Heebie Jeebies, Creepy Crawlies, and Hot Abs – A Recap of Glee’s “The Rocky Horror Glee Show”

I have to say, the Glee producers took a decidedly big risk in choosing the theme for this week’s show. 

For one thing, The Rocky Horror Picture Show itself is an “acquired taste.”  It’s got its fans.  It’s got its haters.  And it’s got a good portion of Glee’s fanbase, who have never seen it at all . . .

The show is also pretty raunchy.  (All the characters that aren’t actually “doing it” on-screen, are impliedly getting busy off of it.)

Did I mention that the fans of the show are SERIOUSLY hard core?  You mess with what made them fall in love with this show, and they will make you live to regret it!  (I mean, these guys throw toast at people . . . for fun.)

Hopefully, they don’t throw the Grilled Cheesus . . .

All that being said, I think Glee did an admirable, if slightly imperfect, tribute to a musical classic this week.  And for that, they deserve a round of applause . . .

And . . . let’s face it . . . the multitude of Half-Naked Dudes didn’t hurt either . . .

Did you ever notice, how the writers of Glee find an excuse to show Chord Overstreet more or less naked in EVERY SINGLE EPISODE?  Not that we’re complaining . . .

Let’s “Time Warp” back to the beginning of the episode, shall we?

School Musical = Foreplay?

Someone should really instruct the federal government to watch this week’s episode of Glee.  After all, it includes within it, the solution to ALL of the nation’s healthcare problems!  I mean, who the heck needs medicine at all, when you’ve got Uncle Jesse from Full House catering to your physical, emotional, and psychological needs?

Having already raised TWO Olsen twins, there’s nothing this guy can’t do . . .

Well, at least, this is what Will’s lunch meeting with Emma suggests.  Just a few dates with Uncle Jesse Carl, and our OCD Poster Child, now, not only no longer needs to cut the crusts off her sandwiches, or wear plastic bags on her hands in public, she also apparently enjoys “playing dress up” and watching The Rocky Horror Picture Show, amidst a filthy theater of costumed “Toast Throwers!”

Emma shows Will how to do the “Time Warp” . . . again.

This marked change in Emma inspires Will to do something daring: namely, use his students to try lure Emma back into his arms (and, hopefully, his bed).

. . . because using kids to get sex . . . well . . . THAT’s not creepy at all . . .

So, that afternoon, Will informs his Glee kids that they will be performing The Rocky Horror Picture Show for their school musical production.  The proceeds from the show will be used to break Puck out of juvie (come back, Puck, COME BACK!) fund the club’s trip to the National Glee Club Competition in New York City!

In “brilliantly creative” and “not-at-all stereotypical” casting news, Will wants Finn and Rachel to play the dorky male and female leads, Brad and Janet;

He also wants Artie to play . .  . wait for it . . . the Guy in the Wheelchair . . .

I’m shocked!

 Will also hopes that Kurt will play the Very Flamboyant and Sexually Ambiguous Villain, Dr. Frankenfurter . . .

“Flamboyant?  Moi?”

Unfortunately, Kurt is totally not down with dressing in drag (He ends up being cast as a surprisingly convincing Riff Raff.)

 And so, who offers to take the part, but . . .

MIKE CHANG? 

Woah!  Color me impressed!  It looks like Uncle Jesse Dr. Carl has not only cured Emma of OCD, he has also broke Tina’s Dancing “Hot Patootie” of a Boyfriend out of his chronic, nearly mute, Glee Club laziness . . .

I am already picturing those abs encased in a tight leather leotard . . . Mmmmm!

Oh and Puck Sam will play the Hot Brainless Robot, who everybody desperately wants to screw, Rocky “The Creature.”

If You Can Dream It, Be It, Buddy . . .

With all those “innovative casting decisions” behind him, Will hands the club permission slips, to be signed by their parents, and sends them on their way.  And with that, Will’s dastardly plans to steal Emma from Uncle Jesse, have officially been set in motion . . .

Body Conscious

“I have no idea what’s going on in this script.  And, not in a cool, Inception way,” remarks Finn, as he and Rachel run through their lines, as Brad and Janet.

“Oh come on!  The Leo character was TOTALLY dreaming!  How else would you explain his kids not aging or changing their clothes for 10 years?”

Things get even more confusing, when Rachel informs Finn that he will be performing the scene on stage in his underwear.  (This just became like every bad dream, I have ever had . . .)

“I can’t be on stage in my Tighty Whities,” squeaks Finn.

Wait . . . Finn wears Tighty Whities?  In my dreams, I always kind of pictured him as a Boxer Guy . . .

Immediately recognizing that her boyfriend suffers from “Body Issues,” Rachel comforts him by telling him that he is the “Hottest Boy in School.” 

Hottest Boy in School . . . Third Hottest Boy in Glee Club . . . same difference, right?

As Sue Sees It . . .

Honestly, I would watch my local news SO MUCH MORE OFTEN, if it contained a segment like Sue’s Corner.  These little segments never fail to make me giggle like a school girl when I watch them.  “Halloween is a time when Little Boys to dress like Little Girls; Little Girls dress like Whores; and [both] brow beat hard working American families into giving them food,” she begins.

“We’ve lost the true meaning of Halloween . . . FEAR.”

Be afraid.  Be VERY afraid . . .

Sue concludes the segment, by advising Mommies to tell their kids that Daddy is a “Brain-Eating Zombie” who just whispered to Mommy that the kids “look delicious.”

After the segment, Sue is visited in her office by two  guys that look like insurance claim adjusters, but are actually Barry Bostwick and Meatloaf. (These guys played Brad and Eddie, respectively, in the original Rocky Horror Picture Show movie).

Apparently, Bostwick and Meatloaf also head up the Local News.  They inform Sue that they are aware that her high school’s Glee club will be putting on a very controversial Rocky Horror performance at the school.  Therefore, they would like her to write a “hard-hitting” news piece on the subject . . .

