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The Graveyard Shift – A Recap of Teen Wolf’s “Omega” and “Shape Shifted”

[I didn’t forget about you, my Pretties!  A recap for Pretty Little Liars’ “It Happened That Night” should be up within the next 24-hours.  I promise to try and make it extra special snarky, and screencappy, so that (hopefully) it will be worth the wait.]

 

Welcome back, Werebangers!  With a brand new, more than a bit porn-y, opening sequence . . .

. . .  and a slew of new characters on both sides of the werewolf / hunter divide, Teen Wolf’s actors and writers have promised that this season will be sexier, darker, gorier, and more frightening than the last. So, of course, this begs the question:  Did the first two episodes deliver?

Let’s review, shall we?

(As always, I’d like to offer a hearty were-banging thank you to my good pal Andre, for the awesome screencaps you see here . . . particularly the shirtless ones. ;))

-OMEGA-

Slippery When Wet

Jackson waits, while a school of female fish shove dollar bills in his underpants.

One thing can be said for the writers of Teen Wolf . . . they sure do know their audience.  Opening the episode with a wet, ripped-shirted Jackson, emerging from a river, in all his rippling pectoral glory, was an absolutely ingenious move.

 “Here’s the bite that I knew was there all along, but I’m going to pretend to be surprised about, so that you can look at my arm muscles, while I flex.”

In fact, I bet 98% of viewers were so aroused by the sight, they completely failed to realize that it had no significance to the plot, whatsoever.  Then again, lizards / shapeshifters enjoy the water . . . Like I said . . . brilliant.

Source 

You know what was slightly less brilliant?  This . .  .

“Weeeeeeeeeee!”

Scott Receives an Ultimatum / Gets the Runs

Poor Scott!  Only you (and some REALLY bad CGI graphics) can make the sight of a wolf-in-heat, rushing to hump his prime mate,  look like a constipated crab on acid.

“Doh!”

On one hand, I truly appreciated the effort the producers put into this scene.  It would have been much easier for them to go with the tried and true “Superman Effect,” in attempting to illustrate that Scott . . . um . . . runs fast, now that he’s lupine.  But we’ve all seen that before.  I can guarantee that you’ve never seen this.  So, it was something new . . . new and unintentionally hilarious.  But new, nonetheless.

We interuppt this Constipated Crab Moment to bring you a flashback  . .  one that presumably takes place in the not-too-distant past, but definitely after the events of the season finale.  Scott and Alli are hard at work sucking face in Alli’s car.  (At least, I think it’s Alli’s.  Scott still doesn’t have his own wheels, right?)

ALLISON” “Uh, Scott?  I don’t know how to tell you this, but you kind of have dog breath.”

SCOTT:  “Sorry.  I ate a squirrel on the way over here.”

All of the suddden, Papa Arent rips Scott out of the car by his shirt, and pins him violently against the hood of the car, pressing the barrel of a gun right into his skin.

Foreplay?

My first instinct was to think that this was a really dumb move on Daddy’s part.  After all, threatening a horny werewolf like that is the surest way of getting your cajones chewed off.  Then, I remembered that getting Scott to lash out is precisely Papa Argent’s modus operandi, just as it was with Derek, last season . . .

“Make . . . my . . . day . . . White Fang!”

One show of fang from Scott, would be all it took to permit Daddy to blow the former’s brain’s out under his so called “Argent Family Code of Honor.”  But, Code or no Code, having a gun in your face, or in the face of your boyfriend .  .  . well .  . . it kind of sucks.  And I suspect it’s that generalized suckiness that prompts Allison to tearfully cut a deal with her father, while remind the latter that this not-so big, not-all-that-bad, wolf had actually saved both father and daughter’s life, in the not-so-distant past.

“I’ll never see [Scott] again,” promises the girl who goes to school with Scott, has a locker fairly close to his, and even, if I recall correctly, shares a couple of classes with him.

Papa Argent relucantly agrees to this compromise.  (Papa Argent is kind of a moron . . . but hot, in that scruffy, middle-aged, Poor Man’s George Clooney-kind-of-way.)  Once Daddy-o is safely out of the picture, Scott andd Allison share an angsty hug on the roof of the car, as Allison tries to politely ignore the fact that Scott recently peed himself . . .

Back in Present Day, Scott and his goofy crab legs sneak into Allison’s bedroom windo wfor an impromptu sex session.  (Well,  that didn’t take long .  . . and I mean that in more ways than one.)

Now, don’t get me wrong.  I’m all for watching attractive people hump one another on my television screen.  Who isn’t?

On the other hand, I feel like we get scenes like this, between Scott and Allison just about every other episode.  Not to mention the fact that THEY ALWAYS LOOK EXACTLY THE SAME!  The same location . . . (Allison’s room / bed) . . .  the same fumbling awkwardness to the tune of blaring pop music . . . the same . . .  choreography.  In fact, you could probably cut and paste any Sallison sex scene from any episode, into another episode, without anyone being any the wiser.

From Season 1 

Now, I get that, as far as teen sex goes, monotony and awkwardness, is actually rather realistic.  I just kind of wish that these two would change things up every once in a while . . . you know .  . . for the fans!  For example, have sex in Scott’s house sometimes (His mom DOES work the night shift at the hospital,  after all.), try out a couple of different sexual positions (doggy style?), some rap music (Snoop Dog), a little role playing (Little Red Riding Hood), maybe even some fun costumes (dog collar).

In the couple’s defense, they do happen to be kind of pressed for time.  Not two minutes into the pop song, Mama Argent comes back for where ever the heck she was prior to this moment, and barges into Allison’s room.

SCOTT:  “Do you think we should . . .  I don’t know . . . like invite her to join in?”

ALLISON: “Scott, that’s my MOM!”

SCOTT: “I know.  But I don’t want to be rude!”

To say Mommy Dearest is suspicious of her daughter’s recent behavior is the understatement of the century.

That Mama Argent . . . she sure is one scary b*tch.  From her severe, woman-discharged-from-the-Marines-for-beating-up-her-comrades haircut, to her monotone voice, to those big alien eyes, to the way she not-so-subtly thrashes about Allison’s room opening closets, peeking under beds, and just barely failing to locate the naked Scott, now-hiding on the rooftop . . .

Best Christmas Decoration EVER! 

 . . . I’m pretty sure this was the most frightening scene in the entire episode.  And if you recall, this was an episode where SOME GUY GOT CHOPPED IN HALF!

Nevertheless, Scott somehow manages to escape from the Argent household undetected by the parental units.   He always does!

Meanwhile, over in the hospital . . .

It could have been worse.  She could have opted for a bath . . .

It’s safe to say that less than a week has passed since the events of last season’s finale . . . otherwise, Stiles REALLY needs a shower.  According to Scott’s mom, my loveable little Yoda man has spent every waking minute (and more than a few sleeping ones) holding vigil at Lydia’s hospital bedside, as she recovers from the unfortunate “Alpha Mauling” she suffered, during her prom.

We find our hero, dozing on an uncomfortable chair, and engaging in a rather naughty conversation with some dream girl . . . or maybe boy.

“Oh Derek! You look so good wearing my t-shirt.  Now take it off.” 

“You’re SO dirty,” a sleeping Stiles muses, as a smile creeps across his lips.  “You first.  No, me first?  Well . . .”

Source 

Needless to say, I would PAY to get inside that dream sequence.  As a groggy Stiles awakens to hit the vending machine, we turn our attention to Lydia, who rudely (but wisely . . . we all know what 75% of the parents are like on this show) rejects her father’s offer to help her into the shower.  As our heroine lathers herself,  we notice that the water beneath her feet is becoming increasingly tinged with black goo.  Not cool at all!

Rather than stepping out of the dirty shower and calling an attendant, like most normal people would do in this situation, “self-sufficient” Lydia decides to play plumber, digging into the disgusting drain with her bare hands.  Now, the black water is almost up to her knees.  She brings her hands upward to find piles and piles of  . . . HAIR.  Lydia cries in disgust, but she still doesn’t get out of the tub until SOME DEAD GUYS HAND GRABS AT HER FROM THE DRAIN . . .

Need a hand? 

Cue the screaming . . .

I find it interesting that everyone on the show, including Stiles and Scott (who at this point is miles away) recognizes Lydia’s trademark screams.  Stiles promptly abandons his happy reunion with the Reeses Pieces he freed from that stubborn vending machine, and rushes to his lady love’s side.  But when he and the doctor’s arrive . .  . wait for it . . . she’s gone!  Oh, and the water is sparkling clean and hair free.  Go figure!

Oh, P.S., in her haste to escape the Evil Man Hand, Lydia forgot something very important . . . her clothes.   Way to go, Lady Godiva!

Always the smartest kid in the room, Stiles cleverly snags Lydia’s hospital gown, so that his doggy friend can track down her scent.  Yoda then promptly reunites with Allison the Werewolf Slayer and Teen Wolf,  in hopes of finding Lydia before the Argents do.  The image of  Scott riding with his head out the window like a Golden Retriever, sniffing the wind, will likely stay etched in my memory forever.  In fact, I think it’s some of the best acting we’ve seen Tyler Posey do, since this show started.  No joke.

“It’s hard to smell Lydia in the middle of all this gasoline and roadkill.” 

Meanwhile, over at Kate Argent’s grave . . .

Pet Cemetery

Some teenager is operating a crane to dig the hole in the ground that will eventually include the body of Kate Argent.  We know this teenager is important, because he’s attractive.  And no attractive faces go to waste on this show.  (By the way, what kind of cemetery hires a 16-year old to operate heavy machinery like that in the middle of the night?  That’s just bad for business.)

“Child labor laws are for wimps.  My little brother delivers newspapers in his diapers.” 

Random Teen Who We Don’t Know Yet, hears a gross munching sound, and finds a werewolf munching on the liver of one of the deceased.

The werewolf notices the teen, and easily upends the crane.  Now, Random Teen We Don’t Know Yet is stuck under a crane in the grave he just dug for Kate Argent, just waiting to be eaten.  But worry not, Random Teen!  Derek is here to rescue you!

This almost makes getting buried alive worth it . . . 

Just hanging out . . .

Elsewhere, Scott’s cute little doggy nose has led his search party to the area outside Derek’s house, sight of . . . well . . . pretty much every bad thing that’s ever happened on this show ever . . . Then again, it’s also where we first got to see this . . .

Stiles finds something he thinks might be a clue.   “Hey!  Is this a trip wire?”  He exclaims excitedly.

And Stiles is supposed to be the Smart One . . . 

Whoops!  Next thing you know, Scott’s hanging from a tree.  Thus, proving that even Yoda makes mistakes.  The Argent hunters arrive shortly thereafter, and some threatening words are exchanged between Scott and Papa Argent.  The latter intimates that he suspects Lydia of being a newly turned werewolf, and if he finds her, he’ll chop her body in half.  What a swell guy!

 I actually think Lydia’s not a wolf, but, rather, a Banshee Death Alarm.  But hey, what do I know?

Jackson’s “Time of the Month”

The following morning, the cops are on the lookout for Lydia and the graverobber who attacked Random Teen and ate some corpse’s liver at a cemetery.  (Could the two be one in the same?)  Stiles dad the Sheriff (Remember him?)  questions Random Teen along with his father, a.k.a. The Guy who played Mitch Leery on Dawson’s Creek.  I swear, Dawson’s dad hasn’t aged a day.  He must be a vampire.

Or the Flash . . . same difference. 

Derek approaches Jackson for help finding Lydia, since (1) the three of them are presumably all part of the same were pack now; and (2) well, Jackson DID date the girl, after all.  But Jackson has no interest in becoming part of any pack OR helping his ex girlfriend not be chopped in half.  Jackson is clearly a total sociopath . . . one who’s mean to homeless hippy werewolves.

Source 

He’s also bleeding profusely out of his nose and ears . . . black blood . . . kind of like the stuff Lydia found in her shower.

Ease up on the coke . . . man.

Some might say that getting a female period in your nose is the price you pay for being an asshat.  But Derek clearly has a bigger heart than I do.  He looks legitimately worried for Jackson, when he tells the latter that the excessive bleeding is a sign that his body is rejecting the werewolf bite.

Your face may be all f*&ked up.  But you’re ass is clearly open for business.”

This, of course, begs two questions: (1) Why is Jackson’s body rejecting the bite, when Scott’s didn’t?  (Is it simply because there’s still wolfsbane in his system, or is there a more interesting reason, like, for example something in Jackson’s lineage?), and (2) What are the repercussions of this for Jackson?  (Will he die?  Will he eventually turn into the so-called “Abomination” hinted at in the trailers for this season?  Will he need to constantly have tampons hanging out of his nose?)

Four Maulings and a Funeral

Back at school, we are reunited with some old characters . . . like that Creepy Chemistry Teacher everyone used to think was the Alpha, who REALLY has it in for Stiles, after the latter’s father tried to peg him for murder  . . .

No reason for this picture.  I just wanted to share with you the awesomeness that is Stiles’ t-shirt . . . and this is coming from someone who doesn’t ever want to have kids . . . 

. . . and everyone’s favorite Crackpot Lacrosse Coach .  . .

Separated at birth? 

We are also introduced to some new characters, like the weird (but, of course, still attractive) guy with the camera, who seems to have a real hard-on for Allison.  (Doesn’t everybody on this show?)

“I fulfill the show’s emo quotient.  I also might be a shapeshifter who takes pictures of people and thinks so I can assume their forms at a later time.

There’s also a sweet scene in which Scott comforts a distraught Allison, as she prepares to attend her aunt’s funeral . . . you know . . . if you are into that sort of thing . . .

. .  . sweet scenes, I mean, not funerals  . . . though, of course, you might be into those too.

At Kate’s funeral, the press and that creepy camera guy are all hounding the Argents.  Then this old  guy comes and breaks creepy camera guy’s film cartridge, after the former snaps some pictures of Allison.

“Dammit.  I knew I should have used my iPhone instead.” 

Turns out, this is her grandpa, and he’s one scary dude.  In fact, Grandpa Argent and his Crazy Eyes make Papa Argent look like Big Bird by comparison (Not Mama Argent though . . .  she’s still the scariest.)

Stiles and Scott watch these events unfold before them, as the pair hide behind and old gravestone.  Always trying to keep things positive,  Stiles suggests that possibly Gramps and the rest of the Argents are just here for the funeral.  But Scott knows better.  “They are reinforcements,” he says glumly.

“You know, Stiles’ dad is kinda buff.  Maybe’ HE’S the lizard.” 

Then Stiles’ dad finds the scheming pair, and drags them back to a squad car.  They aren’t there long though.  A call comes in about someone attack an ambulance and eating it’s already dead passenger.  Stiles and Scott, of course, immediately assume it’s Lydia doing the eating.  How rude!

As soon as the two can get away, they form their own search party in the woods.  “Just find her,” pleads Stiles, in regard to his lady love.  (Sigh!)

Source 

Shortly thereafter, Scott smells wolf and takes off in the direction of the stench.  Turns out, it’s not Lydia at all.   It’s that dirty hippie wolf who’s been eating all the dead people.  Go figure!  The two tussle, but Scott eventually loses sight of the guy, until that is, the latter gets tripped up by, you guessed it, another trip wire.

Worst . . . gig . . . ever .  . . 

Enter the Argent Family . . .

He didn’t really need those pesky legs anyway . . .

Grandpa Argent has a big f*&king sword . . . I’m talking Medieval, Game of Thrones sh*t here.  As he waves around his surrogate weiner, Gramps waxes poetic about Omega wolves, who, for whatever reason, lack pack affiliation, and therefore are weak, and easily killed.  Dirty Hippie Wolf tries in vain to defend himself.  He was just looking for the Alpha, he swears!  He didn’t hurt anyone living . . . and therefore never ran afoul of the Argent’s precious Code.

Too bad for Wolfie, that Gramps doesn’t need no stinking Codes.  He slices through Dirty Hippie Wolf’s bottom half like it’s butter.  There’s this creepy moment where the wolf looks down at his now half-body with fascination, before bleeding to death.

