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A Sad Day for Little Piggies – A Recap of Pretty Little Liars’ Season 4 Premiere – “A is for Alive”

pig one

anxiety

Hey there, my Pretties!  It’s that time again.  Our favorite little liars are back for another season of being tortured by “A”  . . .

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. . . romanced by sexy shirtless men . . .

caleb shower fragrantroses

big abs

2 4 shirtless jason

. . . and making questionable fashion choices (sometimes) . . .

TROIAN BELLISARIO

wet aria

So dig that creepy baby-face mask out of moth balls, keep your cell phone away from coffins, and for Heaven sake, hide your little piggies . . .

hide pig

. . . because it’s time for another Pretty Little Recap . . .

There’s A Dead Body Bacon in the Trunk!

wildens car

“So, I’m guessing that Rosewood doesn’t have a car wash?”

Last season, on Pretty Little Liars, Deputy Douchey’s car magically emerged from a lake, and drove itself out to meet our fabulous foursome (plus Mona).  It turns out, Douche Car was on a mission.  It wanted to show the Liars incriminating footage of Mama Marin hitting Deputy Douchey with her car, and driving off into the sunset.  Now, admittedly, getting hit by a car sucks.  But it could have been worse, Deputy Douchey!  You could have been hit by a car ON YOUR WEDDING DAY .  . .

Also, Deputy Douchey didn’t even DIE yet, when he was hit by that car.  He just brushed himself off and walked away.  He even got the opportunity to shower, after it was all over . . .

shirtless D Douchey

. .  . which is more than we can say for his car . . .

Because, as we find out, in the opening minutes of the episode, being dirty, and playing a bad home movie on its OnStar screen are the LEAST of Douche Car’s problems.  THERE’S SOMETHING IN THE TRUNK!

ahhh

WHAT COULD IT BE?  It must be something pretty horrible, considering the writers made us wait MONTHS to find out . . .

I mean, when you think about it, anything could be in that trunk . . . Ali’s corpse, Jason’s corpse, Toby’s corpse, A SPARE TIRE . .  .

BabyScared

But what actually ended up being in the trunk was worse than ALL OF THOSE THINGS COMBINED.  It was . . . BREAKFAST .  . .

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“OH THE HUMANITY!”

got to be kidding

Silently agreeing to all become vegans, the little liars hightail it from the “crime scene,” before they can be spotted by the cops.  Mona, however, decides to stick around, because a good song is playing on the car radio.  And everyone knows it’s bad luck to leave a car when a good song is playing . . .

taking tape out of car

bitch 1

bitch 2

bitch 3

bitch 4

Mona Vanderwaal’s theme song

Actually, she’s just dismantling the incriminating OnStar video monitor, like the sociopath / criminal mastermind she is . . .

Good going, girl!  An extra special helping of bacon for you!

F.A.Q’s

mona 2

You know how a lot of company websites have a Frequently Asked Question page, so that the customer service line isn’t inundated with the same inane questions, over and over again, like “What’s the mailing address?” or “What are your hours?” or “Why does the hair color on my head look nothing like the picture of the girl on the dye box?”

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Well, that’s kind of what the next scene was like for me.  Having Mona answer six or seven of the series’ most frustrating questions all at once, was both a really lazy thing to do, from a writers’ perspective, and an oddly satisfying experience for the fans.  So, without further adieu, I proudly present to you, Mona PLL F.A.Q. . . .

mona and red coat

(Does this mean Cece is Red Coat?  She certainly seems to be A Red Coat.  I’m just not certain yet that she’s THE red coat.)

mamas proud enter cece drake

hannas garage

recruit

shanna

lucas gave em mass

cute lucas

bell tower

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Should the writers have revealed the answers to these “Burning Mysteries,” through actual plot exposition, as opposed to mere script exposition?  Sure.  But if they did that, they’d have so much less time to focus on things like Dead Pigs in car trunks and the never ending Love Saga of Ezria . . .

come at me bro

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Sarcasm aside, I think the writers simply recognized the fact that they didn’t have time to include the answers to these questions in their actual plotline.  And, if that’s the case, I’m glad they revealed them, this way, rather than keeping them as intensely frustrating eternally unsolved mysteries, like some OTHER shows I know . . .

lost

“I’m looking at you, Hurley Bird, and Walt’s rapid aging /random magical powers!

One of the things I love most about PLL is how refreshingly self-aware it is of it’s own occasional ridiculousness.  Take for example, this next scene, where all the little liars awaken to find Mona gone.  Of course, they immediately assume that they all fell asleep because Mona drugged them  .  . . and not simply because they were tired from a long night of playing Fondle the Dirty Cop Car . . .

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And why wouldn’t they think that?  Especially, when Emily, Hanna, and Aria have each been drugged by their enemies, at least once on the show.

Poor Mona!  She just went out to get all her friends their morning cups of coffee, exactly how they like them . . . and possibly murder Deputy Douchey.

borrowed caar 1

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Mona is kind of a kick ass car thief!  They should really consider hiring her for the next installment of Fast and Furious . . .

Trailer Park of the Dolls

the lair

You know, we all make jokes about how all the liars (with the exception of Emily) have such awful parents.  But what about Mona?

scary mona pic

I mean, think about it.  Here’s a girl who spend about half a year in the nuthouse.  And when she gets out, her parents don’t seem to notice, mind or care, that she took all that creepy crap she used to store in a random skeevy motel room, and moved it to her OWN PERSONAL TRAILER!  Last I checked, you had to be 25 just to rent a car.  Can you really buy a house on wheels at 17?

no no on

In hopes of proving her worthiness, Mona generously allows each of the girls to read the personal stalker files she’s amassed on each of them, during the course of three seasons.  Then, she glibly admits to Hanna that she successfully impersonated Caleb despite being about 5 inches shorter than him at last year’s Halloween party, just so that she have an excuse to suck face with her former bestie, who she once tried to run over with her car . . .

halloween train

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But Mona wasn’t the only cross dresser on the Halloween Train of Terrors.  Check THIS out?

wilden as queen of hearts

It’s pretty hard to be afraid of someone who looks so ridiculous.  Then again, this was the guy who drugged Aria, put her in the coffin with a dead body, and then literally almost THREW HER FROM A MOVING TRAIN . . .

BabyScared

Mona’s carefully captured video footage suggests that there was another member of the A Team responsible for Aria’s future therapy bill.  She claims it was Spencer’s B*tch Sister Melissa . . .

crazy nanny carrie

big bitch crazy

But this pretty awesome “Kiss Virus,” smears fake lipstick kisses across Mona’s desktop, and deletes all her files, before Mona can confirm that she’s telling the truth.  My theory?  Mona clearly has a backup for this footage.  I’m thinking she likely planned the “virus,” because she’s covering for someone much more surprising than Melissa . . . someone who we HAVEN’T actually assumed was bad news from Day One.  Someone like . . .