And so, with a Local Emmy on her mind and evil in her heart, Sue approaches Will about helping him out with the play. 

Will responds by reluctantly asking her to play the Criminologist in the production.  How fitting!

Hot Patootie!

Sue’s “assistance” comes in handy, almost immediately.  When Mike Chang’s parents tell their child they are “so not cool” with him wearing makeup and playing a tranny in the school play, Sue commandeers Uncle Jesse to help out . . .

Yes, because having a 40-something year old leather clad man seduce teenagers on stage is not inappropriate or creepy at ALL!

A skeptical (not to mention insanely jealous) Will insists that Carl audition before getting the role.  Apparently, Dr. Carl isn’t just an expert in cleaning teeth and curing OCD, the dude can also SING AND DANCE.  Using his signature Jesse and the Rippers’ style, Dr. Carl performs a rousing interpretation of Rocky Horror’s “Hot Patootie,” (sung by Meatloaf, in the original production) while joyfully spinning his girlfriend Emma around the classroom.

“I am SO screwed!”

A very huffy Will remarks that, since Carl will be playing Dr. Frankenfurter, he should have to audition with one of his songs.   But Carl staunchly refuses to cross dress.  And so, he will play “Eddie” instead. 

But who will play Dr. Frankenfurter?

“I’ll do it Mr. Schue,” remarks Mercedes.

Recalling the “if you can dream it, be it,” line from the show, Mercedes explains that she has always wanted to play the lead in a school play, and playing Dr. Frankenfurter would give her the perfect opportunity.  YOU GO, GIRL!

In the next scene, we get to watch Mercedes perform Dr. Frankenfurter’s iconic “Sweet Transvestite” dressed in full Frankenfurter garb.  I must admit, I was a bit skeptical at first of a women playing the part of a male crossdresser.  However, I must say that her interpretation of the song was pretty ingenious. 

“It’s astounding!”

The songs new “PG” lyrics, however, left a bit to be desired.  “Sin-sational Pennsylvania?”  Come ON, writers!  What exactly made it acceptable to use the word “transvestite,” but NOT the word “transsexual.” 

*sighs*  PRUDES!

Speaking of Prudes . . .

After the rehearsal, Will confronts Emma (who he has hired on as the show’s Sex Toy Costume Designer) about how wrong Carl is for the role of Eddie.  The conversation evolves into a discussion about Sam, and how uncomfortable he is in the barely-there tight gold undies he is forced to wear as Rocky.  Will’s solution.  “I can play Rocky!”

Riiiiiiiight, because a 30-something half-naked man being seduced by a bunch of half-naked teenagers is not inappropriate or creepy at all!

Emma, who’s clearly a moron agrees with Will that his playing Rocky would be an “amazing” idea!  And so, Will asks her to rehearse Rocky’s main musical number “Touch-a, Touch-a, Touch Me” with him. 

While Santana and Brittany watch excitedly from a nearby window . . .

 . . . (assuming the voyeuristic roles Magenta and Columbia had in the original show), Will and Emma begin to perform the musical number. 

Emma, for her part, gets “very” into the role of the newly sexually-awakened Janet . . .

When Emma is not ripping Will’s shirt off with her bare hands, or writhing on the desk like a Sex Kitten in Heat, she’s humping Will’s leg like a Happy Dog!  But when the song ends . . . well, that’s when the sparks really fly!

I really hope they don’t expect Rachel to do THAT!

Body Confidence, Part 2

Meanwhile Finn, still VERY concerned about his shirtless stage debut, is obsessively working out in the school gym, with Sam and Artie.  The usually confident Sam now finds himself feeling a bit insecure, having had his shirtless scene ripped away from him by, none other than his OWN teacher!  Finn wonders whether his shirtless part will be taken from him as well.

“Nah, the Brad part is all about being cool with being uncool.  It’s about having confidence in your body, regardless of what it looks like,” explains Sam.

For whatever reason, this inspires Finn to walk around school naked.

Not that we’re complaining!

Principal Figgins, of course, wants to suspend Finn from school for “making half the student body need therapy.”  However, Will convinces Figgins to let Finn off the hook.  “Your reasons for doing this play are murky at best,” notes Figgins. 

(Murky?  Nah!  Everyone knows that Getting the Teacher Laid is the true reason behind ALL high school musicals . . .)

An Abomination

Things go from bad to worse, when Carl interrupts a dress rehearsal, to call Will out for trying to steal Emma away from him. 

And things go from WORSE to . . . WORSER(?), when Finn finds the footage Sue filmed for the local news, which exposes the Glee club’s performance of The Rocky Horror Picture Show as an “abomination,” one which crosses the lines of human decency.

To Will’s horror, he realizes SUE IS RIGHT!

He has been using the Glee Club members as pawns in his Sick Sad Sex Games!  When Will confronts Sue, the pair engage in a surprisingly serious conversation about teens’ exposure to sexuality.  Will argues that his students are already exposed, so why not allow them to embrace it through art?  Sue replies that, as educators, they have a responsibility to protect students from those parts of life that are “Rated NC-17,” even if they can only do so within the four walls of the high school.

Then Will does something REALLY crazy.  He . . . agrees with Sue.

WOW!  This show IS scary!

Will decides to cancel the show.  Of course, this was precisely what the fame-seeking Sue didn’t want.  This leaves her screaming after Will that she “needs her local Emmy,” as he exits stage left . . . OOPS!

“Love can make you do crazy (and really creepy) things.”

Later, Will approaches Emma, and apologizes to her for having such a hot bod and making her rip his clothes off, even though she’s technically still dating the guy from Full House manipulating her emotions.  “You know, I only did this to get close to you.  I guess love can make you do some crazy things,” Will begins.

“I promise not to abuse our feelings for eachother anymore . . . Carl  is making you better . . . So, if I really love you, I need to back off and acknowledge that being with him, for now, is what’s best for you.”

But, is it really?  Emma didn’t look so sure, at the end of this scene . . .

Let’s Do the Time Warp AGAIN!

