Tag Archives: The Originals

Redemption Maybe? – Vampire Diaries Season 4 Revamped Part 3 – Klaus Mikaelson

klausy smirk

“If you want to be bad, be bad with a purpose.  Otherwise you’re just not worth forgiving.”

These are the iconic words Damon utters to Klaus Mikaelson, during a mid-season conversation that’s about as “Meta” as TVD gets . . .

One could probably imagine a similar conversation taking place in the TVD writers’ room, around the time Plec and Co. got their greenlight to film the back door pilot to “The Originals.”

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After all, Klaus had been the series’ main Big Bad for three seasons know, roughly 75% of the life of the show.   And now, there was a good chance the Original Hybrid would be blessed with a series of his very own . . . a series where the character would be featured, not as the show’s antagonist, but as its protagonist.

santa klaus

how you like me now

It was a tall order.  Fortunately, the writers  already had two templates as to how such a feat could be accomplished.  The first was another blonde villainous vampire, by the name of Spike, who made a similar journey from Season 2 Big Bad, to Season 4 Questionable Ally on the critically acclaimed TV series, Buffy the Vampire Slayer

spike-on-buffy

The second was Damon Salvatore himself, the ultimate TVD Bad Boy MOSTLY Redeemed . . .

big bad vampire out here

Step 1 – Make the Villain Fall in Love . . .

Everyone remembers the first time Spike spied Buffy at a party, and was instantly plagued with an intense desire, both to kiss her, and kill her.  Damon felt the same way about Elena, the first time he laid eyes on her   . . . his brother’s girlfriend, who bore the same face as his lost love.  She seemed to be the ultimate pathway toward Sweet Revenge.

the almost kiss

So, too did Klaus experience this conundrum, firsthand, when, to get revenge on his errant sire hybrid Tyler, he compelled him to lethally bite his girlfriend, Caroline . . . potentially ending her new vampire life, before it even really had a chance to begin . . .

3 11 klaroline savior

When Klaus first arrives at the Forbes household, his motives are unclear.  Is he planning to let Caroline die, to teach Tyler a lesson in obedience?  Is he hoping to seduce her, thereby taking from Tyler, the one aspect of his life, over which Klaus, up to this point had no control?

klaroline lovers

Whatever Klaus had initially planned to do, it’s clear from the way he looks at Caroline, lying vulnerable on the bed, that he’s changed his mind.  Seeing this young woman, on the cusp of young vampire life, lying helpless before him, does something to Klaus.  It changes him imperceptibly.

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So, Klaus tells this dazzling woman, what no one else would, that vampirism, while “dark” and “monstrous,” can also be beautiful, because LIFE is beautiful.  And then, he gives her a choice . . . immortality or death.  This insanely powerful vampire, who has done nothing that wasn’t directly in his selfish interest, from the moment he set foot in Mystic Falls, for the first time, relinquishes control of his life and his Master Plan to Caroline, for reasons he may not yet entirely understand.

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The result is a scene that remains one of my favorites in TVD history . . . And this is coming from a staunch Damon fan . . .

Klaus may have begun his wooing of Caroline back in Season 3, through expensive gifts, vacation promises, and pictures of ponies . . .

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3 11 klaroline gift from klaus 1 loveablesins

But it wasn’t until Season 4 that Klaus really started making headway toward winning Caroline’s heart.  And he did it in a way that the Klaus of earlier season’s would never have even considered.  He did it by listening to her, opening up to her, and by not taking advantage of her when he had the opportunity to do so  . . .

klaroline truce

Like, for example, when he was in Tyler’s body, early on in the Season . . .

Sure KlausiTyler comes off like a bit of a cad in this scene. But he’s also surprisingly chivalrous!  Michael Trevino does a great job conveying Klaus’ emotions during this season.  He’s clearly turned on and pleasantly surprised that the woman he loves is FINALLY attacking him sexually.  And yet, as much as he wants Caroline, there’s a part of him that can’t bear to have her under false pretenses.  So, he exposes his true identity, and, in doing so, loses the opportunity for Hot Hybrid Sex . . .

klaroline

blue balls

It’s the second “half-way” decent thing he did for Caroline in Season 1.  (Rescuing her from that anti-vampire cult, being the first.)  And there’s plenty more where that came from . . .

Let’s not forget that Klaus came as Caroline’s date to the Miss Mystic Falls Dance?

Just as Buffy reawakened the quiet poetic side of Spike on Buffy the Vampire Slayer, and Elena awakened the selfless side of Damon, so too does Caroline seem to bring out an oddly lighthearted cheeky version of the usually single-mindedly power hungry Klaus.

klaus cheersHe smiles, he jokes . . . he makes a good show of pretending to care about things that Caroline cares about . . . things that would otherwise have no meaning for him whatsoever, like pageants, proms, and party dresses . . .

stole prom dress

And what girl wouldn’t appreciate a guy with the unique ability to be the Fairy Godmother to her Cinderella, while still looking like Prince Charming?

the dress

(Even if it does make you wonder what happened to all the girls who used to wear the dresses he stores in his closet?)

klaus dinner

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3 12 bonnie klaus knew youd catch me

Of course, every budding relationship hits a bit of a snag.  And Klaus finds himself relapsing into old habits, when he, once again, is responsible for Caroline’s receipt of a lethal werewolf bite . . . a bite he issues himself, out of anger at Tyler, and Caroline’s brutal rejection of him . . .

calories

klaus tums

And yet, when all is said and done, Caroline and Klaus make amends, and end up parting as “friends (?),” with Klaus temporarily ceding the love of his life to the same young hybrid that’s been a thorn in his side all season .   . .

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in love 2

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You know what they say, “if you love something set it free, if it comes back to you, due to series cancellation, it was meant to be.”

So, why the ultimate change of heart, with respect to Tyler?  Especially, considering how intent Klaus initially seemed on keeping these two lovebirds apart indefinitely . . .

klaus moving on rebekahmkaelsn

I suspect it had a little something to do with Step 2 of our Redemption Plan . . .

Step 2 – Find a New Big Bad, So the Old One Can Unite with the Scoobies Against Him . . .

In Buffy the Vampire Slayer, Spike joined the Scoobies after the ultimately corrupt initiative put a chip in his brain, preventing him from hurting humans.  This made Spike no longer a threat to Buffy and her gang.  It also gave him impetus to fight on their side, as it enabled him to kill the only type of being he still could . . . demons.

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Likewise, in Season 2, Damon promptly put aside his differences with his brother, so the two could battle a mutual, and much more powerful enemy . . . Klaus, himself . . .

