential to end up on my new 2012/2013 TV roster, and review their trailers.  However, after I made my selections, it occurred to me that all of the series I chose shared one interesting commonality: Lost.

You guys remember Lost, right?  You know, the show about the plane crash, where the writers promised that the characters weren’t in Purgatory, until the last season, when it kind of / sort of turned out that was exactly where they were . . .

Why?   Personally, I think these shows failed because they focused too much on trying to emulate the crazy plot twists, erudite literary references,  and rampant conspiracy theories of the older series, while virtually ignoring the one thing that really made Lost shine .  . . its characters.  After all, before all the flashbacks, flash-sideways,  and flash forwards . . . before the polar bears, Hurley birds, and omniscient dogs . . . before there were Others, Dharma Initiatives, donkey wheels, hatches, and secret videos starring a guy with one arm . .  . Lost was simply about fourteen fascinating people, who just so happened to be flying on the same ill-fated plane.

As I mentioned earlier, all five of the news series on my Most Likely to Watch list all seem to possess certain qualities that make them seem particularly Lost-like.  (Well, actually four of them do.  But I’ll get to why I chose the fifth one, in a bit.)  The question is, will any of these series be able to pull off the unique mix of script, characters, plot, and mystery necessary to become TV’s Next Big Thing?

Let’s analyze, shall we?

666 Park Avenue – ABC

Clearly, the most obvious connection between 666 Park Avenue and Lost is this guy . . .

Terry O’Quinn . . . a.k.a John Locke.  In a clever  (and possibly slightly tongue-and-cheek) bit of casting “the producers of Gossip Girl and Pretty Little Liars” have opted to hire Oceanic Flight 815’s resident Man of Fate, Denizen of Destiny, and an eventual alter ego for The Black Smoke Monster / a.k.a. The Man in Black to play the Devil.  So now we know that at least one character on this show will be exceptionally well-acted.  But stunt casting alone is not enough to make for a successful show.

As for the concept of the series, intriguing as it is, it’s nothing new.  1997’s The Devil’s Advocate boasts a similar premise, in which the Devil takes Manhattan, and faces off against a similarly upwardly mobile late twenties to early-thirty something couple, by tempting them with riches, and only partially disclosing their true cost . . .

And yet in 1997 we weren’t reeling from a recession caused by the burst of a very large real estate bubble.  What better time to explore a television series in which the much maligned 1%ers actually ARE evil incarnate?  So, the series boasts not only a solid cast (Vanessa L. Williams also stars), but also a timely premise.  But there are other Lostian aspects this show offers, which could end up making it a success, if the writers handle them correctly.

Just like that “other show,” 666 Park Avenue offers an over-arching mystery, along with some tantalizing questions that, if producers play their cards right, viewers can chew over and discuss for seasons to come.  What exactly is the Devil doing in real estate?  What happened to the last managers of the Drake Apartments (I think most of us know the answer to that already.  “Warmer climates?”  HA!)  What’s the deal with the dragon etched on the basement floor?  And, perhaps, most importantly,  what are the HOA fees for living in a place like that?

But what’s really going to make or break 666 Park Avenue, I think, is its cast of characters.  Lost explored the lives and backstories of its various survivors with great sensitivity, and depth.  666 Park Avenue has the opportunity to do the same thing with its various apartment tenants.  Who are these people who live in the Drake?  What drives them, and what ultimately enticed them to sell their soul for some extra square footage, a view of Central Park, and an on-site gym?

Only time will tell . . .

CULT – THE CW

Folks who have spent these past few weeks wondering what happened to vampire-slaying history teacher, Alaric Saltzman, after he croaked on The Vampire Diaries, can breathe a sigh of relief now . . .

Though often written off as a “teen television” channel, over the past few years, the CW has enjoyed a surprising amount of success producing shows for a slightly younger, hipper audience who are seeking series that are a bit darker, and grittier than your typical “bright and shiny” network fare.  And from the looks of it, Cult might just prove to be the darkest and grittiest of them all.  Just watching the trailer gave me chills . . . probably because that TV Guy / Possible Cult Leader looks and sounds like a cross between Hannibal Lecter, Kevin Spacey’s character in Seven, and, of course, Benjamin Linus from Lost . . .

But of course, Cult shares more in common with Lost than just an average-looking, kind of creepy, but still oddly charismatic, intellectual type, who might be a cult leader.  Much like it’s predecessor, Cult will offer its fans countless conspiracy theories, clues to unravel, mysterious happenings to be explained, lots of oddly dressed folks with dubious motives to puzzle over, and most importantly, confusing, but compulsively rewatchable, YouTube videos . . .

What intrigues me most about Cult is how unabashedly “meta” it seems to be.  I mean, here is a show that blatantly eviscerates the one thing it needs to survive as a series: a diehard fandom.  This, of course, begs the question, could Lost fans be driven to commit murder, simply because Benjamin Linus asked them to do so?  Well, maybe if he asked really nicely . . .

Revolution – NBC

Here’s another timely premise, in light of the world’s increasing dependence on technology to survive (not to mention Facebook’s catastrophic failure as a stock IPO.)  Imagine a world completely without technology, that’s populated by folks like us, who can’t remember a time before the existence internet, and who can’t let a day go by, without checking our e-mail, sending a text message, or asking SIRI if it’s raining outside.

Of all the shows on my new TV viewing roster, this J.J. Abrams-produced one probably wins the prize for being the most Lost-like.  Let’s see, we’ve got an unexplained supernatural phenomenon and/or terrorist act, that has cut off our main characters from technology,  a sustainable food source, and the benefits of generalized medicine, forcing them to spend hours wandering aimlessly in the woods, looking dirty . . . and hot . . .

We’ve got repeated flashbacks to a climactic event, which, when viewed together, at the end of the series should explain everything . . . almost.  We’ve got various factions of people, some who want things to remain as they are now, and others who want to “go back” to the way things once were . . .

We’ve got snarky rogue-loners, who begin the series looking out only for themselves, but inevitably “learn to love” and become the series’ obvious unlikely heroes . . .

We’ve got nerdy professor types who spend the entire series looking vaguely confused, while trying to “figure it all out.”

Heck, we even have weird ancient-looking symbols, and those dopey, green-screen computers from the 80’s . . .

But beyond all those superficial similarties, I think “Revolution” has the potential to be a true character study,  just as Lost was.  After all, nothing exhibits the true nature of a person better, then putting them in a completely unfamiliar situation, without the benefits or camouflage  that modern-day luxuries provide.  In the words of Hugo “Hurley” Reyes, “DUUUUUUUUDE.”

The Last Resort – ABC

Forget, “You sunk my battleship.”  Something tells me, come this fall, everybody will be yelling at their TV screens, “YOU SUNK MY SUBMARINE!”  If Revolution is the series that most resembles Lost in terms of plot points, The Last Resort most resembles its tone, high production values, and cinematic quality.  In fact, if I hadn’t spied the ABC logo on the corner of screen, I could have sworn this was war movie.  Heck, they even hired That Movie Guy with the Oddly Deep Voice to do the narration!  Conspiracy theorists, war aficionados, and political pundits alike will find much to love in this series, which, like it’s famous predecessor will revolve around an international cover-up  . . .

. . . the result of which will strand our main characters on an island, separating them from the people they love, and putting their lives in constant imminent danger . . .

Hey, this place even looks like Lost island.  Where’s Vincent the Dog?   WAAAAAAAAALT! 

And of course, there will inevitably be dealings with “those pesky others.”

But mostly, I’ll just be watching this one, because Ben from Felicity will be there . . .

