Tag Archives: Top Ten List

Happiness is a Warm Chair – Looking Back at the Top Ten Chuck and Blair Moments from Season 5, Part 1

Source 

Greetings, Upper East Siders!  So far, this season of Gossip Girl has been quite the bittersweet one for us Chair fans.  On the sweet side, we have Chuck and Blair displaying just as much love, adoration, and passion for one another, as they always have.  Each time they were together on screen was more electric than the one before.

Even when Chuck and Blair were apart from one another, it was clear that they were never far from one another’s minds.  Donut Dan Humphrey, perhaps, said it best, when he said of the pair, “You two have some strange force field effect on eachother.  Physicists should study it.”

All of the amazing things Chuck did this season . . . from adopting Monkey, to becoming active in local charities,  to sacrificing his own happiness for Blair’s . . . Donut Dan’s . . . and even that cyborg asshat, Louis-bot’s . . . he did them out of love for, and in honor of, one very special Queen B.

As for Blair, her continued doubts about her relationship with Louis, and whether the so-called fairytale ending she had finally earned was all it was cracked up to be, all seemed to lead her back to Chuck Bass.    It was his face, she sought out, at the end of nearly every episode.  It was his voice she needed to hear on the phone.  It was his hand, she wanted to caress her face, when all hope seemed lost . . .

What’s amazing about seeing Chuck and Blair together in Season 5, is how much they both have grown, both as individuals, and as a couple, since Gossip Girl premiered, back in 2007.  Both have had their hearts broken, more times than they can count.  Their experiences have made them somewhat less impulsive than they used to be, and less willing to give their hearts to others, out of fear that their love won’t be returned.

But these same experiences have also made them kinder, gentler, more selfless people.  Chuck and Blair started the series as headstrong, manipulative, somewhat selfish individuals.  Now, they are adults, who are ready to enter into a mature, honest, and intimate relationship with one another, and maybe even start a family together.

It sounds pretty perfect, right?  But, alas, all was not well in Chair-land this season.  First of all, we were saddled with that marble-mouthed, personality-free cyborg, Louis-bot . . . the only character capable of uniting Chair and Dair fans in mutual hatred.

He ate up precious Chair screen time with his inexplicable verbiage, lame schemes, and ridiculous 8:54 apologies for whatever odious thing he did to Blair that week.

Due to his presence, and the existence of his evil spawn inside Blair’s belly, Chuck and Blair were frustratingly tentative, throughout most of the season, about sharing their true feelings for one another.

And when Chuck and Blair finally did receive their much awaited, and deserved happy reunion, it was ripped away by a nearly fatal car crash.  Thus proving that these two long-time lovers are just as starcrossed, as they always have been.

I guess some things never change . . .

But the holidays are not a time for regrets, complaints, or petty accusations.   They are time for spreading happiness, limo sex and for giving and receiving love and bar-mitzvah sex.

And in that spirit, I proudly present to you, my dear Chair fans, my picks of the Top Ten Chuck and Blair Moments from Season 5, so far  . . .

10. “I wanted to move on, to give you the happy life that you deserve.”

Episode: “Rhodes to Perdition” – 5 x 9

Setting the Scene:

Blair’s realization that Chuck has returned the engagement ring he once bought for her, causes our Queen B to have some shocking and disheartening revelations about herself, and her relationship with Chuck . . .

Video:

Potent Quotables:

CHUCK: “Dr. Kirby thought you were upset I returned the ring.”

BLAIR: “He has too many PhD’s.  They cancel each other out and make him a moron.”

CHUCK: “I returned it because you asked me to let you go . . . I wanted to move on to give you the happy life you deserve.”

BLAIR: “All this time, I’ve blamed you for pulling me into the dark.  But I was wrong.  It was me who brought out your dark side.  And now that I’m with Louis, I’ve done the same to him.  I’m sorry.”

Why it made the list:

It is quite fitting that Blair begins this scene tasting cakes, as pastries have always played a major role in Chuck’s and Blair’s sex life . . .

Blair claims that she can’t enjoy her cakes because Louis-bot has lost his sweetness. How do you lose something you never had?  However, I can’t help but wonder whether it is her fear that she has lost Chuck’s love for good that is messing with her appetite.  After all, he always did like to eat her pies!

It’s interesting how Blair initially tries to deflect the seriousness of the conversation through casual banter, and witty insults.  Conversation avoidance is typically Chuck’s forte.  But, in this instance, it is Chuck who demands a serious conversation between Blair and him.  He knows that Blair was hurt by his confession that he returned her ring, and feels more than a bit guilty about causing her pain.  But I also think a part of him is a teensy bit hopeful.  Deep down, Chuck likely recognizes that the reason Blair got so upset over the fact that Chuck returned the ring is that she is not over him.

I’m awed by Chuck’s maturity throughout this scene, and how honest he is with Blair about his feelings.  Chuck has no desire to manipulate Blair’s feelings for him, as he has done in the past.  He only wants her to be happy, even if that secretly makes him miserable.  Chuck knows that no matter how many rings he leaves on the doorstep of Harry Winston to get stolen by homeless people he will always love Blair, more than life itself.

But, at this point, Chuck believes that Blair can only be happy with Louis.  And so, he says what he needs to say, to ensure that happiness.  It’s the type of blatant self-sacrifice we will see from Chuck, again and again this season . . .

But Blair misconstrues Chuck’s words terribly, interpreting them in a way Chuck never imagined that she would.  She begins to blame herself for Chuck’s and Louis-bot’s foibles.  And the anguish on her face, is mirrored by Chuck, the moment he realizes he has unwittingly caused her to feel this way.  It’s a sad scene . . . one that represents just how star-crossed Chuck and Blair truly are.  But it also illustrates their unbreakable bond, and how invested these two individuals are in eachother’s feelings and emotions.

9. Those pesky match-making squirrels . . .

Episode: “Memoirs of an Invisible Dan” – 5 x 4

Setting the Scene:

Reunited for the first time, since Blair announced that she was pregnant with Louis-bot’s spawn, Chuck and Blair undoubtedly worry that things might be awkward between them.  So, Chuck’s best friend, Monkey, plots with a few Chair-shipping squirrels to help break the ice . . .

Video:

Potent Quotables:

Source 

BLAIR: “Since when do you bite your tongue?”

CHUCK: “I’m learning.”

BLAIR: “Isn’t Humphrey becoming quite the drama queen?”

CHUCK: “Isn’t that usually your role?”

BLAIR: “I prefer drama princess now.”

CHUCK:  “How are you, by the way?”

BLAIR:  “I’m OK.  Thanks for asking.”

CHUCK: “I’m sorry .  .  . squirrels.  Should we?”

Why it made the list:

With all the heartache and angsty moments these two have endured over the years,  it’s nice, every once in a while,  to see a light-hearted, dare I say, cute moment between them.  I remember watching the pregnancy reveal in 5 X 3, and wondering how Chuck and Blair would react to one another, when they saw eachother again.  Would they be cold?  Awkward?  Distant?

It was refreshing to see Chuck and Blair be so completely at ease with one another, despite the obvious subtext between them.  And I applauded the pair for being able to make, what could have been a terribly uncomfortable moment, oddly normal, filled as it was with easy jokes, friendly familiarity, witty familiarity, and, of course, mild flirting.  Already, Blair is starting to notice that Chuck has matured, in his staunch refusal to reveal Dan’s secret.  She’s clearly impressed with him  . . .

And yet, once again, as in the prior scene, it’s Chuck that brings the conversation to a deeper level.  He places an affectionate hand on Blair’s arm, as he asks her how she’s doing, with a look in his eyes that is a mixture of concerned and loving.  The pregnant and subconsciously maternal Blair, gently moves her hands toward her stomach,  before she replies, a subtle implication that she knows exactly to what he’s referring.

When Blair thanks Chuck for asking, on the surface, it’s a banal response, one that anyone would make, if someone asked them how they were doing.  But the look Blair gives Chuck when she says it, shows that she is expressing gratitude, not just for Chuck’s words, but that he has the courage to resume their relationship, and continue to support her, even though she is carrying another man’s child.  We’ll see that gratitude expressed again, in a more significant way, later on in the season.

Source 

Everyone’s favorite guest star, Monkey, has been a secret Chair fan, ever since he comforted Chuck,  after his fateful encounter with Blair at the end of episode 3.  So, it is no surprise that the canine Bass is a little schemer, just like his owner.  It’s certainly no accident that he went after those squirrels, in such a way that Chuck would have to pull Blair close to him, in order to hold on to the leash, and keep his pregnant lover from falling on the concrete.

Thanks to Monkey, Chuck literally sweeps Blair off her feet, in such a way that the two are both smiling, blushing, and eye-goggling eachother, long after Monkey has been set back on the straight and narrow.  Chuck Bass is always so cool, calm, and collected.  This is why some of my favorite Chair scenes arise when Chuck seems to lose his composure.  The shy, and goofy way a red-faced Chuck mumbled a shy apology over the squirrels, warmed my heart,  because it shows just how smitten he still is with Blair, even after all these years.

Blair may have wanted Chuck to murder those butterflies in his stomach,  back in Season 1.  But here we are, four seasons later.  And they are clearly alive and well . . .

8. Blair and Chuck attend couple’s therapy

Episode: “Rhodes to Perdition” – 5 x 9

Setting the Scene:

In complete denial of the obvious-to-everyone-else-but-her fact that the reason her relationship with Louis-bot is failing so miserably, is that she is head-over-heels in love with Chuck, Blair tags along on one of Chuck’s therapy sessions.   While there, she hopes to unlock the mystery of why Chuck is so awesome, and Louis-bot is so awful . . .

Video:

Potent Quotables:

BLAIR: “I was a teenage bulimic and my father came out when I was fifteen.  This isn’t my first analysis.”

SHRINK: “Are you saying that you want your fiancé to be more like Chuck?”

BLAIR: “No!  More like the man Chuck’s become.  Like Louis used to be when Chuck was like Louis is now.”

SHRINK: “If you don’t mind me saying so, you seem confused.”

And later .  . .

CHUCK: “But I did let go of you, Blair . . . if you don’t believe me, call on Harry Winston.  The night of The Spectator launch, I left the engagement ring I bought you on the doorstep and walked away.”

Why it made the list:

At first, this scene seems as though it’s going to be played mainly for laughs.  Chuck, clearly aware of how patently ridiculous it is that his non-girlfriend has decided to attend therapy with him, teases and taunts Blair, by using most of his therapy time to wax poetic about Monkey’s self-pleasuring tendencies.  (Any hope of Monkey getting a love interest, next season, Josh Schwartz?)  And yet something tells me Chuck’s real therapy sessions are much more juicy, and decidedly Blair-centric.