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The writers must have had quite a difficult time coming up with a Bigger Bad than Klaus.  After all, we are talking about a 1,000-year old virtually unkillable vampire, who also possesses full werewolf powers.    But it wasn’t Silas’ strength that made him such a threat to the Scooby gang, it was his impressive ability at mental manipulation . .  .

silas big fat problem

Not only could Silas impersonate any person or thing, he could also see inside people’s minds, and expose their deepest darkest fears and secrets.  As a result, Klaus found himself reluctantly found himself in a role entirely foreign to him . . . that of VICTIM . . .

American Gothic

Sexy buff shirtless, victim . . . but victim, nonetheless . . .

Ahh yes, the infamous bloodline . . . another nifty way to align Klaus to the Scooby Gang, was for the writers to literally tie his survival to their own.  Thanks to some crafty mythology, Klaus can no longer die, because killing him would effectively demolish the ENTIRE CAST OF THIS SHOW . . .

laughing klaus

I bet Spike is wishing he thought of that one.  It sure beats his method of maintaining character relevance . . .

torture her

While, in previous Seasons, Klaus was the Ultimate Enemy, like Spike and Damon before him, Klaus suddenly found his own personal interests aligned with Damon, Stefan, Caroline and co.  And so, he helped them, in their quest to defeat Silas, by solving the key to the Hunter’s Map that would lead to the vampire cure.  (He hoped to use that cure on Elena, so her human blood could produce more hybrids.)

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“Human blood bag for all eternity . . . BFF . . . same difference.”

A vulnerable, lovelorn, character, fighting on the side of good, to defeat the Big Bad, who sometimes becomes prey to the ultimate predator . . . Season 4 Klaus sure sounds like a hero to me . . .

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except when he isn’t .  . .

Step 3 – Keep the Former Villain Behaving Badly Enough That He Doesn’t Lose His Edge . . .

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Heroes are great and all . . . but they can be SUPER boring.

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So, when writers are tasked with redeeming a Bad Boy, they always must make sure he remains just evil enough to still be interesting.  (Plus, there’s the ever present issue of character consistency.  A guy like Klaus doesn’t just automatically start shaking hands and kissing babies, just because he fell in love with a pretty girl!)

shoots klaus

And so, for every kind, romantic, or selfless act Klaus committed in Season 4, he had to do something truly awful, just to balance things out . . .

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Revenge Sex with Hayley . . . definitely not your finest hour, Klaus . . . (hot triangle tattoo notwithstanding)

No act was more awful than the Christmas Massacre Klaus committed in episode 9 of the Season.  Betrayed, once again by Tyler, and the hybrids, who Tyler systematically taught to break themselves of their bond with the Original, Klaus is BEYOND pissed.  This single calculated act has painfully exposed the Original Hybrid’s two Achilles Heels’ his pride and his loneliness.

utterly alone

And so Klaus lashes out in the only way he knows how, by ripping from Tyler everything he cares about.  Murdering 13 people in a single episode,  one of whom is a completely harmless human.  It doesn’t get much more villainous than that . . .

And yet, as Caroline once said, “Anyone who can love, is capable of being saved.”

3 11 klefandiaries love never dies

Can New Orleans be Klaus’ salvation?  Can Caroline?  How about that ridiculous plotline spawn in Haley’s belly?

stefan shrug

Throughout Season 4 of TVD, Klaus has shown himself to be capable of both exceptional good, and horrifying evil.  But is it enough to make him a relateable protagonist on his own series?  A series without Caroline . . . the woman, who made all this sort-of redemption possible?

itsdelenalove klaus caroline

Only time will tell . . . and for an immortal like Klaus, time is definitely on his side . . .

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Speaking of everyone’s favorite Vampire Barbie, she’s next on my Re-Vamped list.

3 3 caroline petrovadiaries

See ya then, Fangbangers!

[www.juliekushner.com] [My Tumblr] [Fangirls Forever]

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Filed under The Vampire Diaries

Don’t Eat the Prom Queen! – A Recap of The Vampire Diaries’ “Pictures of You”

dont eat the prom queen love-isover

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OMG, Fangbangers!  It’s Senior PROM TIME!  Can you believe it?  It seems like a really, really LOOONNNNG time ago only yesterday, that our scrappy Mystic Fall-ians were just innocent sophomores trying to make it through history class, without getting eaten by the broody new kid . . .

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. . . or his hot older brother . . .

rawr damon

 

. . . or those 50 or so random people that all seemed to move into the town at the same time, even though no one had ever seen them before.  (Where were they living, all this time?  In an underground tomb?)

tomb vamp

TV Prom episodes  are a lot prom itself, in the sense that people tend to have REALLY high expectations for them.  They are meant to encapsulate the series’ high school experience in a way that is nostalgic, romantic . . . EPIC . . .

epic

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seth and summer prom

pacey-joey prom

prom puck funny dancing

“Pictures of You” wasn’t really that type of TV prom.  I mean, sure . . . the broad strokes were there . . . the pretty dresses . . .

Pictures of You

. . . the cast mate who got crowned prom queen . . .

Pictures of You

. . . a few sexually charged slow dances. . .

Damon and Elena Mating Dance

 

They had those past pictures of the cast appear on screen throughout the hour, which seemed designed to evoke nostalgia in the most literal sense possible . . .

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jer len

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Yet, I wouldn’t really describe this as a typical High School Prom Episode.  And I think that has something to do with the fact that TVD isn’t actually a high school show.

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Yes, yes, I recognize that it is technically a high school show, in the sense that the characters are supposedly of high school age.  But Mystic Falls High isn’t really a character on TVD, in the way that Capeside High, Degrassi, Constance Prep, or Neptune High were characters in their respective shows.  I suspect this has something to do with the fact that the students of Mystic Falls High never actually attend school, apart from the occasional decade dance, football game, or random gymnasium Klaus-mauling . . .

The Reckoning

And this made it difficult for me, as a viewer, to care which lucky female won the title of Prom Queen Caroline was totally robbed, by the way. , which couple shared its last romantic slow dance together, and which heretofore virginal young couple would be checking in to the hotel upstairs, for a little cherry popping action.

sex girl boy

In essence, I experienced the Mystic Falls High Prom much as Evilena did . . . which is to say, more or less, emotion-free, apart from a strong inexplicable desire to murder Bonnie Bennett . . .

bonnie kol

Now, don’t get me wrong, Fangbangers.  This is not to say that I thought “Pictures of You” was a bad episode of TVD.  It just wasn’t . . . you know . . . EPIC.

stefan shrug

Let’s review, shall we?

Burning Up for Your Love

burning bonnie

“I thought these sorts of dreams were supposed to be wet.”

In the episode’s cold open, Bonnie travels to the cemetery, inexplicably dressed in an intensely ugly Bill Cosby sweater . . .

bill cosby

cosbysweater

WHY, WARDROBE DEPARTMENT, WHY????