“This is SO COOL!  Oh wait . . . no it’s not.  They cut off my balls too.” 

Scott, who’s watching from a distance is understandably horrified.

“Derek, this is really not the time to get handsy.”

Fortunately, Alpha Derek has arrived to comfort him . . . and give him a big ole man hug . . . which probably would have been a lot more appreciated, if he had actually lifted a finger to save Dirty Hippie Wolf.  He didn’t.  But hey.  You can’t blame a guy for wanting to literally save his own balls from being dismembered from the rest of his body.

Never one to give up a good teaching moment, Alpha Derek chooses this inopportune moment to remind Scott why it’s a REALLY good idea to be part of pack, if you don’t want to lose your legs.  “Look at them.   This is what they do,” Derek says fiercely, forcing Scott to look at the bloody corpse.  “This is a declaration of war.”

Apparently Gramps thinks so too, as he tells an admittedly freaked out Papa Argent, in no uncertain terms that the “Code” ceased to exist the minute Kate Argent croaked.  Weak wolves, new wolves, pansy wolves, naked chicks running around in the forest, Gramps wants to cut them all in half, just because he can.

“We’ll find them, and we’ll kill them.  We’ll kill them all,” Gramps declares ominously.

Elsewhere, a naked Lydia emerges from the forest looking for a coat.

Source 

Stiles has never been so jealous of a coat in his life . . .

-SHAPE SHIFTED –

Nice knowing ya, Dawson’s Creek Dad (except . . . not really)

Now we’re at Random Teen’s house.  (I told you this guy was important.)  Apparently, his name is Issac and he’s getting a D in chemistry.  That’s all we know about the character at this point.  Oh yeah, and did I mention his dad’s a psychopath?

 As far as depictions of domestic abuse go, this one is pretty top notch.  You can feel the tension in Isaac’s body as he carefully evades his father’s seemingly harmless questions about his grades, like a soldier navigating his way through a field covered with landmines.  And man, is Dawson Leery’s dad terrifying . . . Sure, he’s saying all the right things . . . encouraging his son to be honest, and telling him it’s OK that his grades aren’t up to par.  But just below the surface there’s an undercurrent of viciousness, a killer’s instinct.  When Bad Dad starts tossing plates at his son, we know immediately that this is far from the first time.

“Dawson would never put up with this sh*t.” 

Then again, it IS probably the first time that Isaac has been able to HEAL himself from his father’s abuses.   That’s right boys and girls.  We have a new werewolf!

Upon realizing what has just occurred, Isaac escapes on his bike, with Bad Dad in hot pursuit.  Part of me was waiting for the character to get into a car accident, because he dropped his ice cream cone on the front seat of the car, and bent down, like a total moron to pick it up . . . which, some of you might recall is precisely how Bad Dad’s Alter Ego, Mitch Leery bit it on Dawson’s Creek.

But Bad Dad’s fate is much worse.  When he emerges from the car, he learns that something is watching him . . . and that something is definitely not a werewolf.

He kind of looks like This Guy . . .

 Does the fact that I cheered just a little bit when that Lizardy Thing mauled Bad Dad in his car make me a bad person?  That’s what you get for abusing hot twenty-somethings posing as teens . . . and, of course, spawning that turd, Dawson Leery . . .

New wolf Isaac rushes to his Alpha Derek for help, swearing up and down that he didn’t kill his father . . . though clearly, he can’t be too overwrought that the douchebag is dead.

Well, that’s one way to get a job, during the recession . . .

Elsewhere, Scott and Allison are making out again.  Snore . . .

Oddly enough, I’m much more interested in what Allison’s parental units are doing on their so-called date night.  Here’s a hint, it involves kidnapping Allison’s principal and sticking massively large guns in his face, until he promises to resign from his post.

“Coincidentally, this is also the size of my secret weiner.” 

Watch out Beacon Hills High!  Principal Gramps is coming to get you!

But she lost NINE POUNDS!

Poor Lydia.  Being known as “That Naked Chick” who ran around in the woods for a weekend isn’t exactly garnering her the popularity she thinks she deserves .  . . even though she did lose nine pounds!  (Banshee diet, I guess.)

Source 

Her ex-boyfriend Jackson isn’t exactly offering her comfort either.  The asshat basically tells her that if he had it to do over again, he wouldn’t save her life.

Oh, and P.S., she should watch out for the Full Moon.  It’s not exactly a scene out of Lydia’s favorite movie, The Notebook.

Scratch and Sniff Lacrosse

Speaking of Full Moon preparations, Stiles knows exactly how to handle Scott’s “time of month” this time around . . .

Fifty Shades of Stiles?

Too bad it makes him look like an S&M fetishist in front of his coach . . .

In the locker room, Scott smells something aside from the usual B.O., dirt, and aftershave.  There’s another wolf on the premises.  The question is who?  Scott has a plan to figure it out,  one that involves playing goalie turning team practice, and rushing out of the goal to tackle and SNIFF all his teammates, until he finds the one that smells like dog.

Needless to say this is probably my favorite scene in the entire episode.

Coach Crackpot quickly asked Stiles what was wrong with his friend .  . .

Source

Weird Camera Guy passed the Scratch and Sniff test with flying colors.  As did Danny, who got bonus points for smelling awesome.  “It’s Armani . . . my cologne,” Danny exclaims proudly, as Scott fights off the urge to make love to him right there on the Lacrosse field.  (It’s the one time during this episode that I wished MTV had smellovision.)

Jackson noteably escaped from practice, before Scott could smell him, probably because he worried about what the latter might find in his scent . . .  wolf?   death?  Or something much worse?

Eventually, it’s Isaac’s turn to square off with Scott.  Cue the matching colored contacts.  It’s like love at first were-bite.  “Please don’t tell anyone,” Isaac pleads.

Unfortunately, this conversation is cut short by the cops, who take Isaac in for questioning about his dead dad.  Scott knows full well that the idea of a brand new wolf locked in a not particularly well-secured holding cell during a full moon isn’t good for anyone.  “You know how I said I no longer have the urge to kill?”  Scott muses to Stiles.  “He does,” Scott said of Isaac.

It was an interesting moment, one that intrigued me quite a bit about Isaac’s character, and what type of wolf he will become.  Clearly, this is someone who’s been abused and beaten down, emotionally and physically all his life.  That kind of persistent torture makes you feel weak and powerless.  It makes you vie for an escape, some avenue of control in your life.  Derek likely saw this in Isaac, and knew that, as a result, he would be amenable to undergoing the transformation.

Yet, Derek’s decision to turn Isaac might not have been completely altruistic  After all, he’s a packmaster at war, now.  And to fight a war, you need good soldiers.  I suspect that Derek also saw in Isaac exactly what Scott is seeing now . . . an untenable rage, bubbling just beneath the surface.  That rage could make Isaac an excellent warrior.  But it also makes him a potential loose cannon.

Nevertheless, Scott clearly feels a kinship with Isaac, that goes beyond mere pack membership.  He sees him as a man who’s been wrongly accused.  And he wants to help him, by breaking him out of the pokey . . . which, of course, means Stiles has to help him too.

Teen Wolf and Yoda to the Rescue

Back at school Stiles’ Sheriff dad is questioning Jackson, who also happens to be Isaac’s next-door neighbor.  Jackson callously admits that he knew Isaac was a victim of abuse, but that this was “not his problem.”

Ugh!  Jackson, you suck!  I don’t care how good you look in a wet t-shirt.  I hope your nose and ear bleed travels to your ass . . .

Back in chemistry class, Scott and Stiles are desperate to know what Jackson is telling the police about Isaac.  And the best way to figure that out is an impromptu trip to the principal’s office  . . .

Of course, Scott and Stiles haven’t yet been informed about the new principal at their school, but they are about to find out . . .

Principal Gramps clearly has done his homework on these too, especially Scott, who he notes is Allison’s “ex-boyfriend.”  It seems pretty obvious that Gramps knows Scott’s a wolf.  And yet, he doesn’t immediately chop him in half, like he did the Hippie Wolf.  The question is why.  I’m thinking it’s because he has bigger plans for Scott . . . plans that might just involve using him to locate the rest of his pack.

Ever the loyal friend, Stiles opts to take one for the team, by stewing in detention, while Scott dashes off to rescue Isaac, who has just been carted off to jail, just as he predicted.  Of course, Derek magically appears at this moment, to help with the “war effort.”  With his leather jacket, and dark glasses, Derek kind of looks like The Terminator . . . only hot  . . . and without the Austrian accent.

Source

Derek has something to show Scott . . . something that could seriously hurt Isaac’s murder defense, if the cops find it . . .

Elsewhere . . .

The Most Boring Sex Tape Ever

Jackson gets Weird Camera guy to lend him a video camera for 100 bucks so that he can make a solo sex tape.  Just kidding.  He wants to videotape his werewolf transformation.  He flexes for the camera a few times, before heading to sleep.  And that’s all that the camera catches . . . eight hours of Jackson . . . alone . . . in bed.

Needless to say, this tape won’t get as many hits on YouTube as the one Kim Kardashian made.

So, it appears Jackson is still 100% Grade A douchebag human . . . or is he?

The House of Hor-weres

The minute Derek alluded to Isaac having a worse motive to kill his father than run-of-the-mill battery, I thought the kid might have been sexually abused.  The writers don’t necessarily go that far with the character.  However, we do get to see Isaac’s dad’s unique idea of punishment, which, apparently, involved locking his son, in an icebox for extended period’s of time.  Oddly enough, this gives Scott an idea . . .

Back at the Argent’s, Gramps and Papa are also discussing Isaac’s case, and whether or not they have enough proof to chop him in half.  Allison tries to listen in, but they shut the door in her face, in a very Godfather-esque way.  Allison does learn part of her family’s plan however.  It involves a sheriff taking wolfsbane into Isaac’s cell, enough of which will kill him.

You know, I like you a lot better, when your tongue isn’t permanently attached to my best friend’s face.”

Allison calls Stiles (Nice to see these two teaming up for a change.), and together they devise a plan . . .

Those Meddling kids

You remember last season how solid Alli was with a crossbow, right?  Well,  this week she uses those skills to put a flat tire in the wolfsbane carrying cop’s car, and to shoot him in the leg.  I’ve never really been an Allison fan.  But even I’ve got to admit that’s pretty bad ass.

Gives new meaning to the term “woody.”

Allison then heads to Isaac’s house (Isn’t that a crime scene?  How are all these people just entering and leaving it, willy nilly?), while Stiles bounds off to jail to somehow save Isaac,  who’s undergoing his first wolf transformation, as we speak.

In the basement of Isaac’s house, Derek again pitches his “Be All That You Can Be In My Pack” speech to Scott, who lectures his new packmaster on his seeming need to turn every lost soul in Beacon Hills into a werewolf, without properly informing them of the risks.  “I can make you a better werewolf.  I can teach you to use ALL your senses . . . not just your nose,” Derek teases his new pal, before heading off to the jail, himself.

Enter Allison.  She and Scott share some kisses and more angst, before Scott finally convinces her to lock him in the icebox during his transformation.  She hesitates, but ultimately obeys.  Moments later, that THING arrives.  It’s the same one that killed Not-Mitch Leery.  It sidles toward Allison, and she screams, grabbing her teeny tiny knife for protection.  (Where’s her crossbow?)

Scott hears her terror, and breaks out of his icebox, half-wolfed out, just in time to see the THING sprout lizard legs,  crawl on the ceiling and exit stage left.

“What the heck is that?” We wonder.  My pal Andre has an idea.

Of course, the more pressing question, for purposes of the show, anyway, is WHO is that?  My early money is on Creepy Camera Guy, (1) because he already seems kind of obsessed with Allison; (2) because he’s on the same lacrosse team as Isaac, and probably knew about his home situation; and (3) because his appearance thus far in the series has been totally random and seemingly useless.  (I mean, honestly, couldn’t Jackson have bought his own camera?)

Anyway, that’s my theory.  What’s yours?

My Hero!

Meanwhile, at the jail, Derek and Stiles are shamelessly flirting with one another.  Derek brags that he can easily distract the female guard with his hotness, while Stiles rescues Isaac.   Stiles watches Derek charm the pants off of the lady cop, clearly jealous . . . though it is uncertain whether it’s Derek or the cop that are earning most of his jealousy.

“That boy is such a tease.  I’m not letting him borrow my shirts anymore.   That’s for sure.  Fool me once, big guy!”

By the time Stiles gets to Isaac’s cell, two important things have happened (1) Wolf Isaac broke out of his cage; (2) Limpy, the wolfsbane carrying cop, who Allison shot, has returned to the jail.  Isaac promptly attacks and disarms him, before turning his attention on a now-scared sh*tless Stiles.  Worry not though, it’s Derek and his ruby eyes to the rescue.

All he has to do is show his teeth to Wolf Isaac, and the latter starts cowering in the corner.   “How did you do that?” Stiles asks, breathlessly, passion in his eyes.  (Yes, I know I’m laying it on thick. ;))

“I’m the Alpha,” Derek says confidentally,  before exiting stage left.

I’m not sure if it’s that simple though . . . One could argue that Isaac submitted to Derek’s will, not because Derek is the Alpha, but because Isaac instinctively fears abuse from his parental figures.  Would Scott have yielded in this situation?  Or Jackson?  Or Lydia?  Only time will tell . . .

Stiles’ dad enters the jail, just in time to find Stiles standing awkwardly in a room filled with one unconscious werewolf, and one unconscious sheriff.  “He did it,” Stiles exclaims adorably, pointing at Isaac.

It’s a brilliantly understated ending to a well-written pair of premiere episodes.  Don’t you think?

[www.juliekushner.com][Fangirls Forever]

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Managing Expect-A-tions – A Review of Pretty Little Liar’s Season 2 Finale “UnmAsked”

[Brief note: This post is simply a “review of” and “reaction to” “UnmAsked.”  A full recap will follow . . . eventually. :)]

Strait jackets .  . . all the cool psychopaths are wearing them . . . 

Greetings, my Pretties!  This week, PLL wrapped up its sophomore season with a season finale that was arguably as polarizing as “A” herself.  Thousands of frustrated fans flooded the message boards, Twitter, and YouTube to express their discontent with the way the season concluded.

Meanwhile, others rushed to defend the controversial choices made by the writers and producers.

The source of this controversy, of course, was the identity of “A” . . . the technologically savvy, ridiculously snarky, and seemingly omniscient super villain, who had been torturing the titular Pretty Little Liars, since the pilot episode.

And while I suspect a large number of fans were surprised by the reveal, it wasn’t necessarily for the reasons the writers intended . . .

Truth be told, this was far from the first time a television series that had been based on a book series chose to remain faithful to some of those novels’ main plot points.  Many television shows have successfully done this, without provoking the inevitable ire of the fandom.  Back in 2008, True Blood was applauded for its faithfulness to the murder mystery storyline that comprised the first book of the Sookie Stackhouse book series (serial killer included).

A season later, they were applauded again for creatively diverting from those same books, in order to save the life of a beloved character, who notoriously met his demise on the first few pages of the series’ second novel.

More recently, in 2011, the producers of Game of Thrones received critical acclaim for their almost slavish loyalty to the book series on which it was based.  Critics particularly appreciated the show’s courageous decapitation of the show’s main character, a moral and mostly likeable protagonist, who also happened to be played by a rather well-known and popular actor.

So what made PLL the high school outcast of this group?

The difference in this situation, I think, was that the producers, writers, and cast of PLL failed to properly manage expectations regarding what viewers could expect to see in the season’s final episode.  In what was undoubtedly an attempt at last-minute damage control, Pretty Little Liars showrunner, Marlene King, assured fans that she had never explicitly told fans that the identity of “A” would be different from who it was in the books.  And yet, when countless articles, and press releases, like THIS ONE, and THIS ONE posited this very theory as stemming directly from King, herself, she never exactly disabused fans of this notion, either.