From Chuck’s perspective, it’s interesting that he refrains for as long as possible from telling Blair about returning her ring, presumably because he knows it will hurt her feelings.  And yet, when he is finally goaded into revealing this pertinent information, he seems both surprised and cowed, by how much his confession affected her.  It’s almost as if, a part of Chuck believed that Blair wouldn’t care at all about the ring, because he doesn’t yet consider himself worthy of her love.

As for Blair, she never expected that Chuck’s transformation had anything to do with letting go of her.  And the mistaken realization that Chuck might truly be over her, devastates her in a way that she never expected.  Leighton Meester is spectacular in this scene.  Her body stiffens in shock, as her eyes well up with tears.  It’s almost as if she’s experienced the death of a loved one.  But what she’s really experiencing is what she believes to be the death of love.

Blair tries to act casual about this discovery, when she excuses herself.   But the way her voice cracks, as she escapes the room, says everything about what’s going on in her head and heart.  She’s not fooling anybody, least of all, herself . . .

7. “Do you think you could love another man’s child?”

Episode: “Riding in Town Cars with Boys” – 5 x 10

Setting the Scene:

Hiding away in Brooklyn, so that those nosy paparazzi won’t realize that her pregnant fingers are now too fat for her wedding ring, Blair struggles over why she can’t commit to her robot fiance.  Seeking closure or perhaps an opportunity to escape this sham of a marriage, Blair calls the one man, who can help her get in touch with her true emotions: Chuck Bass . . .

Video:

Potent Quotables:

BLAIR: “I need your advice.  It seems as you’ve found your way, I’ve lost mine.”

CHUCK: “I didn’t think Blair Waldorf could get lost.”

BLAIR: “Neither did I, but I’m so lost I wound up in Brooklyn.”

CHUCK: “There are worse places.  This isn’t something Humphrey can help you with?”

BLAIR:  “No . . . only you .  . . Do you think you could love another man’s child?”

CHUCK: “Why are you asking me this?”

BLAIR: “I’m paralyzed.  I can’t move.   I can’t breathe.  You have to help me.”

CHUCK: “I can’t make this decision for you, Blair.  You’re the one who has to live with it.”

BLAIR: “But, what’s the right choice, Chuck?”

CHUCK: “I can’t imagine it would be a mistake to marry the father of your child.  Right?”

Why it made the list:

What’s interesting about this scene, is that it takes place entirely over the telephone.  So much of Chuck’s and Blair’s relationship is conveyed through their body language, and facial expressions.  When they are face-to-face with one another, knowing what is truly in eachother’s hearts comes easily to Chuck and Blair.  It is second nature to them.

But while on the phone, Chuck and Blair cannot look in eachother’s eyes when they speak.  They can’t touch one another.  They can’t see how eachother or standing, or read the tears in eachother’s eyes, or the devastation in eachother’s posture.  And this causes them to have a miscommunication of tragically epic proportions.

However, as viewers, we get to see Chuck and Blair, as they engage in this conversation.  And this gives us the unique opportunity to read the subtext of their words, which they, themselves, cannot see.  For example, Blair’s voice, when she asks Chuck for help, and jokes about being in Brooklyn, is deceptively subtle, and lighthearted, though we know, from the way she is seated on the couch, that it is taking all her will, not to break down.

Chuck responds in an equally light-hearted fashion.  But the sad look in his eyes, when he speaks  shows fans how hard it is for him to carry on a casual conversation with someone he loves more than life itself, and yet knows he cannot have. When Blair asks Chuck if he could love another man’s child, we see how nervous she is . . . and how tentative.  This is incredibly hard for her.  We know what she wants Chuck’s answer to be, even if she’s not ready to admit that to herself.

As for Chuck, on one hand, his heart swells from hearing this question.  It is the one Chuck has secretly wanted Blair to ask him, ever since she told him she was pregnant back in Episode 3.  On the other hand, a part of him feels as though fate is playing a trick on him, as though it is too good to be true.  “Why are you asking me this?” He asks,  with just a hint of nervous accusation in his voice.

This is when Blair breaks, she admits to being paralyzed, and torn up by fear and indecision.  She needs Chuck to give her the permission to leave her marriage, and save her from herself.  Now, Chuck can clearly hear the anguish in Blair’s voice, and it hurts his heart.  It takes all his will not to hang up the phone, rush over to Brooklyn, take her in his arms, and never let go.  And, perhaps, if Chuck could look Blair in the eyes, and see his love mirrored back in her, that’s exactly what he would have done.

Source

But he doesn’t see her.  And a voice in his head is nagging him to keep his feelings to himself.  He doesn’t know yet, how much Blair still loves him.  He worries that she will resent him, if he takes her away from the father of her child.  So, he says what he thinks is the “right” thing to say .  . .  He gives her up.  Even though he has to bite his quivering lip, when he finishes speaking to keep from breaking down.

Now, Chuck and Blair are both more lost than before.  But, fortunately, not for long . . .

6. Blair tells Chuck she’s pregnant / helps him to feel again

Source 

Episode: “The Jewel of Denial”  – 5 x 3

Setting the Scene:  

After sacrificing his own happiness, so Blair could marry Louis-bot, Chuck escaped to Los Angeles, hoping to lose himself in booze and beautiful women.  But the old tricks, don’t seem to work for Chuck now, as he finds himself shockingly devoid of the ability to experience any sort of human emotion.  He reacts by throwing himself into increasingly dangerous situations, hoping that the physical pain he suffers will somehow translate into an emotional  one.  But Chuck isn’t experiencing physical pain, either.

Chuck’s new bestie, Humpty Humphrey, has spent the entire episode, trying to get him to feel something.  However, in the end, only Blair Waldorf holds the key that unlocks Chuck’s heart . . .

Video:

Potent Quotables:

BLAIR: “I need to talk to you.”

CHUCK: “I thought we said everything we needed to say, last time we saw each other.”

BLAIR: “Chuck . . .”

CHUCK: “Is this another misguided attempt by Dan to get me to feel something?”

BLAIR: “I’m pregnant.  It’s Louis’.  I didn’t want you to find out from someone else, and wonder if the baby was yours.”

CHUCK: “That’s very considerate.”

BLAIR: “Yes . . . well . . . if I know anything about Chuck Bass, it’s that fatherhood isn’t part of the lifestyle.”

CHUCK: “You must have been very relieved when you realized you weren’t carrying my offspring.  It certainly would have derailed your fairytale.”

BLAIR: “This fairytale is complicated.”

CHUCK: “Blair, meet my dog, Monkey.”

BLAIR: “I saw Gossip Girl. I thought you got rid of him.”

CHUCK: “I just sent him to get fixed.  I thought it was the responsible thing to do.”

And later . . .

BLAIR: “There is a part of me that really wanted it to be yours.”

Why it made the list:

In the telephone scene, Chuck and Blair spoke volumes to one another.  But they could see one another, and, therefore, missed the painful emotions behind the words.  Conversely, in this scene, up until the very end, Chuck and Blair actually say very little to one another.  The conversation is polite, cordial, and even a bit cold.  If a conversation like this was done over the phone, it could have singlehandedly wrecked Chuck’s and Blair’s relationship.  But because Chuck and Blair can see one another, and know what eachother are feeling, during the conversation, it actually strengthens the bond between them.

When this scene first aired, it was the first time Leighton Meester and Ed Westwick had shared the screen together, since the season 4 finale.  Chair fans waited with baited breath for the couple to reunite, over the long summer hiatus, and through the first two epsiodes of the season.  It made their actual reunion that much more epic, emotionally-charged, and meaningful than it perhaps would be, otherwise.

When Chuck first lays eyes on Blair,  his eyes widen, as if he doesn’t quite believe she’s really there.  Though they’ve spent months apart, it is quite clear, in that first moment that Chuck’s and Blair’s love for one another hasn’t diminished.  “I thought we said everything we needed to say the last time we saw eachother,” Chuck says, coldly.

He’s protecting his heart.  He doesn’t want Blair to hurt him again.  Blair’s utterance of his name in response, is a plea, that he take down his walls, and open his heart, so that he can really hear what she has to say.  It melts him a bit.  But his guard is still up.  He still thinks her presence in his apartment is too good to be true.  He thinks it’s a ploy or a trick of some sort.

But that all changes, when Blair admits tearfully that she’s pregnant, and that the baby is not his.  He’s clearly heartbroken, as is she.  They know how one another are feeling.  And yet, they still exchange cold pleasantries, maintaining the falsehood that Blair still wants her fantasy life with Louis-bot, and Chuck still wants to live life as a perpetual bachelor.

Once again, this conversation is in danger of ending very badly for Chair.  But in comes Number One Chair fan, Monkey, at just the right moment.  His presence makes Blair realize how much Chuck has changed, and it softens both of their hearts.  Because, really, who could be angry, in the presence of an adorable dog.  I think it’s the presence of Monkey, that enables Blair to make the heartfelt admission that ensures the future of Chair, “There’s a part of me that really wanted it to be yours.”

Clearly, Chuck feels the same way.  You can see it in his eyes.  But he says nothing.  Instead, he bids Blair a polite goodbye,  and waits for her to depart, so that he can finally breakdown.  Blair’s confession has awakened Chuck’s ability to experience pain and emotion.  She’s saved his soul, and broken his heart, in a single moment.  Fortunately, Monkey is there to pick up the pieces . . .

5. “You are the lightest thing that ever came into my life.”

Episode: “Rhodes to Perdition” – 5 x 9

Setting the Scene:

Having learned that Chuck’s shocking transformation took place, only after he committed to giving her up for the greater good, Blair has come to the devastating conclusion that she brings out the evil in the men that she dates.  Knowing this to be patently false, and unable to allow the woman he loves to be so down on herself, Chuck goes to Blair’s bedroom to comfort her . . . .

Video:

Potent Quotables:

Source 

CHUCK: “You never pulled me to the dark side, Blair.”

BLAIR: “I appreciate you trying to make me feel better.  But I have my answer.”

CHUCK: “You were the lightest thing that ever came into my life.”

BLAIR: “Then, why did it take letting me go to find this whole new side of yourself?”

CHUCK: “I only turned dark and desperate, because I was afraid of losing you.  You’re love kept me alive.”

BLAIR:  “But you survived without me.”

CHUCK: “The worst thing happened, and I didn’t die.  But I had to find a way to move on with my life.  I only want you to be happy.  I’m just sorry it couldn’t be with me.”

And later . . .

CHUCK: “I’m not the groom.”

