Tag Archives: therapy

Happiness is a Warm Chair – Looking Back at the Top Ten Chuck and Blair Moments from Season 5, Part 1

Source 

Greetings, Upper East Siders!  So far, this season of Gossip Girl has been quite the bittersweet one for us Chair fans.  On the sweet side, we have Chuck and Blair displaying just as much love, adoration, and passion for one another, as they always have.  Each time they were together on screen was more electric than the one before.

Even when Chuck and Blair were apart from one another, it was clear that they were never far from one another’s minds.  Donut Dan Humphrey, perhaps, said it best, when he said of the pair, “You two have some strange force field effect on eachother.  Physicists should study it.”

All of the amazing things Chuck did this season . . . from adopting Monkey, to becoming active in local charities,  to sacrificing his own happiness for Blair’s . . . Donut Dan’s . . . and even that cyborg asshat, Louis-bot’s . . . he did them out of love for, and in honor of, one very special Queen B.

As for Blair, her continued doubts about her relationship with Louis, and whether the so-called fairytale ending she had finally earned was all it was cracked up to be, all seemed to lead her back to Chuck Bass.    It was his face, she sought out, at the end of nearly every episode.  It was his voice she needed to hear on the phone.  It was his hand, she wanted to caress her face, when all hope seemed lost . . .

What’s amazing about seeing Chuck and Blair together in Season 5, is how much they both have grown, both as individuals, and as a couple, since Gossip Girl premiered, back in 2007.  Both have had their hearts broken, more times than they can count.  Their experiences have made them somewhat less impulsive than they used to be, and less willing to give their hearts to others, out of fear that their love won’t be returned.

But these same experiences have also made them kinder, gentler, more selfless people.  Chuck and Blair started the series as headstrong, manipulative, somewhat selfish individuals.  Now, they are adults, who are ready to enter into a mature, honest, and intimate relationship with one another, and maybe even start a family together.

It sounds pretty perfect, right?  But, alas, all was not well in Chair-land this season.  First of all, we were saddled with that marble-mouthed, personality-free cyborg, Louis-bot . . . the only character capable of uniting Chair and Dair fans in mutual hatred.

He ate up precious Chair screen time with his inexplicable verbiage, lame schemes, and ridiculous 8:54 apologies for whatever odious thing he did to Blair that week.

Due to his presence, and the existence of his evil spawn inside Blair’s belly, Chuck and Blair were frustratingly tentative, throughout most of the season, about sharing their true feelings for one another.

And when Chuck and Blair finally did receive their much awaited, and deserved happy reunion, it was ripped away by a nearly fatal car crash.  Thus proving that these two long-time lovers are just as starcrossed, as they always have been.

I guess some things never change . . .

But the holidays are not a time for regrets, complaints, or petty accusations.   They are time for spreading happiness, limo sex and for giving and receiving love and bar-mitzvah sex.

And in that spirit, I proudly present to you, my dear Chair fans, my picks of the Top Ten Chuck and Blair Moments from Season 5, so far  . . .

10. “I wanted to move on, to give you the happy life that you deserve.”

Episode: “Rhodes to Perdition” – 5 x 9

Setting the Scene:

Blair’s realization that Chuck has returned the engagement ring he once bought for her, causes our Queen B to have some shocking and disheartening revelations about herself, and her relationship with Chuck . . .

Video:

Potent Quotables:

CHUCK: “Dr. Kirby thought you were upset I returned the ring.”

BLAIR: “He has too many PhD’s.  They cancel each other out and make him a moron.”

CHUCK: “I returned it because you asked me to let you go . . . I wanted to move on to give you the happy life you deserve.”

BLAIR: “All this time, I’ve blamed you for pulling me into the dark.  But I was wrong.  It was me who brought out your dark side.  And now that I’m with Louis, I’ve done the same to him.  I’m sorry.”

Why it made the list:

It is quite fitting that Blair begins this scene tasting cakes, as pastries have always played a major role in Chuck’s and Blair’s sex life . . .

Blair claims that she can’t enjoy her cakes because Louis-bot has lost his sweetness. How do you lose something you never had?  However, I can’t help but wonder whether it is her fear that she has lost Chuck’s love for good that is messing with her appetite.  After all, he always did like to eat her pies!

It’s interesting how Blair initially tries to deflect the seriousness of the conversation through casual banter, and witty insults.  Conversation avoidance is typically Chuck’s forte.  But, in this instance, it is Chuck who demands a serious conversation between Blair and him.  He knows that Blair was hurt by his confession that he returned her ring, and feels more than a bit guilty about causing her pain.  But I also think a part of him is a teensy bit hopeful.  Deep down, Chuck likely recognizes that the reason Blair got so upset over the fact that Chuck returned the ring is that she is not over him.

I’m awed by Chuck’s maturity throughout this scene, and how honest he is with Blair about his feelings.  Chuck has no desire to manipulate Blair’s feelings for him, as he has done in the past.  He only wants her to be happy, even if that secretly makes him miserable.  Chuck knows that no matter how many rings he leaves on the doorstep of Harry Winston to get stolen by homeless people he will always love Blair, more than life itself.

But, at this point, Chuck believes that Blair can only be happy with Louis.  And so, he says what he needs to say, to ensure that happiness.  It’s the type of blatant self-sacrifice we will see from Chuck, again and again this season . . .

But Blair misconstrues Chuck’s words terribly, interpreting them in a way Chuck never imagined that she would.  She begins to blame herself for Chuck’s and Louis-bot’s foibles.  And the anguish on her face, is mirrored by Chuck, the moment he realizes he has unwittingly caused her to feel this way.  It’s a sad scene . . . one that represents just how star-crossed Chuck and Blair truly are.  But it also illustrates their unbreakable bond, and how invested these two individuals are in eachother’s feelings and emotions.

9. Those pesky match-making squirrels . . .

Episode: “Memoirs of an Invisible Dan” – 5 x 4

Setting the Scene:

Reunited for the first time, since Blair announced that she was pregnant with Louis-bot’s spawn, Chuck and Blair undoubtedly worry that things might be awkward between them.  So, Chuck’s best friend, Monkey, plots with a few Chair-shipping squirrels to help break the ice . . .

Video:

Potent Quotables:

Source 

BLAIR: “Since when do you bite your tongue?”

CHUCK: “I’m learning.”

BLAIR: “Isn’t Humphrey becoming quite the drama queen?”

CHUCK: “Isn’t that usually your role?”

BLAIR: “I prefer drama princess now.”

CHUCK:  “How are you, by the way?”

BLAIR:  “I’m OK.  Thanks for asking.”

CHUCK: “I’m sorry .  .  . squirrels.  Should we?”

Why it made the list:

With all the heartache and angsty moments these two have endured over the years,  it’s nice, every once in a while,  to see a light-hearted, dare I say, cute moment between them.  I remember watching the pregnancy reveal in 5 X 3, and wondering how Chuck and Blair would react to one another, when they saw eachother again.  Would they be cold?  Awkward?  Distant?

It was refreshing to see Chuck and Blair be so completely at ease with one another, despite the obvious subtext between them.  And I applauded the pair for being able to make, what could have been a terribly uncomfortable moment, oddly normal, filled as it was with easy jokes, friendly familiarity, witty familiarity, and, of course, mild flirting.  Already, Blair is starting to notice that Chuck has matured, in his staunch refusal to reveal Dan’s secret.  She’s clearly impressed with him  . . .

And yet, once again, as in the prior scene, it’s Chuck that brings the conversation to a deeper level.  He places an affectionate hand on Blair’s arm, as he asks her how she’s doing, with a look in his eyes that is a mixture of concerned and loving.  The pregnant and subconsciously maternal Blair, gently moves her hands toward her stomach,  before she replies, a subtle implication that she knows exactly to what he’s referring.

When Blair thanks Chuck for asking, on the surface, it’s a banal response, one that anyone would make, if someone asked them how they were doing.  But the look Blair gives Chuck when she says it, shows that she is expressing gratitude, not just for Chuck’s words, but that he has the courage to resume their relationship, and continue to support her, even though she is carrying another man’s child.  We’ll see that gratitude expressed again, in a more significant way, later on in the season.

Source 

Everyone’s favorite guest star, Monkey, has been a secret Chair fan, ever since he comforted Chuck,  after his fateful encounter with Blair at the end of episode 3.  So, it is no surprise that the canine Bass is a little schemer, just like his owner.  It’s certainly no accident that he went after those squirrels, in such a way that Chuck would have to pull Blair close to him, in order to hold on to the leash, and keep his pregnant lover from falling on the concrete.

Thanks to Monkey, Chuck literally sweeps Blair off her feet, in such a way that the two are both smiling, blushing, and eye-goggling eachother, long after Monkey has been set back on the straight and narrow.  Chuck Bass is always so cool, calm, and collected.  This is why some of my favorite Chair scenes arise when Chuck seems to lose his composure.  The shy, and goofy way a red-faced Chuck mumbled a shy apology over the squirrels, warmed my heart,  because it shows just how smitten he still is with Blair, even after all these years.

Blair may have wanted Chuck to murder those butterflies in his stomach,  back in Season 1.  But here we are, four seasons later.  And they are clearly alive and well . . .

8. Blair and Chuck attend couple’s therapy

Episode: “Rhodes to Perdition” – 5 x 9

Setting the Scene:

In complete denial of the obvious-to-everyone-else-but-her fact that the reason her relationship with Louis-bot is failing so miserably, is that she is head-over-heels in love with Chuck, Blair tags along on one of Chuck’s therapy sessions.   While there, she hopes to unlock the mystery of why Chuck is so awesome, and Louis-bot is so awful . . .

Video:

Potent Quotables:

BLAIR: “I was a teenage bulimic and my father came out when I was fifteen.  This isn’t my first analysis.”