At the end of the episode, Will apologizes to his students, especially Sam and Finn for being a Creepy Lecher making them feel uncomfortable — and for putting on the show, for all the wrong reasons.  After all, Rocky Horror Picture Show isn’t really about running around half naked and screwing everybody (well . . . actually . . . it kind of is).  It’s about outcasts coming together and rejoicing in that which makes them different!

“In that way The Rocky Horror Picture Show is the perfect show for this club,” concluded Will.

“So, why aren’t we performing it?”  Santana inquires rationally.

“We are.  We just aren’t going to perform it for an audience,” Will replies.

Well .  . . that’s kind of lame!

The last scene of the episode features the Glee Kids, in Rocky Horro- themed — but substantially less revealing — clothes, performing the show’s iconic dance number, The Time Warp.

Fun-filled, and care-free, this was probably my favorite musical number of the whole episode (Schuester’s awesome abdominal muscles in “Touch-a, Touch-a, Touch Me,” notwithstanding). 

I just kind of wish it all  . . . you know . . . amounted to something more. 

While I enjoyed (despite being slighly skeeved out by) Will’s kind-of/ sort-of romantic play for Emma’s heart, I feel like it may have overshadowed the overall theme of the episode a bit.  For example, it would have been nice to have a few more scenes, during which the kids actually performed scenes from the show, even if those scenes had to be neutered to meet Fox’s newfound puritanical standards. 

(I mean, COME ON!  This was the network that brought us The O.C.,  a show where characters said and DID things that were WAY more sexually suggestive than the words “transsexual” and “heavy petting.”)

Need I say more?

On a positive note, the musical numbers this week were a lot of fun!  You can hear a taste of all of them here:

Did I mention, PUCK IS BACK NEXT WEEK?

OHHHHH YEAAHHHH!

See you then!

[www.juliekushner.com]

Christ on a Cracker! – A Recap of Glee’s “Grilled Cheesus”

“I don’t know . . . it still just looks like burnt toast to me.”

I’m going to level with you guys.  I struggled a lot over whether to write this recap.  For one thing, my parents always told me that, in order to make friends and influence people, two topics I should definitely NOT talk about were politics and religion.  

Now, I’ll admit, I often fail miserably on that first part.  After all, when it comes to politics, I can be a bit opinionated, at times . . .

However, the second part I’ve stuck to pretty rigidly, since I was a kid.  So, why stop now?

Second, having endured the exact same thing that happened to Kurt during my high school years (and, I suspect, with less happy results, than the character will experience), this was a particularly tough episode for me, personally, to watch and critique in a non-biased fashion.

Third, and this is probably the most obvious reason.  This episode was, for the most part, NOT FUNNY!  It was more “Glum” than “Glee.”  And, the “Grilled Cheesus” aside, the topics dealt with here were deadly serious.  Someone’s father being in a coma, is not exactly the type of thing you can . . .

YIPPEE!

BOO!

OMG!

or Ugly Cry Face . . .

 . . . your way around. 

(Although . . .  I would certainly be willing to try . . . :)).

And yet, all that aside, this was a well-written, extraordinarily acted, and insightful episode of Glee, one that featured  remarkable musical performances, and tackled some very controversial issues with class and dignity.  So, in that sense, I thought it was at least worth my recapping time.

That being said, I’m going to try to make this one as painless as possible . . .

A Lean Mean Lord Making Machine . . .

Coincidentally, Finn made this face twice during the episode.  First, when he initially discovered the Grilled Cheesus.  And second, when he discovered his girlfriend Rachel’s supposedly “not so great” boobs were actually “pretty awesome.”

Glee has never been a show averse to product placement.  After all, what are “artist-themed” episodes, if not a half-hour long commercial for the artist in question’s music catalogue . . .

And who doesn’t get a little Brain Freezey for a Slushee . . .

 . . . after feasting their eyes on an advertising campaign like this?

But this week .  . . the Glee advertising department REALLY outdid itself.  And it was all for a man named George Foreman, and his little Grill that Could . . .

After all, can YOU think of a better advertisement for a product, than the implication that if you buy it, it will make food that includes within it a direct line to the Man (or Woman) Upstairs?

I should know.  I bought THREE George Foreman Grills — each in a different sizes and colors — during the first commercial break.  (No . . .actually, I really didn’t . . . but I almost did.  And that has to count for something . . .)

Anyway, we have Finn making his Grilled Cheese sandwich at the top of the episode, when out from it pops a familiar face . . .

.  . . only he looks more like this.

But you’ve really gotta hand it to Finn.  He doesn’t try to sell it on Ebay, like some other crackpots in his position have done before him.  Nor does he end up phoning one of those creepy religious talk shows you often find on television at 3 a.m. to share the “great wonder of it all.”  Instead, Finn asks the Cheesus to grant him three wishes . . .

“Mr. Finn Hudson, sir, have a wish, or two, or three.  I’m in the mood, to help you, dude.  You ain’t never had a friend like J.C.!”

Here were his wishes:

(1) For his team FINALLY to win a football game;

2) to FINALLY get to squeeze his girlfriend, Rachel’s . . . ummm . . .  melons; and

3) to be Quarterback of the football team again . . . FINALLY (even though he only lost the position last week).

Lo and behold, all THREE of Finn’s wishes come TRUE!

YIPP . . . well, I guess we can’t really cheer about that Sam kid dislocating his shoulder.  That would be EVIL.  And we can’t be “EVIL” in front of the “Grilled Cheesus,” can we?

That would be a “No.”

Suddenly, Finn is “shaken to his core.”  He’s “born again.”  He’s “down with J.C.”  (at least, as long as he keeps giving him everything he asks for). 

Finn’s newfound religious fervor (not to mention his egomaniacal self-absorption) causes him to suggest that the episode’s Glee club’s “theme of the week” be spirituality.

While we’re on the subject of the “theme of the week,” I wanted to run something by you guys.  Do you think that EVERY Glee Club member performs a song each week – – and that the Glee writers only SHOW us the main characters’ performances?  Or, are you of the mindset that performing each week is entirely voluntary for the Glee Kids.  So, that SOME members of the club choose to perform EVERY SINGLE WEEK . . .