Why it made the list:

Many times throughout the series,  we’ve seen Blair comfort Chuck, when he needed a hug, a kind word, and a gentle self esteem boost.  And though Chuck clearly cares for Blair deeply, and can can be turned into puddy at the sight of her tears, it’s rare that we see him comfort her.  It’s not that Chuck isn’t sensitive to Blair needs, or that he doesn’t want to make her feel better, I think he just worries that he doesn’t have the right words to do it.  Perhaps, that will change, now that the New and Improved Chuck has come to the Upper East Side . . .

It was heartwarming to see Chuck helping Blair through her devastation, by not letting her go on believing that she was to blame for his darkness or Louis’.  In this instance, he knew exactly what to say to cure Blair of her misconception.  And the best part about it, was that it was all true.  Chuck is a much better person, for having known and loved Blair.  She believed in him, supported him, and helped him to become the man he is today.  And if Louis-bot wasn’t such an asshat, she’d probably make him a better person too.

It’s not at all surprising that a guest in the home, walking into the situation would assume that Chuck was the groom-to-be.  Chuck’s and Blair’s romantic connection to one another is apparent even to strangers.  That said, Chuck’s utter dejection when he informed the baker that he wasn’t the groom broke my heart . . .

4. Chuck and Blair play dress-up, and  things get RED HOT.

Episode: “The Big Sleep No More”  – 5 x 7

Setting the Scene:

Blair just can’t seem to get Chuck’s hot body epic apology out of her mind.  Unable to accept the fact that she’s obviously still in love with him, Blair tries to convince herself that Chuck is only pretending to be a better man, so that she will doubt her dull relationship with the Robot Prince.  It’s working!  Desperate for answers, Blair crashes Chuck’s Sleep No More charity event, and attempts to seduce him.  By doing so, she hopes to prove, once and for all, that Chuck Bass is the same sexpot he’s always been.  But the problem with seduction is that it is often a two-way street, which begs the question, “Who’s seducing who?”

Video:

Potent Quotables:

BLAIR: “Of course, you knew it was me.  Was it my perfume?”

And later . . .

BLAIR: “It looks like we’re stuck . . . together . . . alone . . . amongst the masked and anonymous.  Do you remember when we used to play dress-up?”

CHUCK: “How could I forget?  Though, I didn’t think this was your kind of entertainment anymore.”

BLAIR: “At least I know I’m safe, locked in here with the New Chuck Bass, who has none of his old urges.  I have to admit, I had a hard time believing you, at first.  But now I see . . . the therapy, the apology . . . you really have changed.  As warm as it’s getting in here, I can sweep the hair from the nape of my neck, without setting you off.   It’s such a relief to be able to let my guard down.  Oh look!  They even have Red Hots.  You never could resist.  Do you want one?

CHUCK: “No . . . thank you.”

BLAIR: “No one is looking.  Even the new Chuck Bass must have some of his darkest desires.  Just a taste.”

(They kiss.)

BLAIR: (slaps Chuck) “I knew you were still the same Chuck.  You thought by one fake apology, and a few charitable acts, you could get me to question, all the reasons I’m with Louis.  But I was right.  You are incapable of change.”

CHUCK: “It seems you know me too well.”

BLAIR: “And now, thanks to you, I am more certain than ever, that I chose the right man.  Goodbye.”

CHUCK: “Goodbye, Blair.”

Why it made the list:

I suspect some readers might be surprised at how high up on the list this scene appears.  After all, one could argue that everything that happens here is an act.  Blair is seducing Chuck, because she wants to prove that he is still the Bad Bass she knows and loves.  She thinks this will make her feel comfortable entering into her boring relationship with that Gibberish Speaking Cyborg.  And, though we don’t know it, at the time the scene first airs, Chuck is playing a part as well.  He’s pretending to be seduced by Blair, as a favor to Dorota, who claims it will help Blair find happiness with Louis-bot.

On the other hand, how much of this scene really was acting, and how much was real?  It’s fun to try and guess.  After all, this certainly isn’t the first time Chuck and Blair have used their sexual powers of manipulation on one another.  (Remember the “I love you” wars, of Season 2?)

Sexual chemistry simply can’t be faked.  And Chuck and Blair have it in spades, in this scene.  Chuck certainly seems hot and bothered by Blair, as she dances around him, rubbing her neck, filling his nose with her scent, and taunting him with red hots.  His breathing is labored when he speaks to her, and his voice is decidedly husky.  As for Blair, there’s something about the way she stares at Chuck’s mouth that seems to suggest that the seduction act is working it’s magic on her, just as much as it’s working on him.

Source 

And the kiss, it seems to take Blair by surprise, even though she’s been working toward it all this time.  It’s long.  It’s passionate.  It’s red hot.  And both Chuck and Blair find themselves carried away by it’s intensity, until it becomes all-too-apparent that neither of them are acting, anymore.

Even the slap that follows, and the heated argument that occurs between the pair,  seems charged with sexual energy.  Watch their body language in the scene . . . the way their faces are flushed, the way their eyes dilate, when they speak to one another.  After Blair storms, off, Chuck seems a bit lightheaded, like someone waking up from a trance.  He’s not entirely sure what just transpired, but he knows he kind of liked it . . .

Then you remember that Chuck did all this to ensure Blair’s happiness with another man, and it makes you fall in love with him all over again . . .

Source 

3. Chuck apologizes to Blair for  . . . well . . . EVERYTHING.

Episode: “I am Number Nine” – 5 x 6

Setting the Scene:

While on his Path to Redemption, Chuck decides to apologize to Blair and Chair fans for some of the less-than-loveable things he’s done to her, during the course of their roller coaster relationship . . .

Video:

Potent Quotables:

CHUCK: “I’m not here to apologize about what happened tonight.

BLAIR: “What are you here to apologize for?”

CHUCK: “Everything else.  I’m sorry for losing my temper the night you told me that Louis proposed to you.   I’m sorry for not waiting longer at the Empire State Building.  I’m sorry for treating you like property.  I’m sorry I didn’t tell you I loved you, when I knew I did.  Most of all, I’m sorry that I gave up on us, when you never did.”

BLAIR: “Thank you.  I hope never giving up on people isn’t going to be my downfall.”

CHUCK: “It’s why you are going to be an amazing mother.  You are always there for the people who you love, even when they don’t deserve it.”

BLAIR: “You know, that’s never going to change.”

CHUCK: “It’s OK, if it has to.  Starting tonight, I’m going to take care of myself.”

Why it made the list:

This scene was not just a love letter from Chuck to Blair.  It was also a love letter from the GG writers to Chair fans.  On the surface, this was simply Chuck showing Blair just how much he had changed and grown up, over the years.  By admitting, and coming to terms with all the ways in which he has hurt Blair, throughout their relationship, Chuck is saying to the woman he loved, “I am going to change for you.  I am willing to accept responsibility for what I have done wrong.  And I am ready to become a man, who is worthy of your love, even if you cannot bring yourself to love me in return.”

But peel back the layers, and you can also hear the writers saying to you: “Thank you for sticking by this ship, through thick and thin, even when other fans called you crazy for doing so.  We know this couple has accumulated a lot of heavy baggage, over the years.  And we aren’t going to insult your intelligence, by sweeping it under the carpet, and pretending that none of it ever happened.  Instead, we are going to have Chuck own up to his wrongs, and try to make amends for them, not just by his words, but also through his actions.  In short, we are going to reward you, Chair fans.  Because, just like Blair, you don’t give up on the things and people you love.”

With the apologies out of the way, Chuck and Blair actually get to share a really sweet moment, where Chuck illustrates his admiration for Blair’s unflinching ability to stick by people she cares deeply about, even when they disappoint her.  Like Chuck, we know that this will not be Blair’s downfall, but will ultimately be her salvation.  It will keep her strong during the tough road ahead.  And the fact that Chuck told Blair that she would be a great mother, at the very moment, when she needed to hear it most . . . well, if that doesn’t warm you’re heart, you’re a soulless vampire . . .

.  . . or, possibly an evil cyborg.

2. Chuck’s and Blair’s Tragic Limo Town Car Reunion

Episode: “Riding in Town Cars with Boys” – 5 x 10

Setting the Scene:

In this epic mid-season finale episode, Chuck and Blair have finally come clean to one another about their feelings for eachother.  Now, along with Blair’s unborn child, they are finally ready for their much-deserved Happily Ever After.  Unfortunately, those pernicious paparazzi have other ideas . . .

Video:

Potent Quotables:

Source 

BLAIR: “I have to tell Louis, face-to-face that the wedding is off.  He deserves at least that.”

CHUCK: “Are you sure you want to do this?  I mean . . . a prince . . . a fairytale wedding.  This is all you ever wanted.”

BLAIR: “No!  You’re all I ever wanted.  I love you.  I love every part of you.  I couldn’t tell Louis that he would never lose me, because it wasn’t true.  You’re the one I never want to leave.”

And later . . .

BLAIR: “We can go anywhere.  Switzerland has impeccable schools, or maybe Tokyo.   They have opening ceremony, and great test scores.”

CHUCK: “Blair, we don’t need to go anywhere.  We can raise this baby right here.”

Why it made the list:

I have such mixed emotions about this scene.  On one hand, never have I seen such a joyous reunion between two people, as the one between Chuck and Blair.  I mean, seriously, Chair fans.  When have you ever seen Chuck so adorably giddy?

He’s like a little child, practically bursting out of his seat with happiness.  His face is flushed.  He’s breathing heavy.  He’s babbling.  His eyes are wide with excitement.  He keeps touching Blair’s face, as if he can’t quite believe she’s real.  We’ve waited five seasons to see Chuck like this.  And it’s hard not to smile, watching him, even though we all know tragedy is about to strike.

As for Blair, it’s heartening to hear her finally verbalize her feelings for Chuck . . . the one’s we always knew she felt,  but could never quite bring herself to say.  Up until this point, this season, it’s been Chuck always making the heartfelt speeches, the epic apologies, the eloquent declarations of love.  Now it’s Blair telling Chuck she never wants to leave him, planning for their future, talking about starting their family.

In an alternate universe, Chuck and Blair didn’t trade taxi’s with Nate that night.  They avoided the paparazzi, arrived back in the Upper East Side, safe and sound, made sweet love in Blair’s bed, and woke up early the next morning to shop for baby furniture.  But it our universe, Blair finally noticed the paparazzi stalking her car.  And in that moment, the fantasy was shattered.

What’s in store for Chuck and Blair now, remains to be seen . . . But no matter what happens, we can always look back at this moment, and remember them as a young couple, deeply in love, and overjoyed at the prospect of spending the rest of their lives together . . .

And now, for the moment you’ve all been waiting for . . . The Number One Chuck and Blair Moment from Season 5, so far is . . . (drumroll please) . . .

1. “I’m going to love your baby as much as I love you.”