Speaking of completely shallow reasons to watch a television program . . .

Chicago Fire – NBC

At the beginning of this post, I admitted to you that really only four of the five series I chose for my Watch List were like Lost.  Chicago Fire doesn’t resemble Lost at all . . . unless you count the repeated obligatory shots of Sometimes dirty-faced and slightly bloody cocky alpha males who never met a shirt they actually liked to wear . . .

I’d be lying if I said the prospect of having a naked Taylor Kinney on my television screen every week, wasn’t a big draw for my choosing Chicago Fire for this blog post.  But personally I think the trailer for this series boasts more than good looking shirtless guys with bad attitudes.  The in-fighting between the squad members, caused in part by the oh-so-cliched concept of The Fallen Comrade shows promise for solid character development.  The kickass females in the series make my feminist heart proud.  And if done right, those inevitable Burning Building sequences are going to look really awesome in HD.

Besides, who doesn’t love a man in uniform . . . or out of it?

And there you have it folks, my five Lostian . . . and not so Lostian picks for the best new shows of Fall 2012.  So, what’s on YOUR Must Watch List?

[www.juliekushner.com][Fangirls Forever]

Managing Expect-A-tions – A Review of Pretty Little Liar’s Season 2 Finale “UnmAsked”

[Brief note: This post is simply a “review of” and “reaction to” “UnmAsked.”  A full recap will follow . . . eventually. :)]

Strait jackets .  . . all the cool psychopaths are wearing them . . . 

Greetings, my Pretties!  This week, PLL wrapped up its sophomore season with a season finale that was arguably as polarizing as “A” herself.  Thousands of frustrated fans flooded the message boards, Twitter, and YouTube to express their discontent with the way the season concluded.

Meanwhile, others rushed to defend the controversial choices made by the writers and producers.

The source of this controversy, of course, was the identity of “A” . . . the technologically savvy, ridiculously snarky, and seemingly omniscient super villain, who had been torturing the titular Pretty Little Liars, since the pilot episode.

And while I suspect a large number of fans were surprised by the reveal, it wasn’t necessarily for the reasons the writers intended . . .

Truth be told, this was far from the first time a television series that had been based on a book series chose to remain faithful to some of those novels’ main plot points.  Many television shows have successfully done this, without provoking the inevitable ire of the fandom.  Back in 2008, True Blood was applauded for its faithfulness to the murder mystery storyline that comprised the first book of the Sookie Stackhouse book series (serial killer included).

A season later, they were applauded again for creatively diverting from those same books, in order to save the life of a beloved character, who notoriously met his demise on the first few pages of the series’ second novel.

More recently, in 2011, the producers of Game of Thrones received critical acclaim for their almost slavish loyalty to the book series on which it was based.  Critics particularly appreciated the show’s courageous decapitation of the show’s main character, a moral and mostly likeable protagonist, who also happened to be played by a rather well-known and popular actor.

So what made PLL the high school outcast of this group?

The difference in this situation, I think, was that the producers, writers, and cast of PLL failed to properly manage expectations regarding what viewers could expect to see in the season’s final episode.  In what was undoubtedly an attempt at last-minute damage control, Pretty Little Liars showrunner, Marlene King, assured fans that she had never explicitly told fans that the identity of “A” would be different from who it was in the books.  And yet, when countless articles, and press releases, like THIS ONE, and THIS ONE posited this very theory as stemming directly from King, herself, she never exactly disabused fans of this notion, either.

So, when Mona van der Waal acted so RIDICULOUSLY guilty, throughout the show’s second season, that she all but wore a neon sign on her back that said, “I AM A,” recappers and reviewers, like myself, pointedly avoided listing her as our main suspect, simply because we took for granted the fact that the writers weren’t going to go there.

 

So, when they did, in fact, go there, we couldn’t help but feel a bit disappointed and betrayed.

And that’s a shame, because it undermined the integrity of what was, by many other respects, a pretty solid finale episode.

Truth be told, of all the possible “A” suspects — with the exception of, perhaps, Not-so-Blind Jenna, and maybe Lucas — Mona had the best motive to be “A.”  After all, she had been shamelessly tortured by Ali throughout most of high school, while the rest of the PLL girls stood idly by, and let it happen.

To make matters worse, Hanna, Mona’s self-proclaimed “one true friend,” has been noticeably distant from Mona, throughout the series, consistently ditching her to engage in “A-Sleuthing” with the rest of the liars . . . (of course, it could be argued that Hanna’s recent absence from her life was actually MONA’S fault).

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And yet, I would have liked to see the producers push the boundaries a bit, by not necessarily going with the most obvious choice for “A.”

We’ve seen the writers take chances like this, earlier in the series, in a number of ways: by introducing new characters, who weren’t in the books, choosing not to kill characters who died in the books, and, in one particular instance, killing a character who DID survive the series.  So, why not do it again, in this instance, by changing the identity of “A” to someone unexpected . . . someone who seemed a bit less . . . for lack of a better term . . . shady?

Or, conversely, I would have liked for the writers to simply be honest about the direction in which the story was headed, by saying something like this: “There are some aspects of the television series that pay homage to the books.  But even faithful book readers will find some surprises in store for them in the season finale.”

This, at least, is a true, and non-misleading, statement.  After all, the finale DID have some surprises contained within it, even for fans of the book series . . .

Unlike a lot of other series’ season finales, which tend to be slow-moving and uneventful, until the last ten minutes of the episode, “UnmAsked” definitely FELT like a season finale.  The episode moved a long at a brisk pace, throughout the hour.

And the genuinely creepy locales where the drama unfolded . . .  for example, the Psycho-inspired motel (complete with its very own Norman Bates, lookalike) and accompanying Shower Scene . . .

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 . . .  the Masquerade Ball filled with strangers and unsavory looking characters . . .

. . .  the abandoned road on a dark and stormy night, A’s “Lair” which looked like it would have been right at home in the first hour of any episode of Law and Order, SVU . . .

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 . . . only added to the building excitement, and unshakeable feeling of impending doom.

I was also really impressed with the acting in this episode.  As the unhinged Mona, Janel Parrish was just the right mix of campy crazy, unintentionally hilarious, and genuinely terrifying.

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Hanna’s shock and sadness at learning her so-called bestie was a total wackadoodle, who HIT HER WITH A CAR, felt real to me.

Shay Mitchell’s Emily literally had me in tears, during the episodes heartbreaking final moments . . . And this is coming from someone who was never a Maya fan.

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(I also adored the parallel between the pilot episode’s Body Discovery, and this one.  That background song they played during both, will haunt me for the rest of my days . . .)

And who could forget the unbeatable Team Sparia, who provided the episode’s only evidence of comic relief . . . not to mention a nice nod to a certain segment of the fandom?

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Speaking of ships,  fans of Ezria . . .

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Spoby . . .

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  . . . and Haleb . . .

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 . . .  all had something to cheer about, when the aforementioned couples each received their respective Happily Ever Afters Nows, this week.

Of course, I still wanted my Wren to make an appearance . . . (Damn you, writers!  DAMN YOU!)

And while the episode did answer some of the major questions plaguing fans throughout the series, it also presented us with plenty of new ones to get us excited for the upcoming third season (which is set to premiere this summer).  Here are just some of the questions that were swimming around my head, after “UnmAsked” concluded:

(1) Who exactly is on the A Team?

Was Mona REALLY it’s leader?

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 (And why didn’t Spencer “join it,” when she was given the chance?  I mean, wouldn’t that have been the perfect way to keep your ENEMIES CLOSER?)

