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The Baby Squirreling of Ezra Fitz – A Recap of Pretty Little Liars’ “That Girl is Poison”

 

[Hey folks!  My Teen Wolf recap for “Raving” has been a bit delayed.  (Real life has intruded :(.)  But not to worry!  I will definitely try to have it up within the next 24 hours.]

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Hey there, my Pretties!  I know it’s been a while .  . .

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But coming to the party late, is better than not showing up at all, right?

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Anyway, this week’s episode of PLL was all about Fitzy’s nuts, Paige’s cupcakes, Police Boy Garrett’s flowers, and Lucas’ little blue pills.  (And we all know what little blue pills are REALLY for, don’t we?)

It all sounds a little dirty, when you put it that way, doesn’t it?  So put on your favorite black hoodie, take a big gulp from that skeevy old flask you’ve been hiding in your closet, and write a nice letter to that lady in the coma, because it’s time for another Pretty Little Recap . . .

Fitzy finds his nuts, again!

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Poor, little Fitzy!  It sure is hard out their for unemployed teacher . . . forced by circumstances (sort of?) beyond his control to eat furry limes out of his fridge, and mooch off of his underage girlfriend.  And while Aria tries her best to be supportive . . .

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(Once again, a completely harmless sentence that sounds totally kinky, when taken out of context.)

Fitzy is still feeling a wee bit low.  And he will NOT, I repeat NOT eat that tasty sandwich Aria bought for him.  The man has PRIDE, after all . . .  and hairy limes.

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Aria doesn’t get it.  So, she wants to feed her man, every once in a while.  What’s the big deal?  But clever Spencer knows better.  She’s dated “The Poor” before.  Remember Alex?

(If not, that’s OK.  The writers don’t seem to remember him, either.)

Spencer accuses Aria of “baby squirreling” Fitzy, and consequently taking away his nuts . . .

Now, being baby squirreled is something that Aria can understand.  She didn’t like it very much when Fitzy did it to her . . .

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  So, how does she respond?  By, making Fitzy take her to her enemy Not-Blind-Anymore Jenna’s birthday party, of course!  You know, because nothing says “I feel like a grown man,” like attending a high school birthday party, where everyone is dressed up like characters from Alice in Wonderland!

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So, you can’t really blame Fitzy for overcompensating a bit, by forking over some serious cash he doesn’t have, on a massively expensive old school camera for Aria, who has suddenly become a real photography aficionado.  (First it’s writing, then pottery, now photography.  What’s next Aria, underwater basket weaving?)  Though, you can blame him for bad gift wrapping.  Come on, Fitzy!  A brown paper bag?  That’s what you use to “gift” the cheap malt liquor your 18-year old cousin with the mustache, bought with his fake ID . . . not an antique item that would have easily cost two months of your old teaching salary.  No wonder, Aria thought the darn camera fell off the back of some truck!

Aria tells Fitzy he doesn’t need to buy her fancy things, just to prove to her what big nuts he has.  She likes him just the way he is, unemployed and poor, but good enough looking that he may just get hired at the strip club, where Magic Mike was filmed . . .

That’s when Fitzy gives Aria the good news.  He’s a WORKING MAN, now . . . but not at the strip club, unfortunately for us . . .

That’s right, My Pretties, our main man Fitz is a real live “journalist.”  It makes sense.  I mean, someone has to cover all those murders that seem to happen around his girlfriend on a daily basis!  It might as well be Fitzy . . .

Everyone’s favorite former teacher wants to celebrate his re-entrance into the world of having health insurance with a nice romantic dinner.  (Ease up on the spending, buddy!  Journalists don’t get paid that much!)  But Aria has a better idea.  Why not leave Fitzy at the kiddie party, while she breaks into the photography studio, where the newly “EVIL” Lucas is hiding his not-so-secret cemetery porn pics, and blue roofies?

Oh girlfriend, you’re lucky that you’re pretty . . . that’s all I’ve gotta say . . .

But since we’re on the subject of Lucas . . .

Creepy!Lucas is creepy . . .

 Awww man!  Down the shame spiral my once second favorite male character on this show (second only to WREEENNNNNN!) continues to go.  Not only is he involved in shady online gambling activities, sneaking into people’s grandma’s houses uninvited, luring people out in shady-looking boats in the middle of the night, skulking around town in the middle of the night like a serial killer, and setting fires in school . . .

 .  . . now, he’s prospectively taking creepy pictures of the Pretty Little Liars, getting fired from photography studios for stealing, trying to break into said photography studios in the middle of the night (good thing Aria got there first!), and storing massive horse pill roofies that cause “temporary amnesia” in his backpack.  At this rate, in a few weeks, they are going to blame Lucas for the start of World Wars I and II.  Who cares if he wasn’t alive back then?

So, is Lucas as eeeevvvill as the writers seem dead set on making him out to be?  I’m going to take a wild guess and say, “No.”  Because really, at this point, having Lucas be the “new A” would be about as surprising as having Mona be the old one . . .

Oops!  Did I write that out loud?

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OK, so now we’ve covered Ezria and Lucas.  So, I guess we should talk about good ole’ Hanna Marin.

Sad!Hanna is sad . . .

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So, what happens this week with Hanna?  Not much . . . to be honest.  She’s been dumped, and she’s bummed . . .

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We’ve all been there.  And it sucks.  So, we can totally understand Hanna wanting to skip school, stay home, chow down on some Chubby Hubby Ice Cream, and listen to sad songs.  But the whole “not able to work a zipper” thing?  That’s something she really should get checked out.  It could be a medical condition . . .

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My lingering concerns about Hanna’s motor skills notwithstanding, I was annoyed at the rest of the characters (particularly her own mother) for repeatedly giving Hanna grief about her choice of outfit . .  .

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For the record, I thought she looked awesome!  It was one of my favorite outfits she’s worn on the show, actually.  (My own fashion tendencies, have always veered more toward Preppy!Spencer, and ComfyCasual! Emily, than their more fashion-forward counterparts, Aria and Hanna.)

Sorry, Hanna!

Anywhoo, when Mama Marin finds out that Hanna’s been skipping school, she forces her to work at some lame church clothes drive thingy . . .

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As bored as Hanna felt, being there, is how I felt watching it.  So, Hanna thumbed through, and made faces at some old clothes?  So, Mama Marin met some random dude who flirted with her?  BOOO-RRRRING . . .

Then again, from the looks of next week’s promo, it seems like the whole “church” thing is going to become increasingly important to the whole “A Team” story line, in the weeks to come.  So, maybe the writers will make me eat my words . . .

In slightly more relevant news . .  .

Police Boy Garrett has sloppy handwriting / bad taste in flowers . . .

Of all the various storylines this week, Spencer’s was he one that interested me the most . . . probably because it seems the most pertinent to the current mystery.  After seeing the Big Bad Hoodie lurking around Police Boy Garrett’s house, at the same time the latter’s mother was being pulled out in a stretcher . . .

the liars, well . . . really more Spencer, than anyone else . . . begin to suspect that the “A” team somehow orchestrated the Police Boy’s mommy’s COMA just to get him out of jail on temporary leave.

 I don’t know . . . that sounds a bit too awful to be believable to me . . . even for “A.”

Nevertheless, Super Sleuth Spencer heads to the hospital to check out what exactly the Police Boy actually does during his so-called “sympathy leave” from jail.  While there, Spencer has a run-in with Deputy Douchey . . .

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 . . . and makes snarky comments about the Police Boy’s choice in floral arrangements for the coma lady . . .

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You know what they say, Spencer.  If you make fun of someone’s flowers, you take away their nuts . . .just saying!

Spencer’s suspicion is instantly piqued when she sees Police Boy slip a card into the carnations for the coma lady.  I mean, that just seems like an insensitive thing to do, right?  That would be like writing a letter to Blind Jenna . . . oh wait . . . nevermind.

When uber-Shady Nate (more on him later) throws a little temper tantrum at the sight of Police Boy Garrett out of jail, Spencer sees an opportunity to get into Police Boy’s mom’s hospital room, and takes it.  Smart Girl!

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But when Spencer gets around to reading the card in the flowers, it actually contains a really sweet and poignant statement (though, I know toddlers with better handwriting than That Guy) . . . something about never giving up on his mother, because SHE never gave up on him, despite his possibly being a mass murderer of teenage girls.  Now, Spencer feels like crap, for doubting the mama’s boy, that is until she finds the piece of paper in Coma Lady’s hand . . .

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Yes, who is this mysterious “April Rose” who supposedly has proof of Police Boy Garrett’s innocence in the murders of Ali, and possibly Maya too?  And who wrote the note, because it sure as heck wasn’t Garrett’s mom!  Many have speculated on “April Rose” actually being some kind of code name for Aria . . . partly because of this . . .

April

Rose

Is

A

And partly because, as we learned in a previous episode “Rose” is Ella Montgomery’s maiden name.  However, I’m still not sure the writers of the show have the guts to make “A” one of the core four.  We all saw what happened last season, right?  So, as much as I’d love to see PLL veer off on this kind of original path, away from the books on which it was originally based.  I’m not getting my hopes up . . .

On the other hand, Maya’s death . . . now, that’s completely uncharted territory . . .

Roofied!Paige likes cupcakes, and why Nate sucks / might be a secret psycho killer . . .

Blah, blah, blah, Jenna’s Sight Birthday Party Blah!  What I wanted was another creepy party, where A tortures the girls.  What I got was a lot of really ugly hats, and Alice in Wonderland . . .

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You can’t use “blind” as an excuse anymore, Jenna!

Heck, half the PLL girls didn’t even attend the party.  And the other half, left long before it was over.  So, why was the party important?  Well, it basically comprised Emily’s storyline for the episode . . . a storyline that involved her attempting to rekindle relations with Paige through ridiculously obvious product placement the Katy Perry movie . . .

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 . . . and ended with Emily having to bail on Paige to work the event, and serve cupcakes.  We got to learn a little more about Paige, this week.   As it turns out, she’s not just the once-closeted gay girl, who tried to drown her crush.  She’s also the once-closeted gay girl, who drinks from old dirty flasks that secretly contain roofies, gorges on cupcakes at parties . . .

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Apparently, she also eats old pennies . . .

. .  . gets jealous when gay girls talk to straight boys, makes an ass of herself in public, and ends up in a hospital with alcohol poisoning.  But hey, at least her hair looks better now!

