Tag Archives: original songs

Bye, Bye Birdie! Hello Nationals! – A Recap of Glee’s “Original Songs”

KURT:  “Here lies My Virginity, which you will be taking from me, about twenty minutes after the final credits roll on this episode.”

BLAINE: “That’s your Virginity?  I didn’t expect it to look so .  . . small.”

KURT:  “If you don’t like it, I’d be more than happy to give it to Karofsky.”

BLAINE:  “No . . . NO!  It’s beautiful!  I’ll take it!”

Talk about a JAM-PACKED Glee episode!  This week’s installment featured, no less than TWELVE SONGS (I’m still not sure how they managed to squeeze a plot in there!), a Regionals Competition, a funeral, a Sue Sylvester knockout, and possibly one of the most eagerly anticipated makeout sessions this show has EVER SEEN!

So much drama . . . so much music . . . so much trouty mouth, and big ass . . . heart!  We better get started now, or we will be here ALL NIGHT!

(Note:  All the YouTube Videos with the words “pixtiny.com” on the bottom, are not fully embedded.  So, just click on the internal links to view them.  The rest of the videos I included should play directly from this site.)

Kurt . . . is . . . in MIS-ERY!  (And there’s only one person who could comfort him.)

“That’s MEEEEEEEE!”

The episode begins at Hogwarts School of Witchcraft and Wizardry Dalton Academy, where the Warblers are, once again, bopping around their choir room awkwardly, like this . . .

(Seriously, these guys REALLY need to rethink their choreography!)

 . . . while their fearless leader, Harry Potter Blaine No-Last-Name-Yet, leads them in a rousing rendition of Maroon 5’s Misery, a song who’s original version has been in high rotation on my iPod FOREVER since it was released last summer.  Misery is pretty much your basic run-of-the-mill Warbler fare.  It doesn’t look or sound too different from When I Get You Alone or Bills, Bills, Bills or any other ditty we’ve heard come out of Blaine’s luscious lips, this season (more on THOSE later).  But since I absolutely adore this song, they get a Free Pass on that from me . . . 

Now, while I may have given the Warblers a Free Pass on Misery, Kurt most certainly did not.  I actually gave a little standing ovation from my couch, when Young Hummel finally called out the love of his life for being the Rachel Berry of Dalton Academy.  “Your solos are breathtaking . . . they are also .  . . numerous.  Sometimes I feel less like I’m part of the Warblers, and more like a backup singer for Blaine and the Pips,” Kurt snarks.

“Oh, NO you didn’t!”

Oh, yes, Mr. Schue!  HE WENT THERE!  And, can I just say, it’s ABOUT DAMN TIME!  Blaine looked a bit shocked at being called out in this way.  But, to his credit, he neither denied what Kurt said, nor issued any sort of rebuttal.  In fact, he actually seemed fairly impressed that SOMEONE in his group would have the guts to say this to him . .  .

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DADDY LIKE!

But, alas, all is not well in Hogwarts Dalton Land!  Voldemort has arrived!  The Warbler’s prized little mascot, Pavarotti, seems to have flapped his little yellow wings for the very last time . . .

“WTF Glee!  You can’t kill me off, NOW!  I was just two tweets away from getting my SAG card!  Now I have to wait for them to make Angry Birds into a movie . . .

I’m a bit embarrassed to admit that I did actually shed a tear or two for Pavarotti.  This, when you think about it, is kind of ridiculous, considering the bird in question only actually appeared on-screen twice throughout the entire season.  The rest of the time, he was nothing more than a yellow cotton ball in a Burberry-covered cage . . .  And yet,  Kurt has carried around that cage for half a season now!   In fact, I’m pretty sure if there was a “Warbler Kurt” Doll, it would come with Pavarotti, as an accessory.  So, when that little yellow cotton ball died, a part of Kurt died right along with it . . .

“I wish the Will Doll came with an accessory!”

Stricken with grief over the unexpected loss of Pavarotti, Kurt interrupts a Warbler song meeting, and requests that he be allowed to sing a song in the dead bird’s honor.  The song he chooses is the Beatles’ “Blackbird.”  Admittedly, this is a strange choice of song for two reasons: (1) Pavarotti was obviously not “black,” he was “yellow;” and (2) when it was originally written, the song “Blackbird” was meant to serve as a metaphor for the Civil Rights Movement, as opposed to being taken  . . . um .  . . literally.  And yet, considering the alternatives, I think this was the best song choice Kurt could have made.  Because if he had, instead, started belting out “Bye Bye Birdie” a la Sal Romano from Mad Men, THAT would have been super inappropriate . .  .

And yet . . . at the same time . . . REALLY FUNNY!

Did I mention that Kurt showed up to sing his tweet-alicious solo, dressed like a cross between Elvis, Johnny Cash, and Christian Siriano from Project Runway?

Fierce!”

Of course, the song was beautiful!  As we learned from his rendition of “I Wanna Hold Your Hand” a few months back, Chris Colfer interprets Beatles songs like no other.  But, for me, the most amazing thing about this number, was the way Blaine responded to it. 