(2) Which mysterious female dressed as The Black Swan at the Masquerade Ball?

(3) Who was Not-so-Blind Jenna talking to in the park, and what mysterious item did she give her (because it looked much too small to be the Black Swan costume)?  And WHEN DID SHE GET HER DRIVER’S LICENSE?

(4) What the F is the deal between Abs Toby and Dr. Sullivan (a.k.a. as the lame shrink who got scared out of town by an eighty pound high schooler?  Is he her son, or what?  How much did they know about what was going on?  And why was it necessary for Toby to “pretend he didn’t love Spencer?”

(5) Who exactly was the creepy chick with the red dess and gold mask at the Masquerade Ball?

And was she the same creepy chick who visited Mona in the loony bin, at the end of the episode?

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(6) Does Mona’s have Supernatural Powers, which enabled her to BEAT UP Spencer and Emily, on separate occasions, and CARRY SPENCER INTO A CAR?  (Oh and how lame was Dr. Sullivan’s explanation of her PSYCHOSIS?  How exactly does being a psychopath, make you seem omniscient to OTHER PEOPLE?  Where exactly did this b*tch go to shrink school anyway, Dunkin Donuts?)

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(7) Did the flashback featuring Mona and “Ali” dressed as Vivian Darkbloom actually happen?  Did “Ali” really not pick up the phone, when Mona called her, like Mona said?  Or was being “A” the price Mona paid for her so-called popularity?

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(8)Who killed Maya (assuming Maya is actually dead) and why?

(9) And, perhaps, most importantly, “WHERE’S MY WREN?”

So, tell me, my Pretties, what were your thoughts on the Season 2 finale?  Were you disappointed that Mona was “A?”  What are your expectations for next season, in light of some of the cliffhangers / new mysteries introduced here?  Feel free to vent to your heart’s content, in the comment section below.  I’ll see you there!

[www.juliekushner.com][Fangirls Forever]

It’s Hard Out There for a Ghost . . . and a Vampire . . . and a Werewolf – A Retrospective of SyFy’s First Season of Being Human

On Monday night, the SyFy channel aired the Season 1 Finale of it’s critically acclaimed supernatural drama,  Being Human (based on a British series with the same name).  The show, which has just been picked up for a second season, chronicles the lives of three roommates, who WOULD lead fairly normal lives, were it not for the fact that they are a Ghost, a Vampire, and a Werewolf, respectively . . .

Nice hat!

Nice lipstick . . .

Nice boxers!  (Now, please take them off!)

Although I stopped formally recapping this show after Episode Three, (due to other recapping responsibilities, and my general inability to secure solid screencaps of the show, in a timely fashion *blushes*) . . .

“That smells like bull$h*t to me!”

 . . .  I watched it faithfully, each week.  And, as a result, I am proud to name myself as part of its fanbase.  Admittedly, the series was a bit slow getting out of the starting gate, as its writers struggled to find a balance between copying what made the British version of the series so successful, and striking out on their own.  However, as the cast developed their character’s distinctive voices, and the producers ventured outside the British series for episode inspiration, Being Human really began to hit its stride, with the episodes improving significantly from week-to-week.

“You like us!  You REALLY like  us!”

In honor of that sentiment, I thought it might be fun to take a look back at Being Human’s first season, as seen through the eyes of its three main characters: Josh, the Werewolf, Sally the Ghost and Aiden the Werewolf . . .

Wolfman Josh (played by Sam Huntington)

Poor Josh!  Life definitely hasn’t been kind to this guy.  Two years ago, he was a loveable, overachieving college graduate with his sights set on med school.  He was also engaged to be married, and had a younger sister who admired him, and parents who worshipped the ground on which he walked.  Sounds pretty good, right?

Cut to two years later, when we first meet the afore-described “Golden Boy” in Being Human’s pilot episode.  Now, Josh is a hospital orderly, who cleans bedpans for a living.  He hasn’t had sex for two years. (So much for being engaged!).  And his whole family thinks he suffered a nervous breakdown.  Did I mention he is also a werewolf?

In addition to being my absolute favorite character on Being Human, Josh also bears the impressive distinction of being the cast member most often naked on the show.  Given Sam Huntington’s fine physique, I suspect this is NO accident . . .

If the repeated appearances of Naked Josh on Being Human were inserted into the show, as a cheap ploy to increase the female viewership of a television station, that has, heretofore, been almost exclusively watched by geeks men, it sure WORKED ON THIS FEMALE!  In fact, every time Naked Josh “exposed himself” to my television screen, I may or may not have have reacted like this . . .

Anyhoo . . . in addition to the monthly “wolfing out” of his man parts, Josh underwent a number of intensely personal and painful transformations, during the course of the season.  In the first few episodes, we sympathized for Josh, as he coped the shame he felt regarding his true nature, and the anger and bitterness he experienced over the many ways in which being a werewolf prevented him from achieving his lifelong dreams and goals.  These complex, and super angsty, emotions that Josh kept bottled inside caused him to isolate himself from others. 

*sings* “All by my selllllllllf . . . don’t wanna be . . . all by my selllllf, any morrrreeeee.”

However, as the series progressed, Josh began to open his heart to his roommates, who taught him that, just because he gets a bit hormonal once a month, doesn’t mean his life is over.  (Surely, many of us girls can relate to THIS!)  This “heart-opening” eventually enabled Josh to reconnect with his baby sister . . .

  . . . and make a new werewolf playmate (who ended up being this TOTAL vampire-hating psychopath, who was responsible for scratching Josh, and turning him werewolf in the first place . . . but still . . . babysteps!)

Eventually, he even manages to fall in love again, with a nurse at the hospital named Nora.  And she falls in love with HIM too, once he finally figures out how to stop growling at, running away from, and butt humping her, of course!

Speaking of butt humping, it takes a real well-endowed wolf to impregnate a girl THIS way, on the first try .  . .

Way to go JOSH!  (You sly DOG, you!)

In a matter of days post ass-screwing, Nora is suddenly the human-equivalent of three months pregnant (Apparently, wolf gestation periods are WAY shorter than ours.  Who knew?  Plenty of people who regularly watch the SyFy channel did, I bet!  ).  This, of coruse,  is going to make it REALLY hard for the new couple to find time to decorate the nursery! 

In the season finale, Nora walks in on Josh during a wolfy transformation, and watches him endure it.  In an oddly calm moment, a Wolfed Out Josh blinks his big yellow CGI-created eyes at Nora, from beneath a locked door.  (This Wolfman knows a Baby Mama when he sees ONE!) 

Far from being freaked out by this revealation, Nora actually seems pretty relieved to learn that Josh has been acting like a crazy man around her, because he’s a werewolf, instead of just your run-of-the-mill a$$h*le.  But then she realizes that, during his transformation, Josh inadvertently scratched HER, in an effort to push her out of harms way.  Sorry She-Wolf!  It looks like the MONTHLY CURSE is on YOU . . . TOO!  (And now you have TWO of them.  LUCKY YOU!)

Sweet, loveable, socially awkward, and undeniably goofy, Josh is definitely a character with whom I wouldn’t mind spending a second season.  Except, I’d probably buy him a REALLY THICK PAIR OF GLOVES, before I got too close . .  .

A girl’s always gotta use “protection,” you know!

Vampire Aiden (played by Sam Witwer)

If Josh was the Being Human character who got the most Naked Time (though, admittedly, Aiden got HIS share of that too .  . .) . . .

. . . Aiden was the character that got the most TOTAL screentime. (Then again, if YOU were alive for as long as THIS vampire’s been roaming the Earth, YOU’D have a lot of ISSUES to address too!)