 . . . while others are just LAZY ASS SLACKERS . . .

Yes, I’m looking at YOU, Mike Chang!

Anyway, Finn’s suggestion causes the Glee club to get into a discussion about spirituality.  Mercedes is down with it . . .

 . . . so is Quinn . . .

 . . . Kurt decries what he sees as most organized religions’ complete failure to include homosexuals and women within their circle.

Every time Brittany prays, she falls asleep.

Puck thinks about the Man (or Woman) Upstairs every time he touches a woman’s  .  . . um . . . melons.

(Coincidentally, we think about the Man (or Woman) Upstairs every time we see Puck with his shirt off . . .)

Oh my LORD!

Puck’s aforementioned religious proclamation, and his strong desire to be faithful to his “Jewish Singer” roots, inspire him to PERFORM FOR THE CLASS.

*Coughs loudly, clears throat, and glares in Mike Chang’s direction*

  . . . sorry.    Puck PERFORMS Billy Joel’s “Only the Good Die Young.” And it is so AWESOME, and INCREDIBLY SEXY, that watching it, I felt like I had . . . (excuse the religious imagery .  . . but this is, after all, the “Grilled Cheesus” episode) DIED AND GONE TO HEAVEN. 

Can we get this guy a record deal and accompanying solo album?  Seriously?

But you don’t have to take my word for it.  See for yourself . . .

By the way, another recapper (although I can’t for the life of me recall which one) compared the Glee kids dorky dancing during Puck’s performance to that of the Peanuts kids in the Charlie Brown Christmas special.  Upon further consideration of this argument, I am inclined to agree .  . . 

Observe and compare . . .

But this storyline isn’t about Puck (unfortunately).  It’s about Finn.  And through all the turmoil Kurt is experiencing  with his father (which I will discuss in just a bit), Finn begins to feel  a wee bit guilty about the good luck he has been experiencing — which he believes could be attributed solely to the “Grilled Cheesus” .  . .

. . .  and, of course, the George Foreman Grill . . .

But then, school therapist, Emma Killjoy . . .

 . . . provides him with logical explanations for all the wishes “Grilled Cheesus” purportedly granted him, thereby peeing on his godlike dreams . . .

So, of course, Finn does what any self-respecting manly man does, when his dreams have just been peed on .  . . he sings.

Specifically, he sings R.E.M’S “Losing My Religion,” which would be really poignant . . . if he wasn’t singing about a by-now-very stale piece of bread . . .

Speaking of that stale bread . . . Finn ultimately eats it . . .

 . . . which, depending on how you look at it, could either be considered Communion or Indigestion.  Take your pick.

Give Me Something to Believe In

*Takes deep breath*  OK.  I guess I can’t put it off any longer.  So, here goes.  The episode opens with Kurt and his father having a conversation about their weekly Friday night dinners, which Kurt has been canceling out on lately.

We know things are about to go very badly for these two when (1) Kurt tells his dad to start eating healthier (never a good sign on a television show); and (2) Burt tells Kurt he is “very disappointed” in him (an EVEN WORSE sign).  The next time we see Burt, he is experiencing serious chest pains, while helping a client.  He eventually keels over from a heart attack.

To make matters worse, Kurt’s mother died when Kurt was a little kid, so he doesn’t really have any family members to support him during his time of need.  Thus, it falls to his favorite teacher, Will, and guidance counselor, Emma, to break the news to Kurt about his father’s accident, and accompany him to the hospital.

At the hospital, Kurt learns from the doctor that his father has survived the heart attack, but lost a lot of oxygen to his brain in the process.  As a result, he has fallen into a coma.  In his first moments alone at his father’s bedside, we see Kurt repeatedly asking his father to squeeze his hand.  This request and gesture will become important later . . .

At school, the Glee kids rally around Kurt, trying to support him in any way they can.  Brittany offers him a book report she wrote on Heart Attacks, which she wants him to give to the doctor working on his father . . . of course.

Forget Gray’s Anatomy.  Brittany’s Anatomy is the ultimate medical resource on all things heart attack . . . and it’s written entirely in crayon!

However, most of the group attempt to offer Kurt solace through prayer.  His Bestie, Mercedes (along with Quinn and Tina), even dedicates Whitney Houston’s “I Look to You” to him.

Kurt is honored by his friend’s gesture, but clearly uncomfortable with its spiritual undertones.  After all, as mentioned earlier, he is a staunch atheist. “Your voice is stunning, but I don’t believe in God,” he tells Mercedes, matter-of-factly.

Kurt cannot reconcile the existence of a higher power with all the strife he has had to endure during his few years on earth:  his mother’s death, his struggles with homosexuality, and now, his father’s heart attack.  “I appreciate your thoughts, but I don’t want your prayers,” he concludes, before exiting the room.

Little did Kurt know that his little speech had an audience beyond that of his fellow Glee club members, namely approximately 13 million television viewers Sue Sylvester.

One might expect Sue, at this point in the story, to come up with some nefarious plot to bring down Will Schuester and the rest of the Glee kids.  (It is Tuesday, after all.)  However, it appears that Sue actually sympathizes with Kurt in this situation, and genuinely wants to help him.

You see, Sue is an atheist as well.  She “lost her religion,” back when she was a child, and the power of prayer wasn’t strong enough to allow her older sister Genie to “be cured” of Down Syndrome.  So, Sue calls Kurt into her office . . .

“I want to be your champion,” she tells Kurt, encouraging him to rat out the Glee club for discussing religion behind school walls.

When Kurt complies with her request, Will and Emma, are brought before the Useless Principal Figgins . . .

Sue, of course, is there to plead her case.  “Our country is not a monarchy, believe me, I’ve tried,” she explains.

“If your students want to praise God, I suggest they enroll in Sweet Holy Mother of God Academy on Jesus Street,” she adds.

