BLAINE: “Ummmm . . . Kurt, what are you doing?”
KURT: “I’m taking your pulse, to make sure that evil slushie didn’t kill you.”
BLAINE: “Last time I checked, I didn’t have a pulse in my ass . . .”
Greetings, fellow Gleeks! This week, Glee paid homage to the King of Pop, through a series of MJ-inspired ballads and dance numbers. Also this week, we experienced our first-ever slushie maiming, three college acceptance announcements (I’m sorry . . . one acceptance . . . two “finalists.”), two couples’ reunion-via-duet, and one Crazy Cellist War. So, gulp down your Rock Salt Slushie, slap a tape recorder onto your under boob, grab your crotch, and yell, “HEE-HEEEE,” because it’s time for another Gleecap . . .
Because the school library is the absolute best place to spontaneously break out in song
Santana and the rest of the Troubletones are talking about how bummed out they are that, unlike the rest of their New Directions buddies, they never got to perform a Michael Jackson song for a crowd. So, Blaine, the kind soul that he is, decides to make it up to them, by singing MJ’s classic “Wanna Be Startin’ Something,” mainly by himself, while the rest of the gang dances around him, and sings backup. (Hmmm . . . correct me if I’m wrong here, but wasn’t THIS precisely why the Troubletones defected from the New Directions in the first place . . . because they were ALWAYS singing backup to the likes of folks like Rachel and Blaine?)
Nice going, Mr. Sexy Pants!
Anyway, Blaine takes his little crotch-grabbing conga line through the library, where he picks up the rest of the Glee kids en route to the auditorium. There things get super cutesy, with the name “Michael” in lights, magically appearing on stage behind them, and every Glee kid clad in iconic Michael Jackson wear, from various periods in his life.
By now we’ve seen Glee do the whole “fashion tribute” thing, a few times during it’s “artist themed” episodes. But I think it works particularly well here, because Michael Jackson was surprisingly fashion iconic for a dude. He’s also been a mainstay in the music world for roughly forty years. So, these costumes function as a sort of history lesson for some of us, and a trip down memory lane, for others . . .
In fact, dare I say it, but I almost found the costumes in this musical number more memorable than the performance itself? Check it out . . .
Sexy Blaine is “too high to get over” and “too low to get under.” So, it looks like we are going to have to *clears throat* go right through him, if you catch my drift . . .
The Ring 4 – A Horror Love Story
Oh dear, sweet, NAIVE, Finchel! Last week, we found our stalwart Finn Hudson in a bit of a teen-life crisis. Everything he thought he knew and loved about his life, was in danger of slipping through his fingers. The FUTURE was looming, large and terrifying, over his potato-shaped head. And try as he might, he couldn’t run from it. So, instead, he grabbed tightly to the only piece of his crumbling world that still made sense. In a moment of romantic impulsivity, mixed with just a twinge of desperation, Finn Hudson proposed to Rachel Berry . . .
And Rachel said . . . .
. . . well, apparently, she said absolutely nothing . . . ZERO, ZILCH, ZIPPO. (In fact, this is probably the first time in Rachel’s entire life, that she was left speechless . . . sans monologue and/or power ballad.)
To this cavernous Void of Speech and Song, Finn apparently responded (in a male version of the voice of that creepy girl from The Ring movies) “THREE DAYS.” *shivers*
For those who aren’t horror movie fans, in The Ring movies, if you watch a certain video tape in which a creepy chick crawls out of a well, once that video is over, that same chick calls you to tell you you are going to die in seven days. Annnd . . . then she kills you.
In the Finchel version, Rachel has three days to respond to Finn’s proposal, or he will make her choke on the engagement ring . . . never to sing again. JUST KIDDING! He just needs an answer, thank you very much. Unfortunately for him, Rachel’s still not quite ready to respond.
Golly, I wonder why? It couldn’t possibly have anything to do with the fact that she is seventeen, has minimal dating experience, and wants to be FAMOUS, now could it? “You don’t need to marry me to keep me from straying,” Rachel promises him. “There is only you, until I go to college, and meet the next Ryan Gosling. Then, all bets are off.”
Finn agrees to call off the creepy chick from The Ring, and give Rachel some more time to decide her entire future. That’s very generous of him . . .
No More Mr. Nice Gay!
Now, the Glee kids are hanging out at the Only Coffee Shop in Lima talking about . . . wait for it . . . Michael Jackson. They decide to go around in a circle, and share their favorite MJ memories, which, considering they were all still in the womb, during most of the guy’s career, should be an impressive batch of stories. Rachel admits that she doesn’t “get” Michael Jackson, bascially, because he doesn’t sing show tunes. So, the rest of the Glee club promptly proceed to browbeat her for this admission. No sense, angering MJ’s estate, when they so kindly offered Ryan Murphy and Co., MJ’s entire song catalogue, right?