At this point in the series, Elena Gilbert has so many dead family members and friends, that the town has thoughtfully gone and dedicated an entire cemetery just to them . .  .

gilbert plot

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“I’m trying to Rest in Peace, but that loud sweater keeps waking me up!”

Usually it takes about a year to get a headstone on your grave.  But Jer Bear got his in about two weeks! Niiiiiiice!

badass jer

Bonnie is tearfully paying her respects, when, who should pop up, but the Man, the Myth, the Legend . . . Mini Gilbert himself!

surprised-face

mini g back from dead

OK, I’m pretty sure that wasn’t what Jeremy was wearing  when he died . . . 

dead jer 2

Now, the hoodie I vaguely remember.  But where did he get that  jacket, Dead Guys R’ Us?

Strange Fact about Dead Jer . . . he has an accent now?  Is that, like, something that happens to you in Heaven . . . you suddenly become British?  Now, I get that this isn’t really Jeremy, but, rather, Silas’ incarnation of the dead teen.  But no one else who Silas impersonated had an accent before.  So, I’m kind of confused.   Is Steven R. McQueen preparing for an upcoming role in Season 4 of Downton Abbey that I didn’t know about?

jer 1

The Grantham Estate sure could use another wood chopper . . .

Anywhoo . . . JerBear tells Bonnie to “wake up.”  At first, she assumes he’s being metaphorical.  But it turns out the request is literal, as she opens her eyes to find her couch on fire.   Stop smoking in bed, Bonnie!

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Trust me, you don’t want to die on this show.  You’re not a Gilbert, so you probably won’t get your own gravesite.  They’ll likely end up just shoving your ashes in some old shoebox, like poor Grams . . .

VDGranny

Dress You Up in My Love

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It’s PROM DAY!  And everybody is getting ready.  Actually, just Caroline and Bonnie are getting ready.  Stefan and Damon are playing with their balls, while bitching about Evilena . . .

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Lost Girls

i like balls stoner kol

And Klaus, Elijah and Rebekah are having a family meeting . . .

family meeting

“Hey, do you think they will let us take this house set with us to our Spinoff Series?”

As we all know from last week, Elijah now has The Cure.  So, being the Good and Honorable Original Vamp he is, the Most Gentlemanly Mikaelson allows Rebekah and Klaus an opportunity to explain why each deserves it over the other.  This makes Elijah kind of like King Solomon .  . . you know, apart from the whole “cut the baby in half” thing . . .

Elijah ate

“I once ate a baby.  Does that count?”

BabyScared

Though both Originals make strong cases, ultimately Rebekah wins!

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So Klaus, who has never been known for being a particularly gracious winner, tells Beks that when she dies, he will watch her suffer, and then compel her to forget him.  How precious!  I think I read that on a Hallmark card once . . .

klaus beks

I know this shouldn’t be hot, because they are related and all . . . but it kind of is . . .

However, Elijah’s offer of The Cure to Rebekah is not without strings.  In a plot conceit that reminded me a bit of the kind of thing Rumpelstiltskin would do to his bevy of gullible Disney Princesses on Once Upon a Time  . . .

rump

 . . . Elijah tells Beks that, in order to win The Cure, she has to prove that she can survive her entire Prom, without the use of any sort of vampire magic, whatsoever.  You know, kind of like the rest of us saps had to endure our proms .  . .

prom britt no date just dancin cannibalsuxx

Fortunately for Beks, her new roommate and erstwhile Fairy Godmother Evilena is there to make sure she doesn’t f*&k things up, and lose her opportunity at humanity.  Because, as we’ve all been told about 80 times this season, a human Rebekah means NO chance for a human Elena.   And that’s precisely what Evilena wants . . .

elena beks

dancing elena

There ain’t no party like a Humanity-Free Vampire Party!

In Prom Episodes, there’s always that awkward moment where Frenemies run into one another, while dress shopping.  And “Pictures of You” is no exception . . .

pretty dress

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Trying to eat your best friend will inevitably put a damper on any relationship . . .

turn on

It’s becoming a bit of a running joke on this show, that, whenever Evilena covets an item of clothing of someone else’s, she will inevitably end up wearing that item of clothing . . .

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It happened with that random cheerleader’s ugly blue hair ribbon, and Katherine’s heels.  So, now, of course,  it’s going to happen with Caroline’s much beloved red prom dress . . .

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oh hell to the no

Even if that means the writers have to conveniently remove the vervain from the town water supply, in order to make it happen . . .  (Someone care to explain that one to me?  Was it Silas?)

Of course, Caroline’s loss ends up being Klaus’ gain, because it forces Vampire Barbie to come to him, seeking fashion expertise . . .

not funny

i know

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Of course, Klaus always finds Caroline’s anger adorable, during the rare moments, when it’s not directed at him. And though it is a bit disturbing that Klaus seems to have a closet filled with women’s wear, cultivated solely for the purpose of lavishing a high schooler with gifts . . .

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prom to plan

I couldn’t help but be touched by the fact that the Big Bad Original Vamp was willing to take time out from his busy day of World Domination and Silas Screwing to help Caroline cope with her Fashion Crisis.  Also, that dress? SUPER HOT . . .

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As another recapper mentioned, had this been a Typical Prom Episode, we would likely have been treated to a montage, during which Caroline tried on dresses for a bemused Klaus, possibly to the tune of Pretty Woman . . .

Instead, we got a sort-of montage of Silas trying on the faces of the entire cast.  But more on that in just a bit . . .

Love the way you lie . . .

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I don’t know about your prom, but mine was characterized  by a lot of false niceness.  People who had hated one another for four years, suddenly hugged and told one another they looked fabulous.  Everybody smiled for the camera, and took pictures with people they would never have spoken to, let alone touched, otherwise.

mean girls really pretty

 Conversely, the Mystic Falls prom was pretty much characterized by everyone being an A$$HOLE . . .

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April told Rebekah she didn’t get any votes for Prom Queen . . . NOT ONE!

loved through all beks

Matt and Elena both told Rebekah she was a terrible person, who never did anything nice, and, therefore, would make a hideous human . . .

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Elena told Damon she never really loved him . . .

sexy delena 2

damon pull stake lylyord tumblr

She then admitted to Stefan that she felt nothing, while dancing with him, because she lacked any sort of heart capable of such feelings . . .

stefan-and-elena-dancing-at-prom

beating up stefan

Elena told Matt he should have turned his emotions off, back when Vicki died . . .

matt car breakdown

She told Bonnie that she was just a Brainwashed Crazy Person, who couldn’t bring Jeremy back, and was pretty much a reminder of everything bad that ever happened to Elena . . .

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(OK, that part was kind of true.)