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I’m kidding.  I know the writers would never do this.  But you have to admit, it would be a pretty shocking reveal .  . .

Attack of the Kiddie Clones

Outside the trailer, the girls hear the sounds of their names being called, and head out to investigate.  Here’s what they find . . .

all the pretty girls

My goodness!  Does A work in a toy factory?  It’s the only possible explanation as to why every single week she or he seems to come up with another set of dolls that look exactly like the liars.  (I hope ABC Family is selling some of these to fans.  They’d make a mint.)

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Well . . . honestly, these are pretty ugly.  I wouldn’t buy these!

bobble heads

WANT!

So, the kids tell the liars that some girl named “Alison” gave them the dolls, and blah, blah, blah.  We’ve heard this one before.  What’s more disturbing is the fact that the kids themselves actually look like the liars.  What is this Orphan Black?  Is the A Team involved in human cloning too?

clone club

I said the little girls look like younger versions of the liars.  What I didn’t mention was that there was one MAJOR exception to this rule.  Aria’s “clone” looked like someone else entirely . . .

miranda cosgrove look alike

miranda looks

I swear this show just gets more disturbing by the minute . . .

Ding Dong Deputy Douchey’s Dead . . .

looking at body

On the way home from the Trailer Park of Terror, the girls encounter a familiar face . . .

dead wilden

miss me

Either Deputy Douchey is DOA, or he just picked a really bad location for a nap.  Suddenly, the girls realize the significance of the pig in the car.  Get it . . . pigs . . . cops?

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It looks like the little liars are about to be framed for yet another murder.

must be thurs

Now, more than ever, they need Mona to give up that incriminating video footage.  But can they trust her to turn it over?

Fitzy Goes to Jail . . . Just KIDDING!

After a few weeks of successfully avoiding Fitzy, post breakup, Aria has an uncomfortable encounter with him at the coffee shop.  The fact that she’s wearing an outfit that directly resembles Sheldon Cooper’s Doppler Effect Halloween Costume certainly doesn’t help matters . . .

aria doppler

doppler effect

Then Fitzy reveals to Aria that he’s once again taking a job teaching at Rosewood High, and mixing stripes with solids quickly becomes the least of Aria’s problems.  “I have a family now,” Fitzy reminds Aria, careful to use the word “family” and not just “kid,” to imply that the awful “Maggie,” is also a part of this picture.

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“Why do you insist on continuing a relationship with Alex Mack.  She is LITERALLY a pile of goo!”

alex-mack

But to Aria’s credit, she keeps her cool, even icily referring to the guy she used to bone as “Mr. Fitz,” before exiting stage left.  You go, girl!

Back at school, Aria’s paranoia kicks into overdrive, when she becomes positive that the school principal is watching her moon over Fitz.  Her suspicions seem to be confirmed, when the principal calls her into his office, and confronts her with some TRULY PORNY pictures of Ezria going to pound town on one another . . .

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You know what comes next, don’t you?

going to prison

arrested ezra

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Aria is crushed.  She rushes out of the principals office, to a chorus of sad trombones and tiny violins .  . .

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Then Aria “awakens” to find herself still outside the principal’s office.  It was all daydream, silly!

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Fitzy isn’t really going to jail!

And while part of me is relieved for Aria, the other part of me kind of wishes they actually did arrest Fitzy, if only so that he could start wearing doo rags in prison, like Toby, and, possibly even get the words “Thug Life” tattooed on his butt.

pirate toby

Speaking of the Tobster . . .

The Many Faces of Toby Cavanaugh

Sometimes I think Abs Toby has multiple personality disorder . . .

psycho toby

Sometimes he’s REALLY creepy . . .

welcome back creepy toby

creepy toby

Other times he seems genuinely sweet . . .

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He can occasionally be a thug . . .

pirate toby

And this week, he was about eight other things, I hadn’t actually seen before.

how you like me now

It all started on an ordinary morning, during which Toby generously cooked his on-again girlfriend Spencer a breakfast, which hopefully didn’t include bacon . . .

eat

No doubt, it was a sweet gesture.  But there was something about the way he kept reminding Spencer to thank him for the food, and shutting her down, whenever she tried to talk about Deputy Douchey’s death that didn’t sit right with me.  Perhaps, a part of me feels that Toby’s earlier betrayal was whitewashed over a bit too quickly.  And I’m clearly having a harder time trusting him again than Spencer.

sad spencer 2

That said, I genuinely felt bad for him, when “A” left him that threatening text about the mystery surrounding his mother’s “disappearance.”  I even understand why he kept that information from Spencer.  Though, I’m sure that decision will eventually come and bite him in the ass, during the weeks to come .  . .

sad toby

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He’s a little shady.  But he’s still a really sexy crier (with great abs).

evil abs

Later in the day, Toby takes Spencer to that burned down building in search of the elusive red coat.  And it’s pretty much the Worst Date Ever . . .

spoby at burned down lair

Of course, Super Sleuth Spencer doesn’t seem to mind too much . . .

Through a flashback, we learn that Toby’s mother was either massively depressed, or had a serious drug problem.  And Ali was a seductively manipulative b*tch.  Of course, we already knew that last part . . .

almost kiss

Something struck me as odd about this flashback.   I understand that Toby was supposed to come off as young and naive.  And Ali was supposed to come off as an evil date rapist, who recycles her pickup lines . . . despite the fact that both characters were realistically only about 13 or 14 when this event took place . . .

It’s just that the way the lines were read, Toby somehow seemed less young and naive, and more . . . Lenny from Of Mice and Men, if you catch my drift . . .

make bunny cry

In happier couples news . . .

You’ve Come a Long Way, Little Orphan B*tchy . . .

Remember when Paige looked like this?

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And did this?

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Well that’s sure in the past.  Because now Paige is asking Emily to go to Stanford with her.  And the pair are exchanging “I love yous.”

love you,

love you too 2

really love you

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But more importantly, her hair and wardrobe are awesome!

happy elena

The little liars have been a very good influence on you, girl!  It’s too bad that by admitting your love for Emily, you’ve pretty much just signed your death warrant.  Emily Fields is basically the Jeremy Gilbert of PLL . . .

jer bon poster

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2 12 emali this little liar

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Best Friends and Bad Hair Days

You can tell that Hanna is having a difficult time processing Deputy Douchey’s death, because she’s got her wig on crooked.  And she’s wearing her headband so low on her forehead that you would think she was auditioning for a workout video for the 1980s . . .

12 minute sleep

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Speaking of the 80’s, bedazzle much?