This Michael Jackson Informercial is interrupted by Big Bad Sebastian Warbler. Remember him? The Lobster from The Little Mermaid?
The guy who seemed to have a big ole crush on Blaine, and wasn’t afraid to bulldoze right over Poor Kurt, in order to show it? Well, the Lobster’s motives for this little flirtation are now being severely called into question.
We are told that Sebastian learned of New Directions plans to do another Michael Jackson medley, by calling Blaine, under the guise of his needing help getting a wine stain out of his jacket. (I don’t know, Kurt. It sounds like phone sex to me . . . Jackets were definitely removed, at least.) I loved Blaine’s sheepish facial expression, after being called out on this. You would think that a guy who looks like Darren Criss would be used to the constant flirtations of men and women. But Blaine was clearly so taken aback by Sebastian’s faux show of interest in him, that it led him to miss ALL the red flags about this guy.
I haven’t decided yet, if I find this charming, or just really, really stupid . . .
Anywhoo, now Sebastian says that the WARBLERS will also be doing an MJ medley. This, of course, prompts Santana to go a little Lima Heights Adjacent on the Lobster’s ass.
So, the Lobster retorts by making a comment about all of Santana’s relatives in prison.
At first, I found this piece of dialogue to be a little racist. Then, I realized (based on Santana’s reaction) that her family members actually are supposed to be in prison. And I’m still not sure, if that made the joke more racist, or less . . .
Anywhoo . . . Sebastian says that he’s captain of the Warblers now, and is tired of playing nice. Then, he butt wiggles toward the exit, while the rest of the Glee kids, even the typically unflappable Santana, watch him go, open-mouthed, and more than a bit frightened. And now, we are probably NEVER going to learn how to get wine stains out of suit jackets. DAMMIT!
Two Glee Clubs, both alike in dignity . . .
The Glee kids decide to settle their score with the Warbler’s like adults . . . or, rather, like gang leaders and / or people who spend way too much time watching West Side Story. They decide to meet their nemeses in an abandoned parking lot. (Yeah, because THAT’s a safe place to play!) Clad in leather jackets and scowls, the Glee kids, duel dance and sing, against the Warblers, in an approximate recreation of the music video for Michael Jackson’s “Bad.”
Toward the end of the song, the groups broke off into pairs of two. And from that point on, I couldn’t stop watching Sebastian and Santana, who were paired off against one another. I know their character’s are gay. But I just can’t get over the sexual chemistry Naya Rivera and Grant Gustin have with one another. It’s positively electric, and it emanates from them, every time they share a scene together. (More on that, later.)
Speaking of Santana, I was happy to see her get a solo in this number, since “Bad” is oddly well-suited to her voice. My one gripe about the number, is that Puck wasn’t given more to do. You know . . . the former bully, who wears a mohawk, and spent time in juvie. Wouldn’t you think this whole “gang homage” would have been right up his alley?
Additionally, I’m always of fan of Glee putting it’s own spin on popular songs, as opposed to merely recreating them. And I think that the inclusion of Mark Salling’s raspy baritone into this number, could have made “Bad” something really special.
It’s not until the end of the song that things start to go really . . . for lack of a better term . . . bad. We see one of the Warblers hand Sebastian a brown paper bag containing an orange slushie. Sebastian aims to throw it at Kurt, but Blaine dives in the way. Instantly he crumbles on the floor, yelping and screaming, as the rest of the Warblers slink away.
Like, I suspect, many of you, at first, I found Blaine’s dramatic response to having his leather jacket and face dirtied, a bit over-the-top. I even recall laughing at him, a bit. Then, I found out the slushie actually scratched his cornea. So, I felt like crap. Thanks Glee!
Artie CAN WALK (and wear REALLY tight pants)!
You know who else felt like crap about Blaine’s eye injury? Artie. He’s tired of being pushed around by bullies, and rich kids wearing Hogwarts uniforms. He wants justice, dammit. He wants to crack some SKULLS AND SOME CORNEAS!
But Schue says, NO! Better to roll over and play dead . . . you know, kind of like Mr. Schue does himself, whenever he’s brow-beaten by his ex wife, or Sue Sylvester, or Principal Figgins, or the six year old who sells him girl scout cookies, or the neighbor’s chihuahua . . .
Artie is just SO MAD that he GETS UP AND STORMS OFF, with Mike Chang, close behind him . . .
Wait . . . WHAT????!!!!
Ooooh . . . now I get it . . . it’s a DAYDREAM SEQUENCE, also known as a near perfect visual recreation of Michael and Janet Jackson’s “Scream,” with Artie playing Michael, and Mike, oddly enough, playing Janet . . . even down to the hairdo.