 Most of us wait our entire lives to have someone look at us, with the kind of love and admiration that was on display here.  I must admit, watching Blaine come to the realization that he was now, and had always been, totally and completely in love with Kurt, was enough to melt my snarky, cynical, and almost criminally unromantic heart . . .

Prepare to be awwwwwwwwww-ed!

Shortly thereafter, the Warblers’ hold their meeting regarding which two songs Blaine they will perform at Regionals.  At the meeting, Kurt shocks everyone, by suggesting that, instead of Blaine singing both songs all by himself (while the rest of the group does the Pee-Pee Dance behind him and hums) why not include  . . .  a duet?

Blaine then pipes in and suggests that he sing the duet with . . . Kurt.

The Warblers’ put it to a vote.  And, since none of these Cute Musical Robots have been programmed to do anything aside from hum, do the pee-pee dance, and agree with everything Blaine says, they almost unanimously vote to let Blaine and Kurt du-et with eachother. .  .  (Get it?  Du-et?   Sounds like do  . . . nevermind.)

BLAINE: “If Pavarotti the Animatronic Bird has had more speaking lines than you, this season, please raise your hand.”

While “practicing” for his duet with Blaine, Kurt gets up the courage to ask his soon-to-be-Boy-Toy, why he chose to sing the duet with him, rather than one of the older Warblers.  Blaine then sits down next to Kurt, and looks intently at him, with those big brown teddy bear orbs of his.  “There is a moment,” he begins, when you look at someone, and think, ‘Oh, there you are!  I’ve been looking for you forever.’  Yesterday, when you sang Blackbird, that was a moment for me . . . about you.”

This is the second time, in a single hour, that Blaine managed to give me chills.  The way that Blaine then bent over to kiss Kurt . . .  the way Kurt gently, and then more aggressively, grabbed Blaine’s face with his right hand . . . the way the pair looked at one another in complete awe and wonderment, after it was over, before going back  in for seconds . . . it was all . . .  MAGICAL.  There is just no other way to describe it . . .

WATCH!  I dare you not to be moved . . .

BURT:  “I bet you are glad I gave you that sex talk NOW, aren’t you, son?  Now, give me back my PAMPHLETS!”

Meanwhile, back at McKinley High . . .

Rachel is the Only Berry on Her Family Tree (and Quinn is just a B*tch).

Rachel is still trying to write an original song about something that doesn’t involve head gear.  Her second performance for Finn, is entitled “Only Child.”  In it, Rachel decries the horror, of never being able to sleep in bunk beds, and being the “only Berry on her family tree.” 

Yes, it was a LAME song.  (I, for one, prefer “My Headband.”)  And yet, as an only child, myself . . . I must say, I can relate!  (I always REALLY wanted a bunk bed . .  . before I learned how hard they are to climb to the top of, while inebriated.  Thanks, College!)

While Finn is not-so-subtly telling Rachel, that this is “Strike Two” on the Original Song attempts, Quinn is watching from a distance, plotting a Massive Rachel Take Down of Mean Girls Proportions.  After all, Quinn NEEDS TO BE PROM QUEEN!  And she NEEDS FINN IN ORDER TO DO IT . . . 

(Ughhh!  Can someone please knock this ho-bag up, again?  I’m tired of Evil Quinn, or, as Finn calls her, “Scary Quinn.”  I want Insecure Baby Bump Quinn BACK!)

“My Precious!”

Careful, Quinn!  This guy wanted to be Prom Queen too.   And look what happened to HIM!

Keep your friends close, and your enemies closer.”  That’s the motto Quinn decides to live by, when she supports Rachel’s renewed request that New Directions perform original songs at Regionals.  Quinn even offers to help Rachel come up with a new song!

Except, when the two do finally start to write, and Rachel asks Quinn whether she and Finn are back together, Quinn shows her true colors, by telling Rachel that she is not meant to be with Finn.  Apparently, Quinn has given this A LOT of thought, because she then launches into this whole future scenario for Quinn and Finn.  She becomes a real estate agent in Lima.  Finn takes over Burt Hummel’s car repair business.  And the pair live in town, raising lots of not particularly intelligent Fuinn babies.  

Hey, remember when Quinn dumped Puck, because she thought he was nothing more than a “Lima Loser,” and SHE wanted to leave town with Finn, so she could move on to Bigger and Better Things?  NO?  That’s OK.  Apparently . . . neither does Quinn!

“Like most of the characters on this show, I have a rare disease, which prevents me from having any short term memory whatsoever, beyond the current episode.  Remember Drew Barrymore’s character in 50 First Dates?  I’m kind of like her.”

Upon hearing that she doesn’t fit in with the Finn, and the rest of the Lima Losers, Rachel runs out of the room crying, when she should really be jumping for joy . . .

“YAY for ME and my eventual meteoric rise to fame (and subsequent stint in rehab, at age 21)!”