SHRINK: “Are you saying that you want your fiancé to be more like Chuck?”

BLAIR: “No!  More like the man Chuck’s become.  Like Louis used to be when Chuck was like Louis is now.”

SHRINK: “If you don’t mind me saying so, you seem confused.”

And later .  . .

CHUCK: “But I did let go of you, Blair . . . if you don’t believe me, call on Harry Winston.  The night of The Spectator launch, I left the engagement ring I bought you on the doorstep and walked away.”

Why it made the list:

At first, this scene seems as though it’s going to be played mainly for laughs.  Chuck, clearly aware of how patently ridiculous it is that his non-girlfriend has decided to attend therapy with him, teases and taunts Blair, by using most of his therapy time to wax poetic about Monkey’s self-pleasuring tendencies.  (Any hope of Monkey getting a love interest, next season, Josh Schwartz?)  And yet something tells me Chuck’s real therapy sessions are much more juicy, and decidedly Blair-centric.

From Chuck’s perspective, it’s interesting that he refrains for as long as possible from telling Blair about returning her ring, presumably because he knows it will hurt her feelings.  And yet, when he is finally goaded into revealing this pertinent information, he seems both surprised and cowed, by how much his confession affected her.  It’s almost as if, a part of Chuck believed that Blair wouldn’t care at all about the ring, because he doesn’t yet consider himself worthy of her love.

As for Blair, she never expected that Chuck’s transformation had anything to do with letting go of her.  And the mistaken realization that Chuck might truly be over her, devastates her in a way that she never expected.  Leighton Meester is spectacular in this scene.  Her body stiffens in shock, as her eyes well up with tears.  It’s almost as if she’s experienced the death of a loved one.  But what she’s really experiencing is what she believes to be the death of love.

Blair tries to act casual about this discovery, when she excuses herself.   But the way her voice cracks, as she escapes the room, says everything about what’s going on in her head and heart.  She’s not fooling anybody, least of all, herself . . .

7. “Do you think you could love another man’s child?”

Episode: “Riding in Town Cars with Boys” – 5 x 10

Setting the Scene:

Hiding away in Brooklyn, so that those nosy paparazzi won’t realize that her pregnant fingers are now too fat for her wedding ring, Blair struggles over why she can’t commit to her robot fiance.  Seeking closure or perhaps an opportunity to escape this sham of a marriage, Blair calls the one man, who can help her get in touch with her true emotions: Chuck Bass . . .

Video:

Potent Quotables:

BLAIR: “I need your advice.  It seems as you’ve found your way, I’ve lost mine.”

CHUCK: “I didn’t think Blair Waldorf could get lost.”

BLAIR: “Neither did I, but I’m so lost I wound up in Brooklyn.”

CHUCK: “There are worse places.  This isn’t something Humphrey can help you with?”

BLAIR:  “No . . . only you .  . . Do you think you could love another man’s child?”

CHUCK: “Why are you asking me this?”

BLAIR: “I’m paralyzed.  I can’t move.   I can’t breathe.  You have to help me.”

CHUCK: “I can’t make this decision for you, Blair.  You’re the one who has to live with it.”

BLAIR: “But, what’s the right choice, Chuck?”

CHUCK: “I can’t imagine it would be a mistake to marry the father of your child.  Right?”

Why it made the list:

What’s interesting about this scene, is that it takes place entirely over the telephone.  So much of Chuck’s and Blair’s relationship is conveyed through their body language, and facial expressions.  When they are face-to-face with one another, knowing what is truly in eachother’s hearts comes easily to Chuck and Blair.  It is second nature to them.

But while on the phone, Chuck and Blair cannot look in eachother’s eyes when they speak.  They can’t touch one another.  They can’t see how eachother or standing, or read the tears in eachother’s eyes, or the devastation in eachother’s posture.  And this causes them to have a miscommunication of tragically epic proportions.

However, as viewers, we get to see Chuck and Blair, as they engage in this conversation.  And this gives us the unique opportunity to read the subtext of their words, which they, themselves, cannot see.  For example, Blair’s voice, when she asks Chuck for help, and jokes about being in Brooklyn, is deceptively subtle, and lighthearted, though we know, from the way she is seated on the couch, that it is taking all her will, not to break down.

Chuck responds in an equally light-hearted fashion.  But the sad look in his eyes, when he speaks  shows fans how hard it is for him to carry on a casual conversation with someone he loves more than life itself, and yet knows he cannot have. When Blair asks Chuck if he could love another man’s child, we see how nervous she is . . . and how tentative.  This is incredibly hard for her.  We know what she wants Chuck’s answer to be, even if she’s not ready to admit that to herself.

As for Chuck, on one hand, his heart swells from hearing this question.  It is the one Chuck has secretly wanted Blair to ask him, ever since she told him she was pregnant back in Episode 3.  On the other hand, a part of him feels as though fate is playing a trick on him, as though it is too good to be true.  “Why are you asking me this?” He asks,  with just a hint of nervous accusation in his voice.

This is when Blair breaks, she admits to being paralyzed, and torn up by fear and indecision.  She needs Chuck to give her the permission to leave her marriage, and save her from herself.  Now, Chuck can clearly hear the anguish in Blair’s voice, and it hurts his heart.  It takes all his will not to hang up the phone, rush over to Brooklyn, take her in his arms, and never let go.  And, perhaps, if Chuck could look Blair in the eyes, and see his love mirrored back in her, that’s exactly what he would have done.

Source

But he doesn’t see her.  And a voice in his head is nagging him to keep his feelings to himself.  He doesn’t know yet, how much Blair still loves him.  He worries that she will resent him, if he takes her away from the father of her child.  So, he says what he thinks is the “right” thing to say .  . .  He gives her up.  Even though he has to bite his quivering lip, when he finishes speaking to keep from breaking down.

Now, Chuck and Blair are both more lost than before.  But, fortunately, not for long . . .

6. Blair tells Chuck she’s pregnant / helps him to feel again

Source 

Episode: “The Jewel of Denial”  – 5 x 3

Setting the Scene:  

After sacrificing his own happiness, so Blair could marry Louis-bot, Chuck escaped to Los Angeles, hoping to lose himself in booze and beautiful women.  But the old tricks, don’t seem to work for Chuck now, as he finds himself shockingly devoid of the ability to experience any sort of human emotion.  He reacts by throwing himself into increasingly dangerous situations, hoping that the physical pain he suffers will somehow translate into an emotional  one.  But Chuck isn’t experiencing physical pain, either.

Chuck’s new bestie, Humpty Humphrey, has spent the entire episode, trying to get him to feel something.  However, in the end, only Blair Waldorf holds the key that unlocks Chuck’s heart . . .

Video:

Potent Quotables:

BLAIR: “I need to talk to you.”

CHUCK: “I thought we said everything we needed to say, last time we saw each other.”

BLAIR: “Chuck . . .”

CHUCK: “Is this another misguided attempt by Dan to get me to feel something?”

BLAIR: “I’m pregnant.  It’s Louis’.  I didn’t want you to find out from someone else, and wonder if the baby was yours.”

CHUCK: “That’s very considerate.”

BLAIR: “Yes . . . well . . . if I know anything about Chuck Bass, it’s that fatherhood isn’t part of the lifestyle.”

CHUCK: “You must have been very relieved when you realized you weren’t carrying my offspring.  It certainly would have derailed your fairytale.”

BLAIR: “This fairytale is complicated.”

CHUCK: “Blair, meet my dog, Monkey.”

BLAIR: “I saw Gossip Girl. I thought you got rid of him.”

CHUCK: “I just sent him to get fixed.  I thought it was the responsible thing to do.”

And later . . .

BLAIR: “There is a part of me that really wanted it to be yours.”

Why it made the list:

In the telephone scene, Chuck and Blair spoke volumes to one another.  But they could see one another, and, therefore, missed the painful emotions behind the words.  Conversely, in this scene, up until the very end, Chuck and Blair actually say very little to one another.  The conversation is polite, cordial, and even a bit cold.  If a conversation like this was done over the phone, it could have singlehandedly wrecked Chuck’s and Blair’s relationship.  But because Chuck and Blair can see one another, and know what eachother are feeling, during the conversation, it actually strengthens the bond between them.

When this scene first aired, it was the first time Leighton Meester and Ed Westwick had shared the screen together, since the season 4 finale.  Chair fans waited with baited breath for the couple to reunite, over the long summer hiatus, and through the first two epsiodes of the season.  It made their actual reunion that much more epic, emotionally-charged, and meaningful than it perhaps would be, otherwise.

When Chuck first lays eyes on Blair,  his eyes widen, as if he doesn’t quite believe she’s really there.  Though they’ve spent months apart, it is quite clear, in that first moment that Chuck’s and Blair’s love for one another hasn’t diminished.  “I thought we said everything we needed to say the last time we saw eachother,” Chuck says, coldly.

He’s protecting his heart.  He doesn’t want Blair to hurt him again.  Blair’s utterance of his name in response, is a plea, that he take down his walls, and open his heart, so that he can really hear what she has to say.  It melts him a bit.  But his guard is still up.  He still thinks her presence in his apartment is too good to be true.  He thinks it’s a ploy or a trick of some sort.

But that all changes, when Blair admits tearfully that she’s pregnant, and that the baby is not his.  He’s clearly heartbroken, as is she.  They know how one another are feeling.  And yet, they still exchange cold pleasantries, maintaining the falsehood that Blair still wants her fantasy life with Louis-bot, and Chuck still wants to live life as a perpetual bachelor.

Once again, this conversation is in danger of ending very badly for Chair.  But in comes Number One Chair fan, Monkey, at just the right moment.  His presence makes Blair realize how much Chuck has changed, and it softens both of their hearts.  Because, really, who could be angry, in the presence of an adorable dog.  I think it’s the presence of Monkey, that enables Blair to make the heartfelt admission that ensures the future of Chair, “There’s a part of me that really wanted it to be yours.”