Well, hello, Charlie Chaplin!  I didn’t know YOU were in this show!

*sings* “Grease is the time.  It’s the place.  It’s the no-tion.  Grease is the way we are FEELIN”!”

Yeah . . . I don’t really have anything to say about that . . .

For Aiden, most of the season was spent struggling to maintain a non-human munching lifestyle, and cope with centuries of past wrongs, all while trying to avoid the clutches of his evil old Vampire Empire Building boss, Bishop (played by Mark Pellegrino). . .

I’m proud to report that it only took me THREE-QUARTERS of the season to stop thinking of THIS GUY as “Jacob from Lost.”

Though Aiden managed to lead a fairly “human” law-abiding life style, throughout the season, there were a few minor missteps along the way.  Like, for example, the time when he accidentally ate his human girlfriend, Rebecca, while they were screwing . . .

So, Bishop turned her, just to piss Aiden off, basically.  Then, Rebecca became this REALLY ANNOYING, SUPER UNLIKEABLE CHARACTER with whom Aiden still inexplicably hooked up, for most of the season.  That nonsense ended in the penultimate episode, when he finally staked her, at her own request, thereby, putting us ALL out of our misery . . .

SAYONARA, BLOODSUCKA!

Then, there was this OTHER time, when Aiden met this guy who SWORE that Aiden had killed his dad, back when the guy was only 10- years old.  (HE HAD!)  So, Aiden tries to take away the guy’s memory of the event, but ends up driving him to KILL HIMSELF, instead . . . OOPS!

Then, there was this THIRD TIME when Aiden befriended a little boy, named Bernie, who accidentally got into Aiden’s vampire porn stash, making Bernie’s mom think Aiden was a TOTAL Pedo!  Then Bernie gets hit by car, and dies.  So Rebecca turns him.  But Bishop makes Aiden think his new vampire son is running around EATING bullies, so Aiden kills the little vampire child.  (Am I noticing a PATTERN, here?)

“Hey, little boy!  What do you say I give you a REALLY untimely death?  Doesn’t that sound like fun?”

The season ends with Aiden killing Bishop, and becoming Sheriff of Area Five, Eric Northman Vampire Ruler of Boston.  (Be afraid, Ben Affleck!  Be VERY AFRAID!)

Broody, tortured, soulful, and super sexy, with a healthy dose of guilt and self-hatred to boot, Aiden is EXACTLY the kind of TV vampire, us fangbanging fangirls love to drool over!

Sally the kind of Whiny Ghost (played by Meaghan Rath)

Sad Sack Sally has a sob story to tell.  You see, a few months back, she “fell” down the stairs of her apartment, hit her head, and died.  So, she’s been literally hanging around the apartment in her pajamas, ever since . . . unable to move on to the Great Beyond, due to “unfinished business.”  Sally spends the first half of the season crying over her boring, and rather personality-free, fiance, Danny, who is renting the apartment, where he and Sally used to live, to Aiden and Josh.

To make matters worse, Danny has recently started boning Sally’s best friend . . . while Sally watches.  AWK-WARD!

Care for a Menage-a-GHOST?

Things with Sally become slightly more interesting (not to mention WAY less annoying), when she learns that Danny just so happens to be a Girlfriend and Fiance-Beating Sociopathic Cretin, who KILLED SALLY, just because she accidentally dropped her engagement ring in the sink!  Suddenly, it becomes a battle of “wits” between Sally and Sociopathic Cretin.  Sally, with more energy and intensity than she’s exhibited all season, haunts Danny’s ass FOR FUN!  It’s all INCREDIBLY dark . . . and oddly cathartic.  In return, Danny does everything in his power to try and get Sally out of the house, even going as far as to perform an EXORCISM on her, and light their apartment ON FIRE!

After a brief bout of zombieism . . .

That’s taking the “smoky eye” look a bit too far, don’t you think?

 . . . Sally (with the help of a vamped out Aiden) finally scares Danny into turning himself in to the cops for killing her. 

When this happens, Sally’s Unfinished Business is suddenly not-so-unfinished anymore.  In the Season Finale, a LITERAL door opens for Sally to travel into the Great Beyond . . . and she conveniently forgets to walk through it.  OOPS!

And that was Season 1 of Being Human in a VERY SIMPLIFIED nutshell. 

Thirsty for more?  You can now check out full episodes of the first season of Being Human on Hulu.com.  For those of you who would prefer a “quicker fix” of the show, check out these nifty little sixty second episode recaps on the SyFy website: here. 

Not only do these recaps come FULLY LOADED with excellent video footage from each episode, they are also narrated by a woman, who clearly has a gift for the delivery of deadpan humor.  This woman can make you roll on the floor laughing without EVER HAVING TO CHANGE THE INTONATION OF HER VOICE!  She’s the Ben Stein of SyFY.com!

“Bueller . . . Bueller.”

Some of my favorite gems from the recaps include lines like these: “Evil Greaser Aiden threatens Bishop,”  “Josh gets sniffed .  . . weird,”  “Rebecca yells at Aiden.  She’s forgiven . . . again.”  and “Aiden and his Sideburns refuse.  Then they leave.”

For those of you who had a chance to watch the First Season of Being Human live, I would love to hear your thoughts about it in the Comments section.  As for the rest of you, see you in Season 2!

[www.juliekushner.com]

Accepting the Monster Within – A Recap of Being Human’s “There Goes the Neighborhood Part 2”

Welcome back, fellow Humans!  (If that’s what you REALLY are . . . 😉 )  This week’s installment of SyFy’s newest hit series (ONLY hit series?), definitely wrapped up some of the storylines presented in the pilot episode.  However, it also presented our favorite supernatural roommates with some new, very interesting, problems . . . ones that will surely plague them for many episodes to come . . .

SHE is definitely going to be a problem!

If tonight’s episode had a “theme” to it, I’d say that theme had to do with the acceptance of one’s true nature.  For some, that acceptance can have negative consequences.  For example, Rebecca became an Evil Super B*tch, once SHE accepted her new bloodsucking nature.  And, we suspect, the same thing would happen to Aidan, if he decided to go back to his old vampiric ways. 

For others, acceptance of who you are, can lead you to a better life (or lack thereof).  Once Sally gave up trying to be heard as a human, she realized that being a ghost allows for other, more unique, methods of communication.  It also saves a TON of money on airfare!

I’m flying, WHHHHHHEEEEEEEEEE!

As for Josh, his refusal to come to terms with his wolfy nature, has kept him isolated from the people he loves — first, his parents and fiance, and now, his own baby sister . . .

The only thing hotter than a brooding werewolf, is a naked one . . .

Come on, Josh!  Be OUT . . . and PROUD (and stop covering your crotch, we wanna see)!

But enough of this philosophical mumbo jumbo, let’s get on with the episode, shall we?

Home Improvement for Dummies

Is that a pool of blood behind your head, Sally?  Or are you just happy to see me?

Ghost Sally spends much of this episode having funeral flashbacks, pining after her fiance (Does EVERYONE have a Long Lost Fiance on this show?), and breaking sh*t in the apartment, because she is feeling moody.  (I wonder if ghosts still get PMS?) 

After a whole lot of begging on Sally’s part, Aidan and Josh finally relent and invite their landlord, and Sally’s once fiance, Danny, to fix the clogged sink in the apartment, which Sally broke on purpose, precisely for this occasion!

“That’ll teach you to be cheap, and not get homeowners’ insurance!”