Inspired by her sadness, Rachel rushes home to write a song for Regionals . . .

Meanwhile, back in the Choir Room .  . .

Trouty Mouth?  Big Ass Heart?   HELL-TO THE NO!

“Back up off me or I’ll EAT YOUR FACE OFF with my Supposedly Mondo Mouth which really isn’t that big, at all!”

Rachel isn’t the only Glee kid attempting to write an original song.  Santana writes one herself, in an attempt to prove to Brittany that, after the latter rejected her for Artie, she is now “safely” back in the closet. 

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Except, the song that Santana chooses, while tauting itself as a “love song” to her “boyfriend,” actually has the unintended effect of proving just how attracted to boys Santana ISN’T.  The song is called “Trouty Mouth.” And its lyrics, more or less, compare poor Sam’s lips to every kind of fish and slimy amphibian featured in a high school science book . . .

“Now, THAT’S offensive!”

For his original song, Puck serenades his lover girl Lauren with yet ANOTHER fat song. 

“You’re DEAD, PUCKERMAN!”

Except, this time, he’s talking about Lauren’s heart . . . her Big ASS Heart.  Admittedly, it’s a sweet song.  The lyrics are REALLY clever.  And Puck’s sultry singing voice, never fails to cause my panties to drop on the floor, every time I hear it.  The only problem is that Lauren Zizes, DOESN’T have a Big Ass Heart . . . at least not from what we’ve seen, which makes this . . . just another thinly-veiled song about her large girth, after all. 

But, hey!  It’s Puck!  And he’s hot!  So, we forgive him!

“I get away with EVERYTHING!”

Then, Mercedes sings “Hell-To the NO!” 

And it’s EXACTLY the kind of awesome song you would except this character to write and sing.  No further explanation is required, really!

Brittany didn’t write an orignal song.  But she informed us that her favorite song of all time is “My Headband” by diva songstress Rachel Berry.  (Woah!  Who’d have thought that Brittany, of all people, would be the character on the show with best memory for stuff that’s happened in past episodes.)

Finally, Will helps the Glee kids brainstorm a song idea based on their collective hatred for Sue Sylvester.

It’s entitled “Loser Like Me.”

It’s Regionals TIME!

The day has come for the New Directions, The Warblers, and Aural Intensity to perform at Regionals.  They will be judged by Kathy Griffin, whose playing some sort of weird amalgamation of Sarah Palin, Christine O’Donnell, and Michelle Bachmann.  You’ve gotta love how Fox (a.k.a. Republican TV), by nature of Glee being one of its most successful shows, was forced to make fun of nearly all of it’s female mascots in a single hour of television!  It’s just too bad Kathy G. wasn’t particularly funny in this role  . . .

“Oops!”

Also judging the competition is Loretta Devine, who appears to be playing some sort of take off on Whoopie Goldberg’s character from those old Sister Act movies.  A cute idea .  . . but . . . also not really funny.

Taking into consideration the seemingly “ultra-conservative” bent of the judges, Aural Intensity, led by none other than Sue Sylvester, perform the song, “Jesus is my Friend,” while holding hands, and morphing into the formation of various religious symbols.

Umm .  . . yeah.  I don’t have much to say about that.

We didn’t get to hear Aural Intensity’s second number, but I strongly suspect it was something off the Sister Act soundtrack . . .

Next up, are the Warblers.  Kurt and Blaine perform a very sweet, and romantically charged, if not particularly energetic, rendition of Hey Monday’s “Candles.”

And then, because, apparently, the world would EXPLODE if the Warblers entered into a competition, wherein Blaine did not get AT LEAST one entire song to himself, Blaine sings Pink’s “Raise Your Glass,” another song in high rotation on my iPod.  (Hey Blaine!  Call me!  We can swap mix tapes!) 

As usual, Darren Criss does a nice job with this song.  And yet, I kind of wish New Directions had sung it instead.  The thing is . . . for me . . . the Warblers . . . with their Pee Pee Dances, and their Hogwarts Jackets . . .  just seem a bit too straight-edge to properly convey the angsty “I Don’t Give a F*&k!” attitude of this Anthem to Outsiders.  But don’t take my word for it . . .

New Directions are up last.  For the first number, Rachel sings the song that Quinn’s evilness, and her unabiding and inexplicable love for Finn have presumably inspired within her, “Get it Right.”

As she sings, Finn watches from backstage, and gives Rachel EXACTLY the same “I can’t live without you” look that Blaine gave Kurt earlier in the episode . . .

Don’t worry, Quinn.  Knowing Finn (and Glee), Douche-Boy will be BACK in love with YOU again in two episodes, tops . . . (Man this love triangle is getting annoying!)

I have to laugh when, about HALF WAY through this number, Kurt turns to Blaine and whispers, “Wow, they are doing Original Songs.”  (Seriously?  It took you THAT LONG to figure this out, Kurt?  Sex with Blaine must be killing your BRAIN!)