Clearly, Chuck feels the same way.  You can see it in his eyes.  But he says nothing.  Instead, he bids Blair a polite goodbye,  and waits for her to depart, so that he can finally breakdown.  Blair’s confession has awakened Chuck’s ability to experience pain and emotion.  She’s saved his soul, and broken his heart, in a single moment.  Fortunately, Monkey is there to pick up the pieces . . .

5. “You are the lightest thing that ever came into my life.”

Episode: “Rhodes to Perdition” – 5 x 9

Setting the Scene:

Having learned that Chuck’s shocking transformation took place, only after he committed to giving her up for the greater good, Blair has come to the devastating conclusion that she brings out the evil in the men that she dates.  Knowing this to be patently false, and unable to allow the woman he loves to be so down on herself, Chuck goes to Blair’s bedroom to comfort her . . . .

Video:

Potent Quotables:

Source 

CHUCK: “You never pulled me to the dark side, Blair.”

BLAIR: “I appreciate you trying to make me feel better.  But I have my answer.”

CHUCK: “You were the lightest thing that ever came into my life.”

BLAIR: “Then, why did it take letting me go to find this whole new side of yourself?”

CHUCK: “I only turned dark and desperate, because I was afraid of losing you.  You’re love kept me alive.”

BLAIR:  “But you survived without me.”

CHUCK: “The worst thing happened, and I didn’t die.  But I had to find a way to move on with my life.  I only want you to be happy.  I’m just sorry it couldn’t be with me.”

And later . . .

CHUCK: “I’m not the groom.”

Why it made the list:

Many times throughout the series,  we’ve seen Blair comfort Chuck, when he needed a hug, a kind word, and a gentle self esteem boost.  And though Chuck clearly cares for Blair deeply, and can can be turned into puddy at the sight of her tears, it’s rare that we see him comfort her.  It’s not that Chuck isn’t sensitive to Blair needs, or that he doesn’t want to make her feel better, I think he just worries that he doesn’t have the right words to do it.  Perhaps, that will change, now that the New and Improved Chuck has come to the Upper East Side . . .

It was heartwarming to see Chuck helping Blair through her devastation, by not letting her go on believing that she was to blame for his darkness or Louis’.  In this instance, he knew exactly what to say to cure Blair of her misconception.  And the best part about it, was that it was all true.  Chuck is a much better person, for having known and loved Blair.  She believed in him, supported him, and helped him to become the man he is today.  And if Louis-bot wasn’t such an asshat, she’d probably make him a better person too.

It’s not at all surprising that a guest in the home, walking into the situation would assume that Chuck was the groom-to-be.  Chuck’s and Blair’s romantic connection to one another is apparent even to strangers.  That said, Chuck’s utter dejection when he informed the baker that he wasn’t the groom broke my heart . . .

4. Chuck and Blair play dress-up, and  things get RED HOT.

Episode: “The Big Sleep No More”  – 5 x 7

Setting the Scene:

Blair just can’t seem to get Chuck’s hot body epic apology out of her mind.  Unable to accept the fact that she’s obviously still in love with him, Blair tries to convince herself that Chuck is only pretending to be a better man, so that she will doubt her dull relationship with the Robot Prince.  It’s working!  Desperate for answers, Blair crashes Chuck’s Sleep No More charity event, and attempts to seduce him.  By doing so, she hopes to prove, once and for all, that Chuck Bass is the same sexpot he’s always been.  But the problem with seduction is that it is often a two-way street, which begs the question, “Who’s seducing who?”

Video:

Potent Quotables:

BLAIR: “Of course, you knew it was me.  Was it my perfume?”

And later . . .

BLAIR: “It looks like we’re stuck . . . together . . . alone . . . amongst the masked and anonymous.  Do you remember when we used to play dress-up?”

CHUCK: “How could I forget?  Though, I didn’t think this was your kind of entertainment anymore.”

BLAIR: “At least I know I’m safe, locked in here with the New Chuck Bass, who has none of his old urges.  I have to admit, I had a hard time believing you, at first.  But now I see . . . the therapy, the apology . . . you really have changed.  As warm as it’s getting in here, I can sweep the hair from the nape of my neck, without setting you off.   It’s such a relief to be able to let my guard down.  Oh look!  They even have Red Hots.  You never could resist.  Do you want one?

CHUCK: “No . . . thank you.”

BLAIR: “No one is looking.  Even the new Chuck Bass must have some of his darkest desires.  Just a taste.”

(They kiss.)

BLAIR: (slaps Chuck) “I knew you were still the same Chuck.  You thought by one fake apology, and a few charitable acts, you could get me to question, all the reasons I’m with Louis.  But I was right.  You are incapable of change.”

CHUCK: “It seems you know me too well.”

BLAIR: “And now, thanks to you, I am more certain than ever, that I chose the right man.  Goodbye.”

CHUCK: “Goodbye, Blair.”

Why it made the list:

I suspect some readers might be surprised at how high up on the list this scene appears.  After all, one could argue that everything that happens here is an act.  Blair is seducing Chuck, because she wants to prove that he is still the Bad Bass she knows and loves.  She thinks this will make her feel comfortable entering into her boring relationship with that Gibberish Speaking Cyborg.  And, though we don’t know it, at the time the scene first airs, Chuck is playing a part as well.  He’s pretending to be seduced by Blair, as a favor to Dorota, who claims it will help Blair find happiness with Louis-bot.

On the other hand, how much of this scene really was acting, and how much was real?  It’s fun to try and guess.  After all, this certainly isn’t the first time Chuck and Blair have used their sexual powers of manipulation on one another.  (Remember the “I love you” wars, of Season 2?)

Sexual chemistry simply can’t be faked.  And Chuck and Blair have it in spades, in this scene.  Chuck certainly seems hot and bothered by Blair, as she dances around him, rubbing her neck, filling his nose with her scent, and taunting him with red hots.  His breathing is labored when he speaks to her, and his voice is decidedly husky.  As for Blair, there’s something about the way she stares at Chuck’s mouth that seems to suggest that the seduction act is working it’s magic on her, just as much as it’s working on him.

Source 

And the kiss, it seems to take Blair by surprise, even though she’s been working toward it all this time.  It’s long.  It’s passionate.  It’s red hot.  And both Chuck and Blair find themselves carried away by it’s intensity, until it becomes all-too-apparent that neither of them are acting, anymore.

Even the slap that follows, and the heated argument that occurs between the pair,  seems charged with sexual energy.  Watch their body language in the scene . . . the way their faces are flushed, the way their eyes dilate, when they speak to one another.  After Blair storms, off, Chuck seems a bit lightheaded, like someone waking up from a trance.  He’s not entirely sure what just transpired, but he knows he kind of liked it . . .

Then you remember that Chuck did all this to ensure Blair’s happiness with another man, and it makes you fall in love with him all over again . . .

Source 

3. Chuck apologizes to Blair for  . . . well . . . EVERYTHING.

Episode: “I am Number Nine” – 5 x 6

Setting the Scene:

While on his Path to Redemption, Chuck decides to apologize to Blair and Chair fans for some of the less-than-loveable things he’s done to her, during the course of their roller coaster relationship . . .

Video:

Potent Quotables:

CHUCK: “I’m not here to apologize about what happened tonight.

BLAIR: “What are you here to apologize for?”

CHUCK: “Everything else.  I’m sorry for losing my temper the night you told me that Louis proposed to you.   I’m sorry for not waiting longer at the Empire State Building.  I’m sorry for treating you like property.  I’m sorry I didn’t tell you I loved you, when I knew I did.  Most of all, I’m sorry that I gave up on us, when you never did.”

BLAIR: “Thank you.  I hope never giving up on people isn’t going to be my downfall.”

CHUCK: “It’s why you are going to be an amazing mother.  You are always there for the people who you love, even when they don’t deserve it.”

BLAIR: “You know, that’s never going to change.”

CHUCK: “It’s OK, if it has to.  Starting tonight, I’m going to take care of myself.”

Why it made the list:

This scene was not just a love letter from Chuck to Blair.  It was also a love letter from the GG writers to Chair fans.  On the surface, this was simply Chuck showing Blair just how much he had changed and grown up, over the years.  By admitting, and coming to terms with all the ways in which he has hurt Blair, throughout their relationship, Chuck is saying to the woman he loved, “I am going to change for you.  I am willing to accept responsibility for what I have done wrong.  And I am ready to become a man, who is worthy of your love, even if you cannot bring yourself to love me in return.”

But peel back the layers, and you can also hear the writers saying to you: “Thank you for sticking by this ship, through thick and thin, even when other fans called you crazy for doing so.  We know this couple has accumulated a lot of heavy baggage, over the years.  And we aren’t going to insult your intelligence, by sweeping it under the carpet, and pretending that none of it ever happened.  Instead, we are going to have Chuck own up to his wrongs, and try to make amends for them, not just by his words, but also through his actions.  In short, we are going to reward you, Chair fans.  Because, just like Blair, you don’t give up on the things and people you love.”

With the apologies out of the way, Chuck and Blair actually get to share a really sweet moment, where Chuck illustrates his admiration for Blair’s unflinching ability to stick by people she cares deeply about, even when they disappoint her.  Like Chuck, we know that this will not be Blair’s downfall, but will ultimately be her salvation.  It will keep her strong during the tough road ahead.  And the fact that Chuck told Blair that she would be a great mother, at the very moment, when she needed to hear it most . . . well, if that doesn’t warm you’re heart, you’re a soulless vampire . . .

.  . . or, possibly an evil cyborg.

2. Chuck’s and Blair’s Tragic Limo Town Car Reunion

Episode: “Riding in Town Cars with Boys” – 5 x 10

Setting the Scene:

In this epic mid-season finale episode, Chuck and Blair have finally come clean to one another about their feelings for eachother.  Now, along with Blair’s unborn child, they are finally ready for their much-deserved Happily Ever After.  Unfortunately, those pernicious paparazzi have other ideas . . .