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Actually, I think the whole point of this storyline had much less to do with Paige and Emily as a couple, and more to do with the fact that SOMEONE had obviously roofied Emily’s flask, the night she wound up at the cemetery, moments after Ali’s corpse had just been dug up.  After all, Paige had (stupidly) drunk from the same flask, and look what happened to her?

In other news, I think Nate isn’t really Maya’s cousin.  In fact, I think he killed her.  Just sayin . . .

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Just hear me out here.  I get that Nate claims to be Maya’s “cousin” who “loved her” and is all “righteously indignant” about the fact that  Garrett got out of jail to see his mom, while Maya is (supposedly) dead?  But something just doesn’t ring true about him . . . like, for example, the way he didn’t know Maya’s parents’ address, something a COUSIN would surely know, particularly following the death of a family member.  For another, his whole story about Maya hanging out in the water with the rest of the “guys” sounds a lot less like a “family story” and a lot more like a “camp story.”  You know, as in “True North” camp?  The camp where Maya was STALKED by a guy, and chose to leave town rather than return?

He also talks about Maya as if she’s a lover, as opposed to a cousin.  And the way he was oozing about how “captivating” Jenna was?  This guy just screams stalker / psycho killer.  I’d like to be wrong.  But somehow, I don’t think I am.  I have one word of advice for you, Emily.  Take your roofied flask, and RUN from this guy . . . far and fast . . .

Until next time, my Pretties!

[www.juliekushner.com][Fangirls Forever]

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Ten (and a Half) Things I Learned from This Week’s Episode of New Girl, Entitled “Normal”

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Who said television can’t be educational?

 This week on New Girl, Jess brought her new Silver Fox boyfriend, Russell, into the fold, by  letting him play with her Nick . . .

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Also, Winston got a new job.  And Schmidt  . . . um . . . got laid some more . . .

But this isn’t a recap.  It’s a “teaching post.”  So . . . let’s get down to learning, shall we?

(And don’t worry.  I promise there won’t be a quiz, afterwards . . .)

Lesson Number One: A corn holder (So, THAT’s what those things are called that hold your corn!  Clever!) can double as a Gentleman’s Shiv!  Talk about getting a good bang for your buck!

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Lesson Number Two:  Is your sink or toilet bowl acting up?  Just stick a bat in it.  And hit that bat with a frying pan.  Works like a charm!

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Yeah . . . because THAT doesn’t look phallic at all . . .

Speaking of phallic . . .

Lesson Number Three: Putting your balls in someone’s milkshake is apparently a “Guy Thing” that I wouldn’t understand . . .

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(possibly because I lack balls . . .

. . . and am occasionally lactose intolerant.)

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Lesson Number 3 and 1/2:  I guess I should probably take “typing” off of MY resume . . .

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What about “blogging,” guys?  Is that still cool?

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Wait . . . don’t answer that . . .

Lesson Number Four:  Nick has an Idea Book, which he really hopes no one will ever steal.  *clears throat, winks suggestively*

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Lesson Number Five: In other Nick Miller News – 1/8th Cherokee . . . who knew?

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He’s my TV Boyfriend.  I NEED to know these things, OK?

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Lesson Number Six: Apparently, there’s this amazing new drinking game out there called True American.  And now, I know how to play it.  (Actually, New Girl didn’t really teach me how to play this game.  But the lovely folks who took the time to write the rules down on Wikipedia did!)

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Lesson Number Seven:  This is REALLY the most surefire way to win True American.  (But it’s probably more fun for the loser than for you . . .)

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Of course, with any luck, you’ll be too drunk to care . . .

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Lesson Number Eight: When Kareem Abdul Jabbar fears for your life, you should be afraid .  . . VERY afraid.

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And NO, he will not let you sit on his shoulders . . . (no matter how politely you ask).

Lesson Number Nine:  This one is for all you guys out there.  I’m looking at YOU, Nick Miller.  If you want to be Jess’ lover, you have to get with her friends.  (And, yes, that IS a Spice Girls song.)

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And finally . . . (drumroll please)

Lesson Number Ten: Who needs Vacation Days, when you can have Sexcation ones?

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And there you have it . . . Ten and a Half things I learned from this week’s episode of New GirlWow . . . shortest . . . post . . . ever.

Consider yourself SCHOOLED!

Until next time, my fellow New Girlians!

 

[www.juliekushner.com][Fangirls Forever]

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Deconstructing Delena – My Picks for the Top Ten Damon and Elena Moments from the SECOND HALF of The Vampire Diaries’ Second Season

It’s been a good year for us Delena fans on TVD, hasn’t it?  (And, judging by where things left off, next year promises to be EVEN BETTER!  YIPPEE!) 

After an admittedly shaky start (Jeremy Neck Snap Incident, anyone?), us stalwart D&E fans fans were eventually rewarded for our patience, with a Season 2 Smorgasbord of Tasty Delena goodness.  Within just the first 10 episodes of the Season, we were treated to multiple phallic encounters . . .

 . . . passionate exchanges . . .

 .  . . near kisses . . .

 . . . and, of course, one VERY SPECIAL (but equally frustrating) declaration of love . . .

Having experienced the joy of all that, who would have thought that the scenes I just described would ultimately end up being just a precursor to all the FABULOUS Delena Decadence that was to come?

And it is for this reason that, while I had already crafted a list of the Top Ten Delena Moments of Season 1 . . . and followed that up with a SECOND list, featuring the Top Ten Moments of the FIRST half of Season 2 . . . I simply couldn’t resist writing a THIRD article, focusing on the Top Ten Delena Moments of the SECOND half of Season 2.   After all, far be it for me to deny my fellow Delena fans, the opportunity to relive the ecstasy of THE FIRST KISS . . .

 

What follows are my favorite Damon and Elena scenes from the last eleven episodes of TVD’s second Season, starting from “The Descent,” and ending with “As I Lay Dying.”   So, without further adieu, let Sweet, Sexy, and Swoon-worthy Nostalgia BEGIN!

10. “Be the Better Man, Damon.”

Episode: “Daddy Issues” – 2 X 13

Setting the Scene:

Team Save Elena (a.k.a. The Scooby Gang) has been making some questionable decisions lately.  And it’s been trying Damon’s already-limited patience, BIG TIME.  First, Stefan comes up with the “brilliant idea” of inviting Known Vampire Hater Uncle/Father John, and Elena’s Evil Bio Mom Vampire Isobel back to town, so that they could “join the team.”  Damon and Elena don’t trust either of these two sorry excuses for parents, as far as they can throw them.  However, both recognize that John might have information the two could use to defeat Klaus.  “Be the better man,” Elena cautions Damon for the first time that evening, before Damon meets John at the Only Bar / Social Establishment in Mystic Falls to exchange a few words.


Damon DOES, somehow, manage to hold his tongue, when speaking to John (just barely).  Not long after, however, Elena gets a call from Stefan, informing her that the werewolves (Jules and Wereoaf Brady) are holding Vampire Caroline hostage.  As a condition of Caroline’s safe release, the werewolves wish to “strike up a deal.” They will return Caroline, in exchange for resident werewolf, Tyler Lockwood. 

Upon hearing this, Damon, (who, up to this point, had been completely kept out of the loop, regarding the whole “Tyler is a werewolf” thing) is FURIOUS about this recent turn of events.  And he is not at all shy about sharing these feelings with Elena . .

Potent Quotables:

Damon: (about Tyler) “He’s a werewolf.  He needs to die.  I’m willing to kill.  It’s win/win!”

And later . . .

Damon: “You need to stop doing that . . . assuming I’ll play the good guy, because it’s YOU who’s asking.”

Elena: “Be the Better Man, Damon.”

And still later . . .

Damon:  (to Uncle/Father John) “First Dad Duty?  Ground your daughter . . . keep her here.”

Elena: “I’m coming with you!”

Why it made the list:

“Daddy Issues” was an important episode in the Delena canon, because it, in effectively introduced us to a completely different character, one who we hadn’t seen up to this point.  Ladies and gentleman, meet Ponytail Elena.  (She will appear again in “The Last Dance,” home to TWO MORE of our Top Ten Delena Moments.  Coincidence?  I think not!) 

While Hair Down Elena might not be sure, at this point in the game, of her feelings for Damon, Ponytail Elena already has a pretty good idea she wants him BAD!  (Remember that look of jealously flashing across Ponytail Elena’s eyes, when Andie hit on Damon for the first time?  Or the look of triumph on Ponytail Elena’s face, when Damon initially rejected her?)  Not unlike Katherine, Ponytail Elena knows EXACTLY what she needs to do to get her way . . .

It was interesting seeing THIS scene back -to-back with the earlier one in the episode, in which Elena instructs Damon to be “kinder and gentler” in his discussion with Uncle/Father John.  In both scenes: (1) Elena pleads with Damon to be “good.”  (2) He balks.  (3) She asks him to be the “Better Man.”  (4) He balks AGAIN, but reluctantly agrees. (5) She demands to follow him whereever he is going.

However, the DIFFERENCE between these two scenes is why this one made the list, and the previous one didn’t.  Unlike in the first scene, this time, Ponytail Elena is more brazen with her manipulation of Damon.  Observe how the Petrova Doppelganger gently places both of her hands on Damon’s arms affectionately, and looks up at him with her puppy dog eyes, when she asks him not to kill Tyler. 

Also different from the first scene, is Damon’s reaction.  All Damon has to do is take one look at Elena’s hand positioning, and he knows EXACTLY what she’s trying to do.  “You need to stop doing that,” he demands, eyes blazing.

I love how Elena, naively, acts as if she isn’t aware of her manipulation of Damon “Doing what?”  She asks innocently.

However, the minute he makes mention of it, Elena guiltily removes her hands from his arms.  She’s no dummy, that Ponytail Elena!  Damon’s response to Elena “(Assuming I’ll play the Good Guy, because it’s YOU who’s asking”) is the closest we’ve come to seeing Damon admit his feelings for Elena directly to her, ever since he told her he loved her, and compelled her to forget it, during “Rose,” back in episode 8.

And yet, the fact that Elena is behaving this way, to begin with, illustrates that she probably already has a pretty good idea of Damon’s feelings for her.  When affection doesn’t work, Elena falls back on her catchphrase, “Be the Better Man, Damon,” she tells him, for the second time that evening.  The phrase almost acts as a hypnotic trigger for Damon, working on him instantly.  Damon will always obey this command of Elena’s, no matter how much he may hate doing so.