Source 

Episode: “Riding in Town Cars with Boys” – 5 x 10

Setting the Scene:

Source

After their devastating telephone conversation, during which Chuck could not bring himself to tell Blair to ditch that bastard, Louis-bot, for his sexy self, Blair is completely inconsolate, fearing that she will never be happy again.  But Matchmaker Dan has other plans for his friend and the unrequited object of his affection.  And those plans involve the one man with the power to give Blair the happiness she deserves . . .

Video:

Potent Quotables:

CHUCK: “Dan arranged it for us.”

BLAIR: “What us?”

CHUCK: “The ‘us’ I should have fought for, when you called.  The ‘us’ that is not just you and me, but you, me, and your baby.”

BLAIR: “Then, why did you tell me to choose Louis?”

CHUCK: “I thought it was selfish, if I was the one to tell you to break up your family.”

BLAIR: “That was the moment you chose  not to be selfish?”

CHUCK: “Timing has never been our strong suit.  I had it all wrong.  Just because Louis is the father of your baby does not mean you should be with him.  You should be with me.”

BLAIR: “Why?”

CHUCK: “Because I’m going to love your baby as much as I love you.”

And later . . .

BLAIR: “I’ve gotta get out of here.”

CHUCK: “Wait .  . . I want to come with you.”

Why it made the list:

This scene truly embodies Chuck’s and Blair’s relationship.  It’s as if everything we’ve endured with this couple, over the past five seasons — all the breakups, and makeups, the accusations, and the insinuations, the beautiful speeches, and the smoking hot sexual encounters — has culminated in this single moment.  Finally, Chuck is ready to fight for Blair, as he promised he would, during his apology to her in “I Am Number Nine.”  Finally, he is saying the things he’s known in his heart, since he fell in love with her, back in high school . . . the things he’s always wanted to say, but never had the courage to do so.

After all his soul searching, Chuck finally feels worthy, not just of Blair, but of Blair’s child, which he will love as if its his own, because it’s part of the woman he loves more than anything in the world.  It’s a more honest, mature, and heartfelt, Chuck, then we’ve ever seen before.  And it’s this Chuck that takes Blair’s breath away, by saying things to her, that she’s never admitted to herself, that she’s always wanted to hear.

Source 

She moves in closer to him, clutching her unborn child, and, in that moment, they cease to be indviduals, and become a unit . . . a family.  The fact that Chuck doesn’t want to leave Blair’s side, even though he knows this might make them a more likely target for the paparazzi, is both romantic, and symbolic of this union.  Chuck spent so much of these past two seasons apart from Blair.  And he doesn’t want to be separated from her, for another minute.

If only the episode ended here, we could sleep better at night, knowing, for certain, that Chuck, Blair, and Blair’s baby lived happily ever after.  And though that wasn’t in the cards for our favorite Upper East Side Couple, the fact that a perfect scene like this exists, reminds us Chair fans, that Chuck and Blair are meant to be.  They’ve endured hardships, heartbreak, evil cyborgs, bland prostitutes, and so much worse, but it never shook the solid, unbreakable foundation of their love for one another.  And that gives us hope for, and certainty in their future . . . together.

You know you love them!  XOXO!

[www.juliekushner.com][Fangirls Forever]

2 Comments

Filed under Chuck and Blair, Gossip Girl, Television Super Couples, Top Ten Lists

The Vampire Diaries’ Damon Salvatore and Elena Gilbert: The Top Ten WINNING Season 1 Moments for OUR Team!

 

It’s a choice that heroines in teen dramas have had to grapple with for ages: the brooding and sensitive good boy versus the unrepentant and dangerous bad one. 

And nowhere on television is that eternal question more fully explored than on the CW’s The Vampire Diaries, where good can be bad . . .

 . . . and bad can be deliciously GOOD!

Unlike in other shows, where the “good guy” is so bland and boring as to make the heroine’s choice completely obvious, writers Kevin Williamson and Julie Plec actually make a startlingly good case for both the “straight-laced” Stefan Salvatore, and his “fun loving killer” brother Damon.  Nonetheless, a choice HAS to be made . . .

Threesomes are fun, but they can’t last forever . . .

 . . . and I’ve made mine.  In Stefan’s defense, 9 times out of ten, when this sort of question is raised, I will throw MY lot in with the Bad Boy, without a second thought.  But there is something about Damon’s and Elena’s relationship that makes it special.

Unlike most heroines in these type of dramas, Elena is NOT drawn to Damon out of any sort of need for rebellion against authority.  After all, Elena’s parents are dead, and Useless Aunt Jenna certainly isn’t going to be “reigning her in” any time soon.  As for Damon, well, sure, his attraction to Elena may have started because (1) he wanted to stick it to his baby brother; and (2) she looked SO MUCH like his ex .  . .

 . . . but that changed almost immediately after he met her. 

Damon and Elena understand one another in a way no one else around them can.  They know eachothers’ vulnerabilities and weaknesses, as well as their respective strengths.  This allows them to be at ease with one another, and let their guards down in conversation. 

When Damon and Elena are in the same room together, the sexual tension between them crackles and pops like a sparkler on Independence Day.  And even when they aren’t saying anything, the pair can carry on entire conversations through eye contact and body language.

This is why what I am about to do here is so difficult.  When EVERY interaction between two individuals is electrically charged with sexuality, emotion, and meaning, how can one POSSIBLY boil down their entire complex relationship into JUST 10 scenes?   Nonetheless, I figured it was worth a try.  What follows are ten Damon / Elena scenes from Season 1 of The Vampire Diaries.  These scenes, in my opinion, really encapsulate the pair’s relationship, and comprise the best of what this couple has to offer.

[Note: For whatever reason, The CW has always been a bit finicky about what videos it allows us fans to embed in our blog posts.  Therefore, most of the below videos will require you to click on an internal link, that will redirect you to YouTube, before you can watch.  That being said, when I tell you the slight inconvenience you must endure to see the videos will be entirely worth it, I promise, I am not lying . . .]

10) Damon and Elena get flirty in Elena’s bedroom . . .

Nothing says “manly” like a boy in a pink bed, cuddling with a Teddy Bear.

Episode: “Under Control” – 1 X 18

Setting the scene: Elena invites Damon over for an emergency meeting to discuss Stefan, who has been acting strangely ever since he ingested Elena’s blood, during the prior episode . . .

Potent quotables:

DAMON:  “You ask, I come.  I’m easy like that.”

DAMON: (Calls out to a suspicious Jeremy, who is eating cereal in the next room) “No, Elena, I will NOT got to your bedroom with you!”

Why it made the list:  I love how Damon challenges Elena’s growing attraction to him here, by invading her personal space.  Watch the glee Damon takes in laying on Elena’s bed, hugging her teddy bear, fingering her photographs, and fondling her bras and delicates.  Then, at the end of the scene, Damon invades Elena’s person, as he moves in close, trapping her up against the vanity table.  In that moment, without saying so, Damon is forcing Elena to confront her feelings for him, and how they differ from her feelings for Stefan.

9) Damon gives Elena a rose

Episode: “Under Control” –  1 X 18

Setting the scene:  Damon and Elena are at a Founder’s Day pre-party, where Stefan is drinking heavily, in an attempt to dull his hunger for human blood.  Elena expresses her concerns to Damon as the two sit next to one another at the bar.  But Damon is more concerned about Elena’s brother, Jeremy, who has been asking questions about Vicki Donovan’s death. 

 (Background: After Damon made Vicki into a vampire, she violently turned on Elena and Jeremy.  Stefan killed Vicki to save them.  Then, at Elena’s request, Damon buried Vicki’s body, and compelled Jeremy to forget what had happened.)

Potent quotables:

DAMON: (Mimicking Jeremy) “Oh, but sheriff, someone buried her.  Who would do that?”  (raises hand)  “I know, I know!  ME!”

And later . . .

DAMON: (Upon agreeing not to use any more compulsion on Jeremy) “OK.  Don’t say I didn’t warn you.”

Why it made the list: For me, this scene really illustrates the snap, crackle, and pop of Damon’s and Elena’s witty banter.  These two are clearly at ease with one another.  Check out the pair’s body language, as they angle their chairs toward eachother, and repeatedly brush limbs.  I also love the old-fashioned way Damon “courts” Elena, by selecting a rose from a nearby bouquet, sniffing it to make sure it is of top quality, and delicately placing it in her hand. 

So often, we forget that Damon “grew up” in the mid 1800’s.  This scene gently reminds us of that.  When Elena receives the rose, she can’t help but be flattered and intrigued by Damon’s gesture, even though she knows she shouldn’t be.

8 ) Things “heat up,” while Damon and Elena are in the kitchen together. . .

Episode: “Children of the Damned”  – 1 X 13

Setting the scene: Damon has dropped by the Gilbert home for dinner, unannounced.  After the meal, Damon and Elena wash dishes together.  Things quickly evolve from fun and flirty, to serious and intense, when Damon inquires as to Stefan’s true motives, in agreeing to help Damon free his long lost love, Vampire Katherine, from a nearby tomb.  Elena initially shrugs off the question, but Damon confronts her directly, imploring her to be honest with him.  She isn’t . . .

Potent quotables:

ELENA:  “Don’t do that”

DAMON:  “Do what?”

ELENA:  “That move was deliberate.”

DAMON:  “Yeah, I was deliberately trying to get to the sink.”

And later . . .

ELENA: “I’m wearing vervain, Damon.  It’s not going to work.”

DAMON:  “I’m not trying to compel you.   I just want you to answer me . . . honestly”

Why it made the list: So many of Damon’s and Elena’s interactions revolve around the issue of trust.  Can these two individuals trust one another?  Well . . . that really depends on the episode. 

For me, this scene can really be broken down into two parts.  The first part of the scene is lighthearted and flirtatious.  Notice Damon’s highly sexualized “Ohhh . . . mmmm” when he “accidentally” bumps into Elena on the way to the sink.  While Elena pretends to be annoyed by the grope, the sly grin on her face says otherwise.

The second scene is more intense.  Damon can sense that Stefan and Elena are lying to him, but instinctively trusts Elena, and refuses to believe she could do anything so dishonest.  When Elena accuses Damon of trying to compel her to tell him the truth, he appears to be truly offended that she would think he would do that to her, after all they had been through.  When Damon asks Elena if he can trust Stefan, he is revealing to her a vulnerable side of him that she hasn’t seen before.  She feels guilty about lying to Damon, as evidenced by the way her eyes drift downward, refusing to meet his, at 1:18.  Then again, she may just be mesmerized by those gorgeous lips of his . . .