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It’s abundantly clear that these two girls need to go shopping.  Though, given their current wardrobe choices, I’m not quite sure it’s such a good idea for them to be shopping together . . .

search party

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All sarcasm aside, I thought the moments Mona and Hanna shared together this week were actually really sweet.  And a big part of me genuinely wants to believe Mona, when she tells Hanna that she truly loves her and misses her, despite knowing that Hanna is only hanging out with her now to protect herself and the rest of the liars.

friend pretend

Mona even gives Hanna the incriminating disk we saw in the beginning of the episode, as a gesture of good faith.  After all the terrible things Mona has done to the girls, and Hanna in particular, she’s still a long way from gaining my trust.  But this was definitely a start . . .

In other news, Mama Dilaurentis is back in town.  And despite her daughter’s having supposedly been dead for two years, still can’t quite bring herself to get rid of all her sh*t.  So, the “twin” theory rears its ugly head yet again . . .

twins clue

halloween twinsies

starring ali mom

And finally . . .

A Nice Day for a Black Funeral

funeral outfit

Everyone in Rosewood knows that the monthly funerals are the most important events on the town’s social calendar.  This is why the little liars always attend them, dressed like they are going to bachelorrette party in Vegas.  It’s also why they insist on sitting in the front row, despite the fact that not only are they typically of no familial relation to the deceased, they also tend to be the number one suspects in that person’s murder . . .

cant sit with us uneedpll

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The social importance is Rosewood funerals may also explain why Jenna insists on showing up to them fashionably late, on the arm of a new heretofore unknown gentleman, each month . . .

jenna escort

But if trying to make a fashion statement at the funeral was the little liars (and Jenna’s) ultimate goal, then all of them failed.  Because if anyone was going to get gawked at during Wilden’s funeral, it was most definitely going to be THIS CHICK . . .

weird lady

She’s wearing a mask AND a veil?  How does she not bump into walls?

Before the big day, Spencer gets a tip, thanks to “A,” that there may be something special waiting for her in Deputy Douchey’s coffin . . .

closed casket

Spencer is excited, because she hasn’t fondled a corpse since, well . . . the last time she fondled a corpse.  Mona, who received the same cryptic message, is also up for the challenge .  . .

in coffin

“I hope the clue is not in his pants.”

The girls extract a phone from Douchey’s coffin, and dial the number attached to the contact “Kisses.”  So, you can imagine their surprise when the phone call goes directly to HANNA’S PHONE!

2 17 surprised caleb

Don’t worry, Caleb . . . it’s actually Hanna’s MOTHER, who Dead Wilden was dialing.  But still . . . gross . . .

After the funeral, New Deputy Less Douchey confronts the girls, and does that TV cop thing, where he seems to be both flirting with them, and accusing them of murder at the same time . . .

hot new guy

I don’t care if he ends up being an A$$hole, who, like everyone else in this show, is somehow, involved in Ali’s murder and/or has it in for the liars.  He’s HOT!  There, I said it. . .

In the final moments of the episodes, the girls get yet another cryptic text from A, informing them that the truth is going to BURY them . . .

bury you with it

Get it?  Bury!  Ahhh . . . you got a love a good funeral pun.

See ya next time, my Pretties!

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[www.juliekushner.com][Fangirls Forever] [My Tumblr]

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I LOVE YOU, MIKE CHANG! – A Recap of Glee’s “Asian F”

[ (Mildly) Important Note About the The Vampire Diaries Recap for “Disturbing Behavior”:  Hey Folks!  I suspect some of you might be scouring the home page in search of my most recent TVD recap.  All I can say is, IT’S COMING!  I was feeling a bit under the weather last night, and decided it would be best to publish a thorough recap a bit late, rather than publish a shoddy recap on time.  I promise to make it up to you, by adding plenty of extra yummy pics and GIFS into the mix! 😉  I hope you can forgive me.  The recap should be up by early this evening (probably 8 or 9ish) Eastern Standard time.  See you then, Fangbangers!]

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Would it be inappropriate for me to ask you to have my babies?  It would?  Well, could you just flash your abs at me then?

Oh, dear, sweet, Mike Chang.  You started off Season 1 as the Mysterious, Possibly Mute, Dancing Guy . . .  a guy who . . . except for during the instrumental portion of songs . . . remained largely in the background.  Then came Season 2, and our introduction to those glorious specimens of nature known as YOUR ABS.

You started dating Tina . . . and we started taking notice . . . but mostly just of your midsection.

Yes, I pasted the Abs Picture again . . . just in case you forgot what they looked like, when I pasted them two sentences ago.  You got a problem with that? 

But, now Season 3 is here . . . . Asian F has aired . . . and though it would be illegal in many states, I suspect there are many women out there, over legal drinking age, who would very much like to “Asian F” you, if  you catch my drift. 😉

So, strap on those dancing shoes, because this ode to New Directions most woefully under-appreciated club members is about to begin . . .

Finn is happy . . .

And so is his spirit animal . . .

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Be Cool, Mike Chang!

That’s right, Mike Chang!  You kick that poopyhead, Bad Influence Boyfriend!  You kick him HARD! 

Mike Chang’s dad is mad as hell.  And he’s not going to take it anymore!

“This is my mad face, which, coincidentally, is not all that different from my happy face.  Emotions are for losers . . . and people who score A minuses on their high school exams.” 

His son is on a path toward destruction!  He’s dating a vampire . . . well, at least someone who sometimes dresses like one!

Damon Salvatore finds this extremely insulting . . . 

He’s in GLEE CLUB.  And worst of all, he took a chemistry test, and received an A minus . . . an ASIAN F!  At this rate, Mike will NEVER get into Harvard!

Oh, the horror! 

Papa Chang thinks Mike might be ON DRUGS  . . . and begs Principal Figgins to force him to submit to drug tests each week.  He also wants him to . . . wait for it . . . QUIT GLEE CLUB. (NOOOOOOOOOO!)

Poor Mike!  He’s horrified of the idea of losing the part of his life, that he values most.  He promises his dad that he will do better . . . pay for a chemistry tutor, and never Asian F again (Well, at least not THAT kind of Asian F.)

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But the problem, of course, is that Mike has A LOT on his plate right now.  He’s going to Glee club practice.  He’s spending extra hours at the school helping Mr. Schue run Booty Camp.  He’s on the football team.  He’s teaching the football team to dance, as part of Coach Beiste’s requirement that they all audition for the school play.

And, perhaps, most importantly (for purposes of this episode, anyway) Mike has decided to audition for the role of Riff in the school’s production of West Side Story.  It’s a dancing part, of course.  But it’s also . . . wait for it . . . a singing part.  And we all know that singing isn’t necessarily a talent that comes naturally to Mike Chang . . .

“I’m really good at sex though.” 

Will Mike be able to juggle it all, while earning straight A’s (NOT A minuses!), AND earn the role of his dreams?  Mike decides to dance on it.  In what was my opinion, the most moving part of the episode, Mike heads alone to the dance studio rips off his shirt, to reveal a super tight, arms bearing tank top (but no abs, unfortunately), and dances his frustrations, hopes and dreams in total and complete silence.