Later, Emma confronts Sue about her behavior, asking the latter to keep her beliefs regarding organized religion to herself.  “I realize you are only half orangutan, but I am still allergic to your lustrous ginger mane,” Sue explains.

Well, they do share the same haircolor and range of facial expressions . . .

But then Sue gets serious.  “To ask someone to believe in something that is pure fantasy, is just plain cruel.  That boy’s father could die at any moment now.  I suggest you start preparing him for that.”

Later, in a surprisingly sweet scene, Sue’s sister Genie causes Sue to soften her hardline stance on religion, by admitting, that she, herself, does believe in God, despite all of the strife and difficulties she has experienced living with Down Syndrome.

Meanwhile, Rachel . . .

 . . . has somehow found a way to make Kurt’s father’s medical troubles all about her . . .

I know . . . I’m surprised too.  *snorts*  After commandeering Finn into agreeing to raise their future kids Jewish, and letting him touch her boobies, Rachel sets up some candles outdoors and serenades him with some Barbara Streisand.  But hey, it’s “Papa, Can You Hear Me?” so, I guess it’s mildly appropriate.

Ohhhhh!  This song was from that movie Yentl!  The whole “candles” thing makes a lot more sense now . . .

Rachel’s solo singing party is moved to Kurt’s Dad’s bedside, at a hospital that apparently has the most LAX VISITING HOUR RULES EVER!  In that cramped hospital room are Rachel, Quinn, Mercedes, Finn, and Finn’s mom.  Mind you, NONE of these people are Burt Hummel’s immediate relatives, and NONE of these people were approved as visitors by Kurt.

But I digress . . . Kurt arrives and finds all these people . . . surprise, surprise, praying over Burt.  “We are all different denominations (and Finn worships cheese), so we figured one of us has to be right,” explains Mercedes.

Kurt is PISSED!  He kicks all the visitors out, in favor of giving Burt some accupuncture.  (Apparently, Kurt, while not so down with J.C., is loving the Eastern Medicine.  Go figure!)

The next day at Band Camp Glee club, in probably the most touching part of the entire episode, Kurt shares with the Glee kids how his father was always there for him, during times of trouble, and whenever he felt lonely.  He dedicates a soleful cover of the Beatles’ “I Wanna Hold Your Hand” to Burt, that doesn’t leave a dry eye in the house.  You can watch it here:

(And while you are watching, be sure to check out Little Kurt in the flashback scenes.  Sources tell me that kid is NOT ACTUALLY RELATED TO KURT.  I can’t believe it!  Never have I seen two actors, who weren’t identical twins, look more alike in my life.  No joke!)

Later, Mercedes once again confronts Kurt about his lack of religiosity.  She claims he is closing himself off to many of life’s possibilities.  Kurt, in turn, apologizes for pushing his friends away, and agrees to come to church with Mercedes, if only to see all the awesome hats purportedly there.  In fact, just to prove that his presence is, in fact, all about the hats, and NOT about the J.C., Kurt arrives at church wearing a GIANT TARANTULA on his head . . .

At church, along with her church choir, Mercedes dedicates a rousing rendition of Simon and Garfunkel’s “Bridge Over Troubled Water” to Kurt.  Even Kurt seemed moved by the gesture (then again, maybe it was just that the Tarantula Hat was swaying in time with the music.)

BTW . . . I love how Mercedes addresses her entire geriatric congregation with the words, “Hi Church!”  (Very cool!)

That night, at the hospital, Kurt squeezes his father’s hand, once again, telling him, that, while he might not believe in God, he believes in his father, and the love that the two of them share with one another.  And then . . . it happens . . . Kurt’s father squeezes his hand back.

At the conclusion of the episode, the Glee kids return to their usual “finale spot” on the auditorium stage, decked out in angelic white.  They sing a cover of Joan Osborne’s “What if God was One of Us,” which I can honestly say was about ten times better than the original version. 

Of course, the fact that Jenna Ushkowitz’s Tina got the (increasingly rare for her character), opportunity for a nice solo in it, definitely increased the performance’s likeability for me.

Hear for yourself:

But, OH NO!  Someone heard the Glee kids singing about *gasp* religion!

It was SUE SYLVESTER!

But she LET THEM DO IT, without ratting them out to . . .well . . . it’s not like Useless Principal Figgins would stop them anyway . . . but still . . .

So, there you have it, a Very Special, Rather Depressing, Moderately Religious, Well Acted, and Surprisingly Objective Under the Circumstances episode of Glee . . . about burnt toast.  Did it make a Believer out of YOU?

[www.juliekushner.com]

Shut up and SING! It’s almost time for Season 2 of Glee!

 

If last Sunday’s Gleek-tastic Emmy opener put you in the mood to watch your favorite show about singing and dancing teens, Glee, well then you’ve come to the right blog post.  Unfortunately, I don’t have quite enough clout in the entertainment world (read: “no clout at all”) to show you episodes from the show’s groundbreaking Second Season, which is set to premiere Tuesday, September 21st, at 8 p.m. on Fox.

However, I DO have plenty of mildly spoilerish intel about the new season, complete with a few pretty pictures, and some relevant YouTube videos. These should tide you over, while you eagerly await the season premiere.

So, what are we waiting for?  Let’s get GLEEK-Y!

For starters, here’s the new promo for the show, which aired just a few days ago on Fox. 

Pretty cool, right?  Now, let’s breakdown what we’ve learned about Season 2 so far . . .

The Episodes

Season 2 of Glee is slated to have 22 episodes.  The first few episodes will air on Tuesday at 8 p.m on Fox.  These early episodes will culminate in a SPECIAL extended episode, which will air following Superbowl XLV.

Following that episode, Glee will move to the much coveted Wednesday at 9 p.m. timeslot.  And, you know what that means?  More sex, drugs, and violence ALLOWED by the censors!

Yes, PLEASE!