7) Damon and Elena get wet (in the rain)

Episode: “Let the Right One in” – 1 X 17

Setting the scene: Stefan is being held captive by the Hidey Hole Vamps (a random plotline developed, and promptly discarded mid season).  The Hidey Hole Vamps came from the tomb Damon opened during “Fool Me Once” (Episode 14).  You know, the one that was SUPPOSED to contain Vampire Katherine, but didn’t?  So, understandably, Damon feels a bit responsible for his brother’s kidnapping.  Elena of course, is beside herself, and wants part in the rescue.  But Damon fears that if Elena comes along, the responsibility will become too much for him.  And he will lose both Stefan AND Elena, in the process.

Potent quotables:

DAMON:  (Lovingly cupping Elena’s wet face in his hands).  “Elena, I know.  But I don’t know how to get him out.”

Why it made the list:  This short scene is intensely emotional for both Damon and Elena.  Both characters have completely let their guard down.  Elena, who is intensely strong willed, and usually highly adept at keeping her emotions in check, is near tears, at the thought of Stefan being killed by the Hidey Hole Vamps.  She feels helpless, and has stored all her hopes in Damon. 

As I mentioned earlier, Damon feels responsible for this whole situation.  He desperately wants to protect Elena and Stefan, and fears he is about to let them both down.  Damon, who has always been supernaturally strong, and can usually mask his feelings with bravado and snark, is completely stripped down and vulnerable here.  And he hates it .  . .

6) Damon watches Elena sleep

Episode: “Friday Night Bites”  – 1 X 3

Setting the scene:  Ummm, I think you all are smart enough to figure this one out on your own . . .

Potent quotables: 

STEFAN: (in voiceover) “I felt there was hope.  That somewhere deep inside, something inside Damon was human, normal.”

Why it made the list:  This scene, from the third Episode of The Vampire Diaries, is important, because it is truly the first time we see anything resembling humanity in Damon.  Up until this point, all we have seen him do is kill and manipulate people.  Every word spoken by him had an ulterior motive.  Every gesture was made in malice.  Here, we know, Damon’s actions are completely uncalculated, BECAUSE no one else can see them.  Not even Elena, herself, who is unconscious the entire time. 

It’s a short scene, only a few moments long, and (aside from the voiceover) dialogue free.  But those few seconds speak volumes about Damon’s complexity as a character, and his early feelings for Elena — feelings that would only grow stronger, as the series progressed . . .

5) Elena falls victim to Damon’s “Eye Thing”

Episode: “Founder’s Day” 1 X 22 (The Season 1 Finale)

Setting the scene: Elena has just changed out of her 1800’s attire, following the Founder’s Day parade, and a ride on the Miss Mystic Falls float.  Ever since Elena’s biological mother told Elena that Damon “loved her” (“Isobel” – Episode 1 X 21) things have gotten a bit awkward among our favorite Vampire Threesome.  And Elena desperately wants to clear the air. 

Speaking of clearing the air, things of become unusually chilly between Elena and her little brother, Jeremy, following Jeremy’s discovery that Elena has been keeping information aboutVicki’s vampiric demise from him.  She also played a major part in having Jeremy’s memory of the event wiped from his consciousness.

Potent quotables:

DAMON:  “I like you better like this.  The period look, it didn’t suit you.”

ELENA:  “Is that an insult?”

DAMON:   “Actually, Elena.  It is a compliment, of the highest order.”

And later . . .

ELENA:  “So, I think you should stop with the flirty little comments, and that . . . Eye Thing . . . that you do.”

DAMON:  “What eye thing?”  (Does Eye Thing . . .)

ELENA: “Don’t make me regret being your friend.”

Why it made the list: In this scene, we can truly see how far Damon has come, from seeing Elena as a conquest, and a doppelganger of his long lost love, to being a sexy, intelligent, and caring woman, in her own right.  The fact that Damon prefers Elena wearing modern clothes, to Elena wearing Katherine’s clothes, speaks volumes about how much his feelings for her have grown.  Further evidence of that is found later in the scene, when Elena tells Damon not to make her regret being his friend.

Initially, of course, Damon’s face, which has been playful and seductive, since the opening of the scene, falls.  Here’s a sexy popular playboy, one who has NEVER had any trouble with the ladies.  And he has just been placed in the Friend Zone. 

But what makes things really interesting, is what Damon does next.  We watch as he takes a beat to ponder his relationship with Elena.  Instantly, he comes to the conclusion that a friendship with Elena would be far better than no relationship at all.  He nods sadly, but with a deep understanding and respect for Elena’s strength, as she goes to talk to Jeremy.  And don’t even get me started on that “Eye Thing.”

4) Damon tries to compel Elena to kiss him / gets slapped in the face

Episode: “Friday Night Bites:  – 1 x 3

Setting the scene: Damon has basically been compelling Elena’s friend Caroline to be his blood whore throughout the entire episode.  But Caroline has started to bore and annoy Damon, so he sets his sights on greener pastures, Elena’s.  Never one to go about things the “hard way,” Damon corners Elena, alone in the parking lot, during a high school football game.  He plans to compel her to be his love slave, just as he has done with Caroline.  Little does he know that Stefan has armed her with a vervain necklace, rendering her impervious to all mind control . . .

Potent quotables:

DAMON:  “You’re right, I do have other intentions.  But so do you . . . I see them.  You want me . . . I get to you.  You find yourself drawn to me.  You think about me, even when you don’t want to think about me.  I bet you’ve even dreamed about me .  . . (Damon’s eyes glow green, with the power of compulsion behind them).  And right now, you want to kiss me.”

And later . . .

ELENA:  “I am NOT Katherine!”

Why it made the list: The acting in this scene between Ian Somerhalder (Damon) and Nina Dobrev (Elena) was positively brilliant.  For starters, the sexual tension between these two is undeniable  — even though, at this point, Elena is trying desperately to deny it, and Damon is trying to force it, for his own personal gain.  When Damon first makes his speech about how “hot for him” Elena is, we, as viewers, know that a lot of what he is saying true.  Elena DOES feel drawn to Damon.  She DOES think about him, even when she doesn’t want to.   And she HAS dreamed about him.

But what’s really interesting is to watch the scene from Elena’s perspective.  That dreamy, faraway, look in her eye.  The way she keeps leaning closer and closer to him, as he speaks, unable to break eye contact.  The first time I saw the scene, I wondered, for a moment, whether Damon had SUCCEEDED in compelling Elena to want to kiss him, in spite of the fact that she was wearing vervain. 

Then I wondered whether Elena knew what Damon was trying to do.  Based on that theory, she was  just pretending to fall under his spell, only to catch him off guard, when she went in for the slap later.  But here’s the thing:  at this point, Elena doesn’t KNOW that Stefan and Damon are vampires.  (Notice how Elena didn’t catch on to Damon’s ironic intimation, that he was MUCH older than Caroline.)  So, she has no idea, they are capable of mind control.  So, Elena’s seemingly lovestruck initial reaction to Damon’s words?  It was REAL!

3) Damon and Elena do the “Mating Dance”

Episode: “Miss Mystic Falls” – 1 X 19

Setting the Scene: Elena has unwillingly agreed to take part in the Miss Mystic Falls pageant.  Stefan has agreed to be her escort.  But on the day of the pageant, Stefan mysteriously disappears.  (Turns out he’s gone all blood lusty, and has set out to eliminate Elena’s competition, by eating it.)  Unbeknownst to Elena, Damon has stepped in to fill Stefan’s shoes, and, subsequently, save the day.

Potent quotables:

USELESS AUNT JENNA:   “What is she doing with Damon?”

ALARIC:  “I have NO IDEA!”

Why it made the list:  Like the earlier referenced scene, where Damon watched Elena sleep, this scene is nearly silent, save for the music to which the contestants dance.  I love the first part of the scene, where Elena has her “Oh so Teen Cliched” Staircase Moment, and we see Damon’s eyes light up with love and sexual desire, as he sees her in that blue dress for the first time.

You can see the changes that take place in the couple, as the dance progresses.  When it first starts, the two are wary of one another, stiff and business like.  But then the music starts to take over.  Smiles form on their faces.  They are actually enjoying THIS! 

Damon’s a surprisingly good dancer (much better than his younger brother).  The first part of the dance, during which the partners can’t touch, is a mating ritual in every sense of the world.  Damon and Elena circle one another like predator and prey.

But things really heat up when they are finally able to grab hold of one another.  He grasps her body firmly, in a manner that is strong and protective.  They both get a bit lost in the moment, wanting to move in closer, but unable to do so, based on the regimented nature of the dance.  When the music stops, and the pair are forced to break from one another, they both seem a bit jarred by the intense emotions this experience has brought to the surface.

2) Damon kisses Elena Katherine

Episode: “Founder’s Day” – 1 x 22 (Season 1 Finale)

Setting the scene: At the Founder’s Day Carnival, Bonnie, at Elena’s behest, used her magic to rescue Damon from death by fire.  Filled with gratitude, Damon goes to Elena’s house to set things right with Elena’s brother, Jeremy, by explaining to him, what truly happened with Vampire Vicki.  As he leaves the house, he runs into who he THINKS is Elena.  (It isn’t . . .)

Potent quotables:

DAMON:  “I’m not a hero, Elena.  I don’t do good.  It’s not in my nature.”

KATHERINE (as Elena):  “Maybe it is.”

And later . . .

DAMON:  “She did it for you [saved me], which means that, somewhere along the way, you decided that I was worth saving.  And I wanted to thank you for that.”

KATHERINE (as Elena):  “You’re welcome.”

Why it made the list: At first blush, it may seem like sacrilege to put a scene that didn’t even INCLUDE Elena, in a list of the “Top Ten Best Damon and Elena” scenes.  But the fact remains, that, from Damon’s perspective, this WAS Elena, to whom he had bared his soul, and with whom, after an entire season of trying and failing, he had finally shared a kiss.  All this time, us fans always assumed that Damon did “bad things” simply because he wanted to.  Now, we realize, that he did them, because he thought himself to be completely incapable of goodness.  He is confused by, and uncomfortable with, his growing humanity, but at the same time, excited by it.

And Damon is excited by Elena, who for the first time, seems truly open to his advances.  He kisses her tentatively at first.  And then, when she doesn’t pull away, really lets himself get carried away in the moment.  His hands cup her face, his fingers run through her hair.  All thoughts of this awful day, escape from his head, and all that is left is love and passion.

In hindsight, we can see that “Elena” was different — that she seemed colder and more aloof, then she had in previous scenes.  A few cocked eyebrows and vague responses here and there, betray Katherine’s lack of knowledge, as to what has been going on in Mystic Falls this season.  She notices the change in Damon immediately, and is bit intrigued by it, especially since, all this time, she thought SHE was the only woman who held any power over him.  And when they finally kiss, Katherine shows none of the extreme guilt the ever-faithful Elena would experience had she just made the decision to cheat on her vampire boyfriend.

And it’s this complexity, that makes the scene so compulsively watchable . . .