And why not?  After all, it’s Damon’s incorrect belief that Stefan is a “Better Man” than he is, that keeps him from more actively pursuing Elena, in the first place!  At this point in the series, Damon still believes he doesn’t DESERVE Elena.  We see this at the end of the episode when the “Better Man” line makes it’s third appearance.  “I’m in love with a woman I can’t have,” Damon tells Andie, during the pseudo-couple’s infamous Bathtub Scene.  “I have to stay together (read “in control of my emotions”) to protect her, which means, I can’t be who I AM!”

As the series draws to a close, Damon will gradually come to learn how wrong he is in this assessment.  But, for now, the elder Salvatore Brother will just have to rejoice in the mini victory of having let Ponytail Elena know that he has her number. 

And, hey, she DID want to “come with him” to rescue Tyler, didn’t she?  Only this time, Damon said “NO!”

“Nice try, Sweet Cheeks!  It’s called ‘playing hard to get.’  Get used to it!”

So, you might be wondering why I included this scene at the top of my list, especially since it seems to show more of a manipulation of Damon on Elena’s part, than actual affection.  Well . . . I don’t think that’s ALL it shows. 

In “Daddy Issues,” more than any episode we had seen in Season 2 (at least up to THIS point in the season), Damon and Elena are relating to one another in that same super-close, married couple, type way, we witnessed during KEY Season 1 Delena episodes, like “Bloodlines,” and “Blood Brothers.”  And, don’t forget, this is POST Jeremy Neck Snap Incident!  So, that’s saying a lot!

Yes, they are bickering . . . and arguing . . . and Elena seems to be getting on Damon’s nerves a bit.  But beneath all that, are two people who are on the same page.  They understand how eachother think.   And they subconsciously take comfort in eachother’s company.  Why else would Elena keep following Damon around for the ENTIRE first half of the episode?  Where was STEFAN during all that time?  HMM?

9. Damon asks for Elena’s forgiveness

Episode: “As I Lay Dying” – 2 X 22

Setting the Scene:

Having been bitten by Teen Wolf Tyler, during his werewolf transformation, Damon believes himself to be doomed to die a painful and ugly death by were-rabies.  If Rose’s rapid disease progression is any indication, Damon has a few days to live at most, and just hours, before he begins showing signs of dementia.  Despite all this, Damon has made the selfless, but tragic, decision not to inform Elena of his impending death.  “The last thing [Elena] needs is another grave to mourn,” Damon tells Stefan, when his younger brother first learns of the fatal bite.

And yet Damon has one dying wish: that Elena forgive him for going against her wishes, and force-feeding her his blood, prior to The Sacrifice.  (He did this, so that if Klaus, in fact, killed her, she would at least return as a vampire.) 

Thanks to Uncle/Father John sacrificing his soul . . . and his life, for Elena’s, Elena was revived following the Sacrifice, and was able to retain her humanity.  And yet, Elena has still not verbally forgiven Damon for his actions.  In this scene, Damon arrives at Elena’s house, the morning after John’s and Jenna’s funeral, in hopes of obtaining the absolution he so desperately needs from the woman he loves more than life itself.

Potent Quotables:

Damon: “I want to apologize . . . please  . . .  Elena feeding you my blood, I was wrong.  And I know I don’t deserve your forgiveness, but I need it.”

Elena: “And I need some time . . . maybe a lot of time.”

Damon: “Sure . . . of course . . . take all the time you need.”

Why it made the list:

This short simple scene is important, in that it functions as the first step in the journey Damon and Elena take toward mutual forgiveness, acceptance, and possibly much more, during the final episode of the series.  The tragedy of this scene, as mentioned above, is that Elena doesn’t know that Damon is dying.  Yet, he refuses to tell her. 

Damon “needs” Elena’s forgiveness, so that he can die in peace.  And yet, he doesn’t want that forgiveness to come from a place of PITY (Take THAT, Pity Kiss THEORISTS!), or guilt.  In the epic words Damon himself used last season, in explaining the reason he didn’t compel Elena during the pair’s trip to Georgia, “I wanted it to be real.” 

The OLD Damon might have become frustrated with Elena’s stubborness, and refusal to forgive him.  (I mean, it’s not like she actually turned into a VAMPIRE, or anything!)  Remember how quickly Damon started to pout and complain, when Elena refused to forgive him for the Jeremy Neck Snap Incident, earlier on in the season?  But this is a different Damon from the one we knew back then.  This Damon truly is “a Better Man.”

Notice how, throughout the scene, even though Damon is obviously going through a TON of personal sh*t, his focus is always on Elena.  Watching her linger over Aunt Jenna’s room in the morning, Damon IMMEDIATELY knows the anguish Elena is feeling, upon seeing that bed empty.  “It will get easier,” he tells her comfortingly.   “Then again, you already knew that.”

And even when Elena refuses to forgive Damon, and he realizes that there is a good chance he will die without receiving that forgiveness, Damon still considers Elena’s feelings to be of the utmost importance.  He even manages to smile at her, and say, “Take all the time you need,” when deep down, he knows that his own time is slowly running out . . .

The fact that Damon and Elena started the episode in THIS sad place, however, makes where they end up, by the end of the episode, all the more miraculous . . .

8. Elena rescues Damon . . . from himself!

Episode: “As I Lay Dying” – 2 X 22

Setting the Scene:

Damon’s time is running out.  His were-rabies has now set in at full force.  He’s feeling weak, is in an incredible amount of pain, and is beginning to have difficulty distinguishing his flashback hallucinations (featuring Katherine) from reality.  That’s the BAD news. 

The good news is that Damon’s hallucinations have been oddly therapeutic for him.  He finally sees that he was personally responsible for his decision to turn vampire, back in 1864.  Neither Stefan, nor Katherine forced him to do it.  He has to find Elena, and tell her this (as well as FINALLY confess his true feelings for her), before it’s too late.

Elena needs to find Damon too.  She found out about his werewolf bite from Stefan, and feels terrible about the way she treated him earlier that day. (See scene above.)  Elena wants to let Damon know that she forgives him for feeding her his blood prior to the Sacrifice.  She also knows that Caroline’s AWFUL mother Lizard Forbes wants Damon dead.  And Elena wants badly to rescue Dying Damon from that b*tch.

Eventually, Damon and Elena do find one another.  But Damon just so happens to be in the throes of one of his most vivid hallucination, when the reunion occurs . . .

Potent Quotables:

Elena:  “Damon . . . come on . . . come on . . . We need to get you out of here.  We have to hide you.”

Katherine: (in flashback, after puncturing her neck, and allowing blood to drip from it) “If you want it, take it.  It is your choice to make.”

And later . . .

Elena:  (as Damon bites Katherine / Elena) “Damon, you don’t have to do this.”

Why it made the list:

This scene works on two levels.  On one, we have Damon, just hours away from death, finally coming to the realization that he is personally responsible for his decision to become a vampire.  On another, we have Elena, who, after two seasons of being rescued repeatedly by Damon, finally has the opportunity to put her own life and safety on the line, to rescue him right back. 

On some level, Damon and Elena have been searching for one another, the entire episode.  It was Damon’s instinctive knowledge that Elena was looking for him outside, that prompted Damon to send Alaric for blood, knock out Lizard Forbes, and escape his makeshift cage in the basement of La Casa de Rich and Awesome.  Likewise, it was Elena’s need to find Damon, and comfort him, during his final moments, that prompted her to break through the glass of the police station with that chair.  (I wonder who’s going to end up having to pay for THAT!)

Of course, once Damon finds Elena, he shifts right back into hallucination mode, and can only see Katherine.  In the hallucination, Katherine’s words to Damon are direct.  She tells him that the decision to become a vampire is his choice to make.  And by biting down on Katherine’s neck, and taking her blood, he makes that choice.  Yet, in the present day, Damon is biting on Elena’s neck.   Her words to him are symbolic too.  She tells him, “You don’t have to do this.”

And though she’s referring to BITING HER, Elena’s words also apply to biting KATHERINE back in 1864.  Damon didn’t HAVE to do that.  He didn’t have to become a vampire.  And he WOULDN”T have become one, if he hadn’t made that choice.  The anguish on Damon’s face, upon waking from his reverie, and realizing that he has bitten and hurt the woman he loves, is truly heartbreaking. 

But what is sweet about the scene is Elena’s reaction.  Yes, Elena is in pain.  Yes, Damon hurt her.  But Elena isn’t angry at Damon for what he did, or worried for her own safety. 

Like Damon’s actions at the beginning of the episode, Elena’s actions here are completely selfless.  All she cares about is protecting Damon, and getting him to safety.  The way Elena holds and comforts Damon in this scene, you can tell just how much she truly cares about him.  And this show of affection is only a precursor of what’s to come later on in the episode . . .

7. Elena Comforts Damon after Rose’s Death

Episode: “The Descent” – 2 X 12

Setting the Scene:

Damon earned the ire of Big Bad Wolf Jules, when she began to (correctly) suspect that he had killed her werewolf buddy, Mason Lockwood, a.k.a. Tyler Lockwood’s Hot Uncle. 

 The elder Salvatore brother moved even further up Wolf Girl’s Poopy List, when he and Alaric cornered her in the Only Bar / Social Establishment in Mystic Falls, and (under the guise of hitting on her) were-rufied her drink with Wolfsbane. 

Fast-forward to the next Full Moon.  Jules, in werewolf form, barges into La Casa de Rich and Awesome, intent on chopping on some Salvatore skin.  (Can you blame her?  YUMMY!) 

However, instead of sinking her teeth into Damon, Jules’ pointy choppers land smack dab on the backside of Damon’s most recent Screw Buddy, Vampire Rose. 

As a result of the bite, Vampire Rose contracts some bizarre form of were rabies. (Then again, isn’t all were rabies, by definition bizarre?).  Shortly thereafte, Rose, pretty much, starts going apesh*t.  (She looks pretty hideous too.)  Rose uses her Sick Time, constructively, by chasing Elena around La Casa de Rich and Awesome, and trying to eat her.  (Personally, I prefer to spend MY sick time watching bad daytime television.  But, that’s just me . . .)

When that fails, a wacked-out Rose breaks free from La Casa de Rich and Awesome, and starts chowing down on innocent Mystic Falls residents.  Damon eventually finds Rose, and brings her back to the house.  However, Rabies Rose’s days of eating the Good People of Mystic Falls are numbered.  And Damon knows it. 