Back at the Klaus House, Klaus told Elijah that — even though Elijah gave Klaus the one stake that could kill him, thereby ensuring he would NEVER DIE at least not while his spinoff remained on the air and even though he is  now his Only Living Brother . . .

original respect

 . . . Klaus would still kill Elijah’s lover Katherine, pretty much just to be a dick . . .

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brother to brother elijah kill mariephantomlive

In return, Elijah basically told Klaus he was a pathetic being with no life . . .

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Personally, I think honesty is overrated.  If  any of you out there are about to hurt my feelings, because you feel that I “have a right to know the truth,” know that I’d prefer Sweet Little Lies, any day, and twice on Saturday.  Thank you very much . . .

Speaking of blissful ignorance . . .

I’m Just a Killer for Your Love . . .

madly in love

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While Damon is drinking away the sorrows of (temporarily) lost love . . .

underage

drink

And Stefan and Caroline are reassuring one another that they will learn to love again, Bonnie is outside dancing with Faux Dead Jeremy, Who Now Inexplicably Has a British Accent . . .

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By the way, what’s the deal with Silas always rubbing up on Bonnie?  He did it as Shane.  He’s doing it as Jeremy.  He even talks about doing it, when he’s Stefan  . . .

witch mine

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I get that Silas needs Bonnie to do his Apocalypse Spell or whatever (which, for the record, I thought was already done, after they killed those twelve witches).  But this kind of seems like more than that.  This seems like Evil Villain Puppy Love.

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I thought Silas was all about that other chick . . . you know . . . the one he’s apparently trying to die for.  But something tells me, that, when this is all over, Silas and Bonnie will have become the new Caroline and Klaus . . . just in time for Klaus to get his own show.  Just my prediction . . .

thinking damon bitemesomerhalder

Anywhoo, Bonnie gets all pissed at JerBearSilas for tricking her for the umpteenth time, and starts making all the car alarms go off in the parking lot.  This, I suspect, was supposed to make her appear “dangerous,” but actually seemed like a rather helpful trick.   I HATE when I’m in a large parking lot, and I can’t find my car, because I’m too far away from it to use that clicker thingy.  With Bonnie around, that wouldn’t be a problem . . .

team bonnie its delena love

In other Lost-Lovers-Sort-of-But-Not-Really United News, Klaus gave Tyler a ten-minute reprieve from his Eternity on the Run to share a single slow dance with Caroline on Prom Night . . .

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OK, OK . . . now, I don’t want to sound like an old stick in the mud.  I’m first and foremost a Forwood Fan. So, of course, I think Caroline’s and  Tyler’s Slow Dance Reunion in her living room was lovely.  All I’m saying is that, if I only had ten minutes to spend with the Love of My Life, before he went back to an Eternity on the Run, I wouldn’t spend it wearing so many layers of clothes, if you catch my drift . . .

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forwood wrong place 1

Am I wrong?  Speaking of wrong . . .

Love Hurts . . .

After Rebekah’s adorable dance with Matt . . .

Pictures of You

mebekah

 . . . during which she tells the male bar wench that he’s “beautifully human” (which is sweet, in a sort of backhanded way, like being told you’re “refreshingly normal” or “not bad looking”)

ordinary

 . . . her chance to be human starts to gradually slip from her fingers.  It all starts when Matt and Bonnie get crowned Prom King and Queen . . .

matt and bonnie

OK.  Let me pause for a moment.  Matt and Bonnie?  What the WHAT?

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OK, Matt as Prom King, I get.  Everybody likes Matt.  That appears to be his sole defining characteristic on this show, apart from his talent for cleaning tables, and asking people if they want fries with that .  . .

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But Bonnie?  Since when did Bonnie become the most popular girl in school?  Now, I’m not saying she was unpopular, per say.  It just always seemed like Caroline was the girl involved in student council, Miss Mystic Falls, cheerleading, dance committee, and all other school activities . . .

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 . . . while Bonnie sat home and . . . lit candles with her mind.

new girl makes me hate things

When Bonnie was standing up there on that platform, part of me was expecting the pigs blood to fall down on her head, a la Stephen King’s Carrie . . .

carrie-movie-02

But, instead Bonnie just almost got eaten by Elena, and proceeded to Mind Rape her . . .

bonnie shane 2

Things start to get interesting, when Bonnie, after fighting with Elena, actually does start to do a little Stephen King Carrie homage, by making STRONG WINDS (flatulence?) blow around the dance hall.  Unfortunately, she leaves, before she can do any real damage . . .

smash

soap dish smash

My favorite part of the episode happens next . . .

make bek prom queen

should have listened

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Evilena may have no soul.  But no one can say she’s not loyal.  Think about it.  How many friends of yours would be willing to eat a chick, just because she let you down . . .

Also,  let’s face it.  Annoying April had it coming . . . and not just because she didn’t let Rebekah be Prom Queen, despite the fact that girlfriend has been waiting 1,000 YEARS to go to a prom!

april 1

April just sucks . . . plain and simple.  And she deserved to be Elena’s snack, because of it . . .

So, of course, Rebekah has to be all “good” and save her. even if it means breaking her Human for a Day pact with Elijah . . .  just because Matt told her it was the “right thing to do”. . .

Damon eye roll

vampire emergency

Things start to get a little crazy at this point.  This is because for pretty much the last ten minutes of the episode, the writers decide to have SILAS PLAY EVERY SINGLE CHARACTER ON THE SHOW . . . It’s like a one-man production of Hamlet . . . if Hamlet was evil . . . and had magical powers.

Silas is Damon . . .

damon eternal stud

 . . . leading Stefan into the woods, before promptly staking his ass.

Silas is Stefan . . . taunting Damon about the veracity of Elena’s feelings for him, before staking his ass . . .

get to you

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Silas is Jeremy, for the 87th time this episode  (Jeremy seems to have more lines as a dead fake British guy, than he did when he was alive), telling Bonnie to “control her anger, and “dangerous” tendency to make wind and  set off car alarms.

But most importantly, Silas is Rebekah, when he tells Elijah she “passed his test,” and promptly steals the cure from his hot little hands . . .

you cannot beat

Oh Elijah . . . you really aren’t the smart brother, are you?

bad kol

“That’s me!  That’s me!”

Out in the parking lot, Elena tries to kill Bonnie again.  And this time, Bonnie gets REALLY pissed off about it . . . as opposed to the slightly pissed off she was, the first time . . .

fear of death

Elena (naturally) calls to Damon for help . . .

damon help me

Once the pain threatening to blow apart her skull finally stops, Elena looks at her erstwhile lover. And there’s a brief moment between them that alludes to genuine feeling between them, not just on Damon’s side, but on Elena’s as well . . .

lookingat damon

Upon seeing this, Damon and Stefan decide that the true route toward recapturing Elena’s humanity lies not in bombarding her with love, but in sex with DAMON!!! cultivating her fear of death.  I smell some hot torture scenes in our future . . .

tortured-stefan

3 3 sun torture

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We all know how much TVD enjoys those . . .