And finally . . . (drumroll please)

1) Damon returns Elena’s necklace

Episode: “Fool Me Once” – 1X14

Setting the scene: Having recently learned that Stefan and Elena have stolen the spellbook that he needs to free his love Katherine from the tomb, Damon feels hurt and betrayed.  After all, the couple had promised to help him get Katherine back, and Elena had given Damon his word that their intentions were genuine.  Later, Elena comes to visit an uncharacteristically broody Damon at his home, waving the metaphorical “white flag” and carrying the proverbial “olive branch.”

Potent quotables:

ELENA:  “I was protecting the people I love, Damon.  But so were you, in your own twisted way.  As hard as it is to figure, we are all on the same side, after the same thing.”

DAMON:  “Fool me once, shame on you.”

And later . . .

ELENA:  “You and I, we have something.  An understanding.  And I know my betrayal hurt you — different than it was with Stefan.  But I promise you, I will help you get Katherine back.

And still later . . .

DAMON:  I didn’t compel you in Atlanta, because we were having fun.  I wanted it to be real.  I’m trusting you.   Don’t make me regret it.

Why it TOPPED the list: This scene contains everything we LOVE about Damon and Elena, all rolled up into one beautiful and sexy package:  the witty banter, the silent looks filled with meaning, the complex innuendos, the invasion of personal space, gentle caresses, and an admission, on both Damon’s and Elena’s parts, that their relationship is special.  It travels far beyond the expected boundaries of friendship.  The episode, begins with a betrayal of trust, and concludes with the ultimate exchange of trust.  Elena, who has always secretly worried that Damon has been trying to compel her (how else could she explain her strong romantic feelings for him), really puts herself out there for Damon.

By taking off the vervain necklace that protects her from mind control, Elena is exposing herself completely to Damon.  She might as well be standing naked before him.  And Damon, who wonders whether he will ever be able to trust Elena again, has the perfect opportunity to exert ultimate power over her.  And just like in Atlanta, he refuses to take that opportunity.  He will not take advantage of Elena in that way.  When Damon closes in on Elena, and reaches behind her to take the necklace, she is frightened and a bit aroused.  All of this is evident, when, to her surprise, Damon gently clasps the necklace back around her neck.  

A gentle brush of Damon’s fingers across Elena’s throat is enough to send her eyes rolling back in her head in pure ecstacy.  But this scene isn’t just about sex or power.  It is about love, friendship, understanding, and a willingness to let someone see you at your most vulnerable.  And THAT is why this scene made Number One on my list . . .

Season 2 of the Vampire Diaries premieres Thursday, September 9th at 8 p.m. on The CW, and we all know what THAT means — more juicy Damon and Elena scenes to gush over and explore.  I for one, CAN’T WAIT!  Can YOU?

Neither can HE! 😉

[www.juliekushner.com]

 

71 Comments

Filed under The Vampire Diaries

Accentuate the Positive, Eliminate the Vanessa & Dan-itive (a.k.a. My Gossip Girl Season 4 Wish List)

 

Greetings fellow GG fans!  Can you believe there are only TWO more episodes left, before Season 3 draws to a close, and our favorite Upper East Siders ride off into the sunset (most likely to the Hamptons) for summer hiatus?  (The season finale episode, entitled Last Tango, Then Paris, is scheduled to air on May 17th on the CW.)

“OMFG, S!  That TV Recapper Girl is staring at us again!  Doesn’t she know we’re on vacation?” 

As the summer months will definitely be long, hot, and lonely, without my wealthy and stylish New York friends to party with on Monday nights, I thought it might be fun, just this once, in lieu of my usual weekly recap, to peer into my crystal ball into Gossip Girl‘s future, a.k.a Season 4.

Here’s the thing . . . I’ve been a fan of Gossip Girl pretty much since it started, which was back in 2007.   (Sheesh, I can’t believe it’s actually been that long!  I feel OLD!).  When you’ve been with a show for that long, you can’t help but become invested in its characters and storylines.  You also can’t help but form some REALLY STRONG opinions on which aspects of the show you think work, and which . . . well . . . don’t.  So, without further adieu, here is my Wish List of Ten Things I’d Like to See More (or Less) of during Season 4 of Gossip Girl .  . .

1) More C&B Moments!

This one is so obvious, it almost goes without saying.  But, of course, I am going to say it anyway.  As far as I am concerned, Chuck and Blair are, and have always been, the true heart and soul of Gossip Girl.  Every time Leighton Meester and Ed Westwick are on screen together, their explosive on-screen presences and undeniable sexual chemistry are so intense, that I sometimes fear that their collective “heat” will burn a hole in my television set.  Check out this SMOKING HOT fan video of the pair, if you don’t believe me!

Early on in Season 3, Chuck and Blair fell into that WAY TOO common trap suffered by many of television’s great super couples.  Here’s how it goes. . .  You have these two sexy characters that are TOTALLY hot for eachother.  But, for one reason or another, they can’t couple.  (Maybe one of them is dating someone else.  Maybe the two are pretending to hate one another.  Or maybe each member of the pair is simply too proud to admit their true romantic feelings, out of fear of hurt or rejection.)  In Chuck’s and Blair’s case, it was ALL OF THE ABOVE!

So, FINALLY the Season Finale comes.  And the writers give fans what they have been clamoring for since the first episode, a dramatic event that throws the two unrequited lovers together and FORCES them to admit their feelings for one another.  Fans rejoice!  Pause and rewind buttons are worn out on television sets, as “shippers” replay the sexy satisfying moment of coupling OVER AND OVER AGAIN!  DVDs of the Season are preordered en-mass, JUST so people can rewatch the finale.  Fangirl blog posts are written in ALL CAPS with lots of smiley face emoticons!

Then the following Season begins and the pair is now a COUPLE.  And the writers are stumped as to what to do with these fan favorites.  So, first, they give the new couple a lot of makeout and sex scenes to appease the fans.  Then they throw the pair into ridiculous situations, just so the two can fight with one another, and somehow be involved in the story.  But the “fights” seem lame and contrived, and the loyal fans don’t buy into them for one second.  These fans soon grow bored with the same people they once tuned in week after week to see.  Unfortunately, it happens all the time.  And it happened to Chuck and Blair.

But now that the two have broken up (but obviously still care for one another), the writers have an EXCELLENT opportunity to rebuild the angst and sexual tension Chuck and Blair once had.  There can ONCE AGAIN be longing looks, and ALMOST sex moments!  There can be sexy “I want to rip your clothes off, because you infuriate me so much,” bickering.  And there can be the inevitable jealousy that arises when one of the pair tries in vain to “move on.”

You have the power to REALLY make this work GG writers, so DON’T SCREW IT UP!  Don’t instantly throw Chuck and Blair into random and unfulfilling relationships with new characters we don’t care about, or old characters we don’t like that much (cough, Jenny, cough).  Curious as to how to fill Chuck’s and Blair’s time while they are single and, once again, longing for one another, writers?   #5 on this list, should help you out there . . .

2) DOWN WITH DAN AND VANESSA!

“Hey Vanessa, what are you watching?” 

“The Chuck and Blair parts of our show.”

“Cool, let’s do that for the remainder of our screen time.  Maybe it will make us more interesting .  . .”

People who read my recaps might get the idea that I HATE Dan and Vanessa.  I don’t (or at least, I didn’t).  You know when I liked Dan and Vanessa?  Back during Season 1, when they were the poor kids, thrown in with a bunch of rich kids they didn’t like and felt morally superior to.  Because Dan and Vanessa were different than the rest of the GG crew.  They were snarky, and not as well-dressed, and a bit less attractive (Sorry guys!).  So when they made fun of Serena, Nate, Chuck and Blair, you laughed with them, and related to them.  Then the writers got the “great” idea to incorporate Dan and Vanessa into the gang.  They even made Dan RICH! 

“Yo, Jeeves!  I called you TWO WHOLE minutes ago!  Where the F is my limo?  I’d rather DIE than ride the subway!”

What’s worse?  They took these two GREAT sidekicks,  and not only put them center stage, but put them center stage TOGETHER!  Why?  Vanessa and Dan are practically the SAME PERSON!  They are both artsy fartsy, self-righteous, outsiders, who prefer talking about art and literature to partying and having sex.  How can such people even exist on a show like Gossip Girl AT ALL?  Let alone take up 15 minutes of screentime each week .  . .

The TV version of a sleeping pill . . .

Now, I’m not saying to get rid of Dan and Vanessa ALTOGETHER (Although, seeing as the writers just shipped Vanessa off to Haiti, they may, ultimately, have decided to do just that).  I’m simply saying keep them as snarky sidekicks.  Let them give sage advice to our less “level-headed characters.”  Let them provide a grounded sense of realism to the show (as long as such grounded realism lasts under 7 minutes . . .).  Gossip Girl is supposed to be about ostentation, fashion, gorgeous people, bad immoral behavior and teenage angst.  Mature cast members need not apply.  Which leads me to #3 on this list . . .

3) Ix-Nay on the Parental Units’ Storylines, Por Favor!

OK, this one is probably going to sound a little ageist.  But just as I am not cool with Dan and Vanessa eating up twenty minutes of perfectly good GG screentime, nor am I copacetic with that same screentime being devoured by:  Lily van der Woodsen, Dr. van der Woodsen, Rufus Humphrey (and/or that slutty neighbor chick who wants in his pants), Eleanor Waldorf, and Cyrus Rose.  I would, however, make an exception for the Dead Bart Bass . . .

This guy is just too cool!

Look, I’ll be the first to admit it.  There are PLENTY of great shows out there that revolve around the “Over 40” set.  Like, for example, Desperate Housewives or The Golden Girls.

Gossip Girl just ISN’T one of those shows . . .  It’s on the CW, for crying out loud – The NETWORK for late teen, and early twenty-something angst!  Now, I know these teens DO have parents.  And I am not expecting the show to convert said parents into off-screen incoherent buzzing sounds, a la Charlie Brown. . .

 . . . nor should they be just a pair of “feet,” like The Nanny in The Muppet Babies.

All I’m saying, is I don’t need to be informed EVERY time Lily is propositioned by one of her many, many, MANY aging bachelors.  And I don’t need to see that furrowed brow look that Rufus gets every time he feels “insecure.”  Enough is enough!

4) Fire Little J’s Stylist!

(Self explanatory)

5) Bring Back Scheming Blair and Self-Destructive Chuck!

Earlier in this post, I suggested that the writers keep Chuck and Blair single and hot for eachother during most of Season 4.  I also suggested that I would provide the writers with guidance, as to how to keep the characters’ busy during those long uncoupled months.  Here it is!  Gossip Girl was never about “good behavior.”  We love our characters best when they are being naughty!  So, enough of all of this maturity!  Let Chuck get self-destructive, drunk, and slutty with random girls.  Let Blair scheme and connive to get what she wants and to get revenge against those who double cross her.  Better yet, let these two awesomely adorable baddies self-destructively scheme and connive TOGETHER, like they did during Season 1!