So, when Mona van der Waal acted so RIDICULOUSLY guilty, throughout the show’s second season, that she all but wore a neon sign on her back that said, “I AM A,” recappers and reviewers, like myself, pointedly avoided listing her as our main suspect, simply because we took for granted the fact that the writers weren’t going to go there.

 

So, when they did, in fact, go there, we couldn’t help but feel a bit disappointed and betrayed.

And that’s a shame, because it undermined the integrity of what was, by many other respects, a pretty solid finale episode.

Truth be told, of all the possible “A” suspects — with the exception of, perhaps, Not-so-Blind Jenna, and maybe Lucas — Mona had the best motive to be “A.”  After all, she had been shamelessly tortured by Ali throughout most of high school, while the rest of the PLL girls stood idly by, and let it happen.

To make matters worse, Hanna, Mona’s self-proclaimed “one true friend,” has been noticeably distant from Mona, throughout the series, consistently ditching her to engage in “A-Sleuthing” with the rest of the liars . . . (of course, it could be argued that Hanna’s recent absence from her life was actually MONA’S fault).

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And yet, I would have liked to see the producers push the boundaries a bit, by not necessarily going with the most obvious choice for “A.”

We’ve seen the writers take chances like this, earlier in the series, in a number of ways: by introducing new characters, who weren’t in the books, choosing not to kill characters who died in the books, and, in one particular instance, killing a character who DID survive the series.  So, why not do it again, in this instance, by changing the identity of “A” to someone unexpected . . . someone who seemed a bit less . . . for lack of a better term . . . shady?

Or, conversely, I would have liked for the writers to simply be honest about the direction in which the story was headed, by saying something like this: “There are some aspects of the television series that pay homage to the books.  But even faithful book readers will find some surprises in store for them in the season finale.”

This, at least, is a true, and non-misleading, statement.  After all, the finale DID have some surprises contained within it, even for fans of the book series . . .

Unlike a lot of other series’ season finales, which tend to be slow-moving and uneventful, until the last ten minutes of the episode, “UnmAsked” definitely FELT like a season finale.  The episode moved a long at a brisk pace, throughout the hour.

And the genuinely creepy locales where the drama unfolded . . .  for example, the Psycho-inspired motel (complete with its very own Norman Bates, lookalike) and accompanying Shower Scene . . .

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 . . .  the Masquerade Ball filled with strangers and unsavory looking characters . . .

. . .  the abandoned road on a dark and stormy night, A’s “Lair” which looked like it would have been right at home in the first hour of any episode of Law and Order, SVU . . .

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 . . . only added to the building excitement, and unshakeable feeling of impending doom.

I was also really impressed with the acting in this episode.  As the unhinged Mona, Janel Parrish was just the right mix of campy crazy, unintentionally hilarious, and genuinely terrifying.

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Hanna’s shock and sadness at learning her so-called bestie was a total wackadoodle, who HIT HER WITH A CAR, felt real to me.

Shay Mitchell’s Emily literally had me in tears, during the episodes heartbreaking final moments . . . And this is coming from someone who was never a Maya fan.

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(I also adored the parallel between the pilot episode’s Body Discovery, and this one.  That background song they played during both, will haunt me for the rest of my days . . .)

And who could forget the unbeatable Team Sparia, who provided the episode’s only evidence of comic relief . . . not to mention a nice nod to a certain segment of the fandom?

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Speaking of ships,  fans of Ezria . . .

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Spoby . . .

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  . . . and Haleb . . .

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 . . .  all had something to cheer about, when the aforementioned couples each received their respective Happily Ever Afters Nows, this week.

Of course, I still wanted my Wren to make an appearance . . . (Damn you, writers!  DAMN YOU!)

And while the episode did answer some of the major questions plaguing fans throughout the series, it also presented us with plenty of new ones to get us excited for the upcoming third season (which is set to premiere this summer).  Here are just some of the questions that were swimming around my head, after “UnmAsked” concluded:

(1) Who exactly is on the A Team?

Was Mona REALLY it’s leader?

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 (And why didn’t Spencer “join it,” when she was given the chance?  I mean, wouldn’t that have been the perfect way to keep your ENEMIES CLOSER?)

(2) Which mysterious female dressed as The Black Swan at the Masquerade Ball?

(3) Who was Not-so-Blind Jenna talking to in the park, and what mysterious item did she give her (because it looked much too small to be the Black Swan costume)?  And WHEN DID SHE GET HER DRIVER’S LICENSE?

(4) What the F is the deal between Abs Toby and Dr. Sullivan (a.k.a. as the lame shrink who got scared out of town by an eighty pound high schooler?  Is he her son, or what?  How much did they know about what was going on?  And why was it necessary for Toby to “pretend he didn’t love Spencer?”

(5) Who exactly was the creepy chick with the red dess and gold mask at the Masquerade Ball?

And was she the same creepy chick who visited Mona in the loony bin, at the end of the episode?

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(6) Does Mona’s have Supernatural Powers, which enabled her to BEAT UP Spencer and Emily, on separate occasions, and CARRY SPENCER INTO A CAR?  (Oh and how lame was Dr. Sullivan’s explanation of her PSYCHOSIS?  How exactly does being a psychopath, make you seem omniscient to OTHER PEOPLE?  Where exactly did this b*tch go to shrink school anyway, Dunkin Donuts?)

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(7) Did the flashback featuring Mona and “Ali” dressed as Vivian Darkbloom actually happen?  Did “Ali” really not pick up the phone, when Mona called her, like Mona said?  Or was being “A” the price Mona paid for her so-called popularity?

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(8)Who killed Maya (assuming Maya is actually dead) and why?

(9) And, perhaps, most importantly, “WHERE’S MY WREN?”

So, tell me, my Pretties, what were your thoughts on the Season 2 finale?  Were you disappointed that Mona was “A?”  What are your expectations for next season, in light of some of the cliffhangers / new mysteries introduced here?  Feel free to vent to your heart’s content, in the comment section below.  I’ll see you there!

[www.juliekushner.com][Fangirls Forever]

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Filed under Pretty Little Liars

“Follow me . . . End up like me.” – A Recap of Pretty Little Liars’ “If These Dolls Could Talk.”

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Thank you, PLL, for reawakening my childhood fear of being murdered in my sleep by my neighbor’s Ugly Doll Collection . . .

Greetings, my Pretties!  This week’s installment of PLL was definitely not for the faint of heart.  It featured ghosts . . . things that go bump in the night . . . ugly evil demon dolls . . . ugly evil demon kids . . . old ladies that talk like the witch from The Wizard of Oz . . . one VERY dead fly, the sister from hell, and worst of all, MONA KISSING CALEB!

 But those of you who watched the episode hidden behind pillows, or with your hands covering your eyes, did so at your peril.  After all, next week’s episode features A’s big reveal.  And that means this one was chock full of clues as to his or her true identity.  So, be brave, my Pretties.  And follow me toward another Pretty Little Recap . .  .

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Better ease up on those pain meds, Spencer . . .

Oh, dear, sweet, sexy accented Dr. Wren!  Not only are you insanely easy on the eyes, you also dole out the GOOD pain meds to your girlfriends . . . even though the only injury they’ve suffered recently is getting a few sprigs of glass in their palms.

“Your love is my drug, Doctor . . .” 

We begin this episode with the usually-uber-alert Spencer, passed out and drooling, on the Hastings’ living room couch.  Suddenly, there is a loud crash in the living room, followed by the sound of someone noisily thumbing through Spencer’s purse.  As it turns out, that someone just so happens to be Dead Ali (who we would expect to be a lot more stealthy, given all we know about her).

Not to mention the fact that . . . oh, I don’t know . . . she’s DEAD!

This is actually the third time we’ve seen Ali appear to one of the girls, while they are in a “less than sober” state.  The first time we experienced this was with Hanna, when she was in the hospital, after having been hit by A’s car.

The second time, it was Emily’s turn, when “A” locked her in a garage, and she asphixiated on the fumes.  (Don’t be surprised if Aria ends up with a concussion, next week, after some rough sex with Fitzy goes south, so that she can see Ali too . . .)

What’s intriguing about all these Beyond the Grave exchanges is that, as the viewer, you are never 100% sure they are the hallucination they claim to be.  After all, following these sequences, Ali always seems to leave the “sleeper” in question, with some sort of souvenir of her presence.  And yet, since the Liar in question believes herself to be dreaming, she never gets the opportunity to ask “Ali” the questions she would likely ask her, had she encountered her in a more lucid state.

Take for example Spencer, our resident super sleuth.  She is so frustratingly dense, during this exchange with Ali, I nearly threw my shoe at the television.

And because she failed to ask “Ali” a single pertinent question, throughout the entire exchange, it was up to Ali, herself, to offer the cryptic comments and clues we will inevitably be analyzing, this week.  Proponents of the “Melissa is A” theory, will undoubtedly harp on Ali’s comment that Spencer “deserves a good sister,” thereby not-so-subtly implying that Melissa is NOT one.  Well, I could have told you that . . .

Best  . . . sister . . .  EVER! 

And yet, merely being a horrible person, with a terrible personality, and few redeeming qualities, doesn’t necessarily make you a murderer . . . nor does it make you a relentless stalker of your little sister and her friends.  Does it?

More intriguing, to me, anyway, was THIS comment  . . .

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 I thought Ali’s choice of the word “parked” was a rather unusual one. It’s just not the type of phrasing you would expect a teen like Ali to use . . . It’s kind of old-fashioned, and, for lack of a better term, “nerdy.”  Given that, I can’t help put think that Ali used the word “parked” specifically to make reference to a certain car . . .

The most obvious car reference would seem to point to Police Boy Garrett, who’s car was most recently spotted in front of Not-so-Blind Jenna’s house, and has literally seemed to follow Spencer everywhere she goes this season.  But it also could be referring to the car Spence purchased for Toby.  If you recall, Toby returned this car to Spencer’s driveway, when he left town.  And, as far as we know, he hasn’t retrieved it yet.

Another car that played a major role in the series was the one that hit Hanna at Mona’s party, back in Season 1.  And of course, we can’t forget Fitzy’s car, site for many a passionate make out session, throughout the course of the show . . .

Ali’s parting words to Spencer were that she was “getting warmer,” which I guess, after two season of seemingly endless wrong turns, on Spencer’s part, regarding this mystery, must be nice to hear.

I mentioned earlier that Ali always seems to leave something behind following these “dream sequences,” that causes the Little Liar, as well as the viewer to question whether the scene actually occurred in real life.  This time, however, it wasn’t what Ali LEFT BEHIND that was important, but, rather, what she took.  Presumably, Spencer’s pain medications were in her purse when she fell asleep.  And yet, when she wakes up, not only are they on the counter in front of her, they also seem to be a couple of pills short.  Oh Ali . . . don’t you know abusing drugs could kill you?  Er . . . nevermind . . . pill pop away, Pretty Little Corpse .  . .

In which Emily, Hanna, and Aria’s parents all get BUSTED . . .

It’s a bad day for being sneaky, this week, on PLL . . . a lesson Emily, Hanna and Aria’s parents all learn the hard way, when they try unsuccessfully to hide pertinent information from their friends and lovers.  First up is Emily, who receives an angry, “How could you rat me out to my parents?” type text from the still-missing Maya.

OK . . . now I’m positive something is fishy about her disappearance.  First of all, how would Maya know that Emily had contacted her parents, if said parents had no way of reaching her, since even Emily couldn’t pinpoint her exact location?  Second of all, why is Maya texting Emily from her own cell phone?  Isn’t she the least bit concerned that Emily will trace the call, and tell her parents exactly where she’s hiding?  It just seems odd that Maya felt the need to send an e-mail from an “Undisclosed Sender,” and yet seems more than willing to use her actual phone to send a text.

My theory?  “A” has Maya’s cell phone, and she’s been the one sending messages to Emily.  But, if that’s true, where’s Maya?

Speaking of cell phones, Hanna gets busted for disobeying her mother’s implied “no cell phone” rule, when she stupidly fails to keep the darn thing on vibrate, while hanging out in the Marin kitchen . . . with her mother.

Hey, nobody ever said Hanna was the sharpest tool in the shed, right?  I have to say, for a character who’s supposedly “good at lying,” Hanna really botched this one.  It would have been easy for her to simply say she had been holding on to a friend’s phone, and forgot to return it.  But instead, her excuse is, “Mona needs to keep in touch with me?”

Well . . . I guess that one’s actually kind of true . . . particularly, if Mona ends up being “A,” which I really hope she isn’t, because BOOOO-RRRING.

And yet, as annoyed as Mama Marin might be with her daughter’s deception, she can’t quite justify confiscating a phone for which she (1) didn’t pay for; and (2) isn’t footing the monthly bill.  So, instead, Mama Marin simply rolls her eyes, mutters under her breath, and sends her daughter off to school.

In other parental unit news, Aria inadvertently learns her parents want to ship her off to a Fitzy-free boarding school in Vermont, upon finding a telltale application on her mother’s desk, at school.  Understandably, the littlest liar is livid.

You could feel the tension in the Montgomery home, as Aria clomps around in her wedge shoes, passive aggressively avoiding her mother’s attempts at casual conversation.

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Now, while Aria might be the best liar of the foursome, she’s definitely not the most adept at hiding her feelings.  So, of course, it isn’t long before the pint-sized brunette is letting Mommy Dearest know exactly what she thinks about the whole “let’s ship Aria off to boarding school” plan.  It’s a terrible idea.  And I think, deep down both of Aria’s parents know it.  Even if we take at face value Mama Montgomery’s statement that the decision was not based solely on Aria’s determination to continue dating Fitzy, applying for a school a thousand miles away, isn’t exactly the kind of thing you do for a sixteen year old, without broaching the matter with her first.

While I think most PLL fans agreed wholeheartedly with Aria that her parents were in the wrong, in terms of how they addressed this situation, I was surprised by how divided the fanbase was, regarding how Aria ultimately responded.  In a move that would have made Expert Blackmailer “A” proud, Aria venomously threatened to expose her father’s erstwhile affair with a student, should the Montgomerys decide to actually ship her off to boarding school.

Having perused the message boards a bit, following the episode, I noticed that while a good number of you applauded Aria for standing up to her parents, and blatantly exposing their hypocrisy (particularly her father’s).

There was also an equal number of you who thought Aria took things much too far.  You were shocked by her seeming willingness to put her boyfriend before her father’s career, and her family’s financial stability.

In Aria’s defense, I don’t think Aria had any intention of actually ratting out her father . . . just as I don’t think Aria’s parents would have ever gone through with their plans to ship her off to boarding school, without first discussing the matter with her.  Rather, I think Aria made her threat predominately out of anger, and also as a way of making herself be heard, by two people (again more-so her father than her mother) who have made a habit out of not listening to her point of view.

*insert hissing noise* 

Regardless of Aria’s true intentions, the Montgomery’s were clearly crushed by what they viewed as their daughter’s betrayal.  Mama Montgomery even went so far as to say she was ASHAMED of Aria, which, as any one who has a parent can tell you, is about the most hurtful thing a parent can say to his or her kid.

Throughout these past two seasons, the Montgomery family’s relationships with one another have continuously disintegrated.  What we have now is a family in crisis . . .

But hey, at least we’re getting laid, right? 😉

To catch a predator (by making out with your best friend’s boyfriend) . . .

Oh Mona!  If you are going to go through the trouble of sending yourself fake text messages from “A” (which most of us assume is what she’s doing, whether or not it’s because she’s actually “A” herself, or simply out of desperation to be the unofficial fifth liar), the least you could do is make them seem moderately realistic.

Why would “A” suddenly decide to use MONA to break up Hanna and Caleb?  It just doesn’t seem to be A’s style, especially when it would be much more mentally devastating to blackmail one of the other girls to do it, or, better yet, force Hanna to do it herself, as “A” had previously done with Spencer and Toby.

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I also find it increasingly odd that, despite Mona’s increasingly erratic behavior, not one of the girls has ever suspected her of being “A.”  This is particularly strange, when you consider how practically everybody else in Rosewood has earned a slot on the suspect list, at least once, including family members and significant others of most, if not, all of the liars.  I would have at least expected Spencer to consider the possibility.  She usually suspects EVERYBODY!  Those pain medications must really be dulling her senses . . .