For those familiar with the video, seeing it recreated in this way was really cool. (Though, I suspect those who weren’t familiar with the original video, it just looked . . . weird.) That said, I love that they gave Harry Shum, Jr. a solo in this one. His voice has improved by leaps and bounds, since the series began. I just wish the producers strayed from the original video, a bit more, to allow him to do more of his trademark dancing . . .
So, I guess Quinn’s . . . like smart . . . or something.
While lurking through the Glee message boards, I noticed that the pairing of Rachel Berry and Quinn Febray is extremely popular among a segment of the fandom.
And those shippers were undoubtedly squealing with joy, when Rachel met Quinn in the ladies room, in order to get advice about that whole “Finn proposed to me,” thing.
Now, I’ve gotta say, this wasn’t exactly Rachel’s most thoughtful moment. I mean, correct me, if I’m wrong, but didn’t Finn LEAVE Quinn for Rachel MULTIPLE TIMES . . . the last one occuring very recently. Didn’t she worry that hearing this might . . . I don’t know . . . hurt Quinn’s feelings, a little bit.
After all, it’s one thing for your first love to move on, and fall in love with someone else. It’s quite another for him to MARRY that someone else . . . And that brand of heartache is certainly not something one expects to have to deal with, while still in high school. Then again, it could be argued that no one should have to deal with pregnancy in high school either, and yet many young women do every year, including Quinn . . .
That said, Quinn was surprisingly SUPER adult about the whole thing . . . more adult than I suspect I would be. Rather than calling Rachel out for her insensitivity, Quinn kindly and gently, but firmly, offers her some pretty sound advice. “You have an amazing life ahead of you,” she tells her frenemy. “You can finally get what you want, what you always dreamed of. Don’t throw it away.”
She also tells her to DUMP Finn, and leave high school completely behind. Well . . . that might be a bit like throwing the Finn baby out with the bathwater. But in terms of the marriage proposal, I think Quinn’s got a point. If Rachel sacrifices her own dreams to be with Finn, she will eventually come to resent him for it.
Quinn then announces to Rachel (and, eventually, the rest of the Glee club) that she got into Yale. Wow, I remember, a few episodes back, when Quinn mentioned she was applying to Yale (but only because she felt she wasn’t a good enough singer to get into NYATA (also known as the Glee equivalent of whereever it was the kids from the original 90210 went to college), I actually started laughing, because the character never struck me as being particularly smart.
Sorry!
But apparently, the whole time Quinn was getting (1) knocked up, (2) kicked out of her house, (3) giving birth, (4) trying to steal her baby, and (5) hanging out in the bathroom with a group of girls called “The Skanks” she was also getting Straight A’s.
Who knew?
Quinn’s solo this week “Never Can Say Goodbye” . . .
. . . which she sings to Rachel, and, of course, to all the Glee men she’s boned in the past.
I’ll admit, it wasn’t my favorite number of the episode (or even my favorite Dianna Agron performance). But, hey, at least she looked really pretty doing it!
Goodbye Quinn! We sure will miss your sometimes-crazy ass!
I LOVE BURT HUMMEL!
Burt Hummel is PURE awesomesauce! He came all the way down to McKinley High, in the middle of the day, just to give Kurt his mail. That’s right, Kiddies, the NYATA admissions letters are FINALLY HERE. And Kurt’s is REALLY SMALL, which, many college hopefuls can tell you, tends not to be a good sign. While he was opening that letter, I was so worried that you would think it was me about to get my dreams crushed, not him.
But wait . . . it’s not a rejection at all. He’s a NYATA finalist! Kurt’s ecstatic, of course. But Burt seems even more thrilled. “They hurt you, and tried to bring you down, but you beat them all,” Burt tells his son, while choked up with pride. “I’m so proud to be your dad. They can never take this away from you. You won.”
And . . . now my mascara is running all over my face. Thanks Burt! (What can I say, I’m always a big sucker for those father / son moments . . .
Speaking of winning . . .
Sam SCORES!
Continuing on his quest to get back inside Mercedes panties, Sam gets her to meet him in the auditorium, where he ropes her into singing, MJ’s soft, sweet, and sensual, “Human Nature.”
The performance itself was a fairly bare-bones one. But I was impressed by how nicely Chord Overstreet’s and Amber Riley’s voices complemented one another. The duet also highlighted the couple’s romantic chemistry. And Sam must have been doing something right, because this number ended in a much-more-than-friendly kiss.
Sorry Shane! It looks like your guest star days as Mercedes’ arm candy are numbered . . .
“Gee, sorry about your eye, Blaine. Let me sing you a song about this rat I know . . .”