“Where am I?  Is this Sectionals?  Why aren’t I on stage?  I’m part of New Directions too!  Aren’t I?”

The Glee kids’ second song is the Sue Sylvester-inspired “Loser Like Me,” which could more or less, be Glee‘s theme song . . . if the show actually had one.   The number even features confetti-filled slushees, and lots of folks making the “L” sign on their foreheads . . .

Back in the audience, Kurt (who, just five minutes ago, DIDN”T EVEN KNOW  thathis friends were performing “Original Songs”) magically has the foresight to pass out props that are completely appropriate for this particular musical number.  Go figure!

“Hey Blaine, I plan to use this on you after the competition.  Pretty kinky, right?”

After virtually no deliberation, and no explanation whatsoever as to which teams come in second and third . .  .  SURPRISE . . . New Directions wins Regionals!!!!

So, Sue punches out the Governor’s Wife on stage, because . . . oh, who the heck knows!

The episode ends with the New Directions hugging an ecstatic and tearful Rachel for her remarkable dual performance, while Kurt and Blaine bury Pavarotti, clasp hands, and walk off together into the sunset to have hours and hours of hot monkey sex in Kurt’s bedroom . . .

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And that’s what you missed, on Glee . . .

Next stop, NATIONALS!  See you then, Gleeks!

[www.juliekushner.com]

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I Wanna Sex Ed You Up! – A Recap of Glee’s “Sexy”

During the last episode of Glee, we learned that alcohol is fun.  But if you drink it at school, you WILL projectile vomit all over your friends in a public setting.  And if you drink too much of it, you will drunk dial your ex, or, maybe, accidentally, your greatest enemy, and tell them that you were thinking about boning them, while riding a bull . . .

This week, we learned that sex is fun.  But there are “feelings” involved.  And you shouldn’t make sex tapes, if you are under 18.  Oh, also, wear condoms.  Because everyone has . . . a “RANDOM.”

And they said Glee wasn’t educational!

So, slip into something “more comfortable,” dim the lights, and snuggle up under the covers, with you know WHO . . .

 . . . because it’s time to get “Sexy.”

You Put Your Chastity Charm WHERE?

The episode begins at a meeting of the McKinley High Chastity Club . . . well, I use the term “club” loosely.  Since, at least at the beginning of the episode, the “club” only has three members.  And one of those members pretty much gets humped at least twice every episode . . .

Those balls won’t be blue for LONG!

Emma, the MARRIED 30-year old sex abstainer, seems vehement about fellow members, Rachel and Quinn, avoiding sexual activity for as long as humanly possible.  (Hate to break it to you, Emma.  But for the GIRL WHO HAD A BABY, that ship has sailed . .  . around the world . . . three times . . . and sank into the ocean.)  The problem with Emma’s celibacy speech, is that it seems less designed to keep her students safe, and more designed to keep them virginal, simply so SHE doesn’t feel “left out.”

More inspired than Emma’s speech, however, are the “chastity charms” she gives members of the Celibacy Club, and, it seems, anyone else who wants one.  The charms feature a heart-shaped locket and a key.  Of course, Emma is horrified when she learns that the charms are being used as nipple rings . . .

“Omigod!  They look like cow udders!”

Really, McKinley High students?  Because, honestly, I can think of a WAY more appropriately symbolic place to hang your chastity charm than on your boob, if you catch my drift . . .

In the student lounge at lunch time, Emma complains to Will and Beiste about the alarming sluttiness of the student body.  Cue the very slutty entrance of Holly Holiday a.k.a Gwyneth Paltrow a.k.a. McKinley High’s New Substitute Sex Ed Teacher . . .

Now, cue the 21-Gun Salute that takes place in Will’s pants . . .

Like Emma, Holly is also concerned with her students’ relationship with sex, namely, their lack of knowledge about it.  Through a flashback, we see Holly showing her class how to put a condom on a cucumber.  “Wait . . . cucumbers can give me AIDS?” Finn inquires nervously.

Beware the Evil Aids-Giving Cucumber.

Emma and Holly then get into an argument about the proper way to teach kids about sex.  Emma believes in NOT teaching them, and, instead, preaching abstinence.  Holly argues that celibacy for teens and married 30-year old guidance counselors is simply not realistic.  However, if you are open and honest with students about sex, they can make better decisions relating to it.  Holly then tells the crew that she is “off to have crazy sex, because she is crazy informed about it.”

Upon hearing this, Will gets down on all fours, and starts panting like a dog . . .

Schuester LIKE!

OH NO!  NOT ANOTHER PREGNANCY STORYLINE!  Oh . . . wait . . . nevermind.

Back at school, Santana wants to spend an evening sharing Lady Kisses and watching Sweet Valley High with Brittany, even though I’m pretty sure that show hasn’t been on television in about 10 years.  (Maybe one of the Glee writers was a fan?)  But, unfortunately, Britt can’t hang, because she thinks she’s pregnant . . .

“OH NO, NOT AGAIN!”