6) Get thee to Columbia, GO!

When a high school show transitions into a college show, it is typically a make or break time for the series.  Lesser shows have failed in making the transition, but Gossip Girl did a fairly good job of it.  The writers managed to keep all of the characters in NYC and, therefore, relevant to the series, while not falling into the “they should all go to the same college” trap, into which other shows have fallen.  For example, it makes total sense, that the non-academically inclined Chuck, and the under achieving, Slutty Serena would not attend school at all, while the born-with-a-silver-spoon-in-his-mouth Nate would be able to use his lineage to get into an Ivy League school.  However, I can’t say I’ve been all that pleased with the show’s portrayal of NYU.

Having taken summer classes at NYU, I am happy to report that it’s a fine establishment, no where near the lame artsy fartsy place it’s portrayed as on the show.  Now that BOTH Nate and Blair are attending Columbia on the Upper West side, the writers have a BRILLIANT opportunity to portray a second college in a more realistic way than they portrayed the first.  The change of scenery might be nice too . . .

7) “New York . .  .  it’s streets will make you feel brand new.  It’s lights will inspire you.”  USE IT!

As someone who works in NYC, I generally love Gossip Girl’s glamorous and CLEAN portrayal of my city.  However, they keep showing us the SAME TWO BLOCKS!  NYC is a vast playground, in which our favorite characters can thrive and play.  Take advantage, writers!  Wouldn’t you LOVE, for example, to see Blair muck it up in the not always so classy, Times Square?  Or watch Serena get laid in the Bronx?  Because I WOULD!

8 ) Put the “F” back in OMFG!

I absolutely ADORED the “OMFG” Gossip Girl campaign that jump started Season 2 of the show.  After all, how could you possibly top posters like these?

Except, lately, I feel like the show has gotten a bit .  . . how do I say this . . . TAME!  So, here’s a tip for the writers: in Season 4, try to include at least one OMFG (slutty) moment per every 20 minutes of Gossip Girl.    You get extra bonus points if the slutty scene in question involves Chuck and / or Blair.

9) Little Eric . . . BIG Backstory!

In last week’s GG installment, “It’s a Dad, Dad, Dad, Dad World,” the chronically underwritten Eric van der Woodsen really got a chance to shine.  And fans FINALLY got to see Connor Paolo flex his acting chops.  The episode also gently reminded us that ERIC TRIED TO COMMIT SUICIDE back in Season 1!  Why did he do this?  What made him so depressed?  I would really love to see this storyline explored (possibly through flashbacks) during Season 4.  And I think Mr. Paolo is up for the challenge . . .

10) If Nate only had a brain (and a decent storyline) . . .

It’s no secret that Chace Crawford is easy on the eyes.  But I THINK he can actually ACT too.  Although, you wouldn’t really know this from watching Gossip Girl, of late.  In recent episodes, it seems as though Nate’s only function is be the sex toy for whatever lady happens to desire his “services” at the moment.  If GG was a porno (and sometimes I wonder if it is), Nate would be the Pizza Delivery Guy.

Earlier in this post, I saved you writers A LOT of screentime by nixing storylines for Dan, Vanessa, and the Upper East Side Parental Units (except for, of course, Awesomely Dead Bart Bass).  Let’s fill some of that screentime with a meaty Nate storyline — perhaps, one that doesn’t involve him taking his clothes off at the the first opportunity . . .

There you have it GG fans, my Wish List for Season 4 of Gossip Girl.  Oh, and if, by chance, you happen to be experiencing GG-related withdrawal symptoms this summer, I recently came across an EXCELLENT Gossip Girl blog site, that will be sure to satisfy all of your OMFG needs.  Here’s the link:

http://chuckandblairtheperfectpair.wordpress.com/

The writers of the site are VERY nice, and will be happy to assist you. (Just don’t mention the whole “Chenny” thing to them.  You might make them angry . . .  ;))

XOXO

6 Comments

Filed under Gossip Girl

Shirtlessness is Godliness – My Take on the Top Ten TV Bods

[WARNING:  On most days, I try to imbue this blog with (moderately) intelligent insights and (sort of) insightful commentary about our pop culture world . . . This is NOT ONE OF THOSE DAYS!  Today is all about objectifying  male television stars, and objectifying them HARD!  So if you happen to be looking for intelligent insights or insightful commentary, you might want to head on over to CNN.com or MSNBC.com — because you won’t find any HERE!]

Are they gone yet?  Good!   Now that we’ve ditched the “mature and responsible adults,” and it’s just us girls, let’s TALK.  Let’s talk about abs of steel, arms of bronze, and skin of silk!  Let’s talk about shoulder blades, belly buttons, backs, butts, and happy trails —  all of it, just barely concealed by tight jeans, strategically placed foliage, soap bubbles, or flimsy peak-a-boo towels!  Ladies, here’s your chance to objectify men, the way they’ve objectified YOU for centuries! 

So, without further adieu, let’s put on our Pink Hard Hats, and DO THIS THING!

When it comes to watching TV, us ladies are LUCKY!  Because, while the FCC simply will NOT allow the exhibition of topless women on prime time television, it has NO TROUBLE AT ALL showing shirtless men!  Out of the countless bodies of work on the “boob-less tube” today, here are just ten of my favorites (in no particular order).

1) Lost’s Shirtless Sawyer (a.k.a Josh Holloway)

When Oceanic Flight 815 crashed on an uncharted island back in 2004, the male survivors immediately instituted a “clothing optional” policy. And BOY are we glad they did!  Snarky, nickname-giving, weapon collecting, bookworm, James Ford, a.k.a Sawyer, is definitely one of those guys who, most of the time, can’t be bothered with such daily inconveniences as putting on a shirt.  So whether he is building a raft to get off the island (which I guess is what he is pictured doing above ), engaging in hot bear cage sex with a fellow castaway .  . .

. . . or randomly taking a shower, while still wearing his jeans . . .

 . . . chances are Sawyer’s going to let you see his belly button, while he’s doing it.  And if that’s not a charitable contribution to society, I don’t know what IS!

2) True Blood’s Shirtless Jason Stackhouse (a.k.a. Ryan Kwanten)

While there aren’t very many characters on television who are shirtless MORE than Sawyer on Lost.  True Blood’s Jason Stackhouse definitely has the distinction of being one of the few.  This self-proclaimed male slut may not be the sharpest “tool” in the shed, but I certainly wouldn’t kick him out of my bed.  In fact, I’d probably handcuff him to it, so that he couldn’t leave!

Fans of the show will undoubtedly remember Jason Stackhouse’s “fine form,” as it was displayed during the outdoor, Shirts v. Skins, Football Game he played at “Cult Camp” for the Fellowship of the Sun, during Season 2.

And, of course, who could forget the “Sexy Dance” Jason performed for Lafayette back in Season 1, when he was hooked on Vampire Blood?

Shirtless AND pantless!  It doesn’t get much better than this, ladies!

3) The Vampire Diaries’ Shirtless Stefan Salvatore (a.k.a. Paul Wesley)

Speaking of television characters hooked on Human Vampire Blood, here’s another one who isn’t a big fan of “the shirts.”  This broody vampire, with arms like tree trunks, and pects like a Greek God, generously regales us with his Body of Goodness each week on The Vampire Diaries.  Whether he’s doing chin ups to fend off blood cravings, dangling from a ceiling, while being tortured by a crazed team of rebel vamps, or gallantly retrieving a post-coital glass of water for his human girlfriend . . .

 . . . Stefan Salvatore tends to do it sans-shirt.  And thank Heaven for that!

4) Glee’s Shirtless Noah “Puck” Puckerman (a.k.a. Mark Salling)

Why didn’t any of my classmates look like this when I was in high school?  (Probably because they weren’t played by 27-year old actors with a team of personal trainers at their fingertips . . .)  This MILF seducing . . .

 . . . Mohawk wearing, Sweet Caroline singing, triple-sport playing bad boy, has a body to DIE FOR!  And he’s not afraid to show it off.  I can watch this ONE walk around, wearing nothing but a towel for HOURS!  You know what?  I think I will!

5) True Blood’s Shirtless Eric Northman (a.k.a. Alexander Skarsgard)

No wonder True Blood‘s Eric Northman has an entire CALENDAR MONTH dedicated to him!  He’s an extremely well-preserved, centuries old, insanely tall Viking Vampire with a voice like silk, and a penchant for all things bloody.  Did I mention he enjoys taking baths?

Can you really blame Sookie Stackhouse for having sexual dreams about this vamp, even though she is currently involved in another relationship?

6) Supernatural’s Shirtless Sam Winchester (a.k.a. Jared Padalecki)

OK.  I’ll admit that I don’t actually watch this CW show, about two hot demon hunting brothers, one of whom is sometimes possessed.  It just seems too scary for me. (This, coming from a girl who reads and writes books about vampires and hot warlocks, and who watches countless hours of Vampire Television . . . Crazy, I know!)  However, when I was “doing research” for this blog entry, I found this . . .

AND THIS (also featuring a shirtless Jensen Ackles as Dean Winchester) . . .

 . . . and figured I might just have to START watching, after all!

7) Grey’s Anatomy’s Shirtless Alex Karev (a.k.a. Justin Chambers)

This Hot (sometimes D-baggy) Doc, with a tortured past, and a sweet side to boot, looks just as good with his scrubs ON as OFF (We prefer them OFF, of course).    For a busy medical professional, Alex Karev gets LAID A LOT!  And for that, we are thankful, because it gives us an opportunity to see him like this . . .

Can you believe that the actor who plays this strapping male specimen is father to FIVE KIDS?

8 ) The Vampire Diaries’ Shirtless Damon Salvatore (a.k.a. Ian Somerhalder)

Clearly, the fictional vampiric Salvatore brothers both possess the gene for AMAZING abs!  Damon, the older, wiser, and snarkier Salvatore, KNOWS he’s hot.  And while occasionally completely shirtless, Damon, unlike his brother, tends to prefer the “open shirt” look . . .

 . . . which leaves a bit more to the imagination, but can be just as sexy.  Did I mention our boy can DANCE?

(Yeah, they won’t let me embed this video.  Poopyheads!  But click the link and WATCH IT!  I promise you WILL NOT be disappointed . . .)

9) Smallville’s Shirtless Clark Kent / Superman  (a.k.a. Tom Welling)

Undoubtedly, if you are being cast in a teen drama about the origins of the Man of Steel, having a hot bod is a prerequisite.  Tom Welling delivers FOR SURE!  Kansas farm boy, Clark Kent, may spend a significant amount of time fighting crime and leaping tall buildings in a single bound, but he’s also hauled a lot of bales of hay in his day.  And that’s really paid off for him in the chest department, if you know what I mean . . .