Using his vampiric powers of dream walking, Damon sits Rose down in her lap, like the unruly baby she has become.  Being the Generous Mercy Killer he is, Damon creates for Rose a warm fuzzy (read “extremely cheesy”) dream, in which she and he are frolicking through the meadow. 

When Rabies Rose is feeling sufficiently blissed out, he stakes her, but not before shedding a few tears, on her behalf.

In THIS sweet and poignant Delena scene, Elena, having learned of Rose’s death, arrives at La Casa de Rich and Awesome to check up on Her Future Lover . . .

Potent Quotables:

Elena:  “I came back to make sure you are OK.”

And later . . .

Elena: “Damon I’m your friend.”

Damon:  “I’m well aware of that.”

Elena: “And a friend usually knows when their friend is hurting.”

Damon: “What do you want to hear?  That I cared about Rose?  That I’m upset?  Well, I didn’t.  And I’m not.”

Elena:  “There you go, pretending to turn it off, pretending not to feel.  Damon, you’re so close.  Don’t give up.”

Damon:  “I feel, Elena, OK?  And it sucks!  What sucks even more is that it was supposed to be me.  Jules was coming after ME.”

Elena:  “You feel guilty.”

Damon:  “That would be human of me, Elena, and I’m NOT HUMAN!  You’re one to talk about giving up.   That’s all you’ve done is give up!  Go home!  There’s been enough doom, gloom, and personal growth for one night.”

Why it made the list:

You’ll notice that in this scene, unlike the ones that preceded it, I transcribed practically the ENTIRE conversation between Damon and Elena in the “potent quotables” section.  That’s because every line of this scene is heavily laden with meaning.  In fact, with the exception of the final scenes of “As I Lay Dying,” Damon’s and Elena’s exchange during “The Descent” is probably the most honest exchange they have with one another the entire season. 

Just as, in the earlier scene I posted from the finale, where Damon instinctively knows what Elena is going through, when she stares at Jenna’s empty room, Elena, having experienced Rose’s demise along with him, knows exactly how hard it was for Damon to ultimately end her life. 

We’ve seen many scenes in which Elena has pushed Damon away, for one reason or another.  However, this time, it is Damon trying to do the pushing, and Elena vying for closeness. 

Ahem?

But Elena makes a mistake, when she calls Damon “her friend.”  Of course, she’s trying to be helpful.  However, reminding Damon of their “just friends” status, during this difficult time in Damon’s life, is like rubbing salt in the wound. 

(Then again, perhaps, this is a case of thou doth protest too much?  Maybe Elena is already starting to feel a closeness to Damon beyond friendship, and needs to reiterate the “just friends” nature of their relationship to convince herself that this is the case?  Wishful thinking on my part?  Maybe . . . but maybe not. ;))

When Damon denies having any feeling about Rose’s death, however, Elena goes for the “Better Man,” card again.  Though she doesn’t use those exact words, by telling Damon that he is “so close” to humanity, that is, in effect, what she is saying.  And Elena is right.  Rose’s death did cause a sort of emotional breakthrough of sorts in Damon. 

But these emotions scare Damon, because, as he admits to Andie, in the following episode, they make him feel out of control.  They also cause him to remember how much he misses being human.  “That would be human of me, Elena.  And I’m NOT human,” he argues.  (Talk about a case of “Thou doth protest too much!”)

But even though Damon commands Elena to leave for a third time, during the scene, Elena refuses to go, without giving Damon the comfort she so desperately knows he needs.  She hesitates as she turns to leave, looking at him intently for a few beats before pulling him in for a deep Full Body Hug.  Elena’s show of affection surprises Damon, and, eventually moves him to tears. 

But Damon isn’t the only one who needed to feel closeness in that moment.  While Elena may have decided to hug Damon, in a friendly and comforting way, the look she gives him, when she pulls back from the hug, hints that she might have felt something deeper during it, than she initially expected.

For a few moments before she leaves, we see Elena stare pointedly at Damon’s eyes and lips.  She does this so intently, that, the first time I watched this scene, I really did think that she might kiss him.  But, alas, our first Delena kiss was still quite a few episodes away . . .

6. “I’ve got moves you’ve never seen!”

Episode: “The Last Dance” – 2 X 18

Setting the Scene:

Though he has not yet shown his “true face” to the Scooby Gang, Klaus has not been shy about expressing his desire to “capture” Elena, and use her in his Wacky Sacrifice Ritual.  By compelling one of her classmates, Klaus delivers a creepy message to Elena that she should expect to “meet” him at the sixties-themed dance being held at the high school.  Rather than avoid the dance (which, to be honest, would have made a heck of a lot more sense), the entire Scooby Gang, Elena included, decides to attend.  Their plan is to draw Klaus out, and then kill him . . . somehow. 

Needless to say, tensions are high.  And no one is more tense than Elena.  That is, until . . .

Potent Quotables:

Why it made the list:

Damon: “How you doin?”

Elena: “Umm . . . freaking out a bit.  You?”

Damon: “Cool as a cucumber.  Come on . . . remember the last Decade Dance.  The vampires were all ‘Arrrghhhh’ and you were all ‘Ahhhhh!”

Elena:  “Right . . . and . . . we won.”

Damon: “Yes, we did.”

Elena:  “You’re good at this.”

Damon: “I’ve got moves, you’ve never seen.”

You know what I actually just noticed about this scene?  (And it’s something that I had never picked up on, in the 20 or so times I watched it before hand.)  There’s this little moment, before Stefan leaves to go talk to Caroline, that he gives Damon a bit of a head nod, actually ENCOURAGING him to dance with Elena! 

Dear old Selfless Stefan . . . you have no idea what you are getting your “girlfriend’ into!  Doesn’t Baby Salvatore know that no girl can resist a Dancing Damon?

Least of all . . . Elena . . .

Still, you might be wondering why this scene ranks so high on my list, when the ones preceeding it are so much more “emotionally intense.”  But, actually, the fact that this scene WAS SO LIGHTHEARTED AND SIMPLE is precisely why it earned such a high ranking. 

The Delena Dance of Season 2, much like the one in Season 1 that preceded it, allowed us a glimpse into what Damon and Elena will be like as an ACTUAL COUPLE.  In just a few short seconds of grooving together, Damon and Elena, illustrate all the fun, sex appeal, wit, good humor, and understanding that is going to make Delena such a force to be reckoned with in season 3.

I love the look of shock and arousal that crosses Elena’s face, when Damon first whirls her into his chest.  As we’ve seen often with Elena, when she comes in close contact with Damon, she often seems mesmerized, by his mouth in particular. 

And, though Damon is trying to play it, “cool as a cucumber” (his words, not mine), we can see that he isn’t exactly immune to Elena’s charms either.  There’s a brief second where Damon loses himself in the movement of the dance, and forgets all about Klaus, the Sacrifice, and all his schemes.  In that moment, these are just two beautiful people who are insanely hot for one another.

That being said, when Elena openly admits to Damon that she is “freaking out a bit,” Damon immediately becomes refocused on the task at hand:  Operation Cheer Up Elena!  And Cheer Elena up he does, through a combination of fun, un-self-conscious goofiness . . .

 . . . good humor, and logical reasoning.  Damon immediately is able to set Elena at ease, and make her smile, in a way, few members of the Scooby Gang are able to do.  But in addition to being really funny, Damon’s “The vampires were like Arrrgh, and you were like Ahhh,” was also a wise and reassuring statement.  In other words, “We beat the bad guys before, and we will beat them again.”

Of course, once Damon has sufficiently calmed Elena down, and converted her from Brooding Damsel in Distress to Giddy High Schooler Dancing with Hot Boy, Damon ramps up the charm, dipping her, pulling her close to his body and face, and whispering seductively in her ear, “I’ve got moves you’ve never seen.”

“You’re good at this,” Elena admits breathlessly, looking very much like she wants to makeout with him right there on the dance floor.

Well, isn’t that the Understatement of the Year . . .

5. “I can’t lose you.”

Episode: “The Last Day” – 2 X 20

Setting the Scene:

Not willing to accept that Bonnie’s death (through the exhaustion of all her witch powers) is the ONLY way to kill Klaus, Elena defies the wishes of the ENTIRE Scooby Gang, by de-staking Elijah, and bringing him back to life. 

Elijah claims to have a plan to save Elena’s life, while still allowing Klaus to proceed with the Sacrifice Ritual.  Then, once Klaus is in the throes of a werewolf transformation, and is in a weakened state, ELIJAH will stake KLAUS with the same dagger Elena used to stake HIM in “Crying Wolf.”

The problem is that Elijah’s Big Plan to “save” Elena seems . . .what’s the right word . . . oh yeah . . . LAME!  It involves some sort of Romeo and Juliet-esque elixir he cooked up, that would make Elena APPEAR to be dead, throughout the Sacrifice Ritual, when, in fact, she is really alive.  Having never used the elixir before, Elijah can’t guarantee that it will work. 

 The idea of taking such a gamble with Elena’s life sickens Damon.  So, he stalks off to his room to sulk.  Elena (who LOVES Damon’s bedroom, more than any other room in La Casa de Rich and Awesome, including, apparently, Stefan’s room) immediately follows Damon there, so that the two can screw like bunny rabbits “talk.”

Potent Quotables:

Elena: “You disappeared.”

Damon: “I don’t want to hear anymore.”

Elena:  “I need you to understand why I’m doing this.”

Damon: “Why?   It clearly doesn’t matter what I think.”

Elena: “I’ll be FINE, Damon.  I’ll drink the elixir.  Bonnie will kill Klaus, and all of this will finally be over.”

And later . . .

Damon: “You think it will work . . . You WANT it to work . . . Why am I the only one who’s convinced it WON’T.  There has to be another way.”

Elena:  “There isn’t.”

Damon:  “You are going to die, Elena.”

Elena: “And then, I’ll come back to life.”

Damon:  “That is not a risk I am willing to take.”

Elena: “But I am . . . it’s my life, Damon.  My choice.”

Damon: “I can’t lose you.”

Elena: “You won’t.”

Why it made the list:

I’m just full of controversial picks today, aren’t I?  Here’s the scene where Damon FORCE FEEDS Elena his blood, and stakes Stefan, and I’ve got it as number 5 on my Delena list.  But, hopefully, after you rewatch the scene, you will see why.  You see, I feel like there’s a real parallel between this scene, and the scene that takes place between Damon and Elena at the end of “The Last Dance,” right before Elena decides to stake Klaus.  (See #3 below.) 