Of course, rumors of Britt’s Shocking Pregnancy spread around the Glee club, like wildfire.  But when Brittney explains that the REASON she think she’s pregnant is that there is a “stork’s nest outside her bedroom window,” Will comes to the shocking realization that Holly was right.  His students are TOTALLY clueless about sex!  And so, he puts on a ridiculous-looking leotard, and asks Holly for help.  (Note:  I couldn’t find a a screencap of Will in his nut-hugger.  Suffice it to say, he looked a lot like this . . .)

Holly decides that singing a sexual song to the Glee kids, while dressed in a trampy outfit, and humping chairs, is the best way to teach them the birds and the bees. 

So, after a very brief introduction .  . .

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 . .  . she launches into a rockin’ rendition of the song “Do You Wanna Touch Me?” 

The moral of this song, of course, is McKinley High apparently has NO school dress code whatsoever wear a RUBBER,  BOYS!  Because everyone has “A Random!”

Practice Makes Perfect Sex Faces . . .

We find Blaine and Kurt at . . . SURPRISE . .  . the coffee shop!  (Man these two consume a lot of caffeine!)  Sue Sylvester stalks them there, and inexplicably tells them that they have to sing a sexy song in order to be relevant to the episode’s theme the McKinley High kids are upping their sex appeal.  So, if the Warblers want to win Regionals, they will have to do the same . . .

But what do the Warbler boys know about being sexy?  After all, most of them haven’t seen a FEMALE in about four years, let alone “wet hugged” one!  So, Blaine decides to invite over some females from the local girl school to “test the waters” . . .

I bet there are about EIGHT porno films that begin just like this . . .

With their human sexy barometers in place, the Dalton boys begin rocking out to “Animal” . .  . and . . . SURPRISE . . . Blaine’s got the solo . . . again!  But wait . . . Kurt’s there too!

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But . . . why does Kurt look like he has to pee?

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Perhaps, it has something to do with all the water . . .  and foam . . . and Warbler “Wet Hugs” . . .

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You can watch the Warblers, in all their humpy, soapy, animal-y goodness, right here:

After the number, Kurt and Blaine are alone together again. (Does anyone else notice how, ever since Kurt arrived at Dalton, Blaine has stopped hanging out with any of the other Warblers?  Interesting  . . .)  Blaine starts having hot horny bunny sex with Kurt wants to know why Kurt was making all those weird faces during the performance?  Kurt explains that those were his “sexy” faces.  So, Blaine asks to see them up close, so that he can judge for himself . . .

Unfortunately, for Kurt, his “sex faces” don’t really make Blaine want to give him a “Wet Hug.”   Rather, they remind him of someone who has gas . . .

For what it’s worth, I disagree with Blaine.  I think Kurt’s “Sex Face” looks more like a cross between Derek Zoolander . . .

 . . . and Charlie Sheen . . .

Either way . . . NOT SEXY!

The problem, of course, is that Kurt has NO sexual experience, whatsoever.  I mean, his idea of a hot porno is the Dalton Academy’s production of Sound of Music . . .

Blaine figures,  if he ever plans to “Wet Hug” with Kurt, he’d better nip this issue in the weiner . . . FAST.  And so he attacks the problem at its source, by visiting Kurt’s dad . .  .

Blaine starts by telling Burt how envious he is of the great relationship he and Kurt share.  (I think most of us are a bit envious of that, actually.)  Then he lets the other shoe drop.  If Burt doesn’t hurry up and give Kurt the “birds and the bees ” talk, there’s a good chance that his son will learn about sex from boning Blaine by watching those Eating Out movies they are always showing on the Logo channel, late at night . . .

As a straight girl, can I tell you?   These are SO HOT!  (The acting is usually crap, of course.  But, let’s be honest.  That’s not why you’re watching.)

So, Burt, being the kickass dad he is, goes out and picks up some pamphlets.  And then he tells his son that it’s time for The Talk . . .

Needless to say, Kurt is not particularly receptive, at first.  But then Burt reigns him in by giving him the BEST SEX TALK EVER!  I mean seriously, if I ever have kids, THIS is the Sex Talk, I’m going to give them . . . well . . . maybe a slightly modified version . . .

Here are the highlights:

“You know, when you’re intimate with somebody in that way, you’re exposing yourself.  You’re definitely going to be more vulnerable. And that scares the hell out of a lot of guys. . . . Once you start doing this stuff, you’re not going to want to stop. You just . . . You’ve got to know that it means something.  It’s doing something to you, to your heart, to your self-esteem.  Even though it feels like you’re just having fun.  Kurt, when you’re ready, I want you to be able to do everything.  But when you’re ready, I want you to use it as a way to connect to another person. Don’t throw yourself around like you don’t matter. Because you matter, Kurt.”

All together now, “AWWWWWWWWWWWW!”

(Did you ever wish you could hug someone through your television screen?  Because that’s what I wanted to do to Burt Hummel, after this scene was over.)