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*insert stripper music, and lewd whistles here*

Then, he has imaginary conversations, both with his father — who values scholastic achievement above all else — and his girlfriend — who encourages his passion for dance, and the arts.  Bolstered by the power he gets from his dancing, Mike finally feels capable of unburdening himself, and telling the two people he admires most, exactly how he feels . . . Well, technically, he only does it in his mind .  . . but it’s certainly a start . .  .

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Damn straight, Tina!

And though Mike has been double booked (He is supposed to be learning chemistry right now), our hero, though a bit late, DOES, ultimately decide to audition for the role of Riff.  He does so, with one of the character’s token solos, a toe-tapping, finger-snapping number entitled “Cool,” which showcases both his trademark dance moves, and his raspy, yet surprisingly sexy, singing voice.

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“Yeah . . . I know . . . I’m awesome.  You totally want to get with this.”

Accompanying him on his audition are some pretty goofy-looking dancing football players.  (So, now we know where Mike has slacked.)

OK guys . . . you just keep doing the hokey pokey.  And I swear, nobody is going to ever find out that I never actually taught you to dance.”

But hey, nobody’s perfect . . .

After the audition, Mike returns to the comfort of the dance studio.  It is there where he encounters his mother.  Upon noticing that he had missed his appointment with his chemistry tutor, she had arrived at the school to make sure he was OK.  UH OH!  Busted!

Tired of hiding his true self, Mike finally comes clean to his mother.  He doesn’t want to be a doctor, engineer or astrophysicist, when he grows up.  Wait for it . . . Mike wants to be . . . a professional dancer.  The notion that Mike would end up coming clean to someone in his family about his true desires was not necessarily shocking or unexpected.  What WAS shocking, however, was his mother’s response.

Mike’s mother admits that she was not as courageous as her son was, and gave up her own dreams to do what was expected of her.  She does not want that for her son.  And so Mike’s mother promises to support Mike’s dreams.  “But what about Papa Chang?”  You might ask.

“When you get the part [of Riff], we will tell him together,” Mama Chang tells her son.

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“OK . . . cool, now while I have you here.  I guess it’s also time I told you that I’ve fallen in love with a TV Recapper . . .”

And just in case you weren’t already reaching for the Kleenex at this point in the scene, there’s more!  Mike asks his mother what dream SHE gave up during her childhood.  As it turns out, she too wanted to be a dancer, but never had the wherewithal to take lessons.  “Well, I’ve been told that I’m a pretty good teacher unless you are a football player,” says Mike.

Then .  . . wait for it . . . he SLOW DANCES WITH HIS MOM!

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All together now . . . AWWWWW!

“I’m not crying . . . It’s just raining on my face.” 

But Mike wasn’t the only Gleek dancing his way to  success and satisfaction this week . . .

Brittany Runs the World (well . . . at least the gym)

I’ve decided I want to be Brittany S. Pearce for Halloween this year, and use the outfit she’s wearing here as my costume .  . . Now, if only the costume came with her legs . . . 

I told you Brittany is running for class president, last week, didn’t I?  What I didn’t tell you is that she’s running a ROCKING CAMPAIGN, one based on the notion that the student council, up to this point, has been a predominately Man’s World.  And this, in her opinion is why the “economy” of the school is going down the toilet . . . I’m sorry.  I mean, the “magical poop-stealing water chair.”

Give me back my poop, B*tch! 

So, the usually daft Brittany, in a rare show of genius, plans an all-female flash mob that begins in the halls of McKinley High, and ends in the school gym.

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And you know the darn thing is a unanimous success, when you see the faculty (even Sue Sylvester!) doing their own nerdy chair-dances, as they watch her boogie down . . .

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Speaking of (slightly nerdy) teachers . . .

More Adventures in Bad Parenting (Emma Pillsbury Edition)

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Have you ever wondered why Emma Pillsbury is . . . the way she is?  You know . . . perpetually virginal, scared of her own shadow, and OCD-tastic?

Well, Will kind of wants to know too.  After all, he would eventually like to marry this girl, and maybe even (GASP) actually bone her.

(Welcome to the ONLY man in the world, who doesn’t appear the least bit freaked out by his girlfriend’s Secret Wedding Magazine stash.   And this is despite his having, pretty much, the WORST FIRST WIFE EVER!).

Two Words:  Fake . . . Pregnancy.

In furtherance of his ultimate dual goal of getting both married and laid, Will requests to be introduced to Emma’s parents.  The Schue undoubtedly knows from experience that the mere asking of this question sometimes has the result of causing marriage-intent women’s panties to immediately fly off their bodies, at warp speed.  But Emma is not one of those women.  In fact, she is SO dead set against this idea, that she lies and claims that her parents are DEAD, despite Will having HEARD her talk to them on the phone the night before.

“They are ghosts.  I have ghost parents,” Emma offers feebly.

Will is crushed.  He’s convinced that Emma doesn’t want him to meet her parents, because she’s ASHAMED OF Will, his freakish hair, odd attachment to underage girls and boys, teacher’s salary, and inability to say, “Have Mercyyyyy,” like that guy from Full House.

Remember him? 

Will turns to Beiste for help with his quandary, but she is too enamored with her MASSIVE BOWL OF CREAMY DISGUSTING PASTA to offer much in the way of advice.

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“We deliver!”

However, in between mouthfuls of mush, she does manage to tell Will that he’s dreamy, and a catch, and should INTRODUCE HIMSELF TO EMMA’S PARENTS . . .

Wait . . . WHAT?!

Oh, no Will . . . no, no no!  Just say NO!  Hasn’t being on this show for three seasons taught you that 9 out of 10 parents on Glee (and on most teen shows, for that matter) are ASSHATS and weirdos?

(Kurt’s dad and stepmom, and Mike’s mom, so far, seem to be the only exceptions to this rule.)

But Will doesn’t listen to my screams at the television.  And why should he?  He’s a MORON! He’s stubborn.

“Moi?”

So, Will invites Emma’s parents to his house on a night when he and Emma are SUPPOSED to be having a Romantic Dinner.  (Really Will?  And you think this is going to HELP you get laid?)  Emma is mortified, and pleads with Will to put an end to these shenanigans, ASAP.  So, Will asks HER, “Are you ashamed of me?”

(She’s not, Will.  BUT I AM!)

Emma then admits what most of us have probably known all along.  Emma isn’t ashamed of Will at all.  She’s ashamed of HER parents.  And here’s why:  One of them was on the show, Happy Days.  They are . . . wait for it . . . GINGER SUPREMACISTS.

Huh?