 Both scenes, begin with Elena entering Damon’s room.  Both scenes involve a discussion between Damon and Elena, regarding the best way to go about saving her life, during the Sacrifice. 

In “The Last Dance,” Elena REFUSES to put Bonnie’s life on the line to save her own.  Here, Damon refuses to put Elena’s life on the line for Elijah’s harebrained scheme.  “There HAS to be another way,” each party says to the other, more or less.  Both scenes climax (see what I did there?), during a moment of intense intimacy between the couple.  And, just when it seems like the two are finally in agreement with one another, there’s a moment, where you see one of them making the decision to do something they know the other person will HATE.

As I mentioned earlier, Elena LOVES Damon’s room, and adores his bed.  And whenever he is upset, she loves to go and find him there, so that she can “reach out and touch him.”  There’s an interesting dichotomy in the scene between how close Damon and Elena come to one another, and how far away their ideas as to the best course of action remain.  Throughout the scene, though Damon and Elena, both take physical steps toward one another, psychologically, they remain more far apart than ever.

Using her “Be the Better Man” trick, Elena attempts physical contact with Damon, to bring him back from the brink, when he is at his most heated.  Damon is angrily and accusatorily pointing a finger at Elena, when Elena affectionately grabs his hand in both her own, bringing it closer to her face, and massaging it, as she speaks.  

There’s a moment where Damon looks down at his and Elena’s now clasped hands.  He knows EXACTLY what Elena is trying to do.  And yet, he loves her so much, that he can’t resist her.  His pointed finger relaxes into Elena’s embrace.  His body posture softens, as he appeals to Elena’s obvious care and concern for his well being, “I can’t lose you,” he tells her, in all honesty.

“You won’t,” she assures him, eyes widened and dilated. 

Elena really believes at this point that she has reached Damon . .. and that he will go along with whatever she says, just like he has so many times in the past.  Except, sometime between Elena’s grasping of his hand, and her final promise to him, Damon comes to his decision to force-feed Elena his blood.  But even as he is making this decision, a part of him knows he will live to regret it.

“Oh crap!  I’m really about to f*ck up now, aren’t I?”

4. Damon revives Elena

Episode: “The Sun Also Rises” – 2 X 21

Setting the Scene:

As far as Klaus is concerned, the Sacrifice Ritual was a success. Aunt Jenna and Jules each gave up their lives as the vampire and werewolf sacrifices, respectively.  As the Petrova Doppelganger, Elena also gave her “life” to Klaus, when he bit into her neck, and drained her of a significant portion of her blood. 

After snapping the neck of the witch performing the ritual, Damon picks up an unconscious Elena and carries her to Stefan.  But Stefan does not wish to take Elena home just yet.  He wants to stay and make sure that Bonnie and Elijah defeat Klaus, once and for all. 

So, Damon carries Elena back to La Casa de Rich and Awesome in his arms.  At this point, her fate is still unknown.  Is she dead?  Will she come back a vampire, and spend eternity hating Damon for the role he played in her transformation?  Or has the Scooby Gang somehow managed to find some way for Elena to return to life as a human?  Damon is about to find out . . .

Potent Quotables:

Damon:  “Come back as a vampire, and I’ll stake you myself.  So, DON’T.  Because I can’t stand the idea of you hating me forever.”

Why it made the list:

It’s hard not to see this scene as blatant foreshadowing for a future Damon and Elena union, in the truest sense of the word.   I mean, who can ignore the symbolism, of Stefan asking Damon to take Elena home, himself, so that HE can stay and make sure Klaus is dead.  (Shades of Stefan’s choice in the season finale, much?) 

And then, watching Damon literally carry Elena through the darkness and the fire, to the safety of the home SHE owns, which is also his.  Then, of course, Damon CARRIES ELENA ACROSS THE THRESHOLD of the mansion.  It doesn’t get much better than that, folks!

The look of love and affection on Damon’s face, as he hovers over Elena’s unconscious body, gently running his hand across her face, and through her hair — unable to take his eyes off her for even one second — is as beautiful, as it is heartbreaking.  Who WOULDN’T want a guy to look at them like that?  And though the words Damon says to Elena, as he awaits her fate, might seem callous on the surface, they are actually the most romantic words he’s uttered throughout the entire episode.

Contrast these words to Damon’s “I can’t lose you,” in the earlier scene.  Damon force fed Elena his blood, because HE couldn’t bear the idea of living without her.  That gesture, and the thought process behind it, while romantic, is also somewhat selfish. 

Here, Damon’s thoughts are ONLY for Elena.  He now knows that SHE would rather die than be a vampire.  And even though it would literally KILL Damon to live on Earth for even a moment without Elena, he would be willing to stake her himself, if he knew that was what she truly wanted.

Of course, there’s another aspect to Damon not wanting Elena to become a vampire.  He “can’t stand the idea of [her] hating him forever.”  This is also a departure from the Damon we’ve grown to know and love for two seasons.  In “The Last Dance,” Damon was heard telling Stefan, that he didn’t care whether Elena hated him, as long as he was able to keep her safe. 

Now, we see that this isn’t the case at all.  Elena’s thoughts and feelings matter to Damon.  And from now on, he will fight just as hard to protect them, as he will to protect her life.

The other part of this scene that I loved was the intimate and powerful expression on Elena’s face when she awakens from “death” to find Damon hovering over her.  A commenter on my recap of this episode wisely noted that Elena died staring at Stefan, during The Sacrifice, and awakened staring at Damon.  There is certainly something poetic about that. 

Additionally, there lies within the meaninful look Elena gives Damon the possibility that she remembers his confession of love for her during the “Rose” episode.  After all, were it not for John’s sacrifice, which, as you can see, happens AFTER Elena awakens, not before, Elena, having died with Damon’s blood in her system, would have reawakened a vampire.  And VAMPIRES remember all instances of compulsion from their lives, as Caroline taught us, following HER vampiric reawakening . . .

So, does Elena remember Damon’s compulsion of her to forget that she loves him?  It’s indeed possible.  In fact, that very knowledge is hinted at, during the finale, and in my NUMBER 1 Delena moment of the Second Half of Season 2. 

3. “I will always choose you.”

Episode: “The Last Dance” – 2 X 18

Setting the Scene:

Damon may have saved Elena’s life the night of the sixties dance, but he did it by breaking her heart . . . albeit temporarily.  When Damon and the rest of the Scooby Gang learned that Klaus was possessing Alaric’s body, they determined, to their chagrin, that they had unwittingly provided him with information on their secret Klaus-Killing Weapon: Bonnie and Her Awesome Witchiness.  Now AlarKlaus was after Bonnie.  He wanted her out of the picture, to ensure himself a “Stress Free Sacrifice.”  And he wasn’t going to let up, until she was dead . . .

So, Bonnie and Damon came up with a devious plan.  Bonnie would pretend to exhaust her witchy powers, during a faux attempt at defeating Klaus at the dance.  Then she would play dead . . . kind of like a dog.  But the scheme had a complication: in order for KLAUS to believe that Bonnie was dead, Elena had to believe it too.  And in order for ELENA to believe that Bonnie was dead, Gossip Boy Stefan couldn’t be let in on Bonnie’s and Damon’s plan either. 

When Elena found Bonnie’s “dead” body in the school snack room, she was inconsolable.  And when Damon arrived back at La Casa de Rich and Awesome, seeming not the least bit upset about Bonnie’s so called “loss of life,” an enraged Elena slapped him across the mouth . . . HARD.  It wasn’t until after Elena almost took off his BEAUTIFUL face that Damon finally decided to come clean to the woman he would do literally ANYTHING to protect. 

Damon admitted that Bonnie wasn’t really dead.  She was just hanging out in a tomb with Elena’s brother “resting her eyes.”  This made Elena feel like a bit of an idiot.  It also gave her a good excuse to enter Damon’s room AGAIN, under the guise of “apologizing” . . .

Potent Quotables:

Elena: “I understand why you did what you did.  I mean, Klaus was fooled and . . . Bonnie’s alive.”

Damon: “Here’s to duplicity.”

Elena:  “Let’s get one thing straight, Damon.  Bonnie will not die for me.  I will not let that happen . . . We’ll find another way [to kill Klaus].”

Damon: “I hope so.”

Elena:  “Look, I shouldn’t have hit you.”

Damon: “Apology accepted.”

Damon: “Let me be clear about something, if it comes down to you and the witch again, then I will gladly let Bonnie die.  I will always choose you.”

Why it made the list:

Earlier, I showed you the scene in which Damon made the decision to force feed Elena his blood to save her from certain death.  In my analysis of that scene I told you that it directly paralleled the scene from “The Last Dance,” in which Elena, after having an equally emotional and honest conversation with Damon, made the (as it turns out, not so hot) decision to de-stake Elijah.  Like the first scene, this one worked on two levels.  On one hand, it was yet another romantic bedroom scene for Damon and Elena, in which the pair let one another understand just how well they understood one another, and how much they cared for eachother.  On the other, it was a deceptive scene, because, at the very moment when it seemed like the couple had come to an understanding, one of its members was plotting to do something very stupid.

It was interesting watching Damon’s and Elena’s reactions to one another throughout the scene.  For instance, when Elena comes into Damon’s room, he clearly expects her to lecture him on not telling her his plans regarding Bonnie’s fake death.  Aim when Elena admits that she understands exactly why he did what he did, Damon is a bit taken aback.  But he is also clearly impressed by the object of his affections foresight, and understanding that sometimes the ends DO justify the means.

“Here’s to duplicity,” Damon says.  (As in, “YAY, I don’t have to apologize anymore, for doing something that I don’t think was wrong at all, and would do again in a second.”)

Elena again uses her trusted tactic of initiating physical closeness with Damon to make her point about not wanting Bonnie to die.  And though Damon does seem to bend a little, to Elena’s wishes (“I hope so,” he offers doubtfully, when Elena assures him that they will find another way to kill Klaus), we know that Damon’s position on the subject remains essentially the same. 

Now comes the time for Elena to apologize for the Face Slap Heard Round the World . . .  Elena clearly feels terrible about doing that to Damon, and wants him to know this.  When just moments ago, Elena was stalwart and strong in ensuring Bonnie’s continued livelihood, suddenly she seems shy, contrite, and a smidge coquettish.  As Elena apologizes, she dips her head downward, and self-consciously runs her hand through her hair. 