So far, the producers of Glee have released titles for the first THREE episodes of Season 2, along with brief synopses of each.  In the first episode, entitled Audition, New Directions will be forced, due to more budget cuts, to bring on additional members — a task that will cause tension between on-again, off-again couple, Rachel and Finn.

Two auditioners likely to “make the cut,” are foreign exchange student Sunshine Corzan, played by YouTube sensation and master songstress of the Philippines, Charice (more on her later)  . . .

 Newbie Sunshine duking it out with Rachel Berry in the school bathroom, to the tune of Beyonce and Lady Gaga’s Telephone.

. . . and transfer student / football jock, Sam Evans (played by Chord Overstreet) . . .

Just like another one of our favorite Gleeks, it appears that Sam’s “talents” will be discovered in the shower.  How convenient for those of us scouring the net for shirtless shots of the actor to use in future recaps.  Just saying . . .

Sam is described by producers as being a protege and eventual rival of Finn’s.  It is also rumored that he may be an upcoming MAJOR love interest for one Kurt Hummel.

The second episode is entitled “Britney / Brittany.”  This one will obviously be the much talked about “Britney Spears-themed episode,” comprised entirely of songs by the aforementioned artist, and featuring a cameo appearance by Spears herself.

Heather Morris (as Brittany) posing with Britney Spears — I can see a resemblance.  Can’t you?

The show’s third episode, entitled “Faith,” will be religous-themed, and feature songs including R.E.M’s “Losing my Religion” . . .

 . . . and Barbara Streisand’s “Papa Can You Hear Me.”

Other episodes airing this Season will include a Rocky Horror Picture Show – themed episode .  . .

 .  . . during which the cast of New Directions will undoubtedly perform the Time Warp dance.

Another episode will feature the cast singing entirely ORIGINAL songs.  There will also be a second Madonna-themed episode.

In the Season 2 finale, the cast will head to  New York City, to compete in the national Glee club competition.  There, they will most likely perform Jay Z and Alicia Keys’ anthem to the Big Apple, “Empire State of Mind.”

“New Directions” for our original Gleeks

If the scoop about Kurt’s new love interest enticed you, there is plenty more where that came from!  Speaking of Kurt, Mike O’Malley, who warmed everybody’s hearts with his performance as Kurt’s Dad, Burt Hummel, has been upgraded to season regular status . . .

. . . as have our two favorite “mean girl” Cheerios (and possible lovers?) Heather Morris (Brittany) and Naya Rivera (Santana) . . .

Our favorite love square, starring Rachel, Finn,  Quinn and Puck, is said to be in full effect next year.  However, a NEW love TRIANGLE will ALSO invade the Glee club.   This one will star, the loveable Artie, quirky goth, Tina, and awesome dancer, Mike Chang.

Sources say that when the season opens, Tina will be dating MIKE, having dumped Artie, due to his poor social skills and frequently rude comments.

New Cast Members and Guest Stars

Earlier in this article, I mentioned the cast additions of Chord Overstreet . . .

 . . . and Charice.

What I DIDN’T mention was that Charice’s character’s singing voice will be SO impressive, that it will enable her to make a play for Rachel Berry’s crown as Queen Bee of New Directions.  Listen to her sing this rather impressive cover of Beyonce’s “Halo” (a song which just so happened to be performed on the show, by Lea Michele’s Rachel Berry last season), and compare for yourself.

Another addition to the cast will be John Stamos . . .

John will be playing that dentist boyfriend of Emma Pillsbury, Carl Howell, who was briefly mentioned last season.

Although I sincerely doubt John will be singing on the show, fans of the oh-so-cheesetastic 90’s sitcom Full House, will likely remember that he CAN, in fact, sing.  This will become evident in the VERY retro clip, below.

Also featured in Season 2 will be Cheyenne Jackson, who’s character will replace Idina Menzel’s Shelby Corcoran as the coach for New Directions’ rivals, Vocal Adrenaline.  Since I am nothing without my journalistic integrity, I’ve decided it is absolutely imperative that I provide you with a picture of Cheyenne in his underwear . . .

You’re welcome.

I will not, however, be providing you with an equally scantily clad photograph of our next new cast member.  Dot Jones will appear as McKinley High’s new football coach, and rival to BOTH Sue and Will Schuester, Shannon Beiste.

Beware of THE BEISTE!

Other Glee guest stars will include Carol Burnett . . .

. . . who will play Mommy to, none other than, Sue Sylvester . . .

Speaking of Sue, Javier Bardem will guest star as one of her exes.

Woah!  Maybe I should start wearing track suits.

Susan Boyle will also guest star as the Singing Lunch Lady.

New Music

Look for songs by Billy Joel . . .

. . . Coldplay . . .

 . . . Paul McCartney . . .

 . . . Courtney Love . . .

 . . .  and Led Zeppelin . . .

. . . to be featured on the show.

Oh, and just in case you CAN’T wait until September 21st to get your Glee fix, the Complete First Season of Glee DVD set will be available for purchase on September 14th.  

You can preorder it (at reduced cost) here.

Of course, September 14th is still over a week away.  Is that too many Glee-less days, for you?  If so, worry not.  Glee: The Beginning, a young adult novel said to function as a prequel for the series, is available in stores, RIGHT NOW!

You can order it, by clicking here.

Not much of a reader?   Low on cash?  That’s OK.  I’ve got something for you too.  To conclude this Glee-themed post, I have provided, for your viewing pleasure, a video of that fabulous Journey Medley, performed by the New Directions, during the Season 1 finale.  And, just in case, you didn’t see it when it first aired, you can find a picturesque recap of the entire episode right here.

Well, that’s all I’ve got, for now.  See you on September 21st!  Until then, happy Gleek-ing out!

[www.juliekushner.com]

Where’s My Wren? – A Recap of Pretty Little Liars “Reality Bites Me”

If you’ve read any of my recaps before, you know that I generally like to choose a cheesy title for them, one that hopefully encapsulates the tone of the particular episode I am recapping.  Unfortunately, I couldn’t do that this week, because I was a little distracted.  The problem, I think, was that I just didn’t love this episode, as much as I loved previous ones.  It just seemed like something was missing, but I couldn’t quite put my finger on what it was. 