I blame the evil horse sweater . . .

Perhaps the reason the girls are all missing the neon pink flashing, “I’m a Suspect!” sign over Mona’s head is because Spencer’s sister, Crazy Nanny Carrie has been acting SOOOO frigging guilty.  When Spencer finally confronts her with that video of her storming around Ali’s room, just hours before the dead girl’s demise, Melissa really has nothing to say in her own defense, aside from, (1)”Well, EVERYONE wanted Ali dead so . . .,” and (2) I’ve got dirty videos of you b*tches too, so F-U.”

It’s not exactly a rousing defense.  So, when Mona conveniently suggests that she make out with Caleb in front of Melissa, to see if she takes the bait, and text the info to Hanna, the rest of the girls blindly go along with it .  . . even though poor Caleb looks like he’d rather make out with the old lady from that denture commercial.  “We are doing this for Hanna,” says Mona solemnly, before aggressively raping Caleb’s face with her tongue.

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Poor Caleb!  He was so horrified by the experience, he literally bolted from the car, and walked home alone.  This, of course, gave Mona . . . er .  . . I’m sorry, I mean “A” . . . the perfect opportunity to text Hanna the “bad news.”  (Don’t you think the real “A” would have at least sent a picture as proof?)

Moments later, Mona’s back at Hanna’s house, supposedly wanting to shower the so-called “ickiness” of Caleb off of her body.  Sure you do, Mona . . . sure you do . . .

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He sees dead people.  (How original!)

Upon learning that Ali communicated with “A” via the classifieds, and may or may not have met her in front of that Creepy Doll Hospital, before she died, the girls decide to take a little field trip there.  When they arrive there’s a creepy kid staring at that from the window, who must have been cast in this role, because he is the perfect mixture of (1) the kid from The Sixth Sense; (2) the kid from The Shining; and (3) a Chucky doll come to life.

As for the owner of the hospital, she’s just some old lady.  (Old ladies are scary too!)

When the girls question the Old Lady about the voodoo doll in the window (the same one “A” sent Ali), she claims not to sell them.

She’s also rather cagey regarding whether or not she keeps records of prior doll purchases.  And while Old Lady doesn’t seem to be particularly forthcoming with information, Creepy Kid Seth is just a fountain of knowledge.  Claiming to have some sort of “Sixth Sense” about people, Creepy Kid Seth reports meeting with Ali prior to her death.  He even knows exactly how she died, despite the fact that the cause of her death was not recorded in the papers.

But the most intriguing piece of information of all that Creepy Kid Seth offers the PLL girls is that a “dark-haired couple” was out to hurt Ali.  Now, of course, a “dark haired couple” could refer to any number of pairings on this show.  (And I’ll list them all, in just a bit.)  But Creepy Kid Seth eliminates one pair from the suspect list right away (Blind? Jenna and Policeboy Garrett) by assuring the PLL girls that “the girl is not blind.”  (Or DOES he?)

Other couples that fit Creepy Kid Seth’s description, and, might have been out to hurt Ali include:

Melissa and Dead Pedo Ian (Creepy Kid Seth specifically noted that the female had hair like Spencer’s.)

Melissa and Policeboy Garrett

Mona and Bushy Eyebrows Noel

Mona and Lucas

Jenna and Toby (though Toby’s hair seems more reddish than dark)

Maya and Noel

Fitzy and Jackie

Fitzy and Aria (Don’t kill me.  I’m just mentioning all the possibilities here . . .)

“Vivian Darkbloom” (i.e. Ali’s twin) and . . . Dead Pedo Ian or Duncan Donuts?

Well, now that narrows things down, doesn’t it?

To see, or not to see . . .

I mentioned earlier that Creepy Kid Seth’s assertion that the female in the couple wanting to hurt Ali was not blind, may or may not exclude Blind Jenna from the list of suspects.  I say this because Jenna’s blindness has been a subject of debate among PLL fans, ever since that time when she used a mirror to put on her lipstick.  And yet, faking eye surgery would be a pretty tough feat to pull off.

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Jenna’s blindness gets called into question again, when she takes off the bandages from her post-surgical eye, this week, and immediately erupts into tears.  Toby, of course, assumes the worst, and moves to comfort his step sister.  But we never get to hear Jenna’s response.

At school, the following day, Hanna, never one to beat around the bush, asks Jenna right up front whether or not she can see.

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This time,  she pretty explicitly states that the operation was a failure.  Yet, according to Jenna, the mental  clarity she gained from this experience has convinced her to “forgive the girls” their Jenna thing, in hopes that the former enemies can move past their grudges and hatred for one another.  Do we believe her when she says this?  Perhaps, more importantly, do we believe her when she says this?

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I don’t know about you, but I was definitely fearing Jenna, toward the end of the episode,  when she shocked everyone, by aggressively killing a fly on her window, wiped it off with a tissues, and winked at the camera . . . her sight clearly restored.

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The question is, how long has Not-so-Blind Jenna been able to see.  Has she been playing us all along, as many suspected?  Was she actually blind, but regained her sight, as a result of the operation?  (And if so, why is she lying to the girls, and possibly Toby?)  Another possibility is that Not-so-Blind Jenna wasn’t lying at all to the girls.  She merely hadn’t fully regained her sight until the end of the episode.

I suspect we’ll learn the answer to this question, next week.  But, of course, I’d be eager to hear your theories on the subject . . .

Another intriguing thing Jenna does this week is turn the infamous Page 5 of the Autopsy report in to the police.  She plays dumb as to its contents, when broaching the matter with Toby.  But, by the end of the episode, it’s pretty clear she knows exactly what’s on them, and WHO they will incriminate in Ali’s murder . . .

To screw, or not to screw . . .

Throughout most of the episode, Aria and Fitzy still find themselves walking on egg shells around one another, as Fitzy nervously awaits the fallout from his decision not to take the Associate Dean position in Louisianna.  He expects the worst, and gets it, when the class he teaches is mysteriously ripped from the college curriculum.  (I thought he just taught Freshman English?  How does a college take Freshman English off its curriculum?)

Fitzy and Aria are certain that this is Evil Papa Montgomery’s doing.  But I’m not sure how realistic that is . . .  I mean, it’s one thing for a popular professor to have enough influence on the university to help someone get a job; it’s quite another for that same popular professor to have enough influence to COMPLETELY CHANGE THE COURSES THAT THE COLLEGE OFFERS.

Anyway, long story short, Fitzy and Aria finally bang one another, on that darn couch Fitzy loves so much . . . a little detail that I found surprisingly fitting.

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Their “Sex Song” was a really awesome cover of Wicked Games . . . the epitome of sex songs, in my humble opinion.  It’s white hot!  (I also really liked the lace tank top Aria was wearing pre-bone.  Does anyone know where I could get me one of those?)  But is it really goodbye sex?  Only time will tell . . .

Welcome to the Dollhouse . . .

While Aria is cashing in that much-abused V-card, the rest of the PLL girls are heading back to the Creepy Doll Hospital to show “I See Dead People” Seth a video of Melissa, in hopes that he could possibly ID her as the dark-haired woman who “wants to hurt Ali.”  Unfortunately, when they arrive at the “Hospital,” no one is there . . . or are they.  Not two seconds after the girls enter the place, a doll starts eerily chanting “Follow me . . . end up like me,” over and over again.  (I’m not going to lie, I almost peed my pants.)

As the girls move through the dark corridors of the place, we see a pair of eyes follow them, from beneath one of the dolls . . . or is it a mask?

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The voice they hear is coming from a closed cabinet.  And when they open it . . . ALL HELL BREAKS LOOSE . . .

As if the dead Ali doll recreation wasn’t frightening enough, the whole place literally starts falling down around them, as the girls run screaming from the exit.  Can you blame them?

Arrested Development

Now, I don’t know about you.  But if I had just got home from that Doll House of Horrors, the absolute last thing I would want to do is go searching through some creepy dead girl’s bag in the home of her possible killer, Crazy Nanny Carrie.  (They’ve decided to turn it over to the police, after all.)  And yet, that’s exactly what the girls are doing, when they hear Melissa, herself, and Policeboy Garrett enter the home from the kitchen.  Did I mention they are tonguing one another?  (Crazy Melissa SURE DOES get around! Oh, and Policeboy Garrett seems to have recovered from being dumped by Jenna pretty quickly.)

Then again, he got a very early start . . . 

In just one of the many shocking twists of the evening, both the Gross Makeout Couple, and the girls are interrupted from their machinations, by a knock on the door.  It’s the police . . . they’ve come to arrest Policeboy Garrett . . . the question is why?  My first thought,  was that they were going to bring him in for questioning regarding the fire at Jenna’s house, or Maya’s disappearance.  After all, it did appear to be his police badge that “A” planted right outside, Facelift Vampire Jason’s recently exploded house.

And yet, Policeboy Garrett actually ends up being arrested for Ali’s murder . . . which likely means that something on Page 5 of the autopsy report Jenna turned into the police, coupled with additional evidence, served to incriminate him . . .

EXCEPT, WE STILL DON’T KNOW WHAT THE DARN THING SAID!!!

In the final moments of the episode, “A” is seeing paying off both the Old Lady and Creepy Kid Seth for their “work” at the Doll Hospital, thereby calling into question everything they said earlier on in the episode, including the whole “Dark-haired couple” comment . . . which basically leaves us back at square one, in terms of suspects.  Brilliant . . .

Next week on PLL, the moment we’ve all been waiting for arrives . . .

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Feel free to check out (and massively over analyze) the trailers for the episode, below . . .

Last chance, my Pretties.  Choose your villain wisely . . .

Tune in next week to find out of you’re right.   I know, I will!

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[www.juliekushner.com][Fangirls Forever]

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Filed under Pretty Little Liars

Where There’s Smoke, There’s a Liar . . . – A Recap of Pretty Little Liars’ “Eye of the Beholder”

Greeting, my Pretties!  This week on PLL, we got a deeper glimpse into “Vivian Darkbloom’s” past.  In other news, Blind Jenna got a wicked eye patch, Fitzy got a bit testy with the parental units, and Facelift Vampire Jason’s home underwent some “explosive” renovations.  Oh, and don’t even get me started on Spencer and all the awesome eye sex she got to have this week.  It’s a good thing retinas can’t get pregnant . . .

They can’t . . . I promise! 

So, hop into that rickety plane with a complete stranger, and hold on to your music box, because it’s time for another Pretty Little Recap . . .

(Screencaps provided by prettylittleliarsfans.com)

Well, THAT was awk-ward . . .

So, remember that cute little cupcake shop, where “A” COMPLETELY BRUTALIZED Hanna, by forcing her to eat a vomit-inducing amount of little piggy-shaped cupcakes, in front of a crowd of judgmental jocks?  Well, apparently, Hanna was not quite as traumatized by that moment as I would be.

(Let’s not forget, this is a girl who’s already been HIT BY A CAR, ARRESTED AS A SUSPECT IN HER “BEST” FRIEND’S MURDER, and almost DROWNED IN A LAKE.  It’s entirely understandable that our ideas regarding what’s considered “traumatizing” would differ.)  After all, the episode opens with Hanna enjoying a CUPCAKE (not pig-shaped) with her fellow little liars at that very same sweets shop.

As the girls pretend to eat cupcakes, and chat, we learn a bit more about the Anonymous Hot Guy who mistook Aria for “Vivian Darkbloom” at the end of last week’s episode.  It turns out, his name is “Duncan.”  He has a last name, but since I wasn’t paying attention when it was referenced, I’m just going to call him Duncan Donuts, OK?

“You can trust me, because I dress like I’m 75.”

So, apparently, Duncan Donuts and Vivian Darkbloom were REALLY close . . . as in close enough to go on numerous secret dates in a town nearby . . . and close enough for him to buy her a not particularly cheap red jacket . . . but not close enough for him to CALL HER ON THE PHONE, AFTER NOT HAVING HEARD FROM HER FOR OVER A YEAR . . . and certainly not close enough for him to READ THE LOCAL PAPERS, SEE HER PICTURE ON THE FRONT PAGE, AND FIND OUT SHE’S A CORPSE.

Aria thinks she should give Duncan Donuts a call, basically because her contract requires her to have a boyfriend-type figure in every episode.  And Fitzy and Holden won’t be sharing scenes with her, this week . . .  From experience, every PLL girl already knows that meeting Strange Men — who may or may not have had sexual relations with Dead Ali in the past — while alone, is a bad idea.

However, they wholeheartedly support Aria in her stupidity.  That’s what friends are for, right?

Oh, hey, look who’s back in town?  It’s Abs Toby and Blind Jenna . . . correction, it’s Abs Toby and Half-Blind, Eyepatch Jenna.  That’s right, my Pretties!  As we’ve long been promised, Jenna finally had her groundbreaking,” blind-no-more” surgery . . . in one eye . . . which hasn’t healed yet.  Yep, they are really going to drag this plotline out for as long as possible. aren’t they?

“At least I will save money on my pirate costume, this Halloween!”

Truthfully though, we are less concerned with the return of Half-Blind, Eyepatch Jenna, than we are of the return of Spencer’s ex-boyfriend with the HOT haircut, and the ice COLD chip on his shoulder.  Cue the Spencer Face . . . the longing looks (on Spencer’s part), and the glares (on Toby’s part) to the tune of . . .  Intense Mood Music, and Slo-Mo Walking.

Also, notice how Abs Toby is no longer treating Half-Blind, Eyepatch Jenna like the brother-raping, police boy banging, little-liar framing, ninety pounds of pure evil she actually is!  He actually seems to NOT MIND hanging out with her, as evidenced by the way he keeps . . . you know . . . touching her and stuff.  Did they give you a lobotomy with that haircut, Tobster?

Spencer runs into Abs Toby again later at school.  And she’s all, “What’s the deal with your Creepy Sister and her fugly eyepatch?”

So, Toby’s all, “She finally had the operation.  What’s it to you, you Maneating B*tch?  I miss you!  I love you.  Why did you start humping that hot British doctor, when I would have let you be part of my Abs Toby Sandwich?

So Spencer says, “Let’s get back together.  Mm-kay?  Because Emily was totally kidding about me banging the British guy.  I didn’t do that until we were ‘on a break.’  ‘A’ still might end up murdering in your sleep, because you’re dating me.  But that’s just the price of True Love, right?”

But Toby’s all, “Ya snooze ya, lose, Ho!  I LOVE YOU SPENCER!  KISS ME, YOU FUNNY-FACING MAKING BUNDLE OF LOVE!

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Then Half-Blind Jenna emerges from the Principal’s office, and creepily tells Spencer, she KNEW she was standing in front of her, despite Spencer not having uttered a word, since Half-Blind Jenna’s appearance.  This means Half-Blind Blind Jenna knows her Pretty Little Liars so well, that she can smell them, when they are close by.  Yeah . . . because that’s not creepy, at all . . .

“Stop sniffing my ex-girlfriend.  That’s MY job!”

Missed Calls and Mixed Messages . . .

Back at the Marin household, Hanna and her mom are in a fight.  It turns out that Mama Marin won’t buy Hanna a new phone to replace the one she DROPPED IN THE SOAPY SINK, last week, in order to prevent Mama Marin from confiscating it.

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As much as I adore my Hanna, you have to admit, this was a pretty ballsy request on Hanna’s part . . . I mean, sure, we all know that Hanna only destroyed the phone to prevent her mother from discovering A’s identity, thereby, putting herself in danger.  But she has to see that, from her mom’s perspective, the whole “phone drowning” thing, came off as a very deliberate and highly personal “F-U Mommy.”

Besides, Mama Marin worked hard to steal that money from the Old Dying Lady!  She can’t be going off spending it, wily nily, on electronics, every time Hanna decides to drown them, or throw them in a blender!

Part of me thinks it would have been REALLY funny, if Hanna got one of those prepaid phones mailed to her by “A,” with a message like, “Try not to get this one wet, or make it into a smoothie.”