Of course, this works.  Damon can never stay mad at Elena for long.  And he accepts her apology almost immediately.  But then he makes the statement, that, while incredibly romantic, seals both of their fates, “I will always choose you.”

Upon hearing this, we see Elena go through a wide range of emotions in a very short amount of time.  There is awe at the grandness of Damon’s remark, flattery, at the extent of his feelings for her, a deep affection for the man willing to do whatever it takes to keep her safe.  It’s a powerful experience for Elena.  But then . . . she SIGHS . . .

For me, the above-illustrated facial expression of Elena’s mimics the one Damon made, when he realized that he was going to force feed Elena his blood, and, in doing so, jeopardize his relationship with her.  Likewise, Elena realizes that there is no way she will ever be able to convincce Damon to save Bonnie’s life over her own.  And so, in this moment, she decides to de-stake Elijah. 

Three times, before Elena leaves Damon’s room, we see her hesitate and turn back toward him, wanting to admit what she is about to do.  There’s a big part of Elena that knows that de-staking Elijah could end up being a huge mistake.  And that part of Elena wants to confess her plans to Damon, so that he can talk her out of them.  But, ultimately, Elena’s desire to protect her friends . . . well . . .  at least to protect Bonnie . . . wins out.  And so, she leaves Damon’s room with a firm sense of purpose.

Examining this scene, side by side with the scene from “The Last Day,” even the casual viewer can see how truly alike Damon and Elena are in their way of thinging, their fierce protectiveness of others, and their courage in the face of all opposition.  One thing is for sure, as a couple, these two will be unstoppable!

2. The Cuddle

Episode: “As I Lay Dying” – 2 X 22

Setting the Scene:

Having finally found a were-wolf bitten Damon, just hours away from death, Elena rushes him to the comfort of La Casa de Rich and Awesome.  Huddled together in Damon’s bed, Damon and Elena silently vow to make every last minute between them count.  Now is not the time for secrets. 

No words can be left unsaid.  No apologies can be left unspoken.  No emotions can be left unburdened.  But will these two intimately linked individuals — who have shared so much together, during the short time they have known one another — be able to confess their true feelings for one another, before it is too late?

Potent Quotables:

Elena:  “It’s OK, Damon.  I’m right here.”

Damon: “Elena, get out of here.  I can hurt you.”

Elena:  “No, you won’t.  I’m here until the very end.  I’m NOT leaving you . . . It’s OK . . . It’s OK”

Damon:  “It’s NOT OK.  All those years, I blamed Stefan.  And no one forced me to love her.  It was my own choice.  I made the wrong choice . . . Tell Stefan I’m sorry, OK?”

Elena: “I will.”

Why it made the list:

As you might have noticed, Damon and Elena have been dancing around true displays of affection for one another, all season.  There have been forehead kisses, hugs, hand and shoulder grabs, and even a little grinding on the dance floor.  But it took Damon being moments from Death, for Elena to really give herself to him completely. 

It is no accident that again, in the final moments of the Season 2 finale, Damon and Elena are huddled together in Damon’s bed.  Watch as Elena lovingly holds Damon in her arms, cradling his body close to her with one arm, as she delicately blots the sweat from his brow with another. 

Elena saw what Rose went through in her final hours.  She recognizes the possibility that Damon, in this sickened state, could be a real danger to her.  But Elena cares for Damon so much, that she is willing to put his needs before her own.  And despite Damon’s pleas that she go, for her own good, Elena refuses to leave Damon’s side, even for a moment. 

For Damon’s part, we can see in his eyes, how much he NEEDS Elena to be near him.  And the fact that he asks her to leave, shows just as much selflessness on his part, as Elena’s staying does on hers.  Because Damon has a lot to say to Elena.  He has come to the realization that he is to blame for his own situation, and he needs Elena to know this before he dies.  He also needs Stefan to know this. 

Such is their honest relationship with one another that Elena never lies to Damon, and tells him that he’s going to survive this.  She doesn’t sugar coat things for him.  When Damon asks her to apologize to Stefan, she doesn’t tell him, “You can do it yourself, because you are going to live.”  Rather, she just pulls him closer to her, and tells him that she will.

It’s tragic that it took a lethal illness to bring Damon and Elena to this place.  Yet, it is somehow fitting.  After all, Damon’s and Elena’s relationship has always been one built on intense emotions and extreme situations.  And, sometimes it takes the threat of losing something to finally force you to realize that you can’t live without it.

1. THE KISS!

Episode: “As I Lay Dying” – 2 X 22

Setting the Scene:

[See description for #2 above.  THIS spectacular scene takes place just one “commercial break” after THAT one. ;)]

Potent Quotables:

Damon: “This is even more pitiful than I thought.”

Elena: “There is still hope.”

Damon: “I’ve made a lot of choices that have gotten me here.  I deserve this.  I deserve to die.”

Elena:  “No, you don’t”

Damon: “I do, Elena.  And it’s OK.   Because if I would have chosen differently, I wouldn’t have met you.  I’m so sorry.  I did so many things to hurt you.”

Elena:  “It’s OK.   I forgive you.”

Damon: “I know you love Stefan.  And that it will always be Stefan.  But I love you.  You should know that.”

Elena: “I do.”

Damon:  “You should have met me in 1864.  You would have liked me.”

Elena:  “I like you now.  Just the way you are.”

Damon:  “Thank you.”

Elena: “You’re welcome.”

Why it made the list:

I don’t think it was a surprise to any of you, that this ended up being my number one scene.  I mean, really, could Delena fans have asked for anything more.  I mean, I couldn’t have been happier, if Damon and Elena stripped naked and had their way with one another, as the final credits were rolling (which is totally how Season 3 is going to end, by the way). 

Season 1 ended with Damon kissing Elena . . . except it ended up NOT being Elena, but Katherine.  So, it was extremely fitting that Season 2 would end with a REAL Delena kiss.  The kiss itself was beautiful.  The way that Elena snuggled up close to Damon, looked lovingly at his face, and leaned over to give him a quick kiss on the lips.  While it was happening, Damon awoke from unconsciousness, a real life Sleeping Beauty, with a small but beautific smile on his face.  His eyes fluttered, and his mouth opened into a slight “O” shape.  He wasn’t expecting this.  And then, he THANKED HER, for giving him the greatest gift she could ever give him.

And yet, for many fans, there was just as much of a gift in the words that preceded the kiss, as in the kiss itself.  Damon has never been much for apologies.  And yet, he is able to apologize twice to Elena in this episode, once at its beginning for the force-feeding, and here, for ALL of his wrong doing throughout the two seasons.  So, when Elena FINALLY gives Damon the forgiveness he has been waiting for, it is a total and complete forgiveness.  Completely gone are the grudges of seasons past.  Elena and Damon are finally, once again, on an even playing field.

And it is because Damon and Elena are in this open and honest place, that Damon can FINALLY admit to Elena that he loves her, and allow her to REMEMBER it, thereby completing the circle started in Rose.

Back then, Damon made Elena forget his love, because he deemed his confession, “The most selfish thing he ever did.”  But Damon’s new confession of love is not in the least bit selfish, because he doesn’t expect Elena to love him in return.  Heck, he doesn’t even expect to live out the hour!  Damon repeats Elena’s words to him from the Season Premiere.  “I know you love Stefan . . . it will always be Stefan,” but he says them with no bitterness or ire.  He’s made peace with his little brother, and Elena’s love for him.  He simply believes that Elena has a right to know that he loves her more than life itself.  Because that kind of love is a gift to be cherished, even if it cannot be returned.

Except . . . maybe it can, because Elena’s cycle of always pushing Damon to be the “Better Man” is closed in this scene too.  That ends with Elena’s declaration that she likes him now, just the way he is, troubled, headstrong, impulsive, and deeply worthy of someone’s love.  The threat of losing Damon has caused Elena to realize just how much she needs him in her life.  And though Damon IS in fact a Better Man than the one we met in the pilot, he is still a flawed character.  

But it are these flaws that bond Damon and Elena, and will undoubtedly continue to bond them throughout Season 3, as they cope with the guilt of their growing bond with one another, in Stefan’s absence, and struggle to ascertain what they mean to one another.  In many ways, “As I Lay Dying,” was an end.  An end of the Season, an end of the Sacrifice, and end of a very important period of personal growth for Damon.  But in many other ways, it is a turning point.

And when Damon sits up in his bed at the end of the episode, and looks at Elena with new and healthy eyes, some would say his new life is just beginning . . . and so is hers.

So, there you have it, folks: my picks for the Top Ten Moments from the final 11 episodes of Season 2 of TVD.  Which ones were YOUR favorites? 

P.S.  Has the TVD hiatus left you hungry for more SHIPPER-friendly Top Ten Lists?  If so, be sure to check out my super talented, and often hilarious, blogger pal Cherie’s analysis of the Top Ten FORWOOD moments from Season 2.  Trust me, you won’t regret it!  The post is made of awesome. 🙂

[www.juliekushner.com][Fangirls Forever]

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Filed under Damon and Elena, Damon Salvatore, Delena, Elena Gilbert, Television Super Couples, The Vampire Diaries, Top Ten Lists

Kick off 2011 right, with these 10 Sexy Chuck & Blair Moments from Gossip Girl’s Fourth Season!

Happy New Year, Gossip Girl fans (and, perhaps, more importantly, Chair fans)! 2011 is a brand new year for us fangirls and television lovers!  And just because our favorite shows are still in Hibernation Mode, doesn’t mean we have to be!  So, rather than nursing our hangovers, and moping about how another year has gone by, I thought it might be nice to spend the first day of the new year with our favorite pair of Upper East Siders . . .

That’s right, boys and girls!  It’s Chuck and Blair day, here at TV Recappers Anonymous.  And have I got some smoking hot Chair Moments for YOU!

What follows are my picks for the Top Ten Chuck and Blair moments from the first half of Gossip Girl’s Fourth Season . . .