Sally gets pretty darn frustrated, when the man she loves LITERALLY doesn’t know she’s alive (because she . . . um . . .  isn’t).  When Danny arrives at the house for the first time, since Josh and Aidan moved in, Sally’s emotions go heywire.  This, of course, results in all the lights in the house EXPLODING!  (Nice one, Sally!)  Josh, who actually LIKES having working light fixtures in his home, is not amused, by this new development.

“Seriously!  You need to find some new hobbies!  Why don’t we invite over that kid from the Sixth Sense, and you two can hold a seance, or something?”

For his part, Danny can’t understand why in the world ANYBODY would want to live in this Ghost-Infested Death Trap he used to call home.  Clearly not a particularly savvy business man, Danny actually goes so far as to ask Aidan whether the apartment is as creepy as it seems.  “Every home has an echo of the people who used to live in it.  There’s a good echo here,” explains Vampire Aidan, causing Sally’s ghostly panties (not to mention, mine) to fall to the floor, as a result. 

*sings* “He really likes me.  He thinks I’m sexy.  He wants to date me.”

“Damn, I’m gooooood!”

 This, of course, brings up an important question:  Can ghosts have sex?

I didn’t think so . . . (Sorry Sally!  It looks like the vampire is MINE!)

Aidan, who is clearly angling to get supernaturally laid, throws Sally another bone, by asking Danny how his fiance died.  Danny, who is officially the WORST landlord and realtor EVER, not only explains in explicit detail how Sally fell down the steps and broke her brain, he even points out the SUPER CREEPY spot on the floor where she croaked!  In fact, Danny all but drew a chalked outline of Sally’s decaying body on the floor for Josh and Aidan to keep as a souvenir!  Now, if that doesn’t make a house fell like a home, I don’t know what does!

The next day, while the guys are out, Danny returns to the apartment to fix the sink.  He comes prepared, carrying a trusty Home Improvement for Dummies book under his arm . . .

Product Placement Alert!

But as good as Home Improvement for Dummies may be at teaching dummies like Danny to unclog a sink, I’m willing to bet there’s no chapter in it on “Ghostbusting” . . .

“Who you gonna call? (I ain’t afraid of no Sally!)”

And when Danny ignores Sally’s ghostly pleas for him to hire a plumber, Ghost Girl gets so mad, that she breaks the pipe beneath the sink, causing Danny to become soaked with water.  (But, hey, at least it’s not clogged anymore!)  Aidan arrives home, just in time to see Wet Danny escaping the apartment, like a bat out of hell. 

Later, Josh and Sally commiserate with one another, over the fact that they can’t be with their respective fiances anymore, because according to Josh “[We] are monsters, and [they] are not.”

Though things may look grim now, Sally’s romantic life may actually be starting to look up!  WAY UP!  Because, toward the end of the episode, Sally learns that SHE CAN FLY!  And you know what this means, don’t you?  She may actually be able to LEAVE THE HOUSE at some point (which is kind of essential, if you plan on getting laid, ever) . . .

“See ya, Boys!  I’m off to Victoria’s Secrets to buy some lingerie.  I’ve been wearing this outfit for SIX MONTHS, and it’s high time I slipped into something ‘more comfortable.'”

So, I mentioned Josh, earlier . . .which, if you watched last week’s episode, may have caused you to wonder, whether he ended up actually eating his sister, Emily, after being locked in a room with her, during his werewolf transformation.  Well, allow me to fill you in, on THAT part of the tale.

All Bark and No Bite

“I smell a cliffhanger!”

So, as I mentioned, when we last left Josh, he was getting all werewolfy in a locked room beneath the hospital where he works, and his baby sister was locked in there with him.  He tried to call Aidan to rescue him, but Aidan was “eating dinner” at the time at Fangtasia Bishop’s Dungeon o’ Vampire Love,  and couldn’t come to the phone . . .

Fortunately, however, Aidan finished eating just in time to catch Josh’s frantic telephone message.  And so, the Sexy Vamp races to the “dungeon” and rescue’s Emily, just moments before Josh becomes a full-on Beast.  Realizing, the poor girl probably just had the worst night EVER, Kindly Aidan then takes Emily to a local diner for some coffee . . .

At the diner, Aidan explains to Emily, that Josh is “going through some stuff right now” (Understatement of the Year), but that he is going to be OK.  He just needs some “time” to eat more poor defenseless deer figure things out. 

However, when Emily confronts Josh after the traumatic event, offering him her help and support, Josh rebuffs her.  “My life is different now . . . You don’t know me . . . you can’t help me . . . Leave me alone,” He tells his own flesh and blood, in front of her new girlfriend (who, according to Emily is a Shiksa Goddess) . . .

Now THAT had to hurt!

Speaking of danger, you might be wondering what happened with Aidan and that “dead girl,” who police suspected him of killing (because he DID kill her) . . .

There’s a New Vamp in Town

Aidan learns that his one-night stand, Rebecca, is not so much dead, as undead, when she tries to EAT HIS ROOMMATE . . .

Fortunately, for Josh, Werewolf is not exactly Baby Vamp Rebecca’s new favorite food.  So, she ends up sparing his life.  But Josh still has quite the bone to pick with his roommate about his most recent brush with death.

“What’s the point of doing all this . . . playing house . . . and joining CostCo . . . if you are just going to keep killing all of our friends!”  Josh exclaims.  (The dude’s got a point, Aidan!)

When Aidan confronts Rebecca about the whole “We Used to Screw, Until I Killed You” Thing, he learns that his sort-of ex holds a MAJOR grudge against him, for leaving her for dead on that fateful night.  (Apparently, Jacob from Lost Bishop turned her into a vampire, and “oriented her to the lifestyle” the following morning.)

Aidan offers to help Rebecca cope with their mutual “curse,” and “be good.”  But Rebecca would prefer to be BAD, and EAT HER FAMILY for fun.  So, Aidan and Rebecca don’t exactly share the same “moral values,” which . . . I guess . .  is as good a reason to break up as any.  (Then again, being MURDERED by your boyfriend is also a fairly good reason to end a relationship.)

At work, Quirky Nurse Cara tries to hit on Hot Aidan, by making a very dated 90210 reference (not the new 90210, mind you, the VERY OLD one).

When Aidan doesn’t exactly appear to be wowed by Cara’s Dylan McKay joke, Little Miss Quirky gets very embarrassed, indeed.  “Oh my gosh, I’m older than you,” she mumbles.

“Oh . . . I don’t think that’s true,” replies the centuries old Aidan.  “I just never watched 90210, because I am a STRAIGHT MALE.”

But Majorly Obscure and Dated Pop Culture references are not enough to deter Cara.  So, she asks Aidan out on a date to the local bar, which is located nearby.  Aidan is obviously enticed by Nurse Cara’s scent.  (Then again, maybe he just REALLY likes red heads, I still can’t tell . . .).  However, Aidan fears that, if given the chance, he will eat Cara, just like he did Rebecca.  So, he tries to let the girl down easy.  “Oh, I’m not that much fun,” the actually SUPER FUN Vampire demurs.

“Me NEITHER!”  Cara responds excitedly.  (Woah, this Quirky Nurse is RELENTLESS!)

After work, Aidan heads to the funeral home where Big Bad Vampire Bishop conducts his daily business.  (How appropriate!)

Aidan gives Bishop the business about turning his ex-girlfriend, who Bishop obviously is using as a bargaining chip to bring Aidan back into the Vampire Fold.  “You don’t screw up often.   So, when you did, I wanted to see what all the fuss was about.  [Rebecca] is quite a find,” remarks Bishop.