Meanwhile, at Blaine’s house, he’s in bed, rocking an eye patch (and awaiting the surgery that took his character conveniently out of commission, while Darren Criss starred in “How to Succeed in Business” on Broadway). Blaine looks like a really cute gay pirate, but you can tell he’s seriously bummed about it. Cue the entrance of Finchel and Kurt to lift his spirits, by singing him a song about how they Blaine him, no matter what he looks like . . . even if he just so happens to look like a garbage-eating, subway crawling, disease-infested rat.
OK . . . this rat is actually kind of cute. But still!
That’s right, folks. Michael Jackson wrote the song “Ben” about a rat. And now Kurt is singing it to his boyfriend . . .
2Cellos or Not 2Cellos . . .
Meanwhile, Santana has broken into La Casa de Warbler, home of Blaine’s former friends, who have since turned on him, like a bunch of . . . dare I say it . . . rats. She confronts Sebastian for round two of their hot hate sex, disguised as dancing and singing angry duel for Blaine’s honor. Sebastian excuses his fellow Warblers, telling them he doesn’t want them to see him make a girl cry. But we all know it’s really because he doesn’t want them to see him cry in pure orgasmic ecstasy.
In a room filled with a maze of chairs, fueled by the sounds of the two super talented, but-so-intense-they-are-a-bit-scary, cellists from the group 2Cellos, Sebastian and Santana tease and taunt one another, as they chase eachother around the room to the tune of Michael Jackson’s “Smooth Criminal.” Like, I suspect, many of you, I watched this number on YouTube, long before I saw it, in the actual episode. And yet, it still remains, by far, my favorite musical number of the hour.
For starters, the performance a truly original take on MJ’s original song, bolstered by the sultry intensity of Naya Rivera’s vocals. But, more importantly (for me, anyway), the complex and heated subtext between Sebastian and Santana, as they joust in more ways then one, pulling and prodding one another to the song’s ecstatic crescendo, adds layers to both the music and MJ’s words that I didn’t even know existed.
Did I mention that Sebastian openly admits to Santana that he put rock salt in that ill-fated slushie that ended up in Blaine’s corneas.
ROCK SALT! (That’s really awful. And it makes me feel even worse for laughing at Blaine, when he first went down, early on in the episode.) Considering that Dalton Academy was a school to which Kurt originally transferred, largely for it’s “no tolerance for violence” policy, POURING ROCK SALT IN SOMEONE’S FACE, just so they can’t compete in a SINGING COMPETITION sure seems like it would grounds for expulsion, don’t you think? (Possibly even jail time.)
And though Sebastian seems to have absolutely no remorse for nearly blinding his almost-boyfriend, ultimately, it’s Santana, who has the last laugh. Why? Because she got the whole thing on tape, by attaching a bug . . . to her “underboob” . . . naturally . . .
Don’t want Finchel to get married? Blame Rachel’s mailman . . .
“Dear USPS . . . YOU SUCK! I’d send this letter to you by mail, but, knowing you guys, you will probably never ever receive it”
Poor Rachel has become a victim of a government bureaucracy she can’t control. It seems that everyone in the world has gotten their college acceptance letters, except for her. So, of course, she assumes the worst. “I have no idea what I’m doing,” Rachel cries to bestie Kurt, in the locker area, when she learns his good news about NYATA. “Everyone has a plan, but me.”
Well, Rachel . . . not everyone . . .
So, of course, Rachel goes to find Finn.
He gets an orchestra to accompany the two of them, as they sing, “Can’t Stop Loving You.” It’s a gorgeous rendition . . . if you are a big fan of mushy ballads. Rachel sure seems genuinely in love, when she finally gives Finn the “yes,” he’s been waiting for since last week.
But, as much as I believe Rachel loves Finn, I can’t help but think that — at least, at this very moment — she sees marrying him as a sort of consolation prize.
And when Rachel DOES ultimately receive her “Finalist” letter from NYATA . . .
. . . that deer-in-headlights look she gets in her eyes, when Kurt asks if she told Finn the good news, definitely seems to confirm my suspicions . . .
“Gulp.”
Because singing loudly at somebody, is the perfect revenge for their RAPING OF YOUR EYEBALL . . .
So, I bet you were wondering what Santana ended up doing with that CRIMINAL CONFESSION of Sebastians. As it turns out, she GAVE IT BACK TO HIM.
That’s right, kiddies. Apparently, New Directions idea of “taking the high road,” means avenging their friend’s injury by PERFORMING FOR THEIR ENEMIES . . .
My sentiments exactly! But perform they do, to the tune of Michael Jackson’s “Black and White,” complete with the video’s trademark Scary Face Morphing Technology. The rest of the Warblers (except for Sebastian) join in the fun. Of course, Blaine can’t play along . . . you know . . . BECAUSE HE ONLY HAS ONE EYE!!!!!!
But hey, it’s all about “teaching the villain” a lesson in goodness, right?
Yeah, I didn’t think so, either . . . So, that was “Michael,” in a nutshell. Did you likey?
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