In the final scenes of the episode, Klaus obtains a cryptic message from Katherine, which sends him to his spinoff New Orleans . . .

katherine ing

 . . . while Bonnie encounters the REAL face of Silas, which is apparently disfigured, but probably only in that Sexy Ugly Way CW Stars are “disfigured.”

beast

Next week on TVD, the much-awaited backdoor pilot of The Original makes its TV debut . . .

wanna be a king

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Are you psyched or skeptical, my dear Fangbangers?

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See you next time!

waves

[www.juliekushner.com][Fangirls Forever]

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Filed under The Vampire Diaries

The Vampire Diaries’ Klaus / Elijah versus Damon / Stefan (And it’s all just a little bit of history repeating . . .)

Brothers . . . they know you better than anybody else in the world . . . sometimes even better than you know yourself.  And that specialized knowledge gives them an incredible amount of power over you.  It can make them your strongest allies . . .

. . . or your most frightening enemies.

Sometimes brothers can play both roles in your life, at once: protector and destroyer . . . advocate and executioner . .  . confidant and betrayer.  Perhaps, there are no two people that understand this concept better than The Vampire Diaries’ iconic brothers — both in life, and in blood — Damon and Stefan Salvatore.

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Correction:  There MAY actually be two people who understand this concept just a bit better than the Salvatore Brothers, but only because they’ve had about 1,000 years more experience than their decidedly younger counterparts . . .


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Of course, I am referring to the original vampire brothers, Klaus and Elijah, two siblings for whom the phrase “blood brothers” carries with it an incredibly powerful, not to mention, extremely deadly, meaning all it’s own . .  .

Upon completing our four-part Ripper Redux series, last week, Amy, over at Imaginary Men and I, turned to you, our beautiful and brilliant readers, and asked for your suggestions as to what TVD-related topic we should cover in our next pre-Season 3 installment . . .

All of your suggestions were so amazing, that we had an incredibly difficult time picking just one topic to cover in this week’s post.

So, we decided to start with two . . .

Beau’s suggested we tackle the Salvatore Brothers, and their complex relationship with one another.  “The bond between them, is it now rivalry, an unpleasant, unwelcome, brothership, or hidden care for each other?”

Coincidentally, Serendipity, author of the spectacular Delena fanfiction Shadowdancing, was also interested in the Salvatore Brothers.  However, her interests lied less in the way that they loved one another, and more in the way that they loved others . . .

They love others GOOD! 

Specifically, Serendipity hoped to explore the parallels between Stefan’s and Damon’s love for Elena and Katherine, and Klaus’ and Elijah’s “love” for Katherine and the Original Petrova Doppelganger Charlotte, who’s mysterious existence has been hinted at throughout The Vampire Diaries’ second season.

Since Amy and I tend to be rather . . . um . . . visual people . . .

*clears throat* 

We’ve decided to frame our analysis of the aforementioned issue using three iconic scenes from The Vampire Diaries’ series.  The first scene, from Season 1’s “Children of the Damned,features a standoff between Damon and Stefan that inadvertently endangers the lives of BOTH Elena and Katherine.

The second two scenes, both from Season 2’s Klaus, involve a similar standoff between Klaus and Elijah,  in which the brothers discuss the nature of vampire love, and the fate of one,  very special, Petrova Doppelganger . . .

Here’s how it’s going to work.  First, Amy, Serendipity and I will lay out and analyze each of the three individual scenes for you.  Once we are done with that, we’ll take a step back, and discuss what these scenes say about the Salvatores versus the Originals, in terms of their various likenesses and differences.  Sound good?

Excellent!  So, without further adieu, let the Brotherly Betrayals, and Doppelganger Love Triangles begin!

Scene 1: Another Vampire Girlfriend for Stefan and Damon?

Episode: “Children of the Damned” – 1 X 13

Setting the Scene:

So, remember, back last season, when the Salvatore Brothers still thought Katherine was locked away in suspended animation in that vampire tomb?  Ahhh, memories!

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The key to unlocking the tomb lied in reciting a spell developed by Bonnie’s ancestor, Emily.

“That’s ME!” 

The spell was contained in a Grimoire or “spell book.” As it turned out, the REAL reason Damon had initially returned to Mystic Falls — after having abandoned the town and his brother for nearly a century — was to find that book, recite the spell, and open the tomb, so that he and Katherine could be reunited, for all eternity . . .

Though both Stefan and Elena had jointly and separately promised Damon that they would help him do whatever it takes to rescue Katherine from the tomb (He promised to leave town, once he found her), the couple had secretly decided that awakening a rather large group of incredibly bloodthirsty vampires was not a particularly good way to boost Mystic Falls’ morale.  So, based on a hot tip from Good Old John Gilbert’s journal, the pair snuck off, in the middle of the night, to Stefan’s and Damon’s father’s grave, where Old Man Gilbert said the Grimoire would most likely be buried.

After a minimal amount of digging, Stefan and Elena uncovered the book, which they eventually planned to destroy, so that Damon could never find it.  The problem, of course, is that, like Stefan and Elena, Damon was also clued in to the Grimoire’s whereabouts.  And when he found Stefan and Elena, in the process of betraying his trust, to say he was not amused is the understatement of the century . . .

Potent Quotables:

STEFAN:  “I can’t let you bring her back.  I’m sorry.”

DAMON:  “So am I.  For thinking, for even a second, that I could trust YOU!”

STEFAN:  “You are not capable of trust.  The fact that you are here means that you read the journal, and you were planning on doing this yourself.”

DAMON:  “Of course, I was going to do it myself, because the only one I can count on is ME!  You made sure of that many years ago, Stefan.  But you (looks at Elena) . . . you had me fooled.”

And later . . .

DAMON:  “Give me the book, or I will snap her neck.  And you and I will have a Vampire Girlfriend.”

Still later . . .

DAMON:  “The problem is that I no longer trust that you will give it back.”

STEFAN:  “You just did the one thing that ensures that I will.”

Let’s Discuss:

Julie:  I find it fascinating that most TVD pundits (myself included) spend so much time and space discussing Damon’s second force-feeding of his blood to Elena, in “The Last Day” . . .

 . . .  whereas this first instance of involuntary blood exchange generally gets short shrift.