I know weird right . . . of all the strange deviant things the writers could have come up with for Emma’s parents, THIS is what they choose?  People who hate those who don’t have red hair?  SERIOUSLY?  Oh, and they are emotionally abusive too, which helps add some poignancy to the plotline but not much..

Well, they certainly LOOK evil . . .

All snarkery aside, when Emma’s mom, mocked Emma’s incessant silverware cleaning at the table, by calling her “Freaky Deaky,” and telling the rest of the table that she has a “case of the Cleanies,” you could tell just how much it tore Emma apart.  Kudos to Jayma Mays for adding some real legitimacy and depth, to what could have been a REALLY ridiculous story, with her impressive acting ability.  My heart really went out to Emma in this scene.

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And Will too, creepy as he may be, most of the time won some major points from me for standing up to Emma’s parents, calling them out on their racism, and emotionally abusive treatment of their daughter.  He also, more or less told them that Emma is a wonderful human being, OCD and all.

Later that night, Will finds Emma frantically rubbing her hands together compulsively before bed.  It is clear that Emma’s recent run-in with the parental units has made her OCD that much worse.  Will, of course, feels incredibly guilty (AS HE SHOULD!)  And though not a particularly religious man, he kneels down to pray with Emma, when she admits that doing so gives her comfort at her most out of control moments.

WILL: “Dear Lord, please allow me to have sex again, before I’m old enough to require a little blue pill to help me get it up.” 

And its a sweet, quiet scene . . . until Will starts singing Coldplay’s Fix You, which, though well intentioned, could be interpreted as a bit condescending, not to mention kind of contrary to the notion of Will loving Emma, exactly as she is.

I mean, yeah, Emma’s is clearly uncomfortable with her condition, and it prevents her from HAVING AWESOME SEX making the most of her life.  But still, in light of what just happened, wouldn’t it have been nicer for Will to sing something a bit more comforting?  I know, the Glee cast has already covered Bruno Mars’ “Just the Way You Are.”  But hey, Billy Joel sang a song with that title too!

Also, I never particularly cared for Will’s “falsetto voice.”  The songs he sings on a lower register tend to be a bit less  . . . how do I put this kindly . . . annoying.  (For example, his renditions of “Tell Me Something Good,” and “Bust a Move,” remain some of my favorite Glee singles.  His version of “Kiss” by Prince . . . not so much.)  Other than that . . . um . . .  GREAT SONG!

Meanwhile, back at school .  . .

Divas Never Win (And Winners Never Diva)

“Remember when I used to be the most well-liked girl in Glee club . . . That was nice while it lasted.” 

Mercedes new Bad Influence Boyfriend, Shane, has been Lady Macbeth-ing her to shun all her friends, in pursuit of the role of Maria in West Side Story.  He puffs up Mercedes head with a lot of hot air, by telling her that the Glee club doesn’t appreciate her talents.

I couldn’t help but notice that both Mercedes and Bad Influence Boyfriend are eating tater tots in this scene.  Ahhh . . . memories. 

And that she is more like the part Beyonce played in Dreamgirls, even though she thinks of herself as the part Jennifer Hudson played.  (Umm . . . Shane . . . wait . . . wasn’t Jennifer Hudson the STAR of Dreamgirls?  Didn’t she WIN AN OSCAR FOR IT?  And wasn’t her character supposed to be . . . THE BEST SINGER IN THE GROUP?)

I mean, I get it . . . Effie in dreamgirls was a character whose talent her producers and bandmates didn’t appreciate, due to her weight . . . but still, BAD ANALOGY SHANE!  Oh, and maybe I’m stereotyping here.  But somehow I have difficulty envisioning this big burly football player going all gaga over the musical version of a chick flick . . . Just sayin’

Anywhoo, Mercedes has been a bit under the weather lately.  She is nauseous, weak, fatigued, and sore.  (Thank the lord, Amber Riley confirmed that her character is not preggars, because I REALLY can’t handle another BABY TALE!)  And because of this, she’s been a bit lax in her Glee practice and booty camp attendance.

So, of course, the increasingly screechy Will is quick to call her out on this fact at Booty Camp.  (Why is Will telling off his students becoming a weekly event on this show?)  If Mercedes expects to get support from her fellow Gleeks for her plight, she is sorely mistaken.  The recently returned to New Directions’ Santana (Mr. Schue’s candidate for screeching in Episode 1), is quick to call Mercedes out on her “laziness,” and poor eating habits.

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(Read Santana’s lips in this GIF.   Doesn’t it kind of look like she’s telling Mercedes to f*&k off?)

Tired of being (what she considers) picked on by her friends and supposed mentor, and bolstered by Bad Influence Boyfriend, Mercedes chooses to sing the soulful song “Spotlight” for her Maria audition.

Her performance impresses all of the casting directors (Beiste, Emma and Artie) greatly.  And so Mercedes begins to believe she may have a shot at being the Beyonce character in Dreamgirls, after all!

Torn between casting Rachel or Mercedes in the role of Maria, the casting directors decide to hold . . . you guessed it  .  .  . a diva off to see which “Maria” is best for the part.

SURPRISE!

Feeling like she is destined to end up in the shadow of Rachel’s spotlight, once again, Mercedes acts out in Booty Camp class, when Will berates her for not being able to successfully perform the “Widowmaker” dance move.    She accuses Will of playing favorites with Rachel, at the rest of the club’s expense.

Will is so outraged by this accusation that he offers Mercedes an ultimatum: “Shape up, or you are out of the Glee club for good.”

These harsh words inspire Mercedes to have . . . you guessed it .  . . a Dreamgirls’ Dream Sequence, with Mercedes in the role of Effie, and the rest of the Glee Club members (sans Rachel), as .  . . well . . . slightly meaner and more flashily dressed versions of themselves, I guess.  The Dream Sequence — which is based on the scene in the movie, where Effie is kicked out of the Dreamgirls for her purportedly bad behavior, when, unbeknownst to everyone else in the group, she is only acting that way because she is pregnant — pretty much features the entire cast telling Mercedes off and ditching her ass to the tune of Dreamgirls‘ “It’s All Over.”

On the day of the Diva Off, a nervous Mercedes and Rachel stand at opposite ends of the stage, with their respective boyfriends waiting in the wings to offer them support.  The song they both sing is “Out Here on My Own,” from Fame.  And though the song is not necessarily my favorite, and sounds a bit too much like the recently performed “Spotlight,” for my taste, both contenders do an admirable job performing it, with Mercedes edging out Rachel ever-so-slightly, during the parts of the song that require belting.

“I am quite the belter . . .” 

(In a way, this song was custom-made for Mercedes’ deep sultry voice, and enviably powerful pipes, thereby putting the softer, sweeter-voiced Rachel at a distinct disadvantage.)

Sorry!  That’s just how I feel. 