However, considering it was Mona, who ended up providing Hanna with a replacement phone, and many people think SHE’S “A,” perhaps my scenario is precisely what happened.  More and more, we are seeing Mona get involved in the PLL girls’ dealings with “A” in ways that help the mysterious evildoer complete her master plan.  In this case, obviously “A” wants Hanna to have a phone, so that she can continue to taunt her with text messages . . . like the one the girls received later on in the episode: “Where there’s smoke, there’s payback.”

But here’s a question for you?  Assuming the cell phone Hanna received from Mona was on Mona’s account (which Mona explains to us that it is), how did “A” manage to snag Hanna’s new number, if not from Mona herself?  (Assuming Mona and “A” are two different people, of course.)  Unless, Mona somehow transferred Hanna’s old number to Mona’s account, in which case, I take back everything I just said  . . .

Speaking of anonymous, and not-so-anonymous communications, “Maya” has been secretly contacting Emily, with text messages saying she is “OK,” and sweet, exceptionally well-written e-mails, about their great times together and “perfect goodbyes.”  Emily is touched that Maya is reaching out to her, but torn as to whether she should clue Maya’s parents in to her possible whereabouts.  In the end, she decides to confront the St. Germaines with the information she has received.

The question is . . . did Emily jump the gun?  After all, Maya’s messages (particularly the e-mail) certainly SOUNDED like they were from Maya. But what if they weren’t?  After all, both messages were sent from an “undisclosed sender.”  Is it possible that “A” has been sending these messages, on Maya’s behalf, to keep her off the trail of a girlfriend in danger?  Only time will tell . . .

Come Crash Fly with Me!

Duncan Donut has two dates meetings with Aria, in this episode.  The first one is normal.   The second one is ridiculous.  First Duncan Donut meets Aria in the school courtyard, where he admits that he knows that Vivian Darkbloom was just an alias for Ali.  (No mention as to whether he believed that big ole black wig was actually her real hair.)

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He also seems to know a heck of a lot about Ali / Vivian’s friends, including Aria . . . “the writer . . . who keeps journals.”  Interesting . . . because the only time I’ve ever heard Aria even talk about writing was in the pilot episode . . . right before she humped Fitzy in the bathroom.  I thought the whole “writing thing” was just a pickup line.  Go figure!

Talk about being the bearer of bad news!  Aria then has to tell Duncan Donuts that Vivian/Ali is . . . you know . . . not-so-much alive,  anymore.  Check out Duncan Donut’s face in this scene.  He’s clearly shocked . . . and totally crushed by the news . . . either that, or he’s a really great actor.  P.S. He claims to have been with Ali / Vivian the weekend she supposedly disappeared . . .

Having had so much fun on her first date with Duncan Donut, Aria decides to set up a second one with him, this time in a totally secluded area in a town called Brookhaven.  Be careful Aria.  Your best frenemy hung out with this guy, and then DIED.  Does that make him a killer?  Not necessarily.  Does that make him REALLY bad luck? Absolutely . . .

So, you know those comedy sketches that take place in front of green screens, where it’s supposed to look like the television character is doing something CRAZY, like water skiing on Niagara Falls, or climbing the alps, or hanging off the top of Mount Rushmore.  But actually, they are basically just standing in front of a piece of paper with a picture on it.  Well, those all look WAY more realistic than the image of Aria and Duncan Donut flying a plane together on their date / mutual interrogation session.

Why does Aria get into a plane with this Admittedly-Hot, but not particularly stable-seeming loon, you ask?  It beats the hell out of me.  Supposedly, this was something Ali/ Vivian just loooooooved to do.  According to Duncan, flying with him (he has a license, she didn’t), made her feel free from all the little people on the ground, who were trying to kill her.  You know, because death-by-plane crash is much more pleasant than death-by-shovel-repeatedly-bashed-into-brain.  (So much for that dream!)

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Throughout the entire experience, Aria basically looks like she is about to pee in her pants.  So, of course, this gives Duncan Donut the brilliant idea to FORCE her to takeover the controls, despite her complete lack of experience flying planes, under the ridiculous rationalization that this will help her “understand” Ali.  (If you mean because they will both be dead, by the time they have finished with you, then, yes, this is a brilliant idea, Duncan Donuts.)

It certainly doesn’t help matters that Duncan is sporting a serious case of the Crazy Eyes throughout the entire scene.  I’ll be honest, this made me miss a lot of what the pair were talking about, because I was so busy screaming at my television, “Don’t kill Aria, before she gets to have that sex scene.  Ezria fans will FREAK!”

Nonetheless, here’s what I got out of this lovely near-death-by-green-screen conversation:

(1) Duncan Donut would have loved to have intimately explored Vivian’s “dark bloom” (if you catch my drift), before she died.  However, he suspected that there were other men out there, who were beating him to the punch.

(2) Aria admits to Duncan Donut that she thinks the police and the newspapers are wrong regarding Ali’s murder.   Creepy Pedo Ian didn’t kill Ali.  He was either framed, or willingly took the fall for someone else, before he died.

(3) Duncan Donut notes that on the weekend prior to Ali’s disappearence, he flew her to Philadelphia from Brookhaven, which means she had been back in town for hours, by the time she met up with the girls.  (What was she doing in Rosewood, during all those missing hours?)

(4) Duncan observed that Ali seemed “different” the last time he saw her.  He assumed this was because she had “just figured something out.”  However, the proponents of the “Ali has a twin” theory, could easily surmise that “Ali” seemed different, because she was actually a different person, than the one with whom Duncan had developed a relationship.

Oh yeah, and he and Aria didn’t end up dying in a plane crash.  So, yay for hot people surviving the danger of their own idiocy . . .

Speaking of men who want to put their hands all over Aria’s “controls” . . .

Fitzy Must REALLY Like that Couch . . .

Fitzy, you little lazy scamp, you . . . why do you always seem to be laying on that couch of yours?  Aren’t you afraid of falling asleep and missing your classes?  Do you actually teach any classes?  Or do they just pay you to sit on that couch and pretend to grade papers?

After “Who’s A?” and “Who killed Ali?” this is the third biggest mystery of PLL.  Fitzy is an enigma wrapped in plaid, wrapped in a nerdy sweater vest, wrapped in Aria’s arms . . .  He also seemed to grow a pair this week, when he was visited by not one, but BOTH elder Montgomery’s.

How did he grow a pair, you ask?  Well, he basically told them both where to stick it, in terms of their attempts to control his career / relationship with their daughter.  (Well, on second thought, he was a bit more polite to one than the other . . . bet you can’t guess which one . . .)

Oh, one more thing about Fitzy, before I recap the conversations he had with Aria’s parents . . . he can be a little . . . how do I put this kindly . . . intense .  . . when he’s feeling disrespected.  We saw this for the first time, during his “don’t wake a sleepwalker” speech to that scheming harlot, Jackie.

We saw it again tonight.  Now I’m not SAYING Fitzy is “A.”  (For one thing, he lacks a comprehensive motive . . . so far.)  However, I will say that those of you who subscribe to that theory, got a lot of juice out of his scenes in this episode . . .

First up was Mama Montgomery, who also, seems to rarely teach, as she just decided to hop on over to Hollis college smack in the middle of the day to give Fitzy a piece of her mind.  “I’m not an ally,” insists Mama Montgomery to the Perpetual Couch Dweller.  “I don’t have an opinion on [the job offer my husband is using to manipulate you to leave town].”  She adds.

“It matters what you think of me,” Fitzy replies stoically.  (Well, that was a nice thing to say, under the circumstances . . . I guess.)

And yet, lest you think this conversation is a total waste of time (which I’ll admit I did, initially), before leaving, Mama Montgomery lays her cards on the table, regarding why she REALLY made this long journey to Fitzy’s office in the middle of the day.  I’ll give you a hint: it starts with the letter “A.”

Apparently, Mama Montgomery is still very much hot on the trail of the “A” who (1) initially informed her about her husband’s affair; (2) clued in Byron to the continuing nature of the Ezria relationship; and (3) may or may not be torturing Aria and her friends on a fairly consistent basis.  So, she turns to Fitzy for clues, hoping that, perhaps, one of Aria’s Deep Dark Secrets will help yield another.

Fitzy’s words are brilliantly filled with alternative meanings, and double entendres, depending on whether you view him as an “A” suspect or not.  For those of you who view Fitzy as 100% innocent in the torture of Aria and her friends, his statements, “I would never intentionally hurt Aria,” and, “there was someone who would want to hurt [me], but not any more” seem perfectly honest and straightforward.  The first statement, simply refers to his complete and unabiding love for Aria, and the second refers to Jackie, the one person, aside from “A,” Aria’s parents, and, of course, Bushy Eyebrows Noel, who ever sought to ruin the Ezria relationship.

And yet, those who think Fitzy might be “A” see the statements in an entirely different light.  Assuming for a second that Fitzy was “A,” his statement regarding how he would never “intentionally hurt Aria,” seems to dovetail directly with fans “concerns” regarding the fact that, of all the liars, “A” goes the absolute easiest on Aria.  As for Fitzy’s statement about someone wanting to hurt him and Aria, but “not anymore,” well,  one might surmise that he was referring to Ali, herself . . .

Just a suggestion . . .

While Fitzy’s meeting with Mama Montgomery was all mixed meanings, and double entendres, his conversation with Papa Montgomery gives off a much clearer message.  And that message is: ‘I hate your guts . . . BASTARD.”

*insert growling noise*

Whatever your feelings are regarding Ezria, you have to admit that this scene was just incredibly fun to watch.  Initially, the two grown men are icy, yet cordial, to one another.  Fitzy informs Byron he’s not going to take the job in New Orleans, and Byron says he’s “sorry to hear that.”  But that’s when the gloves really come off.

Fitzy tells Byron that the reason he’s not taking the job in Mardi Gras town is that he doesn’t want Papa Montgomery to have that kind of “power” over him.  There was also some smack talk flying back and forth about which man had the bigger “ego.”

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 In other words, Classic Male Pissing Contest.  It was awesome.  Fitzy’s been running scared from the Montgomery’s for such a long time now.  It’s nice to see him finally taking charge of his own life even if he does end up being “A.”  Oh, and, after it was all over, he called Aria, and told her he loved her, thus proving that Classic Male Pissing Contests are exceptionally good for the libido  .  . .

“I wanna whack her like a pinata!”

Oh, Mona!  I used to find you insanely annoying.  But now I kind of adore your smart mouth, and warped sense of loyalty.  You are like the female version of the comedically- inclined hitman character on one of those mob shows.  (So, I really hope you don’t end up being “A.” like you were in the books.)

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Anywhoo, the PLL girls have plenty of good reasons why they want Abs Toby to stay away from Half-Blind, Eyepatch Jenna.  For one thing, that’s SPENCER’S man, dammit though, I still prefer Wren.  For another, Half-Blind is a fairly awful human being, who never really forgave the girls for their part in her blinding, and has more than once framed them for some Very Bad Things.  For a third, she’s just CREEPY.  And has been known to do things like rub Toby’s leg, while saying that she “wants to surround herself with things she love, and you [MY BROTHER WHO I LIKE TO SCREW] will be there too.

Get your paws off me, pirate!’ 

(By the way, where the heck are Half-Blind Jenna’s and Toby’s parents, during all this?  Did Half-Blind Jenna eat them?)

To be honest, I’m not quite sure why MONA hates Half-Blind Jenna (assuming she’s not “A,” of course).  But whatever the reason, she’s REALLY quick to offer a helping hand in getting Hanna some alone time with the Tobster, for anti-Jenna reasons.  (She’s also really quick to offer to basically BEAT HER TO DEATH, but that’s neither here nor there.)

“If you show me your abs, I’ll give you this car.”

Mona get Toby alone by offering a threesome with her and Half-Blind Jenna claiming to have some random “car question” for him.  But once she’s got him cornered, she’s out like a tubby girl in dogeball, and in comes Hanna.  Now, in Abs Toby’s defense, Hanna comes on just a LITTLE bit strong, with her whole, “How dare you hang out with your sister, when she’s so mean to your ex girlfriend,” logic.  That said, Abs Toby, is more than a bit douchey in response, by playing the whole “YOU BLINDED HER” CARD, and then storming off, like it’s his job.

Speaking of doucheyness, Abs Toby has an extra special dose of it lined up for Dr British Hotpants Wren, when he happens by Half-Blind Jenna in the hospital, on the day she is supposed to have her bandages taken off.  If looks could kill Hotpants would be one very sexy puddle on the floor.  That said, I have to give the Line of the Day Award to Half-Blind Jenna, who refers to Dr Hotpants as “Spencer’s personal physician,” and insists that “even a lie would sound good in that accent.”

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Truer words have never been spoken . . .

 Ali DiLaurentis – Closet Hoarder?

It’s odd, isnt’ it, that mere days after Maya goes missing, Facelift Vampire Jason pops by to claim that she ”just happened” to drop some of Ali’s stuff by the house, in a big fat duffelbag?  The PLL girls are thrilled, assuming that they will find something in the bag that leads to discovering who either “A” or Ali’s killer is.  Unfortunately, most of the stuff in there is just a bunch of childhood junk (though I did notice the Voodoo doll from the Halloween special in there. YAY, continuity!) . . . or is it?

While searching through the crap, the girls realize that the newspaper in which it is wrapped, is actually from prior to Ali’s disappearance, and contains within it, some sort of a code.  (Thank you Hanna for your insanely accurate memory of Michelle Obama’s wardrobe).  It seems that Ali and “A” were communicating with one another through personal and classified ads prior to Ali’s death.  (How very low tech!  I’m disappointed in you, A.)

In fact, on the weekend of Ali’s demise, she met “A” at .  . . wait for it . . . the Creepy Doll Hospital.

(Oh, Ali also has a creepy music box.  I’m not entirely sure why that’s relevant, but the producers seemed to focus on it a lot, so I figured I would throw it in there.)

Burning Up for Your Love

Upon realizing that the bag might contain even more clues than originally suspected, the girls rush to retrieve it from Facelift Vampire Jason’s porch, where they had dutifully returned it, earlier that day.  Hanna gets to do the honors.  So, you can imagine her suprise when HALF-BLIND JENNA’S FACE POPS OUT OF NO WHERE, and THE ENTIRE FIRST FLOOR BURSTS INTO FLAMES.

It’s Hanna and Spencer (when did she get here?) to the rescue, as they pull Half-Blind Jenna from the wreckage, just seconds before the flames . .  . excuse the expression, whack her like a pinata.

Off to the hospital we go to assess the damages.  Surprisingly, Hanna is absolutely fine, aside from her hair smelling like smoke (which, of course, brings back memories of Emily’s “I have glass in my hair,” moment.)  But Spencer has glass in her HANDS.  YAY!  Wait . . . why am I saying, yay, to Spencer’s injury?

THAT’S WHY!

Wren is “cleaning and mending Spencer’s hands” very carefully (which I wish was a euphemism for something, but isn’t).  He’s also talking to her in this super sweet and soft voice of his, and telling her that she has a very complicated life.  (See, Wren is smart!)   He then eye sexes her up, so hard, she pops out about ten eye babies.   Upon eye baby delivery, he asks her if she would like to pretend certain things between them (like massive makeout, eyesex, half-nude massages, and drunken sleepovers) never happened.

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Spencer responds, “HELL TO THE NO!”  (As most of us would.  Because, seriously, who would want to forget  any time spent with Dr Hotpants . . . I mean, really.)

In other news, Spencer’s mom is apparently not on Team Facelift Vampire Jason, for obvious reasons.  Spencer takes issue with this because . . . well . . . he’s her half-brother, a.k.a. family.  (Makes sense.)   In fact, judging by the way things are turning out for the Hastings brood,  he might very well be the most SANE hastings of the bunch . . .

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But for not so obvious reasons, Mama Hastings claims that SHE, and not her husband, was the one who spent $15,000 for the private investigator to find Ali.   Hmmm . . .  Why do I feel like we are still missing a big chunk of this story?  Toward the end of the episode, Facelift Vampire Jason and Mama Hastings seem to share some not entirely antagonistic words at the hospital.  So . . . um . . . progress!