Video:

Potent Quotables:

Source 

BLAIR: “I have to tell Louis, face-to-face that the wedding is off.  He deserves at least that.”

CHUCK: “Are you sure you want to do this?  I mean . . . a prince . . . a fairytale wedding.  This is all you ever wanted.”

BLAIR: “No!  You’re all I ever wanted.  I love you.  I love every part of you.  I couldn’t tell Louis that he would never lose me, because it wasn’t true.  You’re the one I never want to leave.”

And later . . .

BLAIR: “We can go anywhere.  Switzerland has impeccable schools, or maybe Tokyo.   They have opening ceremony, and great test scores.”

CHUCK: “Blair, we don’t need to go anywhere.  We can raise this baby right here.”

Why it made the list:

I have such mixed emotions about this scene.  On one hand, never have I seen such a joyous reunion between two people, as the one between Chuck and Blair.  I mean, seriously, Chair fans.  When have you ever seen Chuck so adorably giddy?

He’s like a little child, practically bursting out of his seat with happiness.  His face is flushed.  He’s breathing heavy.  He’s babbling.  His eyes are wide with excitement.  He keeps touching Blair’s face, as if he can’t quite believe she’s real.  We’ve waited five seasons to see Chuck like this.  And it’s hard not to smile, watching him, even though we all know tragedy is about to strike.

As for Blair, it’s heartening to hear her finally verbalize her feelings for Chuck . . . the one’s we always knew she felt,  but could never quite bring herself to say.  Up until this point, this season, it’s been Chuck always making the heartfelt speeches, the epic apologies, the eloquent declarations of love.  Now it’s Blair telling Chuck she never wants to leave him, planning for their future, talking about starting their family.

In an alternate universe, Chuck and Blair didn’t trade taxi’s with Nate that night.  They avoided the paparazzi, arrived back in the Upper East Side, safe and sound, made sweet love in Blair’s bed, and woke up early the next morning to shop for baby furniture.  But it our universe, Blair finally noticed the paparazzi stalking her car.  And in that moment, the fantasy was shattered.

What’s in store for Chuck and Blair now, remains to be seen . . . But no matter what happens, we can always look back at this moment, and remember them as a young couple, deeply in love, and overjoyed at the prospect of spending the rest of their lives together . . .

And now, for the moment you’ve all been waiting for . . . The Number One Chuck and Blair Moment from Season 5, so far is . . . (drumroll please) . . .

1. “I’m going to love your baby as much as I love you.”

Source 

Episode: “Riding in Town Cars with Boys” – 5 x 10

Setting the Scene:

Source

After their devastating telephone conversation, during which Chuck could not bring himself to tell Blair to ditch that bastard, Louis-bot, for his sexy self, Blair is completely inconsolate, fearing that she will never be happy again.  But Matchmaker Dan has other plans for his friend and the unrequited object of his affection.  And those plans involve the one man with the power to give Blair the happiness she deserves . . .

Video:

Potent Quotables:

CHUCK: “Dan arranged it for us.”

BLAIR: “What us?”

CHUCK: “The ‘us’ I should have fought for, when you called.  The ‘us’ that is not just you and me, but you, me, and your baby.”

BLAIR: “Then, why did you tell me to choose Louis?”

CHUCK: “I thought it was selfish, if I was the one to tell you to break up your family.”

BLAIR: “That was the moment you chose  not to be selfish?”

CHUCK: “Timing has never been our strong suit.  I had it all wrong.  Just because Louis is the father of your baby does not mean you should be with him.  You should be with me.”

BLAIR: “Why?”

CHUCK: “Because I’m going to love your baby as much as I love you.”

And later . . .

BLAIR: “I’ve gotta get out of here.”

CHUCK: “Wait .  . . I want to come with you.”

Why it made the list:

This scene truly embodies Chuck’s and Blair’s relationship.  It’s as if everything we’ve endured with this couple, over the past five seasons — all the breakups, and makeups, the accusations, and the insinuations, the beautiful speeches, and the smoking hot sexual encounters — has culminated in this single moment.  Finally, Chuck is ready to fight for Blair, as he promised he would, during his apology to her in “I Am Number Nine.”  Finally, he is saying the things he’s known in his heart, since he fell in love with her, back in high school . . . the things he’s always wanted to say, but never had the courage to do so.

After all his soul searching, Chuck finally feels worthy, not just of Blair, but of Blair’s child, which he will love as if its his own, because it’s part of the woman he loves more than anything in the world.  It’s a more honest, mature, and heartfelt, Chuck, then we’ve ever seen before.  And it’s this Chuck that takes Blair’s breath away, by saying things to her, that she’s never admitted to herself, that she’s always wanted to hear.

Source 

She moves in closer to him, clutching her unborn child, and, in that moment, they cease to be indviduals, and become a unit . . . a family.  The fact that Chuck doesn’t want to leave Blair’s side, even though he knows this might make them a more likely target for the paparazzi, is both romantic, and symbolic of this union.  Chuck spent so much of these past two seasons apart from Blair.  And he doesn’t want to be separated from her, for another minute.

If only the episode ended here, we could sleep better at night, knowing, for certain, that Chuck, Blair, and Blair’s baby lived happily ever after.  And though that wasn’t in the cards for our favorite Upper East Side Couple, the fact that a perfect scene like this exists, reminds us Chair fans, that Chuck and Blair are meant to be.  They’ve endured hardships, heartbreak, evil cyborgs, bland prostitutes, and so much worse, but it never shook the solid, unbreakable foundation of their love for one another.  And that gives us hope for, and certainty in their future . . . together.

You know you love them!  XOXO!

[www.juliekushner.com][Fangirls Forever]

2 Comments

Filed under Chuck and Blair, Gossip Girl, Television Super Couples, Top Ten Lists

“Show me the MONEY!” – A Recap of Mad Men’s “Blowing Smoke”

LANE:    Don . . . about your . . . article in the Times.  I think we need to discuss some possible strategies for damage control.

DON:   Show me the money!  Show me the money!  SHOW ME THE MON-EYYYYYY!

LANE: *Stage whispers to Roger*  What’s he yammering on about?

ROGER:  Hell, if I know.  I don’t speak “Creative.”

DON:  Help me help you, Roger.  Help me help you.

PETE: *disgusted*  Don, are you DRUNK?

LANE:  I daresay he might be having a nervous breakdown.  Don, can you hear me?

DON:  You had me at hello?

ROGER:  If he goes nuts, I’m turning his office into a  massage parlor.

DON:  Come on guys!  Haven’t any of you ever seen Jerry Macguire?

LANE, PETE, ROGER: ???

They say mimicry is the sincerest form of flattery.  If that is, in fact, true, the folks who made Jerry Macguire must have been VERY flattered, after watching this week’s installment of Mad Men.

YEAH!  DON DRAPER IS THE MAN!  And Peggy Olson is a fellow Scientologist!

After all, if you recall, it was the titular Jerry Macguire who, after having a drunken career-altering epiphany, first wrote and published an “altruistic” manifesto on moral integrity and its relationship (or lack thereof) to marketing.  As a result of said manifesto, Jerry, like Don, found many of his colleagues questioning his sanity, his clients questioning his business acumen, and his competitors dancing on what they believed to be his gravesite.

Bob Sugar = Ted Chaough

Then again, Jerry Macguire was made in 1996, and Don Draper pulled his stunt in 1965.  So, who’s to say WHO is copying WHO?

For the most part, this penultimate episode of Season 4 of Mad Men consisted of two main plotlines.  We spent one half of the episode, watching SCDP fall apart, while Don went to increasingly desperate lengths to save it. 

And we spent the other half watching Matt Weiner’s spawn Glen  . . .

“Hi, I’m Chucky Glenny, WANNA PLAY?”

 . . . the creepiest kid on television today, channel all the creepy kids you’ve seen in horror movies for the past decade.  And this boy is FRIGHTENING with a capital “F.”  Forget that girl from The Ring.  How’d you like to have THIS KID crawl out of your television set?

“If I keep smiling like this, maybe he won’t chop me into little pieces and serve me to his dog . . .”

Oh, and we had some nice Neighborly Heroin Addicts thrown in for good measure . . .

No . . . not that kind of heroine . . .

That’s the one!

Let’s begin, shall we?

Smells Like Desperation . . .

“That’s not DESPERATION you smell.  I just tend not to shower after sex with random floozies . . .”

When the episode opens, Don is at the pitch meeting with Heinz . . .

 . . . which Faye scored for him the week prior.  Although Don handles the meeting with his trademark wit and charm, there is something a bit off about Don himself.  He’s talking a bit too loud, and too fast.  He’s jumpy, skittish, aggressive, and almost rudely insistent.  This alteration in demeanor is not lost on the client (who, by the way, gets major props from me for not even cracking a smile, while delivering his line about why commercials about BEANS shouldn’t be funny . . .).

“I bet I could get a f*ck from date with your mother now,” scoffs the arrogant bastard, noting Don’s desperation to get this account — which couldn’t have been any more apparent, if he came to the meeting wearing a red clown nose.

“Why are you looking at me like that?  Is there something on my face?”

After condescendingly telling Don to leave business relations to the “accounts men,” the prospective client tells Don that he will gladly meet with SCDP for a formal pitch in six months (IF the company is still around by then).  Sugar-coating aside, Don knows exactly what “See you in six months” is code for . . .

Dances with Creeps

“Do you like scary movies, Sally?  Are you even allowed to WATCH scary movies?  Because you are in one . . .RIGHT NOW.”

Back at the House-Formerly-Known-As-The-Drapers, Sally tries out her best Stepford Wife impression on Betty.