Once again, Aidan reminds the Head of the Vampire Recruitment Agency that he is no longer interested in that particular line of work.  (Cleaning up bedpans, is WAY more his style!)  And yet, the conversation with Bishop stresses out Aidan enough, that he finds himself in desperate need of a drink.  And so, off to the bar he heads.  Of course, the ever-persistent Nurse Cara is there, waiting for him . . .

As soon as Aidan gets one whiff of Cara, he’s ready to drain her dry.  And so, Aidan calls his Vampires Anonymous sponsor, Josh (who, does, after all, owe him, for the whole “Sister Rescue” Thing) to come to the bar, and save Cara from becoming dessert.  But, before Josh can arrive, Evil Rebecca comes over and TOTALLY cock blocks Aidan, by telling Cara, in no uncertain terms, that she and the closeted vamp used to bang.

A bit intimidated by Rebecca’s Mean Girl attitude, Nurse Cara eventually leaves Aidan, and heads back to her friends.  So, Rebecca decides to use this Alone Time to make another play for Aidan’s affections.  (Seriously, who DOESN’T want to bone this guy?) 

When Aidan rejects her, Rebecca gets even, by enticing a silly male human to go back to her place, and (we assume) die a very painful death, by draining.  Interestingly enough, Aidan “rescues” the guy, by beating the crap out of him, so he can’t leave the bar with the hungry female vamp.  This pisses Rebecca off, so she takes a bite out of Nurse Cara instead  . . .

Josh arrives just in time to see Cara nearly bleeding to death.  In the alley, just outside the bar, both Josh and the lurking Rebecca, plead for Aidan to turn Cara into a vampire (though they both, obviously, have very different reasons for wanting him to do this).  But Aidan refuses to turn Cara.  So, he and Josh rush the poor girl to the hospital instead, for a bit of “old-fashioned” human healing . . .

JOSH:  “You should have turned her.  Now she’s going to die because of you!”

AIDAN:  “Nah, she won’t die.  Because you are in SERIOUS need of a love interest on this show.  And so far, unless you plan on banging your sister. she’s the best option you’ve got!”

While the two supernaturally-inclined roommates await the still-human, Cara’s fate, Aidan gets pulled aside by Big Bad Vampire Bishop, who ALSO wants to know why he decided not to turn Nurse Cara into a vampire.

“Maybe I am sentenced to a lifetime in hell with you, but here, and now, I choose them [humans],” Aidan explains eloquently.

Eventually, Josh also comes to terms with Aidan’s decision not to turn Cara.   This is evidenced by his conversation with Ghost Sally, in the final moments of the episode. 

“We take for granted how good Aidan is . . . and how he must struggle every day not to be like THEM,” remarks Josh.

 “Do you think he should have saved [Cara]?”  Sally inquires.

“I think he did,” the Werewolf replies.

Eh, I don’t know about all that.  Personally, being a vampire, always seemed like kind of an awesome Lifestyle Choice to me.  Then again, what do I know?  I’m only “human.”

[www.juliekushner.com]

Vampires, and Werewolves, and Ghosts, OH MY! – A Recap of Being Human’s Pilot Episode “There Goes The Neighborhood”

OK . . . so let me get this straight .  . . It’s a show about vampires . . . and werewolves . . . and ghosts . . . where almost the ENTIRE cast is in their twenties . . . AND there was male frontal nudity in the first TWO MINUTES of the pilot episode?  You had me at HELLO!

A few nights back, the Syfy channel debuted it’s U.S. incarnation of the hit British supernatural horror comedy series Being Human. (Well, more accurately, it’s a Canadian incarnation.  Though the show is meant to take place in Boston, it is obviously filmed in a place where people are more likely to say “oot and aboot” than “pahk your cahr in a Hah-vahd yahd.”)  As a lover of all things supernatural, who had never watched the British version of this series, I was excited to get a fresh and unfettered glimpse at the show, when I finally got around to watching it this evening.  (For better or worse, Monday is a crowded night for me in TV Land.)

Though comparisons between this series and its U.K. incarnation, as well as other television shows of supernatural bent (most notably, The Vampire Diaries and True Blood) are inevitable, and not always favorable, I, for one, enjoyed this pilot.  In fact, once the producers iron out a few of the “freshman kinks,” I think this has the makings of a pretty awesome series — one that has the potential to stick around for a long time. 

Freshman Kink #1 – Is that supposed to be a werewolf, or a leprechaun wearing cheap dentures?

So, what are we waiting for?  Let’s bite into that pilot episode!

I’m really “torn” about this screenshot.  (No pun intended.)  On one hand, I’m loving the Dirty Naked Dude!  But the Butchered Bambi’s Mother?  Not so much . . . Next time?  Let’s stick to Bloody Humans, and leave the Furry Woodland Creatures ALONE, shall we?

Meet Josh.  He’s a lonely twenty something, who’s desperately in need of a female influence in his life . . .

Worst . . . Walk of Shame . . . EVER!

For the most part, Josh leads a normal, if slightly dull and unfulfilling life.  But once a month, he really “lets his hair down.” When that happens, his Freak Flag flies at full mast.  You see, two years ago, Josh was bitten by a werewolf.  This event caused him to leave all his family and friends behind, and seek shelter in the vast city of Boston.  Now, he spends his nights alone in a forest, and his days rightfully feeling pretty sorry for himself . . .

This is Aidan.  And, no, he doesn’t always look like an extra from the Maenad-induced Orgies on Season 2 of True Blood.  (True Blood fans know EXACTLY what I’m talking about here.)

There . . . that’s better.  Aidan is a REALLY OLD vampire.  And, unlike his friend, Josh, he is not exactly unlucky with the ladies.  In fact, he gets lucky with one in his very first scene . . . a bit TOO lucky, some might say.

Don’t let this image fool you.  Aidan is not a BAD vamp.  In fact, he’s trying to go “straight,” by cutting living human blood out of his diet, entirely.  He just has a bit of an . . . “addiction problem,” one that has been fueled by many years of unadulterated feeding.  Sound familiar, TVD fans?

Unfortunately for Aidan, dead humans aren’t quite as readily accepted by the human population as Dead Bambi’s Mother.  And so, Aidan is forced to call upon one of his former vampire “friends” to clean up his mess for him, while he heads off to work.  On the way there, he picks up Josh.  The latter is still clad in that ridiculous dress (which fits him perfectly, by the way) that he pulled off some old lady’s clothes line to cover up his nakedness.  (Really?  Has anybody actually used a clothes line, since 1952?)

I read that, in the British version, Aidan (a.k.a. “John”) and Josh (a.k.a. “George”) are “hospital cleaners” by trade.  But here, in the American version, they seem as though they might be low-level orderlies, of some sort.  The job is convenient for Vampire Aidan, obviously, because it gives him ready access to a non-living blood supply.  Josh’s rationale for taking the job is a bit more murky.  However, we suspect it has something to do with him having been “pre-med,” during his “pre-werewolf” days.  It’s also a fairly anonymous job — one where he likely won’t have to work through too many full moons.

Throughout the day, Aidan keeps trying to convince Josh that they should shack up together.  By doing so, they can help one another satisfy their sexual urges “be more normal.”  (Honestly, I’m not really sure how sharing an apartment with another “freak” makes one less “freaky,” but I guess, there wouldn’t be a show, without it, right?)

Let the Bromance BEGIN!

Though initially skeptical, Josh ultimately agrees to live with Aidan.  (And why not?  After all, we never got a chance to see where either guy was living to begin with.  So, for all we know, they may both have been homeless.) 

“I don’t cook (or eat).  I don’t clean.  And my credit sucks,” explains Aidan, before the pair head off apartment hunting.