Controlling the world . . . one Rosewood Resident at a time . . . 

Oh, I guess you’re interested in finding out how Half-Blind Jenna is, right?  Well, she’s fine . . . if you ignore the fact that she is still half-blind . . . hysterical crying . . . and of couse, an evil brother-f*&king shrew.  As it turns out, Half-Blind Jenna was in Facelift Vampire’s house based on a message she supposedly received from Jason . . . a message he claims he never sent.  In other words, “A” basically tried to have Half-Blind Jenna killed, but Hanna saved her life (with Spencer’s help).  “Where there’s smoke, there’s payback,” right?

Again, where the F*&k are Half-Blind Jenna’s parents?  HELLO!  YOUR KID ALMOST DIED!  Time to return from the mall, or wherever the heck it is you’ve been for 2.5 seasons

There is an interesting, and suprisingly divisive, scene toward the end of the episode, in which a tearful Half-Blind Jenna asks Hanna why she would possibly save her, given the awful history the two have with one another.  (The Slap Heard Round the World Comes immediately to mind here.)  To this, Hanna responds with a rather icy, “You’re welcome,” before exiting stage left.

Having perused the message boards, I notice that a lot of you felt this was rude of Hanna, considering Half-Blind Jenna’s emotional state.  However, I kind of think, under the circumstances, Hanna handled the situation quite well.

After all, Hanna and Half-Blind Jenna are NOT friends, in fact they are nearly enemies.  So Hanna certainly didn’t save the girl out of any fondness or loyalty she felt toward her.  Rather, she simply did it, because it was the RIGHT thing to do . . .  She probably would have done it for ANYONE . . . possibly even a complete stranger (like Duncan Donuts).  While this is a perfectly good reason to save someone’s life, it’s not a particularly nice thing to say to someone.:  “I saved you because I was SUPPOSED TO DO IT.”

And like Mommy always says, when you don’t have anything nice to say, don’t say anything at all . . . which was exactly what Hanna did . . . at least in my opinion.  (That said, giving Jenna a little smile when she said it, certainly wouldn’t have hurt . . .)

In the final moments of the episode, Gloved Hand leaves Police Boy Garrett’s badge on the floor near Facelift Vampire Jason’s house, thereby implicating him in the fire.  In hindsight, he’d make for a good suspect, considering we’ve seen him arguing with Half-Blind Jenna, and angrily fleeing her home many times in the past.

Ahhh, the plot thickens.  Next week on PLL, more Creepy Dolls, Creepy Old Ladies, and an Ezria sex scene?  You can check out the promos here . . .

So, who do YOU think is A?  Until next time, my Pretties . . .

[www.juliekushner.com][Fangirls Forever]

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Daddy Dearest? – A Recap of Pretty Little Liars’ “Father Knows Best”

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Dads . . . scientifically speaking, we can’t live without them.  Though, by the end of this episode, three out of four of our Pretty Little Liars may have been wishing they could do just that.  Not Emily.   Her dad is awesome . . . which is probably why the writers are going to kill him off, just to make us cry.  Meanies!

I’m still not quite sure how I feel about “Father Knows Best.”  Don’t get me wrong.  It wasn’t a bad episode, by any means.  It gave us some solid insights into each of the girls’ families (Hint: Spencer’s family is CRAZY!), while providing us with some interesting clues as to A’s identity.

And yet, I kind of felt as though something was missing.  Perhaps, it was because the girls had little time in the midst of all their family drama, for their usual fun snarky interactions with one another.

Maybe it’s because not one of the girl’s significant others actively appeared in the episode.

(I refuse to count that ridiculous shot of possibly-Toby on the motorbike.) All I know is that I left the episode hungry for a bit more camp, and A-related chaos . . .

That said, I’m seriously considering replacing “Clowns” with “Dolls” at the top of my list of Things that are Supposedly Meant for Kids that Give Me Nightmares . . .  It’s been nearly 24-hours, and just thinking about that doll hospital still gives me chills . . .

So grab your dad, and strap on your favorite dress, and, for heaven sake, hide all those creepy dead girl pictures you have in your lock drawer, because it’s time for another Pretty Little Recap . . .

Emily Fields and the Case of the Missing Maya . . .

It’s a few days before Rosewood High School’s annual Father/Daughter Dance.  While Emily’s obviously psyched that her father traveled all the way from Texas just to attend, erstwhile-girlfriend Doobie-Lovin’ Maya’s recent disappearance has her feeling more than a bit distracted.  Fortunately for Emily, her dad is the most awesome dude on the planet, and is completely understanding of Emily’s predicament.

When Emily admits that she suspects Maya St. Pothead of possibly running away to San Francisco, so as not to have to attend Druggie Daycare, Papa Fields even shares with us a tale of his own days as a teenage runaway.  How cool is that?  That’s almost as good as your parents admitting to you that they used to smoke pot, when they were your age.  Not that I know this from experience or anything . . .  😉

Anywhoo, culling from his experience as a Teenage Bad Ass, Papa Fields cleverly suggests to his daughter that Marijuana Maya probably headed to the nearest bus station.  He reasons that bus transportation tends to be the quickest and cheapest way to get out of town in a pinch.  I liked how Papa Fields immediately offered to drive Emily down to the bus station, so that she could look for her friend, rather than immediately calling Maya’s parents, which would have been (in my opinion) a betrayal of her daughter’s trust.

Some might argue that Maya’s parents — who were undoubtedly extremely worried about their daughter — had a right to know this information.  And yet, it wasn’t really Papa Fields’ information to give.  Plus, if it turned out that Smokey St. Germaine had never gone to the bus station, the Fields’ “tip” would have done nothing more for the St. Germaine’s than get their hopes up about their daughter’s safe return home.

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At the bus station, Papa Fields shows off his awesomeness again, when the man on duty at the ticket booth is less than helpful in providing Emily with information.  Papa Fields plays the Army Card, and immediately gets Ticket Man to change his tune.  Suddenly, he absolutely remembers a totally stoned looking Maya purchasing a ticket to San Francisco, before, possibly, getting into a strange unmarked car and driving away.  It’s not exactly the news Emily wanted to hear, but at least it’s something . . .

Later on in the episode, Emily misses a phone call from Maya’s cell phone.  But when she calls the number, back she learns that the voicemail box is full.

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Well, that sucks . . .

You know what else sucks?  That Emily has to find out at the father/daughter dance that her awesome dad is going to be deployed to Afghanistan for six months.

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Why do I have a sinking suspicion the writers are going to kill off the best dad on this show, just to tug at our heartstrings, around sweeps week?  Here’s a hint for you, PLL writers: DON’T DO IT!

In other news, Gloved Hand takes a newspaper from a bin with Maya’s picture on the front page, and the words “Missing” emblazoned across the top.

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Silly Gloved Hand!  We already knew Girlfriend was missing.  You couldn’t have found something a wee bit more EXCITING and A-like to do besides reading yesterday’s news?  Just sayin . . .

Hanna Marin and the Case of the Police Report that will NEVER DIE . . .

You know how sometimes after a celebrity is big and famous, someone will come out of the woodwork with an old nudie picture of the actress from her starving artist days, and it creates a whole big “SCANDAL?”  Well, that’s kind of what happened to poor Hanna and her dirty little shoplifting secret.  That darn police report just keeps popping up everywhere, doesn’t it?

Now, it’s prompting Mama Marin to make more Not-So-Secret Meetings with Deputy Douchey, who suggests that Mommy Dearest steal her own daughter’s phone, to find out what exactly she’s been hiding.

Then again, maybe she just wants another excuse to get him naked .  . .

But hey, at least Mama Marin kinda cares about her kid.  The same can’t be said of Papa Marin, the guy who supposedly moved into town and enrolled his stepdaughter in Hanna’s school, so that he could spend more time with Hanna.   And yet, oddly enough, can’t be bothered to attend the Father/Daughter dance with EITHER of his kids, despite living right down the block from the school . . .

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Feeling more than a bit guilty, Mama Marin offers to attend the dance in her ex-husbands place . . . which sounds like a super sweet idea, until Hanna gets wise to her mother’s rendezvous with Deputy Douchey, and throws her cell phone in a sink filled with soapy water, in protest.

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Hanna Marin: Enemy to All Technological Devices . . .

Though the bold move solved the immediate problem of having Deputy Douchey or Mama Marin learn about “A,” it did little to solve the larger problem of the “Police Report.”  Oddly (and suspiciously) enough, it’s Mona who suggests that “the best liar of the group” confess to sending the report to Hanna, herself, as a way to stage an “intervention” on Hanna against future shoplifting excursions.

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I found it interesting that the girls immediately chose to crown Aria as “Best Liar” of the bunch.  I guess that’s true, somewhat.  This meta moment, was followed by another one, in which Aria hilariously confessed to Mama Marin, “A stand for Aria.  A stands for Anonymous.  I am A.”

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Could that be true?  Random Hot Guy at the end of the episode certainly seemed to think so, when he saw Aria wearing Ali’s alter ego “Vivian Darkbloom’s jacket” in the street,  and immediately referred to her as “Vivian.”  Upon seeing this case of mistaken identity play out, one can’t help but notice that Ali’s “Vivian Darkbloom” wig, does bear a striking resemblance to Aria’s natural hair color, style, and texture.

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Hmmm . . .

In other news, as good of a liar as Aria might, in fact, be, Mama Marin apparently doesn’t buy her story, which is why she teams up with Aria’s mom at the end of the episode to find out once and for all who this “A” person is, who has been torturing their daughters.  This can’t end well . . .

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Aria Montgomery and the Case of  . . . Lots of Pouting . . .

It was basically more of the same, in Arialand.   There, the littlest PLL girl, struggled with the notion of having to “play nice” with her pops, despite knowing that he tried to permanently cock block his own daughter, by shipping her lover off to the Big Easy.  With both Pops and Daughter being stubborn as mules,  it was up to Mama Montgomery, and formerly crazy, but now seemingly perfect, Little Brother Mike to keep the peace.

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Mommy did her part, by convincing Aria to attend the dance with her dad, despite her protests.   As for Mike (who would like you to know that he’s a REAL man, who shaves now . . . yessiree!) . . .

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 . . . he subtly and politely asks Aria, whether all the trouble that her dating Fitzypoo is causing the Montgomery family is worth while.

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She replies that “When you love someone it’s worth fighting for.”

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I wonder if Little Mikey has ever been in love.  I find the character intriguing, and was kind of disappointed when they unceremoniously dropped his storyline earlier in the season.  I hope they revisit it soon . . .

Lest you think Little Mikey is on Team Dad, he also has some choice words for Papa Montgomery, later on in the episode, about how the latter might not be really giving his daughter a chance, by actually listening to what she has to say, in regards to Fitzy.

Nonetheless, despite the rest of the families’ encouragement, the Father/Daughter Dance does not go well for the Montgomery duo.    In fact, it all ends, pretty sh*tty, with Aria huffily refusing to take a picture with her father, arguing that, “I’m not your little girl, anymore.”

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Now, I’ve certainly never been a fan of Byron Montgomery’s.  But, I have to say, my heart went out to him just a smidge in this scene.  Maybe it’s because my dad isn’t around anymore.  And I would do absolutely anything to get to take my picture with him again, dance with him, and have him call me his “little girl.”  But I guess that makes me a bit biased . . .

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What do you think, my Pretties?  Was Aria’s treatment of her dad at the Father/ Daughter dance overly harsh?  Or did the punishment meet the Ezria cockblocking crime?

Spencer Hastings and the Case of “Which of My Family Members is a Murderer?”

As screwed up as the rest of PLL girls families might be, Spencer’s family definitely takes the wackadoodle prize!

When we last left Spencer, she was stupidly heading off alone in a car with her surely-psycho sister, sans cell phone.

This week, she’s already in the car.   And so far, Melissa has not yet bludgeoned her with a butcher knife.

I take that as a good sign . . .

Anyway, Spencer’s still wondering why Melissa ditched her to go hang out with Police Boy Garrett.  (I’d say, Spencer should be THANKING her for doing that, because it enabled her to have more makeout time with that Hot Doc, Wren.  But that’s neither here nor there.)

Melissa makes up some excuse about wanting to talk to the Police Boy about her supposedly murderous husband Dead Creepy Pedo Ian.  I, for one, don’t buy it.

If you are feeling guilt about Marrying a Psychopath, tell your shrink, or your priest.  Don’t tell the Local Police Boy.  How exactly do you think he’s going to heal you, by handcuffing you, and telling you to “Get Up Against the Wall and Spread Em?”

“Well, I’d certainly enjoy that.” 

That said, even though I don’t trust Melissa, I don’t think she’s “A” either.  If she was, she probably wouldn’t have admitted to her sister, that she threatened the dead girl, by sending A-like texts to her, when the latter started making out with her boyfriend in public places.  The setup . . . the motive . . . it all just seems a bit too simplistic too me.

Plus, having Melissa end up being “A” after learning all the suspect things she did, just three episodes prior would be more than a bit anticlimactic for fans, I suspect.  That said, at least now we know why Melissa was in that video on A’s phone.  And why Jonah traced one of the cell phones that called Ali to the law firm where Melissa used to intern.

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When the rest of the PLL girls, learn Melissa’s excuse, they immediately want to turn her in to the cops.  But the ever-loyal Spencer, asks for more time to clear her sister’s name.  And why not?  When her equally psycho dad would make just as solid of a suspect in Ali’s murder!  Boy, when they were handing out family members in Heaven, Spencer Hastings must have been in the bathroom.  There sure are a lot of runts in her litter, aren’t there?

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Speaking of Spencer’s dad, like Aria’s not-so-proud papa, Spencer’s sire is also trying desperately to make amends for past wrongs.  Check out the I’m Sorry I Fathered a Bastard Big Brother of Yours and Never Told You About It Designer Necklace.  Spencer’s not quite sure how to react to this token of monetary affection.  So, she starts by snooping around her dad’s office, while he’s out playing tennis.

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There, she finds a number of naughty things, including porn a copy of a check made for $15,000 to cash . . . which just so happens to be precisely the amount of blackmail money Ali had lying around, and a folder filled with a bunch of creepy photographs of Ali.

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“Why is every male I know a TOTAL PEDO?” 

One thing she didn’t find in dad’s drawer, was a gun.  You know, because “A” already STOLE that . . .

And where does Spencer confront her dad about all this?  You guessed it, the Father/Daughter Dance.

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“Out of all my legitimate children, you were always my second favorite.” 

After she drops the bomb shell, she then dashes outside to see a mysterious leathered up figure riding past her on a motorcycle, “Toby?” She stage whispers.

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But whoever it is just rides right past her . . .

Now what the hell was the point of that?

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Once at home, Spencer admits to finding the incriminating items in Daddy-o’s drawer.  He explains them both away, by saying that he used the money and the pictures to hire a private investigator to find Ali, shortly after she went missing.  He claims that because he knew Melissa was threatening the girl earlier, he was hoping he might be able to clear her name.

I don’t know, it all sounds a bit too convenient for me. Besides, since when do you need 80 pictures of a girl to send to a private investigator?  Shouldn’t one or two suffice?  And besides, why exactly did Papa Hastings have SO MANY pictures of Ali, on hand, in the first place  It’s all a bit creepy, if you ask me.  Unless, of course, he ends up being HER father too . . .

While rifling through his now thoroughly searched drawer, Papa Hastings finally figures out that SOMEONE has stolen his gun . . . someone who has a key to his home and his lock drawer.

Once Spencer assures him she’s not a gun thief, Papa Hastings call the cops.

It’s not until they arrive that a frantic Melissa — who claims to have been “watching television” in the “no television” cabin — escapes back to her home in Philly.  Wow, someone really has something to hide, doesn’t she?  Melissa’s parting words to Spencer are that, if things get too tough, “I will always be around to protect you.”

“Riiiiiiiiight.” 