Then it hit me . . .

The “thing” that was missing from this week’s installment of “Pretty Little Liars” started with a “W” and ended with a “ren.”  The entire time I was watching this episode, I kept listening for that adorable British accent, watching for that smile, and waiting for that hot drunken schmuck to drop another flower pot on Spencer’s floor . . .

. .  . but he never showed.

The episode even tried to trick me, by having a “Wren stand in” pop on the screen to flirt with Spencer.  And, truth be told, that guy looked a little drunk too (More on him later.).  But you can’t fool ME, ABC Family!  Personally, I think you are trying to hide the fact that Wren was kidnapped by the Witchy A, ruiner of all TV relationships . . .

But I digress . . .  A LOT.  Seeing as how I just wasted 200 words of my recap on a guy who wasn’t even IN this week’s installment, PLEASE, PLEASE, PLEASE bring him BACK!  I imagine I should probably start recapping the actual episode.  So, let’s get started . . .

A Lip-sticky Situation

Hanna was a TOTAL Nancy Drew this episode, wasn’t she?   Nothing much exciting really happened to her, but she made up for it, by expertly shoving her nose in the more exciting lives of others.  Oh, and did I mention she got her gay boyfriend to take her back, after she smashed his uber expensive car to smithereens?  Gotta love the forgiving hearts of the filthy rich . . .

“Hey, no worries!  My dad has ten just like it.  We used to lend that one out to the “help.”  They can hitchhike . . .”

But before all that happened, Hanna was eating breakfast, after a slumber party with the girls, when she received yet another mysterious text message from A.  (Apparently, the girls unblocked their cell phones after last week.  So they can now conveniently receive A’s messages again.  I bet you are all SUPER relieved to hear this. I know I was.) 

But this message was different from the others, because it contained . . . an . . . ATTACHMENT!

But, seriously, the ATTACHMENT was actually pretty creepy.  It was a video taken from inside Spencer’s closet.   The video featured our Fabulous Foursome freaking out, after finding that Lipstick Threat on Spencer’s mirror last week . . .

The girls immediately rip open the closet, and something falls on top of them, causing them all to scream.  At this point, I got very excited.  Unfortunately, it wasn’t anything cool, like severed head, or bloody knife, or even a mutilated Barbie doll.  It was .  . .wait for it . . .  a tube of lipstick.

LAME! 

Oh, and it wasn’t even a pretty lipstick, like the one illustrated above.  It was an ugly ass hot pink lipstick, in a shade that was obviously created  to be exclusively worn by airheaded teenage girls in 80’s movies.

Oops . . . she didn’t like that comment, did she?

Clearly, we were supposed to believe that the hot pink tube of crap hiding in Spencer’s closet was the same lipstick that “A” used to write on Spencer’s mirror.  And yet, seeing as the writing on the mirror was BRIGHT RED, not pink, I just didn’t buy it.

Later, Hanna headed off to Sean’s parents’ dental office to receive her “punishment” for wrecking their car.  Supposedly, the purpose of Hanna’s indentured servitude was to “pay” for the car’s repairs.  However, I personally think, Sean’s parents had a more sinister reason for doing this.  My theory is that Sean’s parents were hoping that Sean would take one look at Hanna in that hideous “Kitty Smock” uniform, and decide not to date the illustrious shoplifter / car thief, after all.

Please officer, I’d much prefer the orange jumpsuit and handcuffs, if you don’t mind.  Purple cartoon cats ALWAYS make me look fat.

Granted, when I was little, I used to go to a dentist’s office, where all the hygienists wore outfits like Hanna’s.  Back then, I thought they were the COOLEST shirts EVER!  So, it’s possible that I am simply not the target demographic for the Kitty Smock.  Who knows?

As Hanna rides the elevator on her way to work, who enters but . . . Creepy Blind Jenna!

And what does Jenna do as soon as she steps in the elevator for a three-second ride?  Well, she does what everyone else does in that situation, of course!  She puts on her lipstick!

Wait . . . are you telling me you DON’T put on lipstick while in a moving compartment, because you are afraid of THIS happening?

Yeah . . . me neither.  But apparently BLIND Jenna does it ALL THE TIME!

Did I mention that she’s BLIND?  Not that there is anything wrong with being BLIND, per se.  It’s just that .  . . well . . . why the heck is she LOOKING in the mirror to apply her LIPSTICK?

Hanna doesn’t seem bothered by this anomaly, at all, however.  She is more concerned with the putrid color of lipstick Jenna is wearing.  Lo and behold it’s the EXACT same UGLY ASS lipstick that the girls’ found in Spencer’s house that morning. 

Jenna asks Hanna (who she can’t SEE, of course), if Hanna likes the lipstick she is wearing.  Hanna, of course, lies through her teeth, fearing that if she tells the truth about how hideous Jenna’s lipstick is, the latter’s EVIL CANE of JUSTICE will break both her kneecaps. 

Speaking of which, where the HECK was Jenna’s cane this week?  Did she leave it in the same place as her good taste in lipstick?  Speaking of “color coordination,” have you ever noticed that Jenna ALWAYS wears the same black outfit in every episode?  Weird . . .

Anyway, after doing some pretty impressive snooping, Hanna later learns that Jenna was in the building seeing her therapist.  Oh yes, boys and girls, Jenna goes to THERAPY!  OMG!  Now, if that doesn’t scream KILLER / STALKER, I don’t know what does!  (Yeah, I’m being sarcastic, in case you haven’t figured it out by now.)

Later, Hanna is rewarded with even more juicy gossip, when she receives an instant message on her laptop from the mysterious “A,” one that contains  . . . wait for it . . . another ATTACHMENT.  This one actually made me giggle.  Wanna see?