(Best ROOMMATE ADVERTISEMENT, EVER!)

Inevitably, the first day of apartment hunting, Josh falls in love with a little duplex fixer-upper apartment, close to where the guys work.  It’s current owner is a young skittish-looking guy, who seems VERY eager to rent out the place.  “You can keep all the furniture, and move in today.  And, honestly, I don’t need a credit check,” says the landlord nervously.

As it turns out, this guy has good reason to want to be rid of the apartment.  You see, his fiance DIED there. (Insert Dramatic Music Here).

But, as we know, Dead Stuff doesn’t phase these two in the LEAST.  So, into the apartment they go!   There’s just one problem.  They aren’t alone . . .

“BOO!  Haha, scared ya, didn’t I?  Get it?  Because I’m a GHOST . . . yeah . . . never mind.”

Remember how the landlord said his fiance died in the apartment.  Well . . . she’s still there!  Except, now she’s in “ghost form,” and can only be seen and heard by . . . wait for it . . . supernatural creatures.  Ghost Girl (her name is Sally, by the way) is just THRILLED about the prospect of finally having a two-sided conversation.  So, she just starts talking the boys’ ears off.  Aidan doesn’t seem too phased by the idea of bunking with a ghost AND a werewolf.  But Josh is PISSED!  He wants to have sex with Aidan alone time, DAMMIT!

The problem, of course, is that Ghost Girl Sally CAN’T LEAVE THE HOUSE.  You see, she still has “unfinished business” on Earth (as most ghosts do).  Specifically, Ghost Girl Sally isn’t quite sure how she died.  And, until she figures that out, Aidan and Josh are stuck with her . . .

Friggin Ghostly Cock Block!

But our boys have more problems than just coping with a third-wheel Casper of a roommate.  As for Aidan, there’s that little problem of the coworker he killed . . .

The police have been milling about the hospital where he works, asking questions.  And everybody seems to know that Aidan and “Rebecca” were kind of an item.  As if that wasn’t bad enough, Aidan’s call to a “vampire friend” to “clean up his mess” resulted in him being tracked down by THIS GUY . . .

That’s Marcus.  He’s a Vampire Henchman of some guy named Bishop, who you will meet, in just a bit.  He keeps talking to Aidan about “coming back.”  Apparently, like in True Blood world, the vampires in Being Human are, at least somewhat, organized.  They have a leader.  They have a social structure.  And Blood Bank Sipper Aidan . . . well . . . I guess that makes him a bit of a deserter.

During lunch, Aidan gets cornered by a policeman, who seems to know WAY TOO MUCH about Aidan’s relationship with Rebecca. In fact, he all but accuses Aidan of murdering the girl.  And, just when I’m starting to yell at the TV screen, “YOU’RE A VAMPIRE!  USE MIND CONTROL ON HIM ALREADY, YOU MORON,” the cop sitting next to him does exactly that.

That’s right, boys and girls!  Big Bad Vampire Bishop is Jacob from Lost.  How’s that for a coincidence?  Now, don’t get me wrong, casting a Metaphor for God Character from a successful series, to play your show’s main (religiously named) villain is not a bad idea, all things considered.  And yet, if Stunt Casting was, in fact, the ultimate goal, there are a few other actors I think might have served this purpose even more effectively:

A girl can dream, can’t she? 

Anyway, Jacob Bishop mind controls  . . . or compels . . . or glamours (whatever you want to call it) Mr. Policeman to think Aidan is innocent, and leave the premises.  But he doesn’t do it out of the kindness of his heart.  He wants Aidan “back.”  (Here we go again, with that “come back” stuff, which sounds a bit sexual, if you ask me.) 

From flashbacks, we learn that Aidan used to be quite the naughty beast — crashing weddings with his pal, Bishop . . .

 . . . and proceeding to EAT the entire bridal party . . .

 Mmmmm, that Vince Vaughn is TASTY!

. . . well . . . except for THIS GIRL . . .

 .  . who we just KNOW is going to be important later, don’t we?

As for Josh, he’s having his own problems.  For starters, he’s getting all tongue-tied around the Cute Quirky Future Love Interest New Girl at the Hospital . . .

“Hi, I don’t think we’ve met.  My name is Poor Man’s Claire Danes.  Nice to meet you!”

He’s also been spotted by his baby sister, who was visiting her girlfriend there, because she conveniently had a broken bone, or something,  (Yep, Little Sis is gay!  Not that there’s anything wrong with that.)  Now, Emily (that’s her name, by the way) insists on knowing where Josh has been for two years, and why he ran away in the first place . . .

Of course, Josh ultimately decides NOT to come clean to his sister, a decision he will soon come to regret.  That night, Josh heads back to the hospital, to seek out the new conveniently located dungeon therein, where Aidan suggested that Josh could “safely change.”

Sounds good, right?  Well, it would be . . . . except, unbeknownst to Josh, his sister has followed him down to the dungeon.  And now, she is LOCKED IN THERE WITH HIM.  (Again, sound familiar TVD fans?)

When Josh finds out what happened, he starts FREAKING OUT, understandably.  His poor sister, who mistakenly thinks he’s sick, keeps trying to comfort him, only to finally get shoved violently out of the way.  Josh uses his cell phone to contact to Aidan, who has the key to the dungeon, and has promised to help out in situations like this. 

Unfortunately for Josh, Aidan has been swept up in a little intrigue of his own, having been practically kidnapped by Jacob Bishop and brought to some sort of Vampire Brothel . . .

(Unfortunately, it is not named Fangtasia . . .)

Once there, Aidan is taken into some seedy back room, where a slutty-looking girl slits her wrist, causing Aidan to become totally aroused, vampire-style . . .

(Something tells me, he won’t be answering his werewolf friend’s text messages any time soon.)  Josh also calls Ghost Girl Sally.

Unlike Aidan, Sally really WANTS to help her new roommate!  Unfortunately, her ghostly hand keeps going through the phone.  So, she can’t pick it up.  (Don’t you hate it when that happens?)

The episode ends on somewhat of a cliffhanger, with Aidan voyaging “back” toward the Dark Side, and Josh beginning his wolfy transformation, as his defenseless little sister looks on in horror . . .

SOMEONE needs a manicure!

And that was the Pilot Episode of Being Human in a nutshell.  Did YOU watch?  If so, what did you think?  Was it good enough to find a place on your permanent TV roster?  Or was it just a One Night Stand? 

 

Yes, I do recognize that using this picture again (especially in this context) was in poor taste.  It didn’t stop me from doing it, though!

[www.juliekushner.com]

True Blood Has Cast Its Claude: Did they make the right choice? (Contains some spoilers)

Inquiring vamps want to know . . .

 After months of radio silence, the producers of HBO’s supernatural ratings darling, True Blood, have FINALLY begun to pony up some details about the show’s upcoming fourth season.  If prior seasons are any indication, True Blood‘s Season 4 will likely premiere during the Summer of 2011.  It should also be at least somewhat based on the fourth book in Charlaine Harris’ Sookie Stackhouse fantasy novel series, Dead to the World.

As both a die hard True Blood fan, and an avid reader of the aforementioned book series, on which the show is based, I am always curious as to which actors will end up playing the characters I have read about, and obsessed over, for the past three years.  One of the characters in whose casting I’ve had the most interest was Sookie’s fairy cousin, Claude.  Claude just so happens to be the twin brother of the elegant fairy, Claudine, who we met toward the end of True Blood‘s third Season .  . .

Lara Pulver as Claudine.