Rachel comes out of the audition,  certain that she has lost the role to Mercedes.  Fearing that not having the lead in the school play will make getting into that fancy New York performing arts school she covets, near impossible, Rachel impulsively vies for another after school activity to put on her resume . . . coincidentally . . . or  not-so-coincidentally . . . it’s the same after-school activity for which Kurt is campaigning (who has recently graciously accepted his boyfriend’s decision to try out for the lead in the play as well, and is even surprisingly supportive of his decision).

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“Don’t worry.  I promise it’s not a gun.” 

Kurt is crushed that his bestie would betray him in this way Not to mention surprised.  I mean, don’t you have to be POPULAR to win class president.  Most of the school HATES Rachel!.   And he is not exactly shy about telling her exactly how she feels, ” —-”  Even Finn, who, himself is no stranger to selfish behavior, seems appalled by Rachel’s lack of sensitivity.   He doesn’t even know if he’s going to vote for her!  (And now she’s probably only going to get one vote . . . her own.)

Oops!

When it comes time to choose who gets to play Maria, the show’s casting directors (lamely) decide to cast BOTH women in the role, each person gets the part for a week.  Though frustrating from a plot perspective, it seems like a fair deal for both girls, and Rachel, for her part, accepts the offer fairly readily.   But NOT MERCEDES!  Recognizing that she probably had the better audition (a point about which Rachel doesn’t necessarily disagree), Mercedes becomes convinced that the directors cast both girls, in order to protect Rachel’s feelings.

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And so she THROWS A TEMPER TANTRUM, and quits the show ALTOGETHER .  . .

. . . thereby giving Rachel the part by default.

Talk about shooting yourself in the foot!  Or maybe not . . . toward the end of the episode, Mercedes approaches the director of the virtually singer-less (save the tone deaf, Sugar Motta) SECOND school Glee club, Shelby Corcoran, of being admitted into HER club, where, by default she will undoubtedly become it’s version of Rachel Berry.

The power-hungry Rachel then decides to continue to run for class president ANYWAY, despite the fact that she now has FULL reigns to the lead in the School Play, and a solid chance of getting into the ollege of her dreams, while her “friend” Kurt is still struggling to find HIS ticket to admission.  (Yeah . . . she’s kind of a b*tch . . .)

“Ooh!  You’re so BAD!” 

And the part goes to . . .

In the final moments of the episode, we FINALLY get to see who got the parts in the West Side Story  musical.   And though, the results are not all that surprising (After all, for the most part, the only people we saw rehearse all got the parts for which they rehearsed), it was still uplifting to see the looks on those Gleeks faces when they learned their school play dreams had come true . . .

I loved seeing Kurt sweetly hug Blaine, upon seeing that he was rewarded the lead role of Tony.  (Kurt ended up landing the part of Officer Krupke . . .  not bad!)

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And Santana’s adorable little understated (but obviously thrilled) smile, upon seeing that she got the part of Anita, was countered with a HUGE EMBRACE by an ecstatic Brittany.  (Have I mentioned yet today how much I ADORE these two.)

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Mike Chang’s winning the role of Riff brought tears to my eyes for about the third time, during the hour.

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And Rachel’s win of the part of Maria, though bittersweet, was not entirely unexpected, or unwanted.

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(Remember when Blaine and Rachel drunk kissed last season, during the “Blame it On the Alcohol,” episode?  Oh yeah!  We are going to get some more of that!)

So, that was Glee, in a nutshell.  I must say, I share many Gleeks admiration for this touching, and well-acted episode, which I feel truly harkened back to the show’s Season 1, heydey.  Mercedes, Will, and Rachel kind of pissed me off, though . . .

“Et tu Recapper?”

Tune in next MONTH, when Quinn makes a play for Baby Beth, Puck makes a play for Shelby . . .

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 . . . and Mercedes and Santana shoot for ALTERNA-GLEE CLUB super-stardom.  You can check out the trailer for the next episode, which is entitled “Pot O’Gold,” here:

So, my Gleekies, what did you think of “Asian F?”  Was it all you hoped for in a Glee episode and more?  Or did you find it to be a bit overhyped?  Are you as much in love with Mike Chang  (and his abs) as I am?  Do you think Mercedes is a bigger diva than Rachel?  And, perhaps least importantly, which Glee kid do you think Mr. Schue is going to freak out on in Episode 4?

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Feel free to sound off in the comment section below.  And please,  take your time . . . we have a loooong hiatus ahead of us . . .

[www.juliekushner.com] [Fangirls Forever]

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Show Me Your Horn, Baby! – A Recap of Glee’s “I Am Unicorn”

“Now, Brittany, I understand that sex sells.   But don’t you think that using a picture of me with a giant stick coming out of my head is a bit  . . . um . . . horn-y, for a high school campaign?” 

Greetings Gleeks!  This week’s episode was all about embracing who you are, and being yourself unless you are a goth-looking skank, or a bad-dancing mechanic, then this episode was about being someone more socially acceptable.  Though admittedly light on musical numbers (there were only three, and all of them were show tunes), “I Am Unicorn,” was filled with a ton of heart, a sh*tload of unicorns, and some REALLY, REALLY big horns . . .


“It’s not the size of your horn, but where you stick it how you use it that really matters.”

Let’s review, shall we?

Because I’ve Always Personally Been Curious About the Bathroom Habits of Mythical Creatures

 

It starts off just like any other morning at McKinley High.  Kurt is primping and prepping in front of his locker, and making googly eyes at the wallet-sized snapshot of Blaine that hangs therein, when Brittany arrives.  Brittany has great news.  Apparently, Kurt is the Biggest Unicorn in the entire SCHOOL!

What is a unicorn, you ask?  Well, according to Brittany, a unicorn is a horse who got a horn for doing a good deed.  Then, he poops out cotton candy, until his horn falls off, and becomes a zebra.  Wait . . . what?  Did I really just type that?

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Apparently, I did . . . 

As bizarre as this all sounds, in Brittany’s Little World, being told that you poop cotton candy is a compliment of the highest order!  Brittany is so impressed with Kurt’s individuality and ability to survive insurmountable odds, that she wishes to become his campaign manager for Student Council President.  Brittany believes that her popularity, coupled with the fact that she is kind of slutty, can help the Mythical Creature Kurt to win a ton of votes.

And so, she invites herself over to his house to go over poster ideas.  A skeptical Kurt asks Brittany why SHE didn’t want to run for Student Council herself.  To this, she responds that she’s not smart enough.

This made me sad . . . (almost sad enough to poop cotton candy).

Fortunately, I manage to restrain myself (and took some Immodium) for the sake of continuing this recap.

After school, Brittany heads over to Kurts house, to show him his new campaign posters.  And they are, pretty much, the most awesome campaign posters I have EVER SEEN!  And yet, one can’t help but notice that they have a bit of a “theme” to them . . .