In other Sexy news . . .

“You’ve just been Zized!”

So, Puck wants to star in a sex tape .  . .

. . . with Lauren Zizes . . .

Apparently, this is all part of  Lauren’s “big plan” to be “famous,” like the “Kardashians,” and have her “own reality show” with a “clever tagline” :  “You’ve just been Zized.”

The most bizarre part of this whole storyline for me (aside from the obvious, of course) was that Puck and Lauren “researched” their sex tape, by watching other sex tapes on the internet in the SCHOOL LIBRARY.  (Public School FAIL!)   They also conveniently told Ms. Holiday about their plans, when she caught them in the act . . . of watching the tapes.  (What did you think I was going to say?)

Holly helpfully informed the budding new couple that, if they made a sex tape, they would both be guilty of CHILD PORN.  Having been accused of being a creepy pedophile by his OWN SEX ED teacher, a clearly traumatized Puck finds himself, for the first time in his life, NOT WANTING TO HAVE SEX!

You would think that GETTING A GIRL PREGNANT last season would have the same effect on him  . . . but no.

So, Puck joins the Celibacy Club . . .

 . . . which seriously pisses off his horndog girlfriend . . . that is, until she learns that he “like, cares about her . . . and stuff.”

PUCK:  “Haha, my evil plan has worked!  I am so getting laid tonight!”

Meanwhile . . .

Boys are like Wasa Crackers.

Best . . . product placement . . . EVER!

Ahhh . . .  Will Schuester . . .  such a martyr.  Once again he is trying to get laid . . . to educate his students, of course!  So, being the “Swell Guy” he is, The Schue commandeers Holly for a little musical number, specifically, a tango, to the tune of Prince’s Kiss . . .

You can tell immediately that Will is extremely aroused during this performance.  For starters, his singing voice gets so high that you literally can’t tell it apart from Holly’s.  (Yes, I realize that Prince, himself, had a high voice.  And that this was the whole point of the musical number . . . But I still found it bizarre.  Sorry!)

The dancing was pretty hot, though!  Watch, and you’ll see what I mean . . .

After the number, Will takes the opportunity to ask a sweated up Holly Holiday on a date.  And she TURNS HIS ASS DOWN!

“I break Nice Guys like you, like Wasa Crackers,” Holly explains.  “You married your high school sweetheart, and then went out with a virgin,” Holly notes, adding insult to injury.   (You’ve got to admit.  Girlfriend’s got a point!) 

Speaking of virgins . . .

Emma has herself an Afternoon Delight . . .

Concerned that Holly’s teachings are only offering teens one viewpoint about sex, Emma decides to lead the Celibacy Club in their own musical number, to illustrate an alternate way of thinking.  With the help of Rachel, Quinn, new Celibacy Club member, Puck, and her new husband, Carl,  Emma performs “Afternoon Delight.”

Watching this not-very-good musical number, I must admit that I was . . . confused.  To give you an idea of  just how confused I was, here are some of the recapping notes I took, during the performance:

-Why are they singing Afternoon Delight?  Is the choice of song supposed to be ironic in some way?  Wouldn’t a song like Meatloaf’s “Paradise by the Dashboard Light,” a.k.a. A Cautionary Tale About Car Sex, be more appropriate for this purpose?

-Why are there pictures of dessert in the background?  That’s kind of kinky!

-Why are they dressed like THAT?

-Why is Emma so friggin annoying?   I kind of feel like the Emma character unintentionally functions as the Poster Child for Teen Sex.  In other words, “have sex young, or you will end up like Emma.”  Way to send positive messages, GLEE!

Of course, after the musical number, all is explained.  (Well . . . almost all.)  You see, apparently, Afternoon Delight, is not just a euphemism for “sex on your lunch hour,” it is also . . . a DESSERT, which, when you think about it, is kind of fitting! 

Later, Carl and Emma decide to visit Holly for some much-needed “couples’ counseling.”

As it turns out, these two have been married for HALF A YEAR, and still have NEVER HAD SEX WITH ONE ANOTHER!  See what I mean . . . about the whole Giving Virgins a Bad Name thing?  I mean, “waiting until marriage” is one thing . . . waiting until your Golden Anniversary, is quite another.  In the words of Jesse from Full House, himself.   “Have MERCYYYYYY!”

I’ll admit I made this exact same face, while I was watching this scene.

Holly perceptively figures out that Emma’s longstanding love for Will, might be the glue that’s keeping her legs together.  When Holly suggests as much to Emma, the latter can’t deny it.  The realization forces Carl to storm out of the room, and possibly the marriage . . . something a Smart Guy would have done SIX MONTHS AGO . . .

“I could have told him THAT!”

In completely unrelated news, that doesn’t fit anywhere else in this recap . . .

 . . . these two doofuses are making monkey again.  (I wonder where SHE hung HER Chastity Charm?)

Speaking of making monkey . . .