Why is that statement, when coming out of the mouth of a freakazoid like Melissa, not at all comforting?

Now, I remember . . . 

Newsflash: Dolls are Scary.

So, do you guys remember Jonas ?  The guy who bilked Spencer and Facelift Vampire Jason out of a crapload of money, just to give them the address to some old abandoned law firm?  Well, apparently, the guy’s been withholding some information.

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Apparently, Melissa’s phone wasn’t the only one threatening Ali.  She was also receiving calls from another number.  . . one in a nearby town called Brookhaven . . . a telephone that “A” likely dialed, while standing in front of the Creepiest Doll Hospital ever.  (Of course, in Doll Hospital’s defense, this is probably the first Doll Hospital, I have ever seen . . .)

Looking in the window, the girls immediately recognize the dolls as highly similar to the blackmail-bearing Chuckie dolls they received from “A” last season.  The plot . . . oh how it thickens.

In other news, Aria apparently didn’t dress weather appropriate for the Doll Hospital excursion.  Fortunately, Dead Ali’s alter ego’s red coat is still waiting in the trunk of the car.  The minute she puts it on, from the back, Aria looks exactly like the infamous “Virginia Darkbloom.”  Special Hot Guest Star must think so too, because the minute he sees her, he starts calling her “Vivian.”

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That Dead Ali!  She sure did get around, both literally, and figuratively, in her short life, didn’t she?

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And that (aside from the obligatory showing of Gloved Hand READING A NEWSPAPER) was Father Knows Best, in a nutshell.

Next week on Pretty Little Liars, Toby returns, Blind Jenna gets a super eye patch, and Hanna BLOWS UP.  It’s all just another day’s work for “A” . . .  You can check out the trailers for the episode here:

See you next week, My Pretties!

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[www.juliekushner.com][FangirlsForever]

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YOU CAN’T HANDLE THE TRUTH! – A Recap of Pretty Little Liars’ “Breaking the Code”

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Caleb must have accidentally slipped a video from his personal porn collection into the “A” attachment . . .

The Truth hurts sometimes, My Pretties!  And for a group of characters, who have become rather accustomed to spending their lives tiptoeing from one lie to the next, sometimes the pain of facing real, honest-to-goodness, truth can be just about unbearable.  In “Breaking the Code,” all of our PLL girls were forced to confront some pretty ugly truths, both about themselves, and about the people they loved.  How they react to this knowledge will undoubtedly shape the events of these crucial upcoming weeks, as we get closer and closer to finally figuring out the identity of “A”!

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So head on over to your favorite abandoned law firm, drink some tequila shots with the hottest doctor in town, and plan a tea party with your mom and boyfriend, because it’s time for another Pretty Little Recap . . .

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“Did I catch you in the middle of a nap?”

That Mona!  For a girl who supposedly became Queen B, around the time Princess Ali kicked the bucket, she sure does get the short end of the Friend Stick, where Hanna is concerned.

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Between her endless “A” investigations, dramatic family issues, and regular interludes of sex on Spencer’s Nana’s couch with Caleb, it seems as though Hanna constantly has better things to do, than to go shopliftping with Mona.  This, of course, makes Mona’s receipt of text messages from “A” seem more than a bit convenient, don’t you think?

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Now, suddenly, Mona has something else to talk to Hanna about, aside from whether she should wear pure silk or a poly blend to some party.  And it’s a good thing too, because life sure seems to be distracting Hanna from the “important things,” lately.  “Did I catch you in the middle of a nap?”  Mona inquires, when Hanna isn’t giving Mona’s new clothing “purchases” the attention the latter feels they deserve.

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You know what DOES get Hanna’s attention though  . . . Mona’s admission that “A” has been feeding her intel about Hanna’s mom and Deputy Douchey, that’s what!  You know, like, for example pictures of the two of them making sweet, sweet love IN FRONT OF AN OPEN BEDROOM WINDOW  (Because that’s precisely the place you take all your secret lovers, right?) . . . and police reports about Hanna shoplifting that were expunged, after Mama Marin and Deputy Douchey made sweet, sweet love IN FRONT OF AN OPEN BEDROOM WINDOW.

“Are you looking at my bum?   You dirty bum-looker!” 

This is some pretty damaging stuff!  (Not as damaging as the fact that Mama Marin stole money a dead lady, mind you, but pretty damaging nonetheless.)  Now, suddenly, Hanna is very, very interested in what Mona has to say, indeed . . .

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Of course, this is PLL, not Gossip Girl.  So, when “A” shares information with you, it’s not just as an FYI.  Usually there’s a catch involved to knowing certain things, even if you weren’t interested in knowing them in the first place.  Now, “A” is threatening Mona to rat out Mama Marin, or SHE will be the one put under fire for her own pretty little shoplifting habit!

“Moi?”

What’s Mona going to do?  Sell out her bestie, in order to ensure her own safety?  It’s not really Hanna’s place to say.   But Mona’s confession does put her in a really awkward position with her friend . . . not to mention, make her feel EXTREMELY guilty.

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Fortunately for Hanna, Mona ends up being loyal, and turning herself in for shoplifting instead  . . .

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I don’t believe it either, Hanna.

. . . an act of valor which results in her getting to do some PLL-themed community service, like all the other characters in our story.

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(Poor Mona!  And she would have been such a good crisis center call responder too . . . such sensitivity to those less fortunate than herself!)

It also earns Mona a spot at the PLL girl’s lunch table . . . an honor she’s been denied, multiple times in the past.  The invitation in question, comes after Mona gets yet another threat from “A,” this time on an apple, of all things.

If I were “A”, I would have probably just written “bite me.”  But I guess this works too . . .  

Hmmm . . . on one hand, I’m happy to see Mona finally getting treated right by Hanna, and accepted into the fold, by the other girls.  She really has come a long way from that girl who ripped up, poured soda on, and tossed out, Caleb’s first declaration of love for Hanna.

And yet, if Mona DID end up being “A,” wouldn’t her sudden receipt of text messages, and act of valor involving Hanna be the PERFECT ALIBI, not to mention a great way to get in close with her victims, and mine them for additional information.  (“Keep your friends close . . . and all that.)

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I hope I’m wrong.  But it’s all starting to look mighty suspicious to me.  Speaking of suspicious . . .

“I’m The MONEY!”

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I just love when Spencer goes into Law and Order mode!  Her tough-girl rendition of, “I’m the money,” when that creepy Jonah dude met with her and Aria to give them tracer information on the cell phone from whom Ali was getting calls, nearly had me in hysterics.  Too bad they spent $2,000 of Jason’s money, and only got themselves one stinky address.  (I could of told them, the call was from a prepaid cell phone!)

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Though the girls initially plan to seek out the address in question immediately, they can’t because Police Boy Garrett is watching them .  . . Correction:  he’s ALWAYS watching them!  And we wonder why so many bad things happen in Rosewood to the teenage population!  It couldn’t possibly have anything to do with the fact that all the cops in town are too busy stalking their underage ex girlfriend’s enemies, or diddling the parents of crime suspects, now could it?

Eventually though, the girls manage to give Police Boy the slip long enough to stake out the address.  And it ends up belonging to an old abandoned law firm, and the CREEPIEST LOOKING OLD GUY EVER!  Seriously, I’m talking Freddy Krueger levels of frightening.

“That’s not A!”  Captain Obvious Emily remarks, as the pair dash away from this oldster, and escape the abandoned, but not entirely forgotten, premises.

But wouldn’t it be hilarious, if that was “A”.  Just the idea of this guy sending Mean Girl text messages to Emily, and scrawling threatening letters to Mona on an apple is enough to make me giggle . . .

As much as Jonah’s Ice Cold Tip might have seemed like a red herring at first, the law firm in question actually ends up being linked to not one, but two, characters on the show .  . . one of whom is pretty close to the top of the “A” suspect list.  For starters, it’s the law firm that represented Mama Marin in her divorce from Papa Marin.

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 Second, it’s where MELISSA HASTINGS interned, back when she was a student.

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But the bigger question for me is, why the hell did the firm shut down, in the first place?  Most law firms don’t just close up shop over night, and sell their real estate to creepy, Freddy Krueger-looking old guys.  Something pretty bad must have gone down at that firm, in order for this to occur . . . just sayin . . .

“The first time I saw you, I just thought, ‘Damn!'”

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Ahhh, now for my absolute FAVORITE part of this episode.  While continuing to decode A’s cell phone, Caleb unearths another piece of the same video taken from Ali’s room, that we’ve been viewing part and parcel, for weeks now.  Up until this point, we’ve always assumed that the NAT club was sent scattering from the room, because Ali herself was returning there.  But, as it turns out, the person from whom the NAT club was running wasn’t Ali at all .  . . it was . . .  wait for it . . . a TOTALLY PSYCHO-looking Melissa.  Seriously, girlfriend looked full scale Crazy Nanny Carrie in those video shots!

(I know I keep using them, but I just love these pll-ichats.  They are hilarious!)

No wonder the PLL girls were screaming so loud!  Crazy Face Melissa could give Freddy Krueger looking old guy a real run for his money, in the evil entrances department.  The rest of the girls, of course, want to turn the video over to the police right away . . .Now, this seems a bit moronic, if you ask me.  After all, how many times are these girls going to give up the goods to the police department, before they realize that the Rosewood PD is (a) completely useless, (b) always ends up using the information against the girls, and (c) is probably working for “A.”

Aside from that, stomping into someone’s bedroom angrily, far from makes you a killer.  Then again, she does look pretty f*&king crazy in that picture.  Anyone could see that . . . well, except for maybe Blind Jenna.

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Inappropriate?

Not wanting to turn in her pregnant sister to the cops, so soon after (1) her husband died / killed himself / was murdered; (2) she got into a car accident and almost lost the baby; and (3) she just found out that her parents have an illegitimate child she used to enjoy making out with, Spencer begs the rest of the girls for another 24 hours, to talk to Melissa, and get HER side of the story, before they turn her in.

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Here’s the thing about Melissa.  I kind of think her being “A” is too obvious, especially since she was painted pretty firmly in the suspect corner this week.  And, remember, we still have at least two episodes left in the season, before we learn A’s true identity.  What I do think about Melissa though, is that she might have been the one Ali was blackmailing with information about Jason’s paternity.  There was just something about the way Melissa acted early on in the episode when that information was revealed, just didn’t strike me as that genuine.

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The blackmail option would also explain Melissa’s angry presence in Ali’s room, on the night she died . . .

As for Spencer, the possible guilt of her sister isn’t the only harsh truth she has to face, in this week’s episode.   She also learns that Aria’s been lying to her about not seeing Fitzy, when, in actuality,  the two were sucking face on a weekly basis, the whole time Spencer was whining to her about the loss of Toby.

Then, to make matters worse, when Spencer goes to meet Melissa at a local bar, to discuss her appearance on the tape (Yes, because a bar is an absolutely GREAT place for an underage girl and a pregnant woman to meet!) . . .

. . . Melissa BLATANTLY ditches her for Police Boy Garrett, of all people.  Worse yet, Spencer WATCHES her do it, and lie about it, from the window of the bar!

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(Rumor has it, these two have been spending A LOT of time together.  It was even implied, during the episode, that Melissa’s current spawn, might actually belong to the Policeboy.  Crazy Eyes sure does get around, doesn’t she?)

Just kidding . . . please don’t kill me.

Is it any wonder that, by the end of the night, an emotionally exhausted Spencer is ready to get totally snockered on tequila with Dr. McSexypants himself, Wren?

I know I’d do it, if I were her!  After engaging in some innocent bar flirting, Wren ends up taking Spencer back to his place, where she drinks even more, and starts drunkenly seducing the older man, like it’s her job!

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“The first time I saw you, I thought, DAMNNNNN,” coos Spencer in Wren’s ear, as she shimmy shakes around him like a dancer in a burlesque show.

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(That’s funny.  This is exactly how I reacted, the first time Wren was on MY TV screen.  Go figure!)

It’s rather impressive, actually.   Then the pair share a pretty adorable conversation about which one of them is more screwed up / comes from a more screwed up family.  (Hint: Wren don’t even bother, Spencer’s got it in the bag!)  During the conversation, Spencer admits to being a competitive perfectionist (duh!), even when it comes to yoga.  As for Wren, apparently he’s so OCD about organizing his books alphabetically, that when Spencer teasted him about having an Aristotle book out of place (What kind of twenty-something actually owns a book by Aristotle?  Oh Wren, it’s a good thing you’re so hot!), he actually stopped macking with Spencer to stare at his bookshelf.  Silly boy!

Skewed priorities aside, the chemistry between Wren and Seduction Mode Spencer (it’s always the straight-laced ones that end up being the craziest drunks) was white hot!  And what was even white hotter, was the fact that Wren, despite clearly be tempted, ultimately played the part of a gentleman, by not taking advantage of Spencer, in her vulnerable situation.

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He did, however, let her sleep on his couch, and offer her an invitation to return, whenever she likes.  They tongue kissed to seal the deal, of course.

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Wren might not want to take advantage of Spencer.  But something tells me Spencer will be taking advantage of that body of Wren’s very, VERY soon.  Can you blame her?

In other news, Melissa finally decided to show up and talk to Spencer.  But she insisted on taking her to a remote place to do it, and just seemed really squirrely throughout the entire conversation.  What’s worse, the usually smart Spencer, decided to go off with Crazy Eyes, herself, WITHOUT TAKING HER CELL PHONE.

Clearly, all those hot Wren kisses, must have gone to her head . . .

Speaking of face sucking . . .

When the going gets tough, (the tough eat your face) . . .

Maya may actually have made good on her threat to run off to San Francisco, rather than return to True North to conquer her “doobie problem.”

All Emily knows is that she hasn’t been returning any of her calls.  But as is usually the case with Emily, the very minute she seems like she might be single again, a buzzer goes off in the heads of every lesbian in Rosewood.  And suddenly, they are all in hot pursuit.

“Ooh . . . ooh . . . pick me . . . pick me . . . my turn!”

This time, Emily’s aggressor is Paige, a.k.a. as Little Orphan Butchie, (though now that she has a better haircut, the title is admittedly no longer appropriate).

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When we first see Paige, she’s all zen and thrilled about having finally come out to her parents.  And it’s not long, before she’s making flirty and suggestive comments to Emily, about the possibility of a rehash of their earlier, tumultuous relationship.

*clears throat*

Paige may be more out and proud than she was when we first met her, but when it comes to reading relationship cues, she still has a heck of a lot to learn.  Case in point, when a crying Emily admits to Paige that Maya and her had a fight, after which the former went missing, Paige decides this is a great opportunity to RAPE EMILY’S FACE.  Oops.

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Emily literally runs away, horrified.

And as much as I was never Paige’s biggest fan, I can’t help but feel bad for her and her utter cluelessness.  Then again, she did try to DROWN Emily, once before, which undermines my sympathy for the character, just a smidge  . . .

At the end of the episode, the police come to Emily’s doorstep to talk about Maya.

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Golly gee, I hope she didn’t burn down that law office, while sparking a big ole’ doobie . . . Seriously, though, I hopes she’s OK . . . unless she ends up being “A,” in which case, GOOD RIDDENS . . .

Speaking of good riddens .  . .

It’s an Ezria Tea Party! (a.k.a.  Now A’s messing with the Moms!)

Ladies, what the heck was the deal with Fitzy, this week?

And why was Aria wearing that bizarre early 90’s ensemble?  She looked like an extra from Saved by the Bell . . .  Was it just me, or was he SUPER CALLOUS in that car scene,  with Aria, in which he contemplated dumping her, and running off to New Orleans, for his new boyfriend Byron?

Yes . . . Fitzy . . . you were a dick . . . yes, you were.

On one hand, this isn’t the first time, Fitzy has been scared away by Aria’s parents, and frightened into giving up on the couple’s May/December romance.  But the way he treated her, while he was doing it, just seemed uncharacteristically cold to me . . . particularly when he left her alone crying in the car, and then proceeded to WATCH HER CRY, STONEFACED, from his car, for about five minutes, before driving away.