(Note:  As always, many of these video clips have not been properly embedded, due to CW copyright restrictions.  But you can view them ALL, in their Sexy CB Glory, by simply clicking on the internal links. ;))

10. Chuck sniffs Blair’s “Pie”

 Episode: 4 x 05 – “Goodbye, Columbia”

Setting the Scene:   Chuck has just declared war on Blair, once again.  This time, the breach of peace is Much Ado about Eva, Chuck’s Hooker in Peasant’s Clothing, Ex-Girlfriend.  Blair sent her snoozy temporary replacement packing, with the help of a few carefully placed rumors, and an unmatched ability to plant seeds of doubt in Chuck’s head, as to his Sweet Tart’s supposed “virtue.”  Since Chuck and academics are like oil and water, Blair mistakenly believes that she will be able to protect herself from battle, by hiding out on campus at Columbia University, where she is currently matriculating.  But Chuck has other ideas . . .

Potent Quotables:

CHUCK:  “Mmmmm . . . I almost forgot how much I used to enjoy your pie.”

GOSSIP GIRL:  “Better batten down the hatches, B.  It looks like your Island in the Storm was just hit by a Bass 5 Hurricane.”

Why it Made the List:  Nothing turns Chuck and Blair on more than a good-old fashioned War of Wits.  And this most recent war between Chuck and Blair was no exception.  Observe the way Chuck’s and Blair’s breathing quickens, when they come within a few feet of one another, how their eyes dilate, and the way they repeatedly look at each others’ lips, as they banter with one another.  These are textbook signs of sexual attraction. 

Let’s not forget the extremely lewd and naughty way, Chuck “sniffs” Blair’s pie.  It doesn’t take Freud to figure out what part of the female anatomy that pie represents, or what it means for Chuck’s nose to be in it!  In addition to being a sexually significant food in general, pie is a highly symbolic dessert to Chuck’s and Blair’s relationship, in particular. 

For Blair, food is an indulgence, one that is directly tied to sexual attraction.  Later on in the season, we see Blair attempting to combat her romantic feelings for Chuck, by compulsively scarfing down macaroons.  Even later in the season, Blair sends Chuck a pie, to symbolize their continued “friendship” with one another, in spite of a recent breakup. 

But food also plays a darker role in Blair’s life.  A long-time sufferer of bulimia, pie represents Blair’s struggles with her body image, and sense of self.  For Blair, Chuck is like pie.  He is seductive, delicious, and makes her hungry for more.   But he is also dangerous, and potentially hazardous to her health.  And just like with that decadent dessert, once Blair starts induling in Chuck, she often can’t stop . . .

9.  The Peace Treaty

 Episode: 4 x 07 – “War at the Roses”

Setting the Scene:   A few surprisingly eloquent words of warning from Raccoon Zombie Jenny, in the previous episode, caused Chuck and Blair to rethink the mutually destructive nature of the war they had waged against one another.  As a result, at the end of that episode, Chuck and Blair informally agreed to a “truce,” via a late night handshake (more on that later).  But Chuck’s and Blair’s friends, Nate and Serena, know that a mere handshake is not enough to put out the wildfires perpetually raging between these two soulmates.  And so, Nate and Serena stage an intervention of sorts, and attempt to broker a formalized peace treaty between the warring factions.

Potent Quotables:

NATE:  “Sooner or later, one of you is going to press the other’s button.  And we are going to end up with nothing but cockroaches.”

CHUCK:  “I have no objection to order in the kingdom.   Let the negotiations begin.”

And much, much later . . .

BLAIR:  “Actually, there is one more point I want to negotiate . . . in private.  Attorneys are dismissed.”

Why it Made the List:  For what was supposed to be a “serious” negotation of a formalized legal agreement, this meeting between Chuck and Blair was pretty darn funny.  Kudos to all parties involved, for not breaking into hysterical laughter, or even smirking, as Chuck and Blair discussed which of them was entitled to attend fashion week in Paris, who had access to which strip clubs, and whether Chuck was allowed bed the hostesses at local restaurants that Blair frequented.

All kidding aside, however, this peace treaty showcased some SERIOUSLY sexually tense moments between Chuck and Blair!  Observe Chuck’s body language, throughout the negotiations.  His fists and jaw are clenched.  His nostrils are flared.  His lips are pursed.  He’s uncharacteristically figety.  Chuck Bass is like a BULL IN HEAT!  And as for the slow and seductive way that Blair pours and drinks that water from her wine class, while licking her lips — her eyes closed in exaggerated ecstasy?  Well, it doesn’t get much more sexual than THAT!

8. Reunited in Paris

 Episode: 4 x 02 – “Double Identity”

Setting the Scene:   After engaging in bestiality with a Raccoon Zombie, and breaking the heart of the love of his life, Chuck escaped to Prague, where he was shot.  To add insult to nearly mortal injury, the engagement ring he had initially purchased for Blair, stolen right out from under his bleeding body.  Chuck was then “rescued,” by some blonde chick named Snoozy Eva. 

So, filled with Self Hatred was Chuck at the time, that he allowed the world to believe he was dead, and began gallivanting around Europe with Snoozy, under the alias, Henry Prince.  Blair, who was vacationing in Paris at the time, learned of his whereabouts from Serena.  The Queen B then tracked the Bass-tard down at a Paris train station, in order to deliver to him an important message . . .

Potent Quotables:

BLAIR:  “Changing your name doesn’t change who you are.”

CHUCK:  “It’s a start . . . a chance to live simply, earn people’s respect, maybe become a person someone could love.”

BLAIR:  “Someone did love you . . . And you owe it to her — and everyone else you are leaving behind –not to run away, which is what you are doing  . . .”

CHUCK:  “Your world would be easier, if I didn’t come back.”

BLAIR:  “That’s true.  But it wouldn’t be my world, without you in it.”

Why it Made the List:  After spending an entire summer wondering whether Chuck Bass was dead or alive, and then suffering through nearly TWO full episodes, without a single moment of interaction between my favorite GG pair, this sweet and quietly heartbreaking scene between Chuck and Blair went a long way toward alleviating my painful symptoms of CB withdrawal.  The fact that Blair would be willing to rescue Chuck from his own demons, and convince him to come back to New York City, and reclaim his identity, despite all the pain he had caused her, said volumes about Blair’s strength of character.  It also provided me with an ounce of hope for the pair’s future together . . .

And the longing, tear-filled, looks Chuck and Blair exchanged with one another, when she returned to him the engagement ring he thought was gone for ever?  Priceless (not to mention, highly symbolic)!

7. The Truce

 Episode:  4 x 06 – “Easy J”

Setting the Scene:  Earlier on in this post, I made reference to a scene in which Chuck visits Blair late at night, at her home.  Chuck arrives, waving the proverbial white flag of peace, after the war between them had escalated to such a point, that both of their lives were at stake.  Blair is hestitant to trust Chuck’s offer at first.  After all, he has lied to her, and hurt her, so many times in the past.  And yet, as Chuck continues to plead his case, the cast iron shell that has formed around Blair’s heart, since the whole Raccoon Zombie Incident, begins to show signs of breaking . . .

Potent Quotables:

CHUCK:  “Look, we can keep blaming each other for what happened that night.  Or we can admit a harder truth.  It was no one’s fault.  It was fate — a tragedy . . .  Ware holding on to the pain, because it’s all we have left.  We don’t have to, we have a choice.”

BLAIR:  “Truce . . . you can see yourself out.”

CHUCK:  “I know the way . . .”

Why it Made the List:  Sure, at times, Chuck and Blair can act like children, with their tendency toward name-calling, silly games, and petty fights.  But, when it comes right down to it, these are two old souls, both of whom are wise beyond their years, in so many ways.  I loved the maturity with which Chuck and Blair were able to evaluate their past relationship in this intimate moment.  It wasn’t about who was right or wrong, or who was to blame for what happened to them.  Things simply didn’t work out between them last season.  So, why rehash the painful memories?

In this scene, Chuck and Blair took their first tentative steps toward overcoming their past, and building a future together.  They came to a mutual understanding that who they were yesterday, doesn’t necessarily have to be who they are tomorrow. 

And yet, how much had really changed between them?  The obvious electrical current of sexual energy that spread through Chuck’s and Blair’s bodies, as they shook their hands in “truce,” belied their promises to one another that they would never again give in to their mutual romantic desires . . .

 

6. The Threesome

 Episode:  4 x 08 – “Juliet Doesn’t Live Here Anymore”

Setting the Scene:  After an intense session of mindblowingly Hot Hate Sex at the end of the previous episode (more on that later), Blair awakens to a VERY happy ending in her bedroom.  Count on Cockblock Serena to come barging into the bedroom and spoil the moment, just so that she can babble on (and on and on) about the not particularly interesting “relationship” problems she is currently having with Professor Hot Bod . . .

Potent Quotables:

GOSSIP GIRL:   “Morning, Upper East Siders.  I hope you had a Good Night Sleep, or at least a Good Night’s Play!”

BLAIR: (while trying to hide her obvious arousal, and Chuck’s “head,” from Serena) “I hate it when the duvet pops up like that.”

CHUCK:  “This comforter blocks out so much noise, they could sell it at Bose.”

Why it Made the List:  Simply put:  watching Blair try to give solid “friendly relationship” advice, while, at the same time, fending off Chuck’s amorous advances, beneath the sheets (which were obviously giving her a tremendous amount of pleasure!) was just good naughty fun!  All of us felt Blair’s pain!  We ALL wanted Serena to get the heck out of that bedroom FAST, so that Chuck and Blair could finish whatever it was they were doing, before she entered . . .

And NOTHING is hotter than Ed Westwick, when he’s sporting Post Sex Bedhead, while discussing the sound quality of comforters . . .

5.  The Breakup

 Episode:  4 x 09 – “The Witches of Bushwick”

Setting the Scene: Chuck and Blair have just been publicly outed as a couple at the Saints and Sinners Ball, after weeks of keeping their affair a secret.  The outing had the unintended effect of bolstering Chuck’s public image as a naughtily decadent Bad Boy Entrepreneur with a soft spot for a delicate debutant.  Apparently, when it comes to hotel moguls, contradictions are sexy!  The outing was decidedly less lucky for Blair, who lost the opportunity to be spokesperson for a feminist-based foundation, Girls Inc., as a result of it. 

Chuck sees what happened as evidence that the couple can overcome any obstacle, as long as they are together.  But Blair is not so sure . . .

Potent Quotables:

CHUCK:  “I love you.”

BLAIR:  “I love you too . . . I don’t expect you to wait.”

CHUCK:  “If two people are meant to be together, eventually they will find their way back.”

BLAIR:  “Do you really believe that?”

CHUCK:  “I do.”

BLAIR:  “So do I.”