Perhaps, this is because, at the time, the act of forcefeeding had comparatively less significance to both parties involved, than it does now.  Elena, though clearly frightened, of the prospect of dying and “going vamp,” had really just started becoming intimate with her vampire boyfriend Stefan, at this point in the series.  Having not yet been exposed to Stefan’s darkside, Elena probably wasn’t particularly aware of the potentially negative impact becoming a bloodsucker might have on her psyche.  She also hadn’t really had the opportunity to consider what she would be giving up, if she was turned .  . .

By the time Elena has drank Damon’s blood again in “The Last Day,” we know, based on her later discussion with Stefan, that she has since given this matter a good deal of thought . . .

For Damon’s part, he was still very much hung up on Katherine, at the time this scene was taking place.  So, the threat of turning Elena was viewed by Stefan more as a bargaining chip to get back the book from Stefan, than anything else.  In fact, there is a good deal of evidence in the scene that Damon is actually bluffing . . . and that he never intends to actually turn Elena.

We see in Damon, a surprising amount of hesitation, caution, and guilt, in his dealings with Elena, following the force feeding . . . the way he nuzzles her hair affectionately, prior to the book being placed on the floor . . . the gentle way he releases her from his grasp, when the book is actually delivered . . . the almost apologetic way he pats Elena on the arm, as she rushes back to Stefan.

For a so-called cold and calculating killer, Damon sure seemed conflicted about the actual act of killing, in this scene!  In fact, I’d be willing to argue that a part of Damon was actually AFRAID that Stefan would call his bluff, and not return the book, forcing Damon to stick to his word, and turn Elena, to punish Stefan.  Oddly enough, Damon’s forcefeeding of Elena in “The Last Day,” which was done out of an INTENSE love for her, was much rougher and more callous seeming.  I think this was because, in that scene, Damon was NOT conflicted at all.  He simply couldn’t picture a life without Elena, and saw turning her as the only way to keep her from dying . . .

Amy:  While Damon seems used to betrayals from his brother, his  new pain over Elena’s betrayal is written all over his face.

And when Damon is hurt – he lashes out and does things that cause irreparable damage – such as  here where he threatens Elena and feeds her his blood. An act he’ll repeat in  S2 when his fear that Elena will die at the Sacrifice for Klaus’ curse leads him to force feed her his blood as a desperate “insurance policy” that she won’t ever die.

At this point Elena does not know the true story of how the Salvatores became vampires. Is this Damon not so subtly telling her that he has
every reason not to trust his brother? Or maybe an early foreshadowing of Stefan’s secret Ripper past?

Serendipity:  This is Stefan’s second betrayal of Damon, the first being (in that same episode) when 1864 Stefan promises Damon not to tell their father about Katherine, and Stefan betrays that trust. Damon says he’s not surprised by Stefan doing that again in the present, but he is very hurt by Elena doing so, especially since he asked her about it earlier that night (“Can I trust you?” And she says “Yes,” which is actually her first act of lying to Damon, I think).

Julie:  What’s interesting about the exchange between Stefan and Damon in this scene, is that you can really see where both brothers are coming from.  From Stefan’s perspective, this has much less to do with Damon’s “right” to be reunited with Katherine, and more to do with the extreme danger that the release of these OTHER vampires will undoubtedly cause for the town.  And yet, you can also see how Damon sees this as the ultimate slight, on his brother’s part.

Damon’s overwhelming devotion to Katherine blinds him from seeing the collateral damage of what he is doing.  He can’t understand why his own brother would possibly choose to ensure the happiness of a town full of virtual strangers over his own kin.  Plus, I’m sure there’s a small part of Damon that wonders whether Stefan is keeping Katherine from him, so that he can have her (or at least, her modern-day equivalent, looks wise) all to himself . . . while Damon, once again, is left alone and empty-handed.

Amy: Here the brothers are forced to trust one another – when neither of them do. Stefan has to trust that Damon cares about Elena enough not
to hurt her despite his threats and his anger with them both; Damon has to trust that Stefan loves Elena enough to give him what he really wants – the journal – and also trust that his “good brother” will make the “good decision.” Whereas Katherine was the one using the brothers as pawns in 1864, in this moment Elena is the pawn the brothers have to bargain for to each get what they want.

Serendipity:  Question though: I wonder how the Grimoire got buried with Giuseppe Salvatore? Stefan killed him to complete his
transition (awkward having to dig him up then) but we see Emily running away from the round-up, and she isn’t a vampire, so how did they get it? Did she just leave the thing behind? Emily didn’t die that day, since Kat had to come back to ‘tie those loose ends’ as she told Damon  in ‘The Houseguest’.

Julie:  Hmm . . . good point.  I never really thought about that before!  I’m thinking that, since John Gilbert survived BOTH Giuseppe and Emily, following Emily’s death, it was John who buried the Grimoire with Giuseppe Salvatore.

Maybe he believed that this would be the best way of keeping the book safe from the Vampire Salvatore Brothers.  The grotesque circumstances surrounding Giuseppe’s death (which were probably fairly obvious, once his body was found) would seem to dictate that Stefan and Damon would NEVER go anywhere near that body, knowing, that, if they did, the townspeople would round them up, and possibly do to them what they had to the other vampires in Mystic Falls.

This is just a guess, of course .  . . 😉

Amy: You might be right about that.  Despite the promises of eternal misery and the constant wall slamming/throwing each other out windows/staking one another throughout the centuries – deep down the Salvatore Brothers love each other. They need each other – why else would Stefan have wanted his brother to turn Vamp with him? He didn’t want to be alone, he wanted them to share eternal life together. Stefan
is always swearing there is humanity still in Damon, and he withstands a lot of Damon’s terrible behaviors to try and force that humanity out.

Scene 2: “Love is a Vampire’s Greatest Weakness”

Episode: “Klaus” – 2 X 19

Setting the Scene:  Klaus and Elijah are half-brothers.  And both are part of THE Original Vampire family, from which all vampires are to some extent descended.  Though they were born to the same mother, the two brothers have different fathers.  Klaus’ father is a werewolf.  This means, technically, that, upon taking a human life, Klaus should morph into the only were-vampire in the entire world!

Fearing that this would make Klaus too powerful, and would mess with the supernatural order of things, a group of witches put a spell on Klaus, rendering his werewolf side dormant, no matter how many humans he killed.  The spell was sealed by the blood of a woman named Charlotte, the Original Petrova Doppelganger, with whom both Klaus and Elijah apparently had intimate relations.

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Breaking the curse requires a Sacrifice ceremony that can only be performed on a Full Moon.  To complete the ceremony requires the incantations of a witch, and the lifeblood of a werewolf, a vampire, and, most importantly, a Petrova Doppelganger.  The problem of course, is that since Charlotte’s death, a Petrova Doppelganger hasn’t appeared in centuries!  That is, until Katerina Petrova enters Klaus’ and Elijah’s life.  For very different reasons, she is precisely what both vampire brothers are seeking . . .