“When I grow up I want to have no earthly purpose but to please my husband . . . just like you!”

When Sally asked Betty if she could start eating her meals with Dull Henry, I honestly couldn’t tell if the tween had mastered the art of passive aggressiveness . . .

 . . . and was making a not-so-subtle comment about New Dad’s frequent absences from the family home, or if she had been lobotomized by Dr. Edna during therapy.

“It’s just a little snip.  I promise, you will barely feel a thing!”

Whichever it is, Betty is absolutely overjoyed by the “positive” change in her daughter’s behavior.

I am absolutely overjoyed by the positive change in my daughter’s behavior.”

But alas, all is not right in Sallyland.  Unbeknownst to Mommy Dearest, her darling daughter has forged an EVIL ALLIANCE .  . .

 .  . . with CREEPY GLEN!

First thing I wondered when I saw this image: Who the heck let this twerp on the football team?  Glen always struck me as more of the “mascot” type, or the Water Boy, or the kid who pees in the Gatorade. 

 And while, under normal circumstances, I hate to rank on a little kid, this little kid is plying Sally with cigarettes and spiked with Ruffies Coke.  He is also isolating the preteen from external influence, by telling the emotionally vulnerable girl he is smarter than her shrink.  As if that isn’t bad enough, he uses on her the “Everybody else hates me.  I have no one but you,” line, which just so happens to be the first sentence in the Psycho Stalker Killer Handbook.

From Psycho-Stalker to Psycho-logist

Fortunately, Sally has a more positive role model in her shrink Dr. Edna . . .

 . . . who kind of looks like Miss Garrett from The Facts of Life.

No wonder she’s so gosh darn likeable!

Miss Garrett Dr. Edna plays cards with Sally, and compliments her on her positive progress in learning to kiss her mom’s ass control her emotions.  She takes an interest in Sally’s schooling and social life, and wants to lessen her sessions so that she will have more time to spend with Creepy Glen her friends.  Most importantly, Dr. Edna tells Sally that she is proud of her, not once, but TWICE in a single session.

It is worth noting that this is more times than BETTY and DON have told Sally they are proud of her in FOUR SEASONS!

After Sally finishes her session, Betty enters Dr. Edna’s office to talk about herself ad nauseum and get free therapy discuss Sally’s progress.

When Dr. Edna discusses the possibility of reducing Sally’s sessions, Betty FREAKS OUT at the thought of not getting free therapy anymore halting Sally’s “excellent progress.”  Dr. Edna slyly reiterates that she is a child psychologist, and does not generally counsel adults.  Betty responds by sucking her thumb and wetting her diaper.  Dr. Edna agrees to resume therapy sessions with Betty to continue to discuss “Sally’s excellent progress.”

A Certain Kind of Girl . . .

“You’re a certain kind of girl, and tobacco is your ideal boyfriend,” says Faye’s despicable boss Dr. Atherton, about SCDP.

Translation: You (SCDP) are the nerd in the back of the classroom, with fish breath, parsley in your teeth, and elastic waist pants that go up to your tits.  Basically, no one in their right mind would want to have sex with you.  So, if you want to get laid,  you really should go for the dumb slutty boy, with loose morals, who smells like ash (Tobacco).

With Faye’s and Dr. Atherton’s help the firm gets an intervview with Phillip Morris for a new line of women’s cigarettes they plan to begin selling.  After thanking Faye profusely for getting him a date with the Class Whore, Don heads to the lobby where he encounters Old Flame, Midge.  Right away, I don’t trust Midge’s motivations.  Perhaps, this distrust has something to do with the fact that she’s a grown woman, dressed like an animated character from a series of children’s books I used to read .  . .

After confirming that Don is divorced and living in the village, Midge invites Don back to her place.  When he initially declines, she begs him to reconsider, giving off the same stench of desperation Don gave off in the episode’s first scene.  “But, I want you to meet my husband!”  She jabbers.

Ultimately, Don can’t resist Midge’s no longer existent charms.  After all, he is a certain kind of guy, and Midge is his ideal girlfriend (a.k.a. unrelentingly needy and majorly slutty).  When Don arrives at Midge’s and her “husband’s” (they are only married “for the bread”) hovel and apartment, he finds his ex-paramour’s “better half” to be even more persistent and grating than she is . . .

Mr. Midge aggressively pushes his and his wife’s ugly paintings on Don, not-so-subtly hints at Don’s massive dick wallet size, pawns some quick cash of Don, and heads out into the night.  Later, Midge admits that her meeting him in the lobby of his office was no coincidence.  She and her husband are heroine addicts.  They are low and cash, and need a fix.

Don, who only sympathizes with life-crippling addictions when they come out of a bottle, is totally turned off.

In fact, he is very eager to get back to his non-heroin addicted girlfriend, thank you very much.  And so, to solve this problem, Don decides to do what he does best.  Throw money at it.  He writes Midge a check for $300 for one of her ugly paintings.  But Little Miss Ingrate is apparently too strung out to walk across the street to a bank, so she asks for cash instead.  Don promptly rips up the check, and reduces the amount to $120.

“Do you think my work is any good?”  Midge asks.

“Does it matter,” inquires Don, as he stalks out of the stinky apartment.

“I went to a crack den for $120, and all I got was this lousy painting.”

“If you don’t like what they are saying about you, change the conversation.”

As it turns out, the Phillip Morris meeting ends up being nothing more than a ploy orchestrated by the company to score a meeting with a bigger advertising agency.

Now the executives at SCDP are forced to make some tough decisions.  In order to keep the firm afloat for another six months, they must reduce their staff by half.  Additionally, the main partners must each fork over $100, 000, with Pete and Lane forking over $50,000.  (No small potatos!  Especially not in 1965.)  The increasingly loveable Pete balks at the amount, and not because he’s being a cheap prick either, he REALLY DOESN’T HAVE IT.

On the sly, Pete attempts to secure a loan from the bank, but doesn’t think to leave them with his work number.  So, when the Poor Schmo comes home his Brand New Mother of a Newborn wife thinks they are getting a house, and she’s thrilled.

But Trudy’s mood quickly sours when she learns what Pete is REALLY using the money for.  She equates SCDP to the Titanic (and not because it’s VERY large, and has people of Leo DiCaprio-caliber attractiveness working for it, either).

“I’m the king of the WORLD!  Wait . . . what’s that big block of ice doing up there?  Is that part of the tour?”

Throwing back in Pete’s face that very same patronizing and condescending tone he has used with her on so many occasions, Trudy scolds, “You are forbidden to give any more money to that company!  And don’t think of asking my father for money, either!”

Pete’s manhood . . .

Back at the office, the tables have turned as well.  Don is asking Peggy for advice on what do to with his failing company.

Peggy smartly quotes Don’s own words back to him saying, “If you don’t like what they are saying about you, change the conversation.”

This little pep talk gives Don and . . .

He goes home to his apartment and immediately begins to write.  The next day, there is a full page article in the New York Times entitled “Why I am Quitting Tobacco.”  The article decries tobacco as a product that doesn’t NEED advertising, because all its clients are already addicts.  Oh, yeah, and smoking kills you too.  (Never mind that Don is SMOKING A CIGARETTE while he writes this . . . )

“OK, cigarette.  You and I are SO OVER!  But how would you feel about a nice goodbye screw?”

Don concludes the missive by announcing that SCDP will no longer take tobacco clients.  He then proceeds to list all the other agencies that WILL.

The article, understandably causes a firestorm, with most of the office looking at Don like he just killed their puppies (except, of course, for the ones that want to f*ck him).

Oh, and Roger’s not mad either.  He’s just happy there’s someone at the firm now that people think is a bigger screw up then him.

“You know, Don.  You should really try to be more politically correct, when making public statements.”

While Don is arguing with his colleagues about the merits of his “conversation changing” article, which he tauts as a “firm advertisement,” he receives a phone call from . . . Bobby Kennedy?

OK . . . now I was still a couple decades shy of being born when the Kennedy’s were in office, and I could tell that wasn’t Bobby Kennedy on the phone!  That was the WORST IMPERSONATION of a politician I have EVER HEARD!  And yet, Don, never a big one on humility fell for it hook line and sinker.  The call ended up being a prank one, made by Season 4’s apparent Super Villain, the EVIL Ted Chaough . . .

Once Don hangs up the phone, Bert Cooper throws a TOTAL TEMPER TANTRUM, calling Don impatient, childish, and not cut out for the partnership.  He then QUITS THE FIRM!

And, just in case you weren’t sure whether Old Bertie was SERIOUS about this, he asks Megan FOR HIS SHOES!

OK.  Now, I know he never has many lines, but I really can’t imagine this show without Bert Cooper and his shoes!  Then again, I couldn’t imagine this show without SAL either, and look what they did to him!

Bert Cooper, you will most certainly be missed!

To add injury to insult, Lane lays a pretty heavy guilt trip on Don, telling him that he moved his entire family back to the States, so that he could continue working at the firm (undoubtedly dumping his Poor Playboy Bunny girlfriend in the process).

“LOVE HURTS!”

Fortunately, for Don, SOME support comes his way, in the way of Megan . . .

 . . . who, channeling Rene Zellwegger in Jerry Macguire tells Don how much she would like to have a second go around with his Mr. Winky admires what he did.  Sure, she understands that this was all about not looking as though SCDP was “dumped” by Big Tobacco, but it was still brave, and sparked a conversation.  Megan . . . now THAT’S a girl who really knows how to grease a wheel . . .

Though not quite as effusive as Megan, Peggy .  . .

 . . . offers Don a sweet smile, and jokingly says that “she thought he didn’t go for such shenanigans.”  (Then again . . . she was probably just happy she wasn’t part of the half of the staff that got canned.)