Kurt, who is currently clad in his tight green henley shirt, and sailor’s cap, is just appalled by how “GAY” the posters are.  He says that he’d prefer a more neutral campaign poster, like THIS one . . .

Ummm . .  . Kurt?  I hate to break it to you, but your poster doesn’t exactly scream “I like to bang chicks,” either.  It also says “winning” on it, a word that has been forever ruined by Charlie Sheen . . . just sayin’. 

And besides Kurt, Brittany’s campaign strategy is AMAZING.  It involves giving everybody at school Big Pink Sparkly Glitter Bags with minature versions of Tinky Winky in them.  And who doesn’t love Tinky Winky?

Now THAT’S a teletubby who knows how to accessorize!

When Brittany (with Santana’s help) begins the process of putting her posters up all around school, Kurt freaks out and starts ripping them down (more on why later).  His ungrateful reaction stuns and deeply hurts Brittany, who now believes she has failed her precious unicorn.  That is until Santana comes to the rescue, with her surprisingly sweet, and heartfelt, pep talk.  (How adorable are these two?)

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Santana tells Brittany that her campaign is brilliant . . . that there is no one like her . . and that she IS the unicorn.


And what’s great about the speech, is that it’s so NOT the typical type of thing the usually-caustic Santana would say. But Brittany brings out a sort of protective, and almost maternal, kindness in Santana that few other people get the chance to see.

Plus, she’s right.  Those posters rock! And Kurt rose to the top of my Poopy List for denigrating them . . .


Take THAT
Hummel!

Speaking of maternal influences . . .

Two Glee Clubs (for the price of one), One Baby (for the price of hair dye)

“Awww . . . see that little piece of hair sticking up on the side?  That’s Baby’s first Mohawk!”

Did anyone else find it fishy that Shelby Corcoran, Vocal Adrenaline’s first coach, arrived at McKinley High to run a second Glee Club it doesn’t need, right around the time that Dustin Ghoulsby, Vocal Adrenaline’s second coach (a.k.a. the HOT one) . . .

 . . . was purportedly fired from his position, leaving New Direction’s main rival without a supervisor?  Here’s hoping this isn’t another one of those annoying Vocal Adrenaline SPY plotlines.  After all, it certainly wouldn’t be the first time such a thing has happened . . .

 . . . or the second, for that matter . . .

Anywhoo, just as many of us suspected, tone deaf, self-diagnosed Asperger’s sufferer, Sugar Motta, didn’t take being rejected by the New Directions lying down.  Instead, she had her daddy pay for the school to start a WHOLE NEW Glee club, one where she will be the star.

“And we shall call our selves ‘Mr. Motta’s Strangled Cats,’ because our unique sound will be similar to that of animals dying.’

Nevermind the fact that NOBODY at McKinley High, save for the people ALREADY IN GLEE CLUB, have any interest in show choir (in fact, most of them HATE show choir . . . and want to throw slushees at it).  Also, nevermind the fact that McKinley High never seems to have any money for the after-school clubs it ALREADY has . . .

In Shelby’s defense, she doesn’t seem particularly interested in coaching show choir, at all.  She’d much rather spend her time flirting with Mr. Schue, apologizing for abandoning singing more random duets with her Bio Daughter, Rachel, and taunting Puck and Quinn with the baby they gave up for adoption this past year.

Nothing says, I’m sorry I crippled you with self-doubt, Daughter, by skipping town, right when we were starting to get close, like dramatically holding hands, during a musical number . . .

While I’m still not buying Shelby as being a warm and / or maternal individual, she IS a good musical coach.  And her advice to Rachel that she should sing West Side Story’s “Somewhere,” during her audition for the aforementioned play, as opposed to the well-worn, and, obnoxiously conceited (not to mention, Rachel already sang it in another episode) “I Feel Pretty,” was solid.  I also feel like this duet was WAY more story- appropriate, and pleasing to the ears, than that admittedly bizarre duet that the mother/daughter duo did to Lady Gaga’s “Poker Face,” during Shelby’s last appearance on the show . . .

You can listen to “Somewhere” in its entirety, by clicking below . . .

After possibly saving her biological daughter from a lifetime of therapy, Shelby schedules a visit with Puck and the now-skankified Quinn to discuss their possibly becoming a part of THEIR biological daughter’s life.

“Just because I now look like Frenchie from Grease, and have a ridiculous Minnie Mouse bow in my head, doesn’t mean you should keep me from seeing my child.” 

Shelby gives Puck and Quinn an ultimatum.  They can be part of their daughter’s life, provided they agree to look like they came out of a J Crew catalogue at all times.  (I know, I know, that wasn’t she said.  But I’m trying to prove a point here.)

Those of you who have read my Glee-caps before probably know that I’ve been SERIOUSLY missing my darling Puck-ster, ever since the odious Lauren Zizes hijacked his personality (and his balls), last season.

No comment. 

So, the fact that I was treated to a deliciously poignant Puck-centric scene this week, really did mean a lot to me.

Puck visits Shelby at her own home, so that his in-person pleas to be able to see his daughter Beth cannot be ignored.  “I’ll do anything to prove to you that I can be her life.  Please, just give me a chance,” Puck exclaims earnestly.  He even comes bearing some surprisingly impressive (It’s better than I can do, anyway) artwork for the child . . .

Who doesn’t love a good Clown Pig? 

Eventually, Puck’s surprising politeness, and adorableness crack Shelby’s hard facade.  She eventually lets Puck hold (and spend some quality time) with his daughter, with whom anyone could tell he is already enamored . . .

Now, Baby’s got a REAL Mohawk! 

As for Quinn, she’s busy helping the Skanks stuff small girls’ heads in toilets, so they can steal their lunch money  .  . .

Fun! 

New Congressional Hopeful, Sue, immediately recognizes Quinn’s estrangement from . . . well . .  . everything and everybody.  And so, she decides to explot her, in order to undermine Glee club, as per usual bolster her Congressional campaignSue asks Quinn to star in her “The Arts Ate My Life” campaign promo.  And Quinn agrees, provided Sue puts couches under the bleachers, so that Quinn doesn’t have to strain her now emphyzema-filled ASS, while she’s busy trying to “be bad.”

“Doesn’t wearing a hat like that make your head sweat?”

No longer content to just shame Mr. Schue’s program, Sue has to go and humiliate Mr. Schue himself, by having Quinn confront him about how “Glee club ruined her life,” on video . . .

Though Sue’s manipulation of the situation is not particularly surprising, Mr. Schue’s reaction to the event definitely is . . .  He proceeds to scream right back in Quinn’s face, dishing her out some incredibly tough love about how she is basically a spoiled brat, who perpetually plays the Victim Card, whenever things don’t go her way.

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SING IT, Sista!