Potent Quotables:

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ELIJAH:  “The full moon is tomorrow, brother.”

KLAUS:  “After all these centuries, it is finally time.”

ELIJAH: “I have been to see the witches.  They believe they may have found a way to spare the Doppelganger.”

KLAUS:  “What does it matter if she lives or not?  She is a means to an end.  That is all.”

ELIJAH:  “But she should die for your gain?”

KLAUS:  “She is human.  Her life means nothing.”

ELIJAH:  “I beg you to consider this.”

KLAUS: “Are you so foolish as to care for her?”

ELIJAH: (hesitates) “Of course not.”

KLAUS:  “Love is a vampire’s greatest weakness.  And we are not weak, Elijah.  We do not feel.  And we do not care.”

ELIJAH: “We did once.”

KLAUS: (softens) “Too many lifetimes ago to matter.  Tell the witches not to bother.   The Sacrifice will happen as planned.

Let’s Discuss:

Amy: The big reveal that Klaus and Elijah were brothers was a doozy. Up until that point the audience sees Elijah as an ally in the war against Klaus (a scary, unpredictable ally, but still) But as his brother – does he have an ulterior motive? Does he want reunion or revenge?

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In this flashback, Katherine (or Katerina) is, for once – the pawn between this set of brothers. Klaus needs her in her human form to break
the curse that will allow him to be a WereVamp, and Elijah who has been assisting with these Curse Breaking duties has clearly fallen for the lovely Petrova Doppleganger and would rather she not die in the service of his brother’s master plan.

Julie: The acting in this scene was just spectacular.  Kudos to both Daniel Gillies and Joseph Morgan for a truly complex and riveting peformance.  Watching the calm, calculating, dignified, and thoughtful Elijah navigate the rough waters that are the easily excitable, and often rash, yet, at the same time, surprisingly cool and calculating, Klaus, was truly mesmerizing.

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In particular, I love the choices Daniel Gillies makes in this scene.  As understated and soft-spoken as the character of Elijah can be, he’s also brutally smart.  Elijah knows exactly how Klaus feels (or at least pretends to feel) about humanity.  And I suspect that the Original Petrova Doppelganger broke his heart BIG TIME.  So, while it’s clearly obvious that Elijah has fallen hard for the maiden Katerina, and desperately wants to save her from death, he’s wise enough not to come right out and say so . . .

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At first, Elijah is very casual and nonchalant about his “suggestion” that the witches can spare Katerina’s life, while still giving Klaus exactly what he wants.  He clearly has experience placating, and playing sidekick to his brother.  And he does it well.

The problem is that Klaus has grown up with Elijah for CENTURIES, by this point.  So, he sees right through his brother’s machinations to the love lurking in Elijah’s heart.  Backed into a corner, Elijah is forced to finally be honest with his brother about his feelings, BEGGING him to reconsider.  Now, that he has him right where he wants him, Klaus puts the final nail in Elijah’s proverbial coffin, by implying that he is weak for having feelings for a human.  And yet, when Elijah not-so-subtly suggests that even the GREAT Klaus is not immune to such affections, we can see the slightest chink in the Big Bad Vampire’s armor.  A chink that will grow into a gaping hole, in the next scene . . .

Scene 3: “DO NOT LIE TO ME!”

Episode: “Klaus 2 x 19

Setting the Scene: Shortly after the above scene has taken place, Katerina Petrova mysteriously vanishes.  And Klaus has a pretty good idea who was behind her sudden disappearance . . .

Potent Quotables:

KLAUS:  “What have you done?”

ELIJAH: “I don’t understand.”

KLAUS: “Katerina has gone.  She has fled . . . What did you tell her?”

ELIJAH: “I told her nothing.”

KLAUS: *insert Original Wall Slam here* “DO NOT LIE TO MEEEE!”

ELIJAH: “I will find her.  You have my word.”

KLAUS:  “If you do not, I give you my word.  You will be dead.”

Let’s Discuss:

Serendipity: What we see in “Klaus” may very well be the  First Betrayal Klaus has experienced from his typically-loyal brother.  At least, I think it’s a First Betrayal (though we do not know that for sure). Not that we see the actual betrayal, just the aftermath of Katherine having gone missing and it being Elijah’s fault for having warned her about Klaus’ plans.

Amy: Here, the Originals’ Brothers do their version of the patented Salvatore Brother Wall Slam. Klaus’ Curse Breaking Party is about to get ruined because Katerina has written her own escape clause and started her life of Vampire Bitch on the Run. He blames his younger, dutiful, brother for having feelings that allowed him to betray Klaus to help the woman he loves.

Julie: In the last scene, we saw how cool and calculating Klaus can be, when it is in his best interest to do so.  But, in general, I think Klaus is a pretty excitable guy.  Unlike Elijah, Klaus’ MO is to rip something to shreds first, and think about the consequences of that action later.  Here, we get to see Klaus in what I believe is his TRUE form.  He is raw, animalistic, and full of RAGE.  And yet, I think a part of him is also extremely shocked, and maybe just a bit hurt, that his own brother has had the GALL (and the intelligence) to go behind his back and foil his plans, in this very personal way . . . especially, since Elijah knows just how much Klaus wants to become a were-vamp, and how long he has been waiting for it.

Klaus feels as though Elijah has made a fool of him.  His brother has done something Klaus thought no one could do . . . trick and betray him.  And the fact that Elijah did it for a HUMAN, and lied about it, when confronted, that just digs the knife in deeper, as far as Klaus is concerned.  When Klaus threatens to kill Elijah, if he doesn’t find Katerina and bring her back, we KNOW he means it.  And centuries later, Klaus proves just how serious this threat actually was . . .

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A Blood Brotherhood Redux: Tying it all Together . . .

Amy: So the Originals Brothers have switched hair colors but clearly Klaus = Damon and Elijah = Stefan. Damon plots, kills and feels nothing. Stefan fixes, protects and cares deeply. Elijah wants to remind Klaus that they DID feel at one time, the same way Stefan wants Damon to remember his humanity and that he too can feel love and compassion. Klaus wants ultimate power and he does not care who he has to kill to get it – innocent girl, brother.

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Serendipity: That’s interesting that you see them that way.  Because, for me, I always want to see Damon as Elijah and Stefan as Klaus… after all, it looks as though Katherine is ‘something’ (lover? Special someone?) more to Klaus than to Elijah, casting Elijah in the role of the pursuing brother, victim of (unrequited?) love, just like Damon.