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It was just an odd scene, all around, in my opinion.  Though on a positive note, Lucy Hale definitely does give good cry.  I’m not ashamed to admit, I got a little teary .  . .

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Make that A LOT teary . . .

Speaking of odd, Aria’s mom is suddenly all up in A’s grill, because of that note Papa Montgomery got last week, cluing him in to the location of Aria’s ultimately canceled date with Fitzy.  Now, she’s decided to find out, for herself, who A is.  That can only lead to BAD THINGS, me thinks . . .

*insert hissing noise here*

But the hunt for A isn’t the only aspect of Aria’s life that Mama Montgomery has started to dip into.  She’s also decided to reevaluate her stance on the whole Ezria issue, after receiving a tearful tongue lashing from Aria regarding Papa Montgomery’s plans to ship Fitzy down to the bayou (probably in hopes that he would be eaten by alligators).  Honestly, ladies, it doesn’t get much more awkward than your mother plopping down on the couch at your boyfriend’s couch, and staring at you, while you all pretend to drink tea.

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That said, I do give Mommy Dearest some props for her willingness to hear her daughter out . . .

Speaking of self-sacrificing mom’s, Mama Montgomery might not be the only PLL Mommy hot on A’s trail.  When Mama Marin finds the police report A threatened Mona with, her first thought is that Deputy Douchey sent it, in hopes of forcing Mama Marin to have more sex with him.  But when she confronts the latter with the offending document, he seems just as freaked out by it, as she is!  And with good reason!  Last I checked, accepting sexual favors in return for sentencing clemency, was generally frowned upon, in law enforcement . . . no matter how good one might look, dressed in nothing but a towel . . .

In the final moments of the episode, we see “A” using the gun she stole from Spencer Hasting’s desk to do some pretty on-point target practice.

Be afraid, PLL girls.   Be very afraid!

And that was “Breaking the Code” in a nutshell, my Pretties.  Next week on PLL, we get a father/daughter dance, a missing persons poster, Toby on a motor cycle, and Spencer’s dad repeatedly saying things, like “pump up the jam.”  (Hey Mr. Hastings, 1992 called.  It wants that phrase back.)  You can check out the promo for the episode, here . . .

Until next time, my Pretties!

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[www.juliekushner.com][Fangirls Forever]

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What’s hiding under YOUR hood? – A Recap of Pretty Little Liars “CTRL A”

“Now, what date would be so important to Caleb that it would merit an explanation point . . . I wonder . . .”

“OHHHH!”

Greetings, my Pretties!  This week on PLL, a lame secret was revealed, computers were remotely hacked,  a deal was struck, a crisis was averted, and a single doobie, once again, possessed the power to ruin an entire relationship.  (Don’t do drugs, kiddies!)  So, fire up your laptops, and smoke ’em if you’ve got ’em, because it’s time to  “CTRL A” . . .

Swimming with Sharks

Thanks to shopaholic blackmailer / hacker Mona, Emily Fields is back in the pool.  This, of course, is great news for Emily and her swim team, but, perhaps, not such great news for her lady love, Maya, who’s starting to feel a wee bit left out of the fun.

“This is super uncomfortable.  I could really go for a joint, right about now .  . .”

Elsewhere, Techno Boy Toy Caleb finds himself in some hot water, when the police impound his laptop, on suspicion of it containing stolen school files on it.  You know, like the ones Mona accessed from the principal’s office, last week.  Golly gee, this wouldn’t have anything to do with the time Caleb fell asleep at school, and, like a moron, left his laptop out in the open, and ripe for the taking, now would it?  A smug and unfazed Caleb calmly proclaims his innocence, confident that no hack Police Boy is going to be able to crack the enigma that is his computer.

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Girlfriend, Hanna, however, is FRACKING FREAKING OUT.  She’s been through this with “A” and the Rosewood PD many times before.  And she knows that, as good as Caleb might be with computer hacking, “A” might just be a teeny tiny bit better . . .

Caleb tries to calm Hanna down, while simultaneously turning her on, by using sexy computer lingo like HOTSPOT, INTERFACING, and FIREWALL.

And though titilated by her boyfriend’s Dirty Nerd Talk, Hanna wishes to get down to business . . . and not in a fun way either.  Instantly suspecting that “A” has compromised Caleb’s harddrive by hiding incriminating material on it without Caleb’s knowledge, Hanna suggests he remotely hack the laptop, and erase the files in question, before the Useless Rosewood PD can find them.

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Caleb agrees, and some intimate discussions regarding Caleb’s computer passwords and logins ensue.  Unfortunately, however, Caleb can’t successfully hack his computer, while the police are keeping it offline.  Inconvenienced, but not defeated, Caleb decides to explore Hanna’s hotspots, instead . . .

The first rule of Fight Club, is don’t have a heart attack while in Fight Club . . .

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Some secrets are better kept as secrets, because the mystery is sexier than the reality.  Beard Boy Holden’s secret is definitely one of those secrets.  Like Lucas and his “big bad bookie problem,” before him, Holden joins the ranks of characters on PLL who’s plotlines ended up being MAJOR letdowns.  That’s right, my Pretties.  After all our jokes about Holden having bruises on his stomach, because he’s in Fight club, that’s exactly what he ended up being in.  Except, rather than being in an edgy, get-your-teeth-knocked-out-by-Ed-Norton-who-thinks-he’s-Brad-Pitt kind of Fight Club, Holden’s fight club looks a lot like your six-year old nephew’s karate class . . .

“Can we celebrate my victory with a McDonalds Happy Meal?” 

Relieved that her fake boyfriend isn’t the Drug Lord she suspected he was, Aria agrees to keep her fake date with him in Philly that night.  This way, Holden can attend his snoozeville super important fighting tournament, and Aria can eat French Vegan food with Fitzy, while the two discuss “their future.”

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Will everyone’s favorite English Teacher take Byron’s bait, thereby allowing himself to be shipped away to the land of Mardi Gras, and ladies who take their shirts off for plastic 50-cent necklaces?

Only time will tell . . .

Prior to her fake date, Aria’s mom not-so-subtly suggests that Aria should stop dating Beard Boy in Philly, and start boning her family friend closer to home.  This way, if the rough sex results in him collapsing from his heart condition, he can be cared for by Dr. Wren a.k.a. the-Only-Doctor-in-Rosewood, as opposed to those not-model-looking doctors in the City of Brotherly Love.

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“What?  Holden has a heart condition?”  Aria asks incredulously.

“Why yes, dear daughter.   I figured you would already know that, considering how you are out porking him for hours at a time, three or four times a week,” replies Aria’s mom, more or less.

“Oh yeah,  you’re right.  I totally knew about Holden’s lethal disease!  I was just kidding, Mom.  Haha!  Boy, I sure, got you!” Aria says.

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Meanwhile, Byron has just received a note on his car from “A,” offering him the location of Aria’s REAL date with Fitzy.

 

Am I the only one starting to get a strong sense of deja-vu, here?  Silly “A.”   For whatever reason, she never seems quite as creative when she’s messing with Aria, than when she’s messing with the other PLL girls.  I wonder why that is . . .

Instead of heading off to meet Fitzy, Aria follows Beard Boy to Fight Club.  “So, Holden, what’s this I hear about you joining Fight Club, when you have an exploding timebomb in your chest?”  Aria inquires.

“This isn’t just because we all thought you were gay, is it?” 

Holden makes a nice speech about living life to its fullest,  and about how people don’t always know what’s best for you.  This, of course, makes Aria think of her relationship to Fitzy . . . as most things do.  But, ultimately,  she decides to ditch out on Fitzy, so that she can watch Holden in Fight Club . . . you know, just to make sure he doesn’t . .  . like . . . die in stuff (which would TOTALLY ruin this nice Fake Date thing they have going on).

Aria cancels on Fitzy by text, without explanation, which, of course, is super inconsiderate.

But when Fitzy arrives at the site of their date and sees Papa Byron seated at one of the tables, he’s suddenly a lot less pissed, and a lot more relieved not to have walked into that lions den.

After Holden wins at Fight Club, Aria heads to congratulate him.  And suddenly Holden is looking a wee bit smitten with our littlest PLL girl.  (Ruh-roh, Fitzy!  I suggest you start practicing your moves, because there might just be a little Fight Club for Aria’s heart headed in your direction . . .)

Papa Byron phones Aria, and tries to slip her up, by asking to speak to Beard Boy.  So, of course, Aria calls his bluff by promptly  putting him on the phone, something she would never have been able to do, had she decided to leave Holden to die in Fight Club.  Well played, Miss Montgomery!

What am I going to doobie?

There is trouble lurking in paradise between Emily and Maya.  First we see Maya randomly hanging out with Facelift Vampire Jason, bringing the total number of major “A” suspects and NAT club members with whom the supposedly “loner” Maya associates to two.  To make matters worse, the big green monster of jealousy is clearly eating at Maya, during Emily’s swim team party, where her swim phenom girlfriend is the center of attention, while Maya is left alone holding the doobie.

“I have a confession to make.   I ate all your blue swim team cookies.  I couldn’t help it.  I have a serious case of the munchies.” 

That’s right, my Pretties, Maya confesses to Emily that her parents might have found an old “toke-n” of Maya’s affection in her bedroom.  Wow, these dirty hippies must REALLY not like pot, because they threaten to send her back to druggie camp AGAIN!

As it turns out, Maya was a bit coy with Emily about how exactly old that doobie was.  Emily assumed she meant “months,” but Maya actually meant “minutes.” 😉  Emily’s super pissed at Maya for not being honest with her.  And Maya is pissed at Emily for being more popular than she is, and for not wanting to run away to San Francisco with her, where the pair can smoke all the ganja they want.

I don’t know, my Pretties.  Something about Maya’s story stinks a bit to me, and it’s not just the pot I’m smelling . . .  I’d feel better about it being true, if we actually got to meet Maya’s supposedly crazy parents.  Your move, writers.

Oh bastard half-brother, where art thou?

Early on in the episode, the PLL girls get to meet Vivian Darkbloom’s “friend” Jonah, a cell phone geek, who she offered $2,000 to hack into phone records and find out who was sending threatening texts to her “friend” Alison.

The only average looking male in Rosewood . . .

(Of course, if “A” was using prepaid phones paid for with cash  . . . as evidence suggests that she is . . . that really wouldn’t help much, now would it, Jonah.)  Jonah’s uber pissed at Vivian, because doing this little task for the Rosewood Lolita cost him his job.  And then, to make matters worse, she never paid up . . . you know . . . because of the whole “dying” thing.

The rest of the girls want to pay Jonah, and immediately turn to moneybags Spencer for the dough.  The problem, of course, is that Spencer hasn’t exactly been on speaking terms with her parents, as a result of the whole “Facelift Vampire Jason is my half-brother” thing.  In fact, she’s spent the entire week hiding out at Aria’s house . . .

Spencer has been on speaking terms with Facelift Vampire Jason, though.  These two really do have an interesting dynamic with one another.  And by “interesting” I mean “slightly incestuous.”  Facelift Vampire Jason notes that Ali had $15,000 along with love letters between Spencer’s dad and Ali’s and Jason’s mom, in a box she kept under the floorboards.  This was how Jason found out about his paternity.  It’s also what led him to believe that Ali might have been blackmailing Spencer’s dad, in exchange for keeping quiet about what she knew.

“So, if you and I hooked up, what do you think would be the likelihood that our children were born with a tail, or three arms?” 

Hoping to snag the $2,000 she needs to pay off Jonah for the answer to the question of “Who was calling Alison, and, by extension, probably calling the girls as well,” Spencer heads back home for the first time, in a week.  Briefly mesmerized by her dad’s open checkbook in his briefcase, Spencer contemplates a little Grand Theft Checky.  But she quickly abandons the idea, when her father nearly walks in on her stealing it.

 

Spencer finally confronts her father about what she knows.  And he, more or less comes clean about everything that happened.  He swears, however, that he was never blackmailed by Alison.  And Spencer believes him.

“You are SO grounded, Mister!” 

The question is, who was blackmailed by Alison?  Was it Spencer’s mother, hoping to save the family?  Was it the members of the NAT club  (sans Jason), because of the tapes she had on all of them?  Or was it someone else entirely?

Facelift Vampire Jason still wants to believe it’s Papa Hastings, because that would make it easier to hate him.  But toward the end of the episode, Spencer finally opens his eyes to new possibilities .  . . and hits him up for that $2,000, of course.

On computer hacking, and sex in tents . . .

Caleb  isn’t the only one in hot water with the police.  Deputy Douchey finds more ammunition for torturing the PLL girls when a page of Ali’s autopsy winds up missing from EVERYWHERE, and the hospital security cameras turn up a picture of Hanna, Spencer, and Emily clad in candy striper outfits outside the morgue on the day of the theft.

Wait a second . . . shouldn’t it have been Hanna, Spencer and Aria?  Wasn’t Emily in the hospital as a patient at the time?

This is either an inconsistency on the writers part, or a fairly big hint that “A” is someone with not nearly as big of a grudge against Aria, as against the other three girls.  Could “A” have doctored this photograph?  Or am I just overthinking things?  What are your thoughts, my Pretties?

Anywhoo, following Hanna’s own encounter with Deputy Douchey (I guess he only called Hanna in, because he thought he might have another chance to screw her om), Caleb telephones her to let her know that he’s in a “Hot Spot” and needs her help.  There go those sexy computer terms again!

Apparently, Deputy Douchey and Police Boy have wised up, and are forcing Caleb to cooperate, by making him enter his own password into the computer for them.  The bad news about that, is now the cops will have access to whatever incriminating files “A” put on his hard drive (not to mention that “A” related files that are actually there).  The good news, however, is that now Caleb’s online a.k.a, in a hotspot.

Hanna calls “Smart Friend” Spencer over to help with the computer hacking festivities.  Spencer manages to get remote access to Caleb’s computer.  But it’s up to Hanna to input the password.  Hanna is explains to Spencer Caleb’s rationale for the letters he uses in his password.   Spencer is impressed, and more than a little bit turned on.  “That’s almost as complex as my computer password.”  ALMOST . . . ha . . . gotta love Spencer!

Hanna runs into a problem, however, when she can’t figure out the last four numbers of Caleb’s code, followed by the exclamation point.  And she only has three tries to get it right, or be locked out of Caleb’s computer FOREVER!  Spencer ultimately suggests that the numbers probably represent a date that was particularly important to  Caleb . . . a date that merits an exclamation point.

Suddenly, Hanna knows exactly what those last four digits are.  And they are in!

Hanna immediately finds the incriminating files located in a folder input on Caleb’s harddrive entitled “Hefty,” for “Hefty Hanna.”

“B*tch!” Hanna exclaims, over how “A” has managed to insult her, even in her hacking of Caleb’s computer.

Over at the police station, we see that Deputy Douchey has located the “Hefty” file too.  (Remember, he KNEW Hanna, back in the day. ;))  Now, it’s a race to see who can get to them first.  Hilarity ensues, when Hanna tries to delete each individual file, and finds that the process is taking too long.  “CTRL A” Spencer exclaims.

“That’s what I’m trying to do .  . . CONTROL A,” Hanna exclaims frustratedly.

But of course, Spencer’s talking about the keys, not the person . . .

In a moment of televised brilliance, Hanna manages to erase the files moments before Deputy Douchey can open any.  They disappear before his beady little eyes, and he’s completely flabbergasted.

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By the time Caleb leaves the station with his laptop, a happy Hanna is there to shower him with celebratory PDA.  Hanna has earned major points for saving Caleb’s ass.  And Caleb has earned major points for immortalizing the day he took Hanna’s virginity in his computer password.  Something tells me there’s going to be some major nookie going on in the Marin household tonight . . .

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In the final scene of the episode, we see Emily calling Maya to apologize for their fight, while SOMEONE watches Emily from her window.  Creepy!

Next week on PLL, Spencer SEDUCES WRENNNNNNN!

Oh, and I guess some other stuff happens too . . .

See you then, my Pretties!

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[www.juliekushner.com][Fangirls Forever]

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