He also claims that she has no one to blame but herself for her own misfortune.  (Well . . . in Quinn’s defense, that’s not entirely true.  Quinn’s teenage pregnancy was also Puck’s fault . . .at least a little bit. After all, eggs alone do not a baby make, right?)

They do make for a mean omlette though . . .

The harsh speech definitely has its intended effect on Quinn, who runs out of the room in tears, declining to complete the promotional spot.  However, a real change in the character doesn’t occur until SHE, like Puck before her, visits Shelby in her classroom, to talk about the possibility of HER seeing Beth . . .

*sniffle, sniffle* “I’ve just got all these FEELINGS!” 

 Shelby is mildly sympathetic to her plight (after all, she apparently, also had a nervous breakdown and shaved her head after giving up Rachel).  “Stop punishing yourself for things you did when you were a child . . . er  . . . I mean . . last year . . . says Shelby, sympathetically.  However, the former Vocal Adrenaline coach is still not prepared to waver on this issue:  “No Pink Hair Bleachy Back to Blondie = No Baby.”

The next day, at Mr. Schue’s Mandatory Booty Dance Camp for Horrible Glee Club Dancers, (Hello Finn and Kurt) . . .

 . . . Mr. Schue has just completed teaching Finn the complex wonders of the box step, when Quinn enters the room.  Once again, she is clad in her “pure” white dress, and boring blonde hair, a.k.a. back to being the Stepford Wife everybody always wanted her to be . . .


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Quinn asks to be accepted back in Glee club.  And Mr. Schue, (who really was kind of an asshat to her anyway) “graciously” accepts.  Puck is in Bad Dancing Class too.  And he is looking at Quinn with stars in his eyes, thrilled that, he can once again begin boning someone, who isn’t as awful as Lauren Zizes . . . while wearing condoms, of course that the two of them will now be able to see their baby and become a part of her life . . . together.

BUT WAIT!  There’s a twist!

Apparently, Quinn’s meteoric “Return to Normalcy” (it took less than two episodes, after all . . . which is kind of disappointing, I must say) is not entirely for the reasons everybody thinks.  With a maniacal laugh, and bleached mustache twirl, a disturbingly determined Quinn reveals ot a horrified Puck that she is going to do whatever it takes to get full custody of Beth, even if it means having to give up her pre-existing spot in “Jem and the Holograms.” pretending that she’s NOT having a nervous breakdown . . ., which she most definitely is . . .

“Is this the part where your head starts spinning around and spewing out green stuff?” 

Meanwhile, elsewhere on campus . . .

The Perfect Camille (but not the perfect Tony)

“So, guys, how about that Packers game, last night?  That final play was really something, wasn’t it?  Did you notice how cute his butt looked in . . . oops .  . . I did it again, didn’t I?” 

McKinley High’s production of West Side Story will be produced by Emma Pillsbury, Coach Beiste (who eats an entire chicken at EVERY MEAL), Artie Abrams, and NOT MR. SCHUE .  . .

 . . . because he has to focus on winning Nationals . . .

Auditioning for roles in the play will be Kurt (of course), Mr. I-Have-Magically-Become-a-Junior-Even-Though-I-Started-The-Show-Older-Than-Kurt Blaine, and NOT FINN . . .

. . .  because he will be busy trying to become a less sucky dancer . . .

“You put your right foot in.  You put your right foot out.  You put your right foot in, and you shake it all about.  You do the Hokey Pokey . . .”

 . . . and working at Burt Hummel’s car shop as a mechanic . . . which Rachel Berry is trying not to judge him for . . . but she TOTALLY is judging him . . . only because she thinks he is “better than that” and, therefore, should follow her around like a puppy dog in New York for the rest of his life, as she pursues her dream to become the next Barbara Streisand.

RACHEL: “If I have to hit you with this big stick thingy to get you to listen to reason, I will.”

FINN: “It’s called a tire iron.”

RACHEL: “Whatever, my on-staff chauffeur will be servicing my cars, when I grow up . . .” 

Kurt, for some reason, thinks that the perfect audition song for the role of a macho former-gang member / alpha male named Tony is a Barbara Streisand song, in which he calls himself the “perfect Camille,” prances around the stage in short pants, and flips around some monkey bar contraption like a female gymnast . . .

The song he performs is called, “The Greatest Star,” and you can watch his audition, in its entirety, here:

But then Kurt overhears the show’s directors and producers discussing how Kurt might not appear manly enough to play Tony.  So, he decides to remedy their opinion by GETTING INTO TIGHTS, AND ROLLING AROUND ON A MATTRESS WITH RACHEL BERRY, WHILE SPOUTING SHAKESPEARE MONOLOGUES ABOUT BIRDS?

The results of his second impromptu audition are unsatisfying to say the least.  (But, HILARIOUS!)

It’s Kurt’s devastating realization that he will never get to star in an action movie, or play the romantic lead in a movie about a pro wrestler . . . or a football player . . . or any male character that would feel out of place wearing a pink ascot, that makes him freak out on poor Brittany for pasting those Big Gay Posters, featuring a very horn-y Kurt throughout school . . .

That is, until, he has a talk with his Trusty Old Dad . . .

“Cue the Full House music son.   It’s time for the lesson of the day.” 

Burt tells Kurt, “SURPRISE!  You’re GAY!”

 

“Like . . . really gay  . . . like singing like Diana Ross and owning a Chocolate Factory, gay.”

“Excuse me, Burt.  Did you just call me, Willy Wonka, gay?  I’m NOT gay.  I just really like children and candy . . .  I might be a pedophile, though . . .”

Burt tells Kurt that, if he wants to be a star, he is going to have to chart his own career path, and create his own roles.  And to do this, he must embrace his Big Gay Unicorny self.  So, Kurt decides to do just that.

But it’s too late, because Brittany has already decided (thanks to Santana) that SHE’S a unicorn too.  And she’s going to run for Student Council President against Kurt.

 (And it seems pretty obvious that, mentally challenged or not, she’s TOTALLY going to kick his ass, so . . .)

But that’s OK!  Because, Kurt might still get the role of Tony.  After all,  there’s no one really talented enough to take the role in his place . . .

Well . . . there’s Blaine, but he wouldn’t audition for Tony.  After all, he’s a JUNIOR right?  And a junior wouldn’t want to step on a senior’s toes right?  RIGHT?

OK . . . OK . . . so Blaine’s rendition of “Something’s Coming,” a song that Tony (not someone named Camille) ACTUALLY sings in West Side Story, was pretty darn amazing.  And Blaine’s a pretty manly looking (and acting) guy . . .

 . . . well . . . at least when he wants to be!

But that doesn’t mean the producers are going to GIVE him the role of Tony over Kurt, does it?

Yeah, sorry Kurt!  You’re totally screwed . . .

Until next time, Gleeks!

[www.juliekushner.com][Fangirls Forever]

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