But on the other hand there are certain parallels being drawn between Klaus/Damon and Elijah/Stefan, because it is Klaus who is betrayed by Elijah, casting Elijah into Stefan’s role of the betrayer of hope. I took a sneak peak at parts of both episodes, and remarked that the clothing seems to reflect that, specifically as far as the first betrayal goes (might be a total coincidence though): 1864 Damon wears a blue suit in CoTD, just as Klaus does when meeting Katherina for the first time (might just be because they both are blue-eyed though, only this is the first time I noticed this; and neither usually wears blue), while 1864 Stefan wears a brown suit in CoTD just like Elijah (then again, both have brown eyes, but that hardly ever seems to play). I didn’t pay attention to present day Damon and Stefan, though I imagine they wore their regular clothes…

Julie:  You both raise good points.  On one hand, Elijah and Damon both seem to have that broody, unrequited love, thing going for them.  (“I’m going to save that Katherine’s life, dammit!  So, what if she’ll probably end up choosing my brother over me!  At least she will know I care!”)  And yet, in the scenes we’ve selected, Klaus and Damon were both definitely playing the role of The Betrayed to their brother’s Betrayer . . .

Also, there’s a definite similarity in temperment and ideology, between Klaus and Damon and  Elijah and Stefan, respectively.  Regarding Klaus and Damon, these two are clearly, the more emotional and impulsive brothers.  When they feel something, they ACT on it.   And very little effort is made on either of their parts to disguise their emotions.

Though in many ways, that makes them SCARIER than their more diplomatic brothers, it also, oddly enough, makes them more “honest.”  When it comes to Klaus and Damon, you always know exactly what you are going to get.  That’s not necessarily the case with Elijah and Stefan, who have been dishonest and betrayed the ones they love on numerous occasions, under the guise of doing what they feel is “honorable.

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In terms of ideologies, we saw in both of these scenes, that Klaus and Damon, each for their own reasons, value the lives of the people they love and their own lives, over the lives of “humans.”  Klaus tells Elijah that because Katherine is human, her life means nothing.  Damon, by wanting to rescue Vampire Katherine from the tomb, at the risk of letting all the rest of the tomb vampires loose as well, impliedly places HER life, and his happiness, over the lives of the townspeople of Mystic Falls.  Elijah and Stefan, conversely, seem to value human life, and see humans, like then-Katherine, Elena, and the people of Mystic Falls, as individuals worthy of having their lives protected.

Klaus’ and Damon’s feelings toward humanity extend toward their feelings toward human emotions.  Klaus doesn’t care for humans, because he sees them as inferior.  (Though, of course, this may be the result of earlier heartbreak, at the hands of the Original Petrova.  Who knows?)

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Damon, on the other hand, resents his loss of humanity, and the experience of human emotion serves as a painful reminder to him of what he know longer has.  A comparison of Klaus’ “Love is a vampire’s greatest weakness . . . We do not feel.  We do not care” line in Klaus to Damon’s “[Being upset over Rose’s death] would be human of me Elena, and I am NOT human,” in “The Descent” is pretty telling in terms of the similarities and differences between Klaus’ and Damon’s respective opinions on the experience of human emotions.

Amy: We haven’t seen enough of the Originals’ Brothers to really understand how their relationship worked, but I don’t get a whole lot of
brotherly love vibes. Elijah actually seems more like pre-Vampire Damon – sweet, quiet, prone to easily falling deeply in love. And Klaus – well I don’t doubt that he’d kill his brother in a heartbeat (heh. Get it? Because they don’t have one?) if he believed he had been betrayed.

Serendipity: Also Damon and Klaus are alike in that they didn’t get on with their fathers.  For Klaus that seems logical, since his father turns out not to be his father at all, which makes me wonder whether maybe the same might not be true for Damon… (pure conjecture of course LOL).  Then there is something about respect, as well, I think… in CoTD, if I heard it right, Giuseppe says he lost respect for Damon, who just
seems to shrug that off. When Stefan tells Damon he has something from Elena Damon will never have (in Klaus), i.e. her respect, they start brawling.  Apparently, Damon does care about Elena’s respect, more than he did about his father’s.

Julie: It makes sense that Klaus and Damon feel rejected by their fathers, their brothers, and their former lovers (again, I’m making assumptions about this Charlotte girl).  In all of the above scenes we see that Klaus and Damon both have a bit of a “Me Against the World” attitude toward life.  In “Children of the Damned,” Damon notes that the only one he can trust is himself.  It’s a sad statement, and yet, it seems largely consistent with much of his life experiences.  Unlike Damon, Klaus might have initially felt that he COULD trust Elijah.  So, it wasn’t until his brother betrayed him, that he felt truly alone in the world.

This Lone Ranger attitude Klaus and Damon have extends to their feelings about the women they love.  Just as there may have been a part of Damon that saw Stefan’s keeping Katherine from him as a jealous and possessive move, as opposed to a humanitarian one, there also may have been a part of Klaus, that assumed Elijah’s actions were at least partially dictated by his feelings for the Original Petrova Doppelganger.  If that was the case, Klaus, being the cocky self-absorbed vampire, he clearly is, might have assumed that the reason Elijah helped Katherine to escape his clutches had LESS to do with him simply loving her, and more to do with (1) not wanting Klaus to become a supremely powerful were-vampire; and (2) punishing Klaus for getting the girl, once again.

If human brothers are naturally competitive, in all aspects of their lives, it would stand to reason that VAMPIRE brothers are TWICE as competitive, since they have that much more TIME to compete, and that many more opportunities to potentially feel inferior . . .

Amy: Mirroring the 1X13 clip, we see that Damon does NOT = Klaus in this form of the equation, because he doesn’t want to kill either his brother
or Elena to get what he wants, no matter how desperately he wants it.

The Salvatores, on the other hand – talk about killing each other a lot – but when it comes down to it – they never would. If they did, who
would they threaten, slam into walls, and fight over the same girl with for all eternity??

PHEW!  That sure was a lot of analysis!  But hopefully, it’s given you a bit of insight into both pairs of our favorite vampire brothers.  Now, it’s YOUR turn readers.  Do you think Damon is more like Klaus or Elijah?  What about Stefan?  And how do you think these dynamics will change now that Ripper Stefan has, at least temporarily, aligned himself with Klaus?

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Also, I’m curious as to what you all think happened with the Original Petrova?  Perhaps, Stefan Salvatore wasn’t the first vampire in TVD world to have a human Petrova Doppelganger girlfriend . . . 😉

By the way, if you’ve missed any part of the Ripper Redux series, you can find the links to all four parts, by clicking HERE . . .

Well, that’s all for now, Fangbangers.   We’ve still got one more week before the Season 3 premiere.  So, please keep submitting your article ideas.  Who knows?  You might just end up being featured in next week’s blog series installment . . .

See you then! 😉

[www.juliekushner.com][Fangirls Forever]

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