Later, the third lady in Don’s life, Faye comes to tell him that her company has resigned its representation of SCDP, because tobacco is her “ideal kind of boyfriend.”  Speaking of ideal boyfriends, she still wants to bone Don on a regular basis.  And without work between them, it will be much easier to do so.

“Or will it?”

Caught in the Act

Back in the less interesting plotline Salllyland, Sally was trying to sneak off with Creepy Glen when Betty caught her and told her he was BAD NEWS.

“Is this just because I watched you take a whiz and asked for a lock of your hair to use in a human sacrifice ritual?”

At dinner that night, Betty announces to Henry that she is FINALLY ready to move out of Don’s old house.  Henry is overjoyed!

“I am overjoyed!”

But Sally is NOT.  In fact, she runs off crying, clutching that piece of twine Glen gave her when he vandalized her house a few weeks back.  Ladies and gentleman, it’s official.  Sally has VERY BAD TASTE IN MEN!

“I’ve Gotta Go Learn a Bunch of People’s Names Before I Fire Them.”

Apparently, this guy’s name was “Bill.” 

Was that in poor taste?

At YET ANOTHER staff meeting, the SCDP exec board (sans Cooper) learn that Don’s little stunt earned them the right to do a pro bono anti-smoking campaign for the American Cancer Society.  “Don saved the company, now let’s go and fire half of it,” Pete says snidely, as the meeting adjourns.

However, a few moments later, when Pete finds out from Lane that Don forked over Pete’s $50,000 share to the company, so Pete’s wife wouldn’t chop his balls off, he is forced to eat those nasty words.

Outside the office, Pete raises his glass to Don in silent acknowledgement that they have now both covered one anothers’ asses within the past few episodes . . .

This mildly happy moment is contrasted with the firing of half of SCDP’s staff, most notably the heretofore anonymous, “Bill,” and Little Danny . . .

We barely knew ye!

All in all, it was a pretty doleful episode.  Smart . . . but doleful.  I really hate seeing my Maddies so unhappy.  Here’s hoping things perk up a bit in next week’s Season Finale!  🙂

[www.juliekushner.com]

2 Comments

Filed under Mad Men

You did WHAT???!!!- A Recap of the Grey’s Anatomy Season Premiere “With You I’m Born Again”

Can you believe that Grey’s Anatomy kicked off its SEVENTH SEASON this week?  That means the show is almost SIX YEARS OLD?  That’s not a Baby Show anymore.  It’s a BIG KID Show.  It’s a friggin FIRST GRADER!  And as for those of you who, like me, have watched Grey’s since its inception . . . seriously . . . how OLD are you feeling right NOW?

“I remember back when this show started, I still had all my REAL teeth!”

A lot can change in six years.  And, as fans of Grey’s Anatomy, it’s highly likely that WE have personally experienced many changes, ourselves, both in our personal and professional lifes, since the show began.  But while gradual change is commonplace, throughout the course of a human lifetime, nothing brings about quick, groundbreaking, whirlwind change, like the experience of personal trauma.  And nothing says “personal trauma” like the mass murder of your friends and colleagues by a GUN-TOTING, CRAZED, LUNATIC!

So, without further adieu, let’s take a quick look at the ways in which our favorite Seattle Grace pals have changed, since we last saw them . . .

 GO SPEED RACER! GO!

It seems that the experience of getting stalked by a Wackjob, having been the indirect cause of 18 deaths, and being shot and nearly killed, himself, has given Seattle Grace’s McDreamiest surgeon a NEED FOR SPEED . . .

(Just not Speed, like in the Keanu Reeves movie . . . because I sincerely doubt Seattle’s “greatest surgeon” would ever deign to ride a BUS.)

When the episode first opens, Meredith has to go bail Derek out of the Pokey, following his recent tango with the law.  The crime?  Reckless Endangerment — a criminal charge that almost was, but wasn’t, filed, because the Seattle Cops “worship” McDreamy (a.k.a. have big juicy Man Crushes on him).

Who DOESN’T?

All, I’ve gotta say, is that it is a darn good thing Post-It Wifey, Meredith, bails Derek out when she does.  Because, from the looks of it, our favorite surgeon was looking like a pretty strong contender for a rousing prison game of “Who dropped the soap?”

It’s a contact sport.

Still smelling of “Jailhouse Rock,” Derek, who is scheduled to return to work as Chief of Staff that day, heads directly to his favorite speech-giving location (The Stairwell of Power), and . . .

. . . QUITS HIS JOB AS CHIEF . . .

. . .  thereby passing the “Chief-ly” baton back to THIS GUY . . .

 . . . Old / New Chief Webber, who responded to the news by  .  . . going into his new office, and reenacting scenes from the film, Boogie Nights.

I know some fans took McDreamy’s decision to relinquish his chiefly duties as a sign of this “Toxic Impulsivity” he’s contracted since the shooting.  However, for the most part, I think his decision was a sound one.  As a surgeon, Derek is AWESOME!  As a chief .  . . not so much.  

While acting as Chief last season, Derek seemed much less like the McDreamy we had grown to love for five years, and much more like . . . McPoopyhead.

Besides, Derek simply didn’t have TIME to be Chief, not with his upcoming Crazy Insano Surgery of the Week — a surgery that I will lovingly refer to as the “Face Off.”

Yes, boys and girls!  Under the guise of removing a massive inoperable brain tumor  (Aren’t they ALWAYS massive and inoperable when Derek is involved?  Has this guy EVER operated on something “operable?”), Derek, along with his stalwart crew, literally REMOVES SOME TEENAGER’S FACE, by CUTTING IT STRAIGHT DOWN THE MIDDLE.  And it is gross . . .  Fortunately, we don’t have to sit through too much of it, however. 

Because, after six seasons, I think our Grey’s writers have FINALLY learned what us fans have known since Season 1.  Namely, if we wanted to watch medical mysteries, we’d turn on House.  But we don’t.  We watch Grey’s for the hot men, the funny one-liners, and the juicy sex scenes.  And though it was, admittedly, a bit light on the “sex” for my taste, what we wanted was, more or less, what we got, in this Season Premiere.

Speaking of sex, after successfully performing the “Face Off,”  Derek, still reeking of blood and guts, was suddenly SUPER HORNY.  And so, he accosted Post-It Wife Meredith in the on-call room, and prepared to “Do the Deed.”  “Let’s make babies like the one you miscarried last season, but forgot to tell me about, ” whispered Derek in Meredith’s ear, as he feverishly removed his scrubs, and proceeded on to Grope Fest 2010.

Then his beeper went off . . .

“Seriously, BEEPER!  Are you effing kidding me?”

Apparently, Face Off Boy was in pain . . . Because, having your face sawed in half?  Kind of painful.  No . . . scratch that.  VERY PAINFUL.  And yet, after a few kind words from Derek, Face Off Boy is just fine . . .

 

That’s OK, Monkey.  I didn’t buy it either.   Apparently, Derek has become some kind of Super Hero, since last season.

After stopping Face Off Boy’s Excruciating Pain in under a minute, off dashes our Super Hero to save a woman from a burning building drive 125 mph in a 50 mph zone, en route to a wedding where he is supposed to be Best Man (more on that later).  Except, this time, when Derek gets arrested for Reckless Endangerment, Meredith LEAVES HIS ASS IN JAIL, and goes to the wedding, BY HERSELF!

It looks like Derek’s new prison friends are going to get a chance to play “Who dropped the soap?” with him after all!

Just a little going away present for our favorite Doctor, locked away in the Big Dog House.  You never know when such things might come in handy . . .

Still Dark and Twisty, after ALL THESE YEARS . . .

While Derek was busy speeding the streets, quitting his job, cutting peoples’ faces off, being a Super Hero, and hiding the soap, Meredith was  . . . well . . . she wasn’t doing much of anything actually, because Dr. Andrew Perkins . . .

a.k.a. McSexyShrinko

 . . . had not yet cleared her to perform surgery.  McSexyShrinko felt that Meredith had still not properly owned up to her inner demons, following The Shooting.  And one of those demons (though McSexyShrinko couldn’t have possibly known this, because she didn’t tell him), was the pregancy and subsequent miscarriage Meredith endured, during the traumatic event.

An “awkward position” to be in.

Believing that Derek has been through too much in recent months to cope with the loss of a baby as well, Meredith has borne the pain and burden of this secret, on her own skinny shoulders.  And, though she would never admit to it, it is obviously eating her up inside.

Yet, with all she is going through, Meredith finds it in her heart, to be there for her best friend, Christina, during the latter’s time of need.  Despite her initial misgivings about their relationship, and her belief that the pair was jumping into marriage so soon after The Shooting, Meredith ultimately gives Christina away at her wedding to Owen.  And when Christina nervously asks her best friend, if Owen is OK, prior to the wedding, Our Plucky Protagonist sweetly replies, “He’s perfect.  He is just perfect.”

And if a statement like that coming from an Avowed Cynic, like Meredith, doesn’t warm your heart, I don’t know what will!

Speaking of Christina . . .

Here Comes the Bride .  . . All Dressed in  . . . RED?

Aside from the fact that she is getting married to the guy we just saw her BREAK UP WITH at the end of last season, because she believed him to be “just not that into [her],” and more into SOMEONE ELSE . . .

. . . the main differences we notice in Christina, during the Season Premiere, are that she (1) doesn’t seem to care AT ALL that she, like Meredith, hasn’t yet been cleared for surgery; and (2) spends almost the entire episode READING BRIDAL MAGAZINES.

Later, in a groundbreaking session with Dr. Perkins, we learn that Christina is focusing on these magazines, in an effort to force herself into the proverbial box in her head that she has labeled: “The Simple Girl.” 

“I went to school with women like this,” notes Christina, “Women who only wanted to marry the guy, and wear the pretty dress.  I used to pity them.  But I’ve realized that, in life, you can either be a Simple Girl, or you can be  . . . Me.  But Simple Girls are never forced to perform surgeries with guns to their heads.”