Brittana Experiences a Landslide of Emotions

Last we checked, Brittany was dating Artie.  And Santana was dating Sam.  But that’s not stopping these two former Cheerios from boning in Santana’s bedroom on a fairly regular basis . . .

But don’t worry, guys!  It’s not cheating, if the “plumbing is different!”  At least, that’s what Santana says!  (Speaking of which, I have a clogged toilet that needs fixing.  Now, I know who to call!)

In a surprisingly coherent post-coital moment, Brittany complains to Santana that all they do is bone.  And they never talk about their feelings.  But Santana is not exactly the sharing type.  And she tells Brittany as much.  Nevertheless, the girls decide to visit Holly Holiday for their own version of couples’ counseling.   So, Holly plops the pair down in a Sexy Sharing Circle . . .

. .  . and asks them if they think they might be lesbians.  The Sharing Scene, by the way, is accompanied by Rotating Camera Shots, which always make me dizzy and slightly nauseous.  This scene was no exception.  (WHY MUST SHOWS ALWAYS DO THIS?  WHY?!)

Anywhoo . . . since the girls can’t articulate their feelings for one another, Holly suggests they sing about it.  And they do . . . with Holly’s help, of course. Because, apparently, it is in Gwyneth’s contract that she must perform at least three musical numbers during each Glee episode in which she appears to prove that she is a “Real Artist” . . . or something.  So, Holly sings “Landslide,” while the two besties exchange tearful and longing looks with one another.  It’s kind of heartbreaking, really.

At the end of the number, Brittany and Santana share a hug, laced with emotion and symbolism . . .

Upon seeing this, Sam turns to Artie and says that he wishes that the two of them can have a relationship as close as the one their respective girlfriends share . . .  (And you’ve gotta love the latent homoeroticism in THAT!)

After class, Santana confronts Brittany by the lockers.

She then tearfully explains to Brittany that she loves her, and wants to be with her, and ONLY her.  In fact, Santana has wanted this for a long time, but was afraid of what people would say about her behind her back, if she submitted to these desires.  Brittany admits to Santana that she loves her too, and would totally be with her . . . if it weren’t for Artie.

Oooops!

“Whoever thought being fluid would mean you could be so stuck,” Santana explains morosely.

Brittany then moves in to hug her again, but a heartbroken Santana pushes her away. 

It was a powerful scene.  One that was beautifully acted by both Naya Rivera and Heather Morris.  It’s refreshing to see these two actresses finally getting the chance to display themselves as more than just The Comic Relief.  And I hope we get to see more scenes like this between them in the future.

In other news, Will and Holly made out at the end of this episode.  Now, they are dating.  Zzzzzzzzzzzz  Yippee!

Next week on Glee, New Directions heads to Regionals with “Original Songs.”  You can watch the promo for the episode here:

See you then, my fellow Gleeks!

[www.juliekushner.com]

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Shut up and SING! It’s almost time for Season 2 of Glee!

 

If last Sunday’s Gleek-tastic Emmy opener put you in the mood to watch your favorite show about singing and dancing teens, Glee, well then you’ve come to the right blog post.  Unfortunately, I don’t have quite enough clout in the entertainment world (read: “no clout at all”) to show you episodes from the show’s groundbreaking Second Season, which is set to premiere Tuesday, September 21st, at 8 p.m. on Fox.

However, I DO have plenty of mildly spoilerish intel about the new season, complete with a few pretty pictures, and some relevant YouTube videos. These should tide you over, while you eagerly await the season premiere.

So, what are we waiting for?  Let’s get GLEEK-Y!

For starters, here’s the new promo for the show, which aired just a few days ago on Fox. 

Pretty cool, right?  Now, let’s breakdown what we’ve learned about Season 2 so far . . .

The Episodes

Season 2 of Glee is slated to have 22 episodes.  The first few episodes will air on Tuesday at 8 p.m on Fox.  These early episodes will culminate in a SPECIAL extended episode, which will air following Superbowl XLV.

Following that episode, Glee will move to the much coveted Wednesday at 9 p.m. timeslot.  And, you know what that means?  More sex, drugs, and violence ALLOWED by the censors!

Yes, PLEASE!

So far, the producers of Glee have released titles for the first THREE episodes of Season 2, along with brief synopses of each.  In the first episode, entitled Audition, New Directions will be forced, due to more budget cuts, to bring on additional members — a task that will cause tension between on-again, off-again couple, Rachel and Finn.

Two auditioners likely to “make the cut,” are foreign exchange student Sunshine Corzan, played by YouTube sensation and master songstress of the Philippines, Charice (more on her later)  . . .

 Newbie Sunshine duking it out with Rachel Berry in the school bathroom, to the tune of Beyonce and Lady Gaga’s Telephone.

. . . and transfer student / football jock, Sam Evans (played by Chord Overstreet) . . .

Just like another one of our favorite Gleeks, it appears that Sam’s “talents” will be discovered in the shower.  How convenient for those of us scouring the net for shirtless shots of the actor to use in future recaps.  Just saying . . .