In the books, Claude is described as being six-feet tall, with wavy black hair and a flawless physique.  With his chiseled jaw, soft brown eyes, and sensuous pouty lips, Claude’s looks literally take women’s breath away.  Unfortunately, for those women, he is also VERY gay!  In the human world, Claude started off working as a stripper, but eventually transitioned into the dual careers of modeling and night club ownership. 

 In terms of  his personality, Claude is kind of an ass.  He’s rude, arrogant, shallow, super snarky, and massively self-absorbed.  And yet, Claude displays a soft spot for his sister, over whom he is extremely protective.  Later in the series, he develops a friendship with Sookie, and allows her a rare glimpse into his softer, more vulnerable, side.

Recently, the producers of True Blood have announced that the character of Claude will most definitely appear, during the show’s fourth season.  The role will be played by actor, Neil Hopkins.

Lost fans will likely remember Neil from his portrayal of Charlie Pace’s drug-addicted older brother, and fellow Drive Shaft band mate, Liam.

While certainly not a bad choice, by any means (Hopkins did an excellent job playing Liam on Lost, after all), I found the producers’ decision to cast Hopkins as Claude surprising, and a bit off-putting, for a number of reasons:

(1) Age:  Now, fairies are basically immortal.  So, age shouldn’t really make a difference.  Admittedly, however, Hopkins looks a bit older than the baby-faced Claude, who’s features stopped maturing at around age 20, in his book incarnation.  Then again, True Blood has been known to “age-up” its cast from the book to the small screen, particularly when it comes to its supernatural characters.

The 41-year old Stephen Moyer plays Vampire Bill Compton, who supposedly “died” around his 30th birthday.

34-year old Alexander Skarsgard’s Viking Vampire, Eric Northman, was purportedly turned into a bloodsucker by his maker, Godric, when the former was around 21-years old.

44-year old Kristen Bauer’s Vampire Pam joined the world of the undead, during the Victorian Era, when she was just 19.

Perhaps, an older-looking Claude was cast, so that he would be more believeable, as a twin for the mature-looking actress who is currently playing Claudine (see above).  Yet, part of me was definitely looking forward to True Blood roping  more “young blood” (or, at least, more young-looking blood) into its cast dynamic.

(2) Hair Care, Eye Color, Skin Tone:  While it’s nothing a trip to the hair-stylist, some colored contacts, and a little makeup can’t fix, I always pictured Claude as having jet black hair, ivory skin, and dark eyes, since that was how he was described in the book.  This image contrasts starkly with the light brown-haired, blue eyed, and tan complected Hopkins.

(3) Personal Appearance: Claude, as he was described in the books, is an impeccably groomed, assiduously shaved (assuming fairies even HAVE body hair, which they probably don’t), metrosexually dressed, and slightly effeminate male.  Hopkins, at least in the roles he has inhabited thus far, strikes me more as an overtly-masculine, rough-around-the edges, low-maintenance hombre, with a perpetual five-o’clock shadow.

(4) This is how I’m hot: While Pretty Boy Claude is drop dead gorgeous, in an almost feminine “he’s so beautiful it physically hurts to look at him” way, Hopkins strikes me as more of the “ruggedly handsome” type.

And finally . . .

(5) Drive Shaft, Drive Shaft, Drive SHAFT!  I’m actually really worried that, every time Claude appears on screen, I will instinctively begin belting out the words to “You all, Everybody!” 

(Those of you who were Lost fans probably know what I’m talking about here.  Those who weren’t . . . well . . . watch THIS . . .)

Then again, it’s possible that the reason I’m being so VERY nitpicky about the producers’ casting choice for Claude, is that NONE of MY top three choices for the role made the cut.  If you know me well enough, you can probably guess who those three choices were.  But I’m going to tell you them, anyway . . .

Now, let’s see . . . a tall, dark-haired, insanely attractive, smooth-faced male, who looks like he’s in his 20’s, is capable of playing a homosexual, and can exhibit a snarky, rude, and mean-spirited, persona, while still being inherently loveable.  Who on Earth could fill that tall order?  Oh .  . . I know . . . THIS GUY!

Of course, I’m talking about Ian Somerhalder!  Based on their respective physical and personality descriptions, it seems entirely possible that Claude and Damon Salvatore were separated at birth. 

 And those of you out there who doubt that a “ladies man” like Ian can play a convincing homosexual, need only watch the below clip from the 2002 film, Rules of Attraction, to be proven wrong .  . .

Sure, Ian’s a bit busy now, what with his STARRING role in The Vampire Diaries, and all.  But, considering that True Blood airs during the summer time, during his signature show’s hiatus, I’m sure the producers of both shows can work something out!  Then again, I love Ian so much, I’d probably cast him in the role of Sookie’s GRANDMA, if I thought he had a shot at getting the part . . .

R.I.P. Adele Stackhouse

So, Ian would probably be my first choice to play Claude.  However, if he was busy, my second choice would do a great job in the role as well . . .

Like Ian, Ed Westwick fits Charlaine Harris’ physical description of Claude to a tee!  Dark haired, dark eyed, with a sculpted physique, and the smooth baby-face of a guy in his early 20’s (Westwick is 23.), Ed effortlessly embodies the look of this magical character.  As Chuck Bass on Gossip Girl, Ed has also proven himself very capable of pulling off Claude’s unique and multi-faceted personality. 

Like Claude, Chuck can be rude, snide, arrogant, spoiled, and ever-so-slightly effeminate, but he can also be fiercely loyal, clever, and inherently likeable.  It also doesn’t hurt that Westwick is British, especially considering that all the “fairies” we’ve seen on True Blood so far, seem to possess a British accent.  (I’m not really sure what being British has to do with being a fairy.  But, apparently, the two are related in True Blood world).

My third and final Dream-Pick-that-Just-Wasn’t-Meant-to-Be for the role of Claude is Jason Dohring . . .

A few years back, Jason melted girls hearts the world over, as spoiled rich kid / brooding bad boy / hopeless romantic Logan Echolls, in the television series, Veronica Mars.  Logan had this special way of always being two things at once.  He was both snide and sweet; mean-spirited and kind-hearted, good-humored and ill-tempered, arrogant and insecure, popular and lonely, a lover and a fighter, a romantic and a cynic.  But above all, he was a guy fans loved, desired, and rooted for, no matter what jerky or douchebaggy thing he happened to be doing at the time.  If Claude was straight, and human, I suspect he’d be a lot like Logan Echolls . . .

But Claude is not just a loveable scoundrel, he’s also sophisticated and an impeccable dresser.  Can Jason pull that off?  YES HE CAN!

After the unfortunate, WAY BEFORE ITS TIME, cancellation of Veronica Mars, Jason Dohring landed the role of wealthy vampire Josef Konstantin in the short-lived CBS drama, Moonlight.  There, Jason showed himself to have a knack for fashion, as well as a penchant for silk and leather, two fabrics of which Clothes Horse Claude would DEFINITELY approve!

But, as I’ve mentioned, the casting directors at True Blood have already chosen their Claude, and it’s neither Ian Somerhalder, nor Ed Westwick, nor Jason Dohring.  It’s Neil Hopkins.  Therefore, I guess us fans just have to trust that they made the right decision.  

So, in THAT spirit (and to show there are no hard feelings), I’ve decided to end this post with a highlight reel from Neil’s portrayal of Liam Pace on Lost.  And I have to say, it’s pretty darn impressive . . .

Well, at least that’s my take on it.  Now, I turn the discussion over to you, fellow Fang Bangers.  Do you think Neil Hopkins will make a good Fairy Claude?  If not, who would you have chosen to inhabit the role?

[www.juliekushner.com]