We are instantly flashed back to an evening a few months’ prior, when Owen arrives at Christina’s home, to find her frantic, panic-stricken, and unusually vulnerable.  “You’re late,” she insists.

 “I don’t want to be alone anymore,” says Christina tearfully, as Owen scoots next to her on the couch, and tries in vain to comfort her.

“You don’t have to be alone ever again.  Let me stay,” offers Owen.

And then he does this . . .

It’s a simple and sweet moment.  One that truly reflects these two characters and the often silent connection they have with one another.  Sure, “not wanting to be alone” isn’t the healthiest reason to marry someone.  But I’ve certainly heard worse .  . .

And the wedding?  Well, it was pretty awesome.  From the adoring way, Owen looked at Christina . . .

“Please lord, don’t let me end up like that Dr. Burke guy.  It’s HARD to get a job in Hollywood as a redhead!”

“Be afraid Ginger Boy!  Be VERY afraid!”

 . . .to Christina’s red dress (because white dresses are “offensive and vaguely racist,” according to Christina)

 . . . to how touched the couple’s colleagues were by the moment . . .

 . . . everything was, as Meredith said, perfect.

Sure, it’s a long shot.  It’s ALWAYS a long shot.  But, who’s to say these two Crazy Kids won’t be able to stick it out for the long haul?

Oh . . . and just in case you were concerned?  Owen and Teddy are TOTALLY DUNZO.  And Teddy has (rather conveniently, I might add) found a NEW MAN.  Actually, I think you might know him . . .

It’s Dr. McSexyShrinko!

Speaking of couples that are TOTALLY DUNZO . . .

The Opposite of Bad Ass

Lexie’s and Alex’s coupledom started going down hill when Alex called out Izzie’s name during sex bleeding to death, from a  bullet wound.  Considering that Izzie has already been MIA for half a season now, and LEXIE was the one saving Alex’s life at the time, I would say this was a pretty classic case of The Boy Who Doesn’t Know Where His Bread is Buttered . . .

Warning:  The loaf of bread has NOT BEEN BUTTERED BY IZZIE!  Jackass!

Things went from bad to worse, when Alex decided to keep his bullet from The Shooting lodged in his stomach, so he could use it to pick up chicks.

Yes, we CAN blame Alex for being a tool.  But can we REALLY blame all those chicks for banging him, when he looks like THIS? 

So, apparently, we can now expect many more episodes, during which a Shirtless Alex walks around the hospital, letting random slutty nurses rub his belly, and finger his scars.

But the final nail in the coffin was when Lexie had a PTSD freak-out in the hospital, and Wimpy Alex just WALKED AWAY, like a b*tch!  “I’ve had enough crazy for one lifetime,” Alex tells McSexyShrinko, when questioned about the incident.

Well, considering that Alex’s first girlfriend gave him an STD . . .

 . . . his second one ended up being a TOTAL Nutbag . . .

and his third girlfriend cheated on him with a DEAD GUY . . .

I guess I’d be inclined to agree!

And yet, I couldn’t help but cheer, when Alex tried to hit on Lexie at Owen’s and Christina’s wedding and she COMPLETELY TOLD HIM OFF!

“You may think that you are Bad Ass, because you lived.  But I’m the reason you lived.  And while you were sitting on that operating table DYING, you were calling out the name of your ex-wife who left you.  I’d say, that’s the opposite of Bad Ass.”

I think Alex just pooped his pants.

Did I mention that, unlike Alex, Dr. Mark “McSteamy” Sloan has TOTALLY been looking out for / trying to take care of Lexie this ENTIRE TIME . . .

 . . . or that Jackson Avery is approximately her age, single, and, is now a Series Regular?

Oh, Alex!  You are SO YESTERDAY’S SCREW!

In other news . . .

Good Times Ahead for “Calzona”

After an entire episode during which Arizona worried that Callie would either propose marriage, or start bugging her about “making babies” again, Doctor Blondie was TOTALLY relieved, when Callie finally revealed was that she simply wanted Arizona to live with her on a more permanent basis.   

“I want you to move in with me. I love you, and you have a drawer . . . and a toothbrush . . . and I want you to have a whole dresser and a whole . . .blow-dryer. Or something.. more romantic than that or .  . .something,” mumbles Callie adorably.”

And, just in case some of you out there, missed it, the exchange looked something like this:

and, when Arizona happily accepted Callie’s Proposal of Cohabitation, it looked like THIS . . .

“Blow Dryer” GIF and Calzona PicSpam provided courtesy of: http://fuckyeahcallieandarizona.tumblr.com/

It’s SO HARD to SAY GOODBYE .  . . to  the Gas Man

Oh, Ben!  Dear, Sweet, Miranda Bailey-loving, anesthesiologist, Ben!  We hardly knew ye!  But, already, we loved ye!  We loved the way you made Bailey happy, giddy, and smiley. 

We loved the way you got her to blissfully sing in the elevator, after the two of you FINALLY did the deed.  In short, you were a godsend for our favorite Nazi!

Sure, we always knew that, eventually, you would have to leave.  Really, we did.  But that didn’t make it any easier to watch Miranda dump you.

Yes, you just so happened to be golfing while a young man died in Miranda’s arms.  But that wasn’t your fault!  And yes, Miranda now feels that she is “busy with the tape and the glue”  that are holding her fragile life together.  So, Sweet, Perfect, Ben seems like “too much for her right now.” 

 But, does it REALLY need to be SO HARD?  Does the breakup need to feel so permanent?  After all, glue dries.  Tape peels.  And relationships .  . . well . . . sometimes . . . they heal just not when one of the involved parties has already signed on to work on yet another Shondra Rhimes Medical Drama.

Gas Man, you will certainly be missed.  And maybe, just maybe, we will find it in our hearts to check you out on that OTHER show, which shall remain nameless.  But, for right now, at least, I can’t do that.  Call me, Dark and Twisty if you want, but I’m still a little bitter . . . 

I guess my glue just hasn’t dried yet.

Well, there you have it folks — Grey’s Anatomy Season 7 is officially upon us.  Are you as psyched as I am?

[www.juliekushner.com]

3 Comments

Filed under Grey's Anatomy

Why the heck weren’t MY high school dances this exciting? – A Recap of Pretty Little Liar’s “There’s No Place Like Homecoming”

Breaking and entering, destruction of chemistry labs, freaky gang-type tattoos, allusions to incest, creepo fortune tellers, and, quite possibly, a MURDER, all in a single hour?  I’ve got three words for you: Best.  Dance.  Ever.

Last week, I griped about the disappearance of one of my favorite characters on Pretty Little Liars.  Namely, THIS GUY . . .

Yep  . . . unfortunately, that adorable, drunky Brit, Wren, was missing YET AGAIN this week!  However, unlike last week, where I spent a good portion of the lackluster episode pining for his return, this episode pretty much rocked, IN SPITE of his absence.  Shocking, yet true . . .

(Which is not to say that I don’t want him back, ABC Family!  You BETTER bring him back!)

So, in the words of the inimitable Hanna, who, by the way, was my TOTAL hero and main source of comic relief, this week  . . .

(Who knew Queen Bee Former Fatties could be so funny . . . and likeable?) . . .

 “Let’s get this PARTY started!”

Confuscius say, “Who hijacked MY Fortune Cookie?”

In the darkest corners of human nature, there now lurks a NEW evil . . . and it is shaped like this . . .

When the episode opens, Spencer, Emily, and Hanna are in Aria’s bedroom staging an intervention.  We know that Aria is seriously depressed, because she is wearing a  . . . PONYTAIL!

She is also sporting . . . NON-NAME BRAND SWEAT PANTS . . . from LAST SEASON!

Clearly, this is an emergency of EPIC proportions.  To rescue their friend from the dark fathomless abyss of “dressing for comfort,” the girls arrive, armed with trashy gossip magazines and Chinese food.  What more could a girl possibly want?

Without too much effort on their part, the girls eventually manage to snap Aria out of her Mr. Fitz-shaped depression, and convince her to attend the upcoming Homecoming Dance.  With their “mission accomplished,” the girls quickly breakout the takeout and start to chow down.  Before even touching her food, Hanna heads for dessert (girl after my own heart). 

She eagerly rips open her fortune cookie, yanking out that familiarly tiny piece of paper that, to this day, is my FAVORITE part of eating Chinese food.  Unfortunately, Hanna’s cookie-sized “prediction for the future” isn’t anything positive like:  You will come upon great and unexpected riches.  Nor is it something funny like:  You will eat another fortune cookie.  Rather, it says THIS . . .

Lions and tigers and bitches, oh my!  There is no place like homecoming.  See you there, A!

A’s unexpected use of a Wizard of Oz reference in crafting this taunt, can only mean ONE thing.  SOMEONE in the writers’ room has clearly been reading my recaps, in which I generally enjoy comparing “Dead Ali” to the Wicked Witch of the West.

Then again . . . maybe not.

The rest of the girls quickly open their own fortune cookies.  Sure enough, each one bears the SAME cryptic message.  This development obviously begs the very important question of, “How did A get her message into cookies?”

Does she work at the Chinese Restaurant where the girls got their takeout food?  Did she simply order the Fortune Cookies premade online, and slip them into the girls’ takeout bag, at the last minute?  If the latter is true, how did A know that the girls would be ordering at the exact time they did?

I’m with you, Mr. Monkey!  I don’t get it, either.

Hanna Gets Sexercised

The next day, in what was, hands down, the episode’s funniest scene, Hanna attends an abstinence group meeting with her boyfriend, Sean.  During it, she is asked to participate in a “role-playing” exercise, in which she propositions a boy for sex, and he turns her down for Jesus.  The boy doing the rejecting in the skit is a new guy named Lucas.