Sam is described by producers as being a protege and eventual rival of Finn’s.  It is also rumored that he may be an upcoming MAJOR love interest for one Kurt Hummel.

The second episode is entitled “Britney / Brittany.”  This one will obviously be the much talked about “Britney Spears-themed episode,” comprised entirely of songs by the aforementioned artist, and featuring a cameo appearance by Spears herself.

Heather Morris (as Brittany) posing with Britney Spears — I can see a resemblance.  Can’t you?

The show’s third episode, entitled “Faith,” will be religous-themed, and feature songs including R.E.M’s “Losing my Religion” . . .

 . . . and Barbara Streisand’s “Papa Can You Hear Me.”

Other episodes airing this Season will include a Rocky Horror Picture Show – themed episode .  . .

 .  . . during which the cast of New Directions will undoubtedly perform the Time Warp dance.

Another episode will feature the cast singing entirely ORIGINAL songs.  There will also be a second Madonna-themed episode.

In the Season 2 finale, the cast will head to  New York City, to compete in the national Glee club competition.  There, they will most likely perform Jay Z and Alicia Keys’ anthem to the Big Apple, “Empire State of Mind.”

“New Directions” for our original Gleeks

If the scoop about Kurt’s new love interest enticed you, there is plenty more where that came from!  Speaking of Kurt, Mike O’Malley, who warmed everybody’s hearts with his performance as Kurt’s Dad, Burt Hummel, has been upgraded to season regular status . . .

. . . as have our two favorite “mean girl” Cheerios (and possible lovers?) Heather Morris (Brittany) and Naya Rivera (Santana) . . .

Our favorite love square, starring Rachel, Finn,  Quinn and Puck, is said to be in full effect next year.  However, a NEW love TRIANGLE will ALSO invade the Glee club.   This one will star, the loveable Artie, quirky goth, Tina, and awesome dancer, Mike Chang.

Sources say that when the season opens, Tina will be dating MIKE, having dumped Artie, due to his poor social skills and frequently rude comments.

New Cast Members and Guest Stars

Earlier in this article, I mentioned the cast additions of Chord Overstreet . . .

 . . . and Charice.

What I DIDN’T mention was that Charice’s character’s singing voice will be SO impressive, that it will enable her to make a play for Rachel Berry’s crown as Queen Bee of New Directions.  Listen to her sing this rather impressive cover of Beyonce’s “Halo” (a song which just so happened to be performed on the show, by Lea Michele’s Rachel Berry last season), and compare for yourself.

Another addition to the cast will be John Stamos . . .

John will be playing that dentist boyfriend of Emma Pillsbury, Carl Howell, who was briefly mentioned last season.

Although I sincerely doubt John will be singing on the show, fans of the oh-so-cheesetastic 90’s sitcom Full House, will likely remember that he CAN, in fact, sing.  This will become evident in the VERY retro clip, below.

Also featured in Season 2 will be Cheyenne Jackson, who’s character will replace Idina Menzel’s Shelby Corcoran as the coach for New Directions’ rivals, Vocal Adrenaline.  Since I am nothing without my journalistic integrity, I’ve decided it is absolutely imperative that I provide you with a picture of Cheyenne in his underwear . . .

You’re welcome.

I will not, however, be providing you with an equally scantily clad photograph of our next new cast member.  Dot Jones will appear as McKinley High’s new football coach, and rival to BOTH Sue and Will Schuester, Shannon Beiste.

Beware of THE BEISTE!

Other Glee guest stars will include Carol Burnett . . .

. . . who will play Mommy to, none other than, Sue Sylvester . . .

Speaking of Sue, Javier Bardem will guest star as one of her exes.

Woah!  Maybe I should start wearing track suits.

Susan Boyle will also guest star as the Singing Lunch Lady.

New Music

Look for songs by Billy Joel . . .

. . . Coldplay . . .

 . . . Paul McCartney . . .

 . . . Courtney Love . . .

 . . .  and Led Zeppelin . . .

. . . to be featured on the show.

Oh, and just in case you CAN’T wait until September 21st to get your Glee fix, the Complete First Season of Glee DVD set will be available for purchase on September 14th.  

You can preorder it (at reduced cost) here.

Of course, September 14th is still over a week away.  Is that too many Glee-less days, for you?  If so, worry not.  Glee: The Beginning, a young adult novel said to function as a prequel for the series, is available in stores, RIGHT NOW!

You can order it, by clicking here.

Not much of a reader?   Low on cash?  That’s OK.  I’ve got something for you too.  To conclude this Glee-themed post, I have provided, for your viewing pleasure, a video of that fabulous Journey Medley, performed by the New Directions, during the Season 1 finale.  And, just in case, you didn’t see it when it first aired, you can find a picturesque recap of the entire episode right here.

Well, that’s all I’ve got, for now.  See you on September 21st!  Until then, happy Gleek-ing out!

[www.juliekushner.com]

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Filed under Glee, Spoilers and Sneak Peaks