Why it Made the List:  Sure, it was maddening, and incredibly frustrating, that after three episodes of build up, intense conversations, and incredibly hot sex (all of which seemed to support the notion that these are two people who are MEANT to be TOGETHER), Chuck and Blair broke up, over something as seemingly insignficant as Blair not getting a dumb internship.  And yet, in this very special moment, Blair and Chuck BOTH admitted that they were in love with one another.  Beyond that, Chuck’s words to Blair about people who are meant to be with one another, eventually finding their way back into one another’s arms, seemed incredibly prophetic of an eventual PERMANENT union for this couple.  Don’t you think?

4. Hate Sex

 Episode: 4 x 07 – “War at the Roses”

Setting the Scene: The short-term ceasefire in the war between Chuck and Blair came to an unexpected end, after a highly embarrassing video, featuring Blair drunkenly singing at a karaoke bar, was exposed to all of New York high society on her twentieth birthday.  An enraged Blair immediately accused Chuck of leaking the video, since he was (she believed) the only person aware of its existence.  After all, permanent disavowal of this video was an important part of the peace treaty between Chuck and Blair.

Chuck — who would never even think of releasing such a video to the publi — was highly offended that Blair would believe he would do so.  (As it turns out, the video was discovered and subsequently publicized by Dopey Dan).  After the party, Chuck confronts Blair in private, to let her know, in no uncertain terms, that the war between them is back on . . .

Potent Quotables:

CHUCK:  “I’ve realized we are not friends.  Friends have to like each other.  And after what happened tonight, I could never like you.”

BLAIR:  “Every nerve ending in my body is electrified by hatred.”

CHUCK:  “There is a fiery pit of hate burning inside me, ready to explode.”

BLAIR:  “So, it’s settled then.”

CHUCK:  “We’re settled.”

 Why it Made the List:  OMG!  This scene was HOT with a capital “H!”  When you really thing about it, feelings of hatred, and those of intense and passionate love are not all that far removed from one another, are they?  Both have the ability to cloud your mind, and keep you from thinking rationally.  Both have a tendency to get you hot under the collar.   Both light a fire in your heart, that threatens to explode your insides.  And, perhaps most importantly, both can drive you completely insane!

The moment Chuck and Blair move toward one another, and begin to describe their mutual feelings of hatred, we all know the sex is inevitable.  Like Chuck and Blair, our bodies fill with the heat of anticipation.  As for the animalistic manner in which Chuck and Blair angrily have their way with one another on top of that piano — ripping eachother’s clothing off, as they teeter on the brink between insanity and intense pleasure — well . . . it’s like nothing you’ve ever seen on television before!

 

3. Chuck and Blair Exposed

 Episode:  4 x 09 – “The Witches of Bushwick”

Setting the Scene:  When Chuck’s publicist informs him that his new do-gooder image is bad for business, Blair suggests that he throw a Saints and Sinners Ball, to show the world what a bad boy he really is.   Mistakenly believing that their coupledom would undermine Chuck’s womanizing mystique, Chuck and Blair decide to keep their budding relationship a secret. 

And yet, when Chuck utters a certain phrase to Blair during sex (more on that later), Blair finds herself unable to think about anything else.  (Did he mean it?  Is it true?)  So, Blair shows up at the party, risking everything to ascertain Chuck’s feelings for her once and for all . . .  Little do Chuck and Blair, know that both of their secrets are just moments away from being exposed . . .

Potent Quotables:

BLAIR:  “I heard what you said . . . three one syllable words that, under the circumstances, you may or may not have meant.”

CHUCK:  “Do you want me to have meant them?”

BLAIR:  “If they were true, I would want to know.”

CHUCK:  “I meant it Blair, with all my heart . . . Are you going to say something?”

BLAIR:  “I will . . . I mean . . . I do.”

CHUCK:  “I understand the consequences, but I am willing to pay them . . . I say, we go up in flames together?”

Why it Made the List:  This very special scene is all about risks.  When Chuck and Blair meet one another on that balcony at the Saints and Sinners Ball, they are putting everything on the line for one another:  their lives, their livelihoods, their reputations, their pride, their self-respect, and their hearts.  The fact that the conversation between them takes place high above the ground, only heightens the dangerousness of this moment. 

Blair risks her future as a public feminist figure, by coming to see Chuck at the Saints and Sinners Ball.  And then, she risks her pride by asking him if he meant it, when he told her that he loved her during sex.  In turn, Chuck puts his own heart on the metaphoric table between them, when he admits to Blair that he DOES, in fact, love her — not knowing for sure whether she returns those feelings.  When Blair does respond affirmatively to Chuck’s claims of love, she does so, by saying those two special words, “I do,” almost as if she is completing wedding vows.  (How’s THAT for foreshadowing?)

Moments later, when Blair’s and Chuck’s relationship is exposed to the party — rather than shunning one another, to protect their respective reputations — both Blair and Chuck decide to embrace public scrutiny, and “go down in flames together.”  By doing this, Chuck and Blair take the ultimate leap of faith for one another, and prove that, when it comes to the many things in both of their lives that are important, their relationship comes first.

2. “Friendly” Sex

 Episode: 4 x 08 – “Juliet Doesn’t Live Here Anymore”

Setting the Scene:  Chuck and Blair have just reached the end of a VERY GOOD DAY!   Not only have they each gotten laid MULTIPLE times by one another, they’ve also protected a mutual friend, and ensured the takedown of a mutual enemy.  As Chuck and Blair sit quietly in her living room, sharing a drink together, they are feeling tired, but happy, and oddly invigorated.  Chuck and Blair have just been reminded of what a great team they make, when they are able to put aside their differences, and work toward a common goal.  In this triumphant moment, anything seems possible . . . even friendship.

Potent Quotables:

BLAIR:  “Sometimes, I think a takedown is better than sex . . . Well, it’s an endorphin rush.  Plus it makes me think of old times.  I really appreciate you stepping up tonight.”

CHUCK:  “Maybe that’s because that’s what we are,  friends.”

BLAIR:  “Who knew it would take a public takedown and tons of hate sex for us to get here?”

CHUCK:  “Well . . . I should get going.  Good night, Waldorf.”

BLAIR:  “Same to you, Bass.”

Why it Made the List:  As Chuck and Blair are reminded of what a good team they are, we are reminded as well.  Though on the surface, they seem very different, Chuck and Blair are really so much alike!  Both can be sly, manipulative, and mean-spirited.  But they are also loyal friends, who are willing to do whatever it takes to ensure that one of their own doesn’t get hurt. 

Can Chuck and Blair ever really be just friends?  The beginning of the scene suggests that they can!  Observe the easy and effortless way in which they relate to one another — shifting easily between joking banter, and sweet compliments.  Remember that Chuck and Blair started out as friends, and partners-in-crime, back during Season 1 of Gossip Girl.  These are two individuals know what makes each another tick.  They are comfortable with one another.

And yet, when Chuck and Blair move close to one another, and share a gentle hug, all thoughts of friendship go out the window.  The sexual chemistry between them is undeniable.  Observe the way Blair gently places her hand on Chuck’s cheek, the intense looks that are exchanged, and the depth of feeling behind each movement.  Behold the power of that kiss!

Granted, Chuck and Blair have been having sex throughout this ENTIRE episode.  So, what makes this time different?  You see, this is the first time, in the course of the hour, that Chuck and Blair make LOVE!  All the romantic elements are there: the gentle way the room is lit, the soft crackle of the fireplace before them, the soft femininity of Blair’s floral dress, the way Chuck CARRIES BLAIR ACROSS THE THRESHOLD into her bedroom, like the pair of newlyweds they are destined to someday be.    When it comes to television love scenes, they don’t get much better than this!

1. Chuck Says “I Love You” During Sex

 Episode:  4 x 09 – “The Witches of Bushwick”

Setting the Scene:  Chuck has just learned that he needs to reaffirm his Bad Boy image, in order to reclaim his hotel mogul status.  According to his publicist, this means dropping all ties to Good Girl Debutant Blair.  Likewise, Blair is informed by the head of the feminist foundation Girls, Inc. that she is in the running to become the organization’s spokesperson, but only if she disassociates from the rebellious Chuck.  Chuck and Blair meet in her bedroom, in order to plot a plan certain to save both of their careers.  But it’s hard to talk business, when both parties are feeling so very hot and bothered . . .

Potent Quotables:

CHUCK:  “There is something alluring about an angel drawn to the darkside.”

BLAIR:  “Or a devil redeemed.”

CHUCK:  “An impeccable plan.”

BLAIR:  “This really is a beautiful friendship.”

CHUCK:  “I love poplin.”

BLAIR:  “I love condemnation.”

CHUCK:  “I love you.”

Why it Made the List:  This scene was just pure perfection, on so many levels!  Porn stars have NOTHING on Chuck and Blair, in terms of sheer sexuality.  I adored the way, Chuck and Blair were able to help one another with their respective business problems, without letting all the dull talk get in the way of their sexual activity, even for a single second! 

The breathless way the Chuck and Blair talked to one another, their barely muted moans, as they undressed eachother and fell into bed together, the way Blair’s eyes rolled back in her head, when Chuck kissed her neck . . . it was enough to drive a Chair fan CRAZY!

When Chuck finally got caught up in the throes of passion, and told Blair he loved her, I literally squealed with JOY!  Blair may have doubted the veracity of Chuck’s claim — because he said it while in the throes of passion — but us Chair fans never did!  Like Blair, Chuck is the kind of person who keeps his feelings closely guarded, no matter what he’s doing at the time. 

The Chuck we know would never let himself get carried away during sex.  He would never say those three words, unless he absolutely meant them.  This is why it took Chuck being completely blissed out, and in the moment, for him to reveal the feelings for Blair that he had heretofore kept hidden.  This is the image of a man in deep and serious love.  And, as far as I’m concerned, nothing can be sexier . . .

Well, there you have it.  Ten Slyly Seductive and Super Sexual Scenes between Gossip Girl‘s “It Couple,” Chuck and Blair.  Which one was YOUR favorite?

New episodes of Gossip Girl will begin airing on Janury 24, 2011.  Until then, XOXO!

P.S. Be sure to check out my pals at Chuck and Blair the Perfect Pair blog, if you haven’t done so already.  The site’s late-breaking Chair news, gorgeous photography, and captivating content are sure to provide you with everything you need to satisfy your Chair fix, during this interminably long GG hiatus.

[www.juliekushner.com]

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