 I liked Lucas instantly, if only because his nerdiness, and smart-mouthed defensive sarcasm, reminded me so much of the ever-awesome Seth Cohen from that show The O.C.  And you all know how I LOVE me some Seth Cohen!

Socially awkward and snarky, but loveable, high school nerds?  Meet your king!

“Come back to my bedroom,” monotones Hanna, looking bored as ever.

“I can’t do this,” replies Lucas.

“But you’re so hot,” deadpans Hanna.  (Her delivery of this line, in particular, WAS hysterical!  I only wish I had it on MP3, so that I can play it for myself, whenever I’m feeling down.)

“No, what I mean, is I can’t do this with YOU!” Lucas clarifies.

In a very sweet, and unusually honest moment for the show, Lucas explains how a guy of his social status could never even THINK of having the opportunity to have sex with a woman of Hanna’s caliber.  (Clearly, Lucas has never watched The O.C.)  “I have the physical strength of Screech . . .  keeping my virginity is pretty much a done deal for me,” he concluded.

I had to laugh when I heard the random “Screech” reference . . .

After all, the Lucas character is undoubtedly WAY too young to have watched Saved by the Bell, the sitcom that first featured the character (as are, I would imagine, a good percentage of Pretty Little Liars fans).  Heck, I was a little kid when the show first aired, and I am quite a ways away from high school.  Perhaps Lucas remembers Screech, or rather Dustin Diamond, the actor who played him, from Celebrity Fit Club.  

Or, maybe he found that awful sex tape starring the actor, online, while his parents were asleep in the next room.  Seeing THAT would be enought to make any kid want to stay abstinant FOR THE REST OF THEIR LIVES!  Then again, later on in the same episode, Lucas also made a Hans Solo reference . . .

. . . leading me to conclude that the character is actually a 40-year old, stuck in a 17-year old body. 

(BTW, the next time Hanna propositioned him for sex during role play, Lucas enthusiastically said, “Yes.”  Atta boy, Lucas!  Don’t let nasty sex tapes starring has-been 90’s stars get you down.)

Speaking of a character on this show who looks and acts too old to be in high school . . .

 . . . Hanna was so inspired by her sexercise, that she decided to play matchmaker for her dear friend Emily.  Having recently learned from A, via instant message, that Emily and middle-aged Maya occasionally enjoyed swapping spit with one another, Hanna more or less invites Maya to the dance on Emily’s behalf.  The problem, of course, is that Emily is already going with someone else .  . . Creepy Toby.

I love high school dances.  They always remind me of that old movie, Carrie.

More on Creepy Toby in a bit . . .

Spencer should really stick to what she does best (Hint:  It’s not dating.)

Having unceremoniously tossed aside, and completely forgotten, about the adorable Wren, as if the hottie was yesterday’s dirty underwear, Spencer is totally ready to head off to the Big Dance with Ball Boy Alex, when the episode begins.  The two share a surprisingly sexy scene together pre-dance, when Alex visits Spencer at school, so that the two could color coordinate their outfits.  (Color coordinate, huh?  OK.  Alex is clearly gay.)

When Alex offers to pay for the dance tickets, Spencer awkwardly explains that she has it taken care of.  “It’s just that you . . . work so hard for your money . . . I’d hate to see you waste it on something stupid like this.”

To Alex’s credit, rather than be offended by the obvious implications of that statement, he simply pulls Spencer into a steamy embrace.  “But I WANT to,” he insists.

He then deftly sticks a wad of cash in the pocket of Spencer’s jeans, like she’s a Vegas showgirl, who just gave him a lap dance.  (Way to stay classy, Ball Boy!)

That night, at the dance, Spencer is surprised (and by “surprised” I mean completely miserable) to see that her sister Melissa also in attendance.

Glory Days . . . They’ll pass you by, Glory Days .  . .

Apparently, it is customary for former Homecoming Queens to pass off the  crown to the next Queen Bee.  And this year, they conveniently chose the Homecoming Queen from the class of 2000, Melissa.  This is probably because she was the only former queen lame enough to show up. 

Wait a second . . . Class of 2000?  Did I mishear that? 

Wouldn’t that make Melissa (and Wren) like 12 or 13 years older than Spencer?  And what about that AP History paper Spencer stole off her sister’s laptop?  I could have sworn the date on it was 2004. 

Even if we give Melissa the benefit of the doubt, and say she WAS part of the Class of 2000, that would mean she wrote the AP History paper that Spencer stole, over a decade ago.  And yet, Melissa still remembers it well enough to recognize it as hers on the website where information regarding Spencer’s award is posted.  I seriously doubt I could recognize a paper I wrote my last year in college, let alone high school, especially ten years after the fact. 

Melissa must have superhuman memory.  A nice skill to have.  Too bad she’s such a raging bitch. 

“I heart the Russian Revolution.  I always really identified with that Stalin guy.”

When Spencer becomes too occupied with the mystery of A’s identity to truly show her date, Alex, a good time, Melissa uses it as an opportunity to plant the seeds of destruction in Alex’s mind about the genuine nature of Spencer’s romantic attraction to him.  “She’s just using your poor ass to make our parents mad,” Melissa explains, more or less.

The statement festers in Alex’s brain all evening, and eventually causes Alex to ditch Spencer’s ass at the dance, without even saying goodbye.  When Spencer confronts Melissa about her misdeeds, the latter explains matter-of-factly.  “I didn’t have to do much.  You screwed that one up all on your own.”

“Who, moi?”

And while I HATE to EVER agree with Evil Melissa, I have to admit she DOES have a point here . . .

But BEFORE all that happened, Spencer and Alex went to visit a fortune teller, who had a penchant for tarot card reading.  (Yeah, we didn’t have THOSE at my dances either.)  At first, it seemed like a typical reading.  The fortune teller droned on and on about a bad relationship, and not trusting people and blah, blah, blah.  The whole thing would have sucked if A didn’t swoop in to make it exciting.  “Say Bye, Bye to Your BFF,” she somehow managed to scrawl on one of the cards. 

Woah!  How did A do that?  Clearly A is a superhero with magical powers!

 . . . or should I say  . . . supervillain.

Awkward much?

As soon as Aria was assigned to help out at the “bean bag toss” table at the dance (which, apparently, had some sort of “carney theme” or whatever), you just knew she would somehow wind up working it with Ezra Fitz and his new uber dweeby haircut.

“I wanted something to match my pasty white legs.”

The two bicker a bit about whether Aria knows “A” and whether she told “A” about her relationship with Fitzy.  Eventually Aria gets frustrated and storms off.  Later, a jealous, Fitzy spies Aria dancing with Hanna’s beau, Sean.  Fitz looks PISSED!

Glory Days . . . They’ll pass you by, Glory Days . . .

To Fitzy’s credit,  when Aria confronted him in the hallway later that night, I really thought, Fitzy was going to say something d-baggy about her “moving on” so quickly.  Instead, he breaks into an honestly heartwarming (even to a TOTAL cynic like me) speech about how he wishes that he could give Aria a good time in the same way boys Aria’s own age could: taking her to movies, introducing her to friends, attending dances together, banging her in the gym locker room, etc.  Fitzy then admits to Aria he got his haircut to impress her, and my heart melted a bit. 

But I STILL hate that awful haircut . . .

Creepy Toby ALWAYS gets the girl (even if she is, technically, a relative)

No one much approved of Emily’s taking Creepy Toby to the Homecoming Dance.  In fact, the couple’s mere entrance into the auditorium causes the entire room to literally turn blue with fear.  (Seriously, what was with the weird lightning in this episode?   Half the dance scenes were lit like a live actions Smurfs movie!)

Which begs a very important question: which Pretty Little Liar would get to be Smurfette?

One of the reasons for the Pretty Little Liars being so “blue” about Emily dating Toby, was that they kind of /sort of thought he killed Ali / was “A.”  You see, apparently, Dweeby Toby found time out of his busy “being a psycho” schedule to get a really gnarly tattoo on his stomach (I thought you had to be 18 to do that.) 

The tattoo said “901 free at last.”  Apparently, the number is not his zip code, but rather the day that  .  . . wait for it . . . Ali disappeared.

To further complicate matters,  Hanna breaks into Jenna’s shrinks office.  (Oh yeah, she totally did that — because shop lifting, car theft/ destruction, and breaking and entering weren’t enough to quench future gangleader Hanna’s taste for crime.  She missed being crowned Homecoming Queen to do it too.)

I may look sweet and innocent, but I’m a totally bad ass MO FO!

Once there, she learns that Toby’s been sexing his stepsister, Blind Jenna . . .

. . . and was in town when Ali disappeared!

Back at the dance, Toby invites Emily to the chemistry lab “to talk.”  Things start out innocently enough, with Emily admitting to Toby that she may very well be a Big Ole Lessie.  But then they take a turn for the frightening, when Toby utters that one line EVERY heretofore mild-mannered serial killer says in movies, before he turns on you and literally eats your face off . . .

“We all have secrets, Emily!”

As if that wasn’t enough of a warning, Emily receives a text message at that moment from Hanna saying, “You’re with A’s killer now.”

Emily freaks out and backs away from Creepy Toby.  He lunges toward her.  Thinking fast, Emily knocks him into a glass cabinet in the chem lab, causing glass to shatter all around him.  Clearly Toby has the same superpowers as A (or IS actually A), because he recovers from the massive fall into glass in mere seconds, and chases Emily down the hallway.  She trips over something and falls . . .

But the final scene just MADE the episode for me.  In it, we see a sign that says, “Rosewood Population 3,488” (or something . . . I can’t really remember the exact number.   I just know it was pretty darn small).  Then, suddenly, a black jacketed hand sprays white spray paint over the final “8,” and uses black spray paint to change it to a “7.” 

The question is . . . who died?  And how does the vandal KNOW about it?

16 Comments

Filed under Pretty Little Liars