10) Lost’s Shirtless Desmond Hume  (a.k.a Henry Ian Cusick)

Since we started with a Lostie, I figured another Lostie would be a good place to end.  This romantic, time,traveling Scotsman, who calls everyone “Brotha,” spent years underground, doing nothing put punching numbers into an aging computer and working out.  And it shows!  Aside from being super cut, Our Man Desmond is not afraid to get a little dirty.  And anyone whose watched Lost knows that a dirty naked body is usually a HOT naked body.

Perhaps the reason Desmond is always looking so fit, is that, based on the pictures paparazzi have of him, the actor who plays Desmond does nothing but run ALL THE TIME!  (Check Google Images, if you don’t believe me!)

Well, there you have it ladies!  Ten hot TV men, all of them at least HALF nude!  Your welcome.  Now I’m off to take a cold shower!  Until next time . . .

31 Comments

Filed under Shirtless TV Stars, Top Ten Lists

My Favorite Mobsters: My Picks of the Top Ten “Made Men” to Grace the Silver and Small Screen

Why are we so fascinated by mobsters?  Is it the way they talk?  (“Fuhgeddaboutit!”  “I’m gonna make him an  offer he can’t refuse!”  “Go to the mattresses.” “I amuse you?  I make you laugh?”)  Their funny accents?  Those snazzy suits and hats they always wear? 

Or perhaps it’s something deeper.  After all, mafia men are loyal to a fault.  They adhere to a strict code of honor.  They place the institution of  “family” above all else.  If you really think about it, mobsters were the first, and ultimate, “bad boys.”  The most successful ones are powerful, strong,  sexy . . . and deadly dangerous.

So, without further adieu, here’s my list of the Top Ten Fictional Mobsters of all time . . .

10) Fat Tony  – The Animated Mobster

Show of origin:  The Simpsons

Played by:          Joe Montegna (he does the voice)

Why he made the list: 

Fat Tony is a successful amalgamation of pretty much every movie and television mobster ever invented.  But he still manages to have his own unique style.  It’s really hard to be intimidating when you are drawn in colored pencil, and have a face like a muppet.  Yet, Fat Tony somehow manages to be genuinely menacing.  Interestingly enough, the character’s appearance is based on that of an actor who frequently appears in mafia films (and was just shy of making this list).

Paul Sorvino (Now can you see the resemblance?)

9) Sonny – The Mobster with a Heart of Gold

Film of origin:  A Bronx Tale

Played by:        Chazz Palminteri

Why he made this list:

Sure, Sonny may have shot a man in cold blood over a parking space, but it was really to protect Joe Pesci!  And, yes,  Sonny beat the stuffing out of an entire biker gang, but they had been destroying family-owned bars across the country!  When you really think about it, this New York mob boss was a pretty good guy, as far as racketeering murderers go.  And he seemed to really care about young Calogero (“C”). 

Sonny acted as a second father to C (His biological father was played by Robert De Niro, who is also on this list, TWICE.  However, not for this movie, where he played a law-abiding bus driver.)  He taught C the ins and outs of life, lectured him about staying in school, gave him advice on women, tried to keep him away from a life of crime, and, most importantly, saved his life.  Oh, and he also taught him how to gamble.  Gambling is fun!

8) Consigliere Tom Hagen – The Smart Mobster

Film of origin: The Godfather (Parts I and II)

Played by: Robert Duvall

Why he made the list:

Not all mobsters were Italian.  Some were of German and Irish descent, like Tom Hagen.  (Can’t you tell by the name?)  Tom was an educated man, a lawyer.  He acted as a sage, and mild-mannered advisor, first to Vito Corleone, and, later to his son, Michael.  Despite, living and working amongst mobsters, Tom more or less managed to keep his hands clean.  And while he remained loyal to The Family throughout his life, he did so without ever committing an act of violence.  (Then again, he did convince that one guy to commit suicide.  Not cool, Tom!)

7) Sylvio Dante  – The Loyal Rocker Mobster

Played by :         Steven Van Zandt

Show of origin:  The Sopranos

Why he made the list:  

Oh how, I love Sylvio, let me count the ways.  First and foremost, he has cool Elvis hair.

And the actor who plays him rocks out with a band from my home state of NEW JERSEY!  Bruce Springsteen’s E-Street Band, of course!

Silvio was probably the toughest muscle of Tony Soprano’s gang.  However,  unlike the hot-headed Paulie Walnuts (we’ll get to him later), he never lost his cool.  When others came to doubt Tony’s leadership, Sylvio was unfailingly loyal.  Sylvio detested rats above all else, and most of his victims were snitches and informants of some sort.  (And no one likes THEM, anyway, right?)

6) Jimmy “The Greek” Conway – The Strong and Silent (but Deadly) Mobster

Film of origin:   Goodfellas

Played by: Robert De Niro

Why he made this list:

Like Tom Hagen, Jimmy is an Irish mobster (although, truthfully, it’s hard to imagine De Niro as anything other than Italian).   And like Silvio, he is the mild-mannered muscle of his crew.  Although, Jimmy’s origin of descent prevented him from becoming a true “made man,” he never complained.  While his hands may have been dirtier than anyone else’s in his Family, Jimmy never let his job diminish his sense of class and style.  A

fter a big score had left them with untold riches, Jimmy cautioned his crew against dressing and behaving too ostentatiously.  Oh yeah, and the dude can smoke a cigar like no one’s business . . .

5) Vito Corleone – The Old School Mobster

Film of origin: The Godfather (Parts I and II)

Played by:       Marlon Brando and Robert De Niro

Why he made the list:

Honestly, how could I make a mobster list, without including the original mobster himself?  Vito was the King of the Mobsters.  The mobster on which all subsequent film and television mobsters are undoubtedly based.  And if his character didn’t have to go and die on us at the end of the first Godfather movie (we saw him in the second one only through flashbacks), I have no doubt that he would be significantly higher on this list. 

You know what?  I’m not even going to tell you why Vito is so cool.  I’m going to let him show you for himself . . .

4) Paulie Walnuts – The Wal – NUTS Mobster

Show of origin: The Sopranos

Played by:          Tony Sirico

Why he made the list:

In short, Paulie made this list because he is bat sh*t crazy!  If Silvio is the man on the Soprano’s crew you’d most want to have your back, Paulie is the one you’d most want to take out for beers.  Between his kick ass one-liners, his random flip outs, and his childlike constant need for approval, hot-headed Paulie Walnuts is nothing if not entertaining.  And talk about loyalty to family, the dude beat up an old lady, just because she wasn’t playing nicely with his mother!  Plus, he has awesome Pepe Le Pew hair . . .

(Notice the resemblance?)

3) Tommy DeVito – The Loudmouthed Mobster

Film of origin: Goodfellas

Played by: Joe Pesci (Here’s another guy that I couldn’t dream of making a Mob Hit List without!)

Why he made the list:

I’m pretty sure, a lot of what is awesome about Paulie Walnuts was inspired by this guy.  Tommy DeVito was a hotheaded sociopath, who loved killing and beating the crap out of people. In fact, he did it regularly, often for NO REASON AT ALL.  Murderous tendencies aside, he seems like a pretty cool guy to spend an evening with.  Just don’t call him funny . . .

2) Michael Corleone – The Reluctant Mobster

Film of origin: The Godfather (Parts I, II and III)

Played by: Al Pacino

Why he made the list?

Do you even have to ask?  Michael Corleone was the quintessential mob boss.  But what made him so interesting and unique was that he never wanted to be one.  Born into a notorious crime family, Michael escaped his roots at the age of 18, and went on to become an Ivy League graduate, and war hero.  He then married the straight-laced daughter of a Baptist minister, in hopes of becoming a law-abiding family man, with a lowercase “f.”

But Michael soon gets sucked into the Family’s web.  When two nearly successful attempts are made on his father’s life, he is forced to avenge them.  After his father’s death, Michael is forced to replace him as head of the Corleone crime family.

Although throughout the trilogy, Michael makes numerous attempts to legitamize the Family business, he is continually thwarted by circumstances beyond his control, as well as his growing greed and hubris.  Of all our mob men’s stories, his is perhaps the most tragic.  And that’s why we love him.

1) Tony Soprano – Jersey Mobster Supreme

Show of origin: The Sopranos

Played by:          James Gandolfini

Why he made the list?

There are those of you out there who would undoubtedly like to give me flack for placing Tony Soprano above Michael Corleone on this list.  However, I have had eight years to get to know the former, and only a few hours to get to know the latter.  So, you will have to forgive me my sacrilege. 

Tony Soprano remains one of the most complex characters in television history.  On one hand, he is a hardened criminal, a violent and cold-blooded killer — a man who regularly cheats on his wife, who betrays his former friends and members of his family.  Sure, you could probably justify his murder of Tony Blundetto as a mercy killing, a rival family was going to do him in, anyway.

And his murder of Adrianna could be called a “protective measure.”  She was going to turn Tony and the rest of the Soprano family over to the FBI.

But his shocking “hands-on” murder of protégé and adoptive nephew Christopher Moltisanti during the show’s final season? 

I’m scratching my head over that one . . .

On the other hand, Tony Soprano was always somewhat of a flawed every-man.  He tried desperately to be a good dad to his two children, a good brother to his younger sister, and a good son to his spiteful, mean, and often unappreciative mother.  And before he killed Christopher, he really did care for him like a son or younger brother (if that counts for anything).  Tony also suffered from debilitating depression and panic attacks, both of which made him seem more fragile and human.

It was these physical and emotional ailments that caused Tony to seek treatment from psychiatrist Dr. Melfi.  During these therapy sessions,  we got to see a softer side of Tony — a side that experienced guilt and remorse over his actions, one that loved and deeply cared about those around him.

Dr. Melfi brought out the best in Tony Soprano.  And even though, these two never crossed the line romantically, the intelligent interplay and sexual tension between them was extremely HOT!

This is why Tony Soprano, tops my list.  And why, I REFUSE to believe that he died during that maddening fade-to-black series finale!  In fact, I am so certain, that Tony merely finished his onion rings, waited until Journey’s Don’t Stop Believing finished playing on the juke box, and drove home, that I’ve decided to leave you with a video of the awesome opening credits to one of the best television series of all time. 

After all, these credits show a living, cigar-smoking Tony Soprano commuting home from work on the New Jersey Turnpike.  And that’s what I truly believe he will be doing tomorrow evening . . . at least in TV Land!

 

 

11 Comments

Filed under film, Mobsters, television, Top Ten Lists