If you recall, SOMEONE made A BUTTLOAD of copies of those cheap photobooth makeout pictures that Emily and Maya produced a couple weeks back, seemingly for this exact purpose.  Props to Hanna for not being the b*tch I thought she would be about this discovery.  Not only did she not tell anyone else about what she learned.  But when she spoke to Emily, she was actually really supportive — telling Emily that if she met someone who made her happy, whoever that person was, than that was all that mattered.  She’s kind of growing on me, that Hanna . . .

Hanna gets rewarded for her kindness at the end of the episode, when she’s asked to the homecoming dance by the Almost Definitely Gay Sean.  She didn’t think he would ask her, because she STOLE AND WRECKED HIS CAR!  She also thought he had recently started dating this blonde chick who was driving him around everywhere.  But really, Sean and the blonde chick were just attending some cult group meetings for RLW, which stands for Real Love Waits.  Hanna’s so excited about the homecoming dance, she agrees to attend these cult meetings with him. 

“I would LOVE to go to the dance with you, Honey!  My last beard date TOTALLY cancelled out last minute.”

“Awesome!  We should totally color coordinate!  I found this lipstick in Spencer’s closet that would really complement both of our complexions . . .”

Relationships on the Rocks (Shaken, Not Stirred)

Poor Aria!  If Hanna was getting LUCKY this week, with all her windfalls of juicy gossip, Aria was getting . . . well . . . SUCKY.  For starters, after finding that letter from A about her father’s affair, Aria’s mother, understandably was on the rampage.  Fortunately, she took the news maturely, and didn’t take it out on Aria, who had been forced by her father to keep the affair a secret for an entire year.  But it still made dinner at the Montgomery house mighty awkward!

Douchey Daddy!  Now we know why Hilary Swank left your ass!

Fortunately for Aria, at least, initially, she had her relationship with Mr. Fitz to fall back on.  So, when Fitzy told her that he would be doing a lame short story reading gig that night, Aria jumped at the chance to go watch her beau in action.  Randomly, the place where Fitzy did his reading looked suspiciously like a sports bar.  Quite possibly, it was the SAME sports bar, where Aria and Fitzy did the deed in the potty during the pilot episode.

I KNEW I recognized that toilet!

If that last line about “balloons” was any indication, Fitzy’s writing was BAAAAD!  But Aria wanted back in the Fitzy Pantalones so badly that she didn’t seem to notice.  Someone else DID notice, however — namely, Fitzy’s BFF from college.  I think his name was Artie or Marty or something.  No matter, he was basically just there to toss out some good one-liners and screw things up between Aria and Fitzy . . .

“Happy lovers, have no fear!  Sergeant C*ck Block is HERE!”

While Aria is sitting with the bromantic buddies, Artie / Marty / What’s His Face plays nice, regaling Aria on Fitzy’s “adorable” little quirks, such as laughing in his sleep.  (Now that’s just plain creepy.)  But when Aria leaves, Artie /Marty / What’s His Face really lets Fitzy have it for his underage fling. In fact, he falls just short of calling Poor Fitzy a child molester.  The conversation irks Fitzy considerably.  So much so, that he gives Aria the cold shoulder when she comes back to his place.  Aria mends fences quickly, however, by making out with him, and seductively offering “more later.”  Well played, Aria!

“I’m sure Artie / Marty / What’s His Face is great and all, but can he do THIS for you?”

Unfortunately for Aria, Artie / Marty / What’s His Face isn’t the only person trying to break up her relationship with Fitzy.  When Aria returns to Fitzy’s apartment the next day, to retrieve her cell phone, he is LIVID with her over a text message she received from A about the pair’s relationship.  Fitzy dumps Aria on the spot. 

Expect LOTS of REALLY BAD poetry to come out of the loss of this relationship . . .

Love at First Mixtape

Creepy Toby was only SLIGHTLY less creepy this week.  But the minor personality change was enough to make Oh-Golly-Gee-Please-Don’t-Let-Me-Be–a-Lesbian Emily take notice.  As usual, Toby used his alone time with Emily as an opportunity to lecture her on “being herself” and “not caring what other’s think.”  I swear this dude is like a walking After School Special . . . assuming the After School Special  features the main character killing a girl in the shower, while dressed as his own mother.

From his conversations with Emily, we learn that Creepy Toby is an artist, and that he and Emily share the same taste in music.  He offers to make her a mixtape.  She offers to meet him for coffee.

The problem is that when Emily arrives at the ONE COFFEE SHOP IN TOWN, Hanna and Spencer are already there.  So, Wimpy Emily, not wanting her friends to know she is dating the dude that very possibly could be A / Alison’s Killer, completely ignores Creepy Toby, and goes to sit with the girls instead. 

Creepy Toby angrily stalks off, leaving the waitress at the coffee shop Emily’s mixtape, with instructions that she deliver it to Emily.  The mixtape has a picture of Emily on the front cover — the gesture is either really sweet, or really disturbing, I haven’t decided which yet.

The next day, Emily seeks out Creepy Toby, in hopes of setting things right between them.

Is it merely a coincidence that when Emily finds him, Toby is reading The Catcher in the Rye, a book so commonly associated with serial killers that many libraries put a watch out on anyone who takes it out of the library?  (No joke!)  Why isn’t he reading To Kill a Mockingbird, like everyone else in that school?

Anyway, although clearly pissed with Emily, Creepy Toby quickly forgives her wimpiness he’ll chop her body into little tiny pieces and eat them, later.  By way of apology, she gives him a mixtape.  And even though it doesn’t have Toby’s picture drawn on it, Emily throws her OWN hat into the “Creepy Ring,” by cutting letters out of magazines to spell out “Toby’s Mix” on the CD cover — you know, like they do for ransom notes in the movies?  It’s a Match Made in Disturbia between these two  . . .

Spencer Whacks Some Balls .  . . Her Father’s

Were you at all surprised that Spencer ended up winning the Golden Orchid award for her that paper on the Russian Revolution that she stole from her sister?  I wasn’t.  And neither was Spencer.  She did feel guilty though, especially when her father, who has spent the entire first part of the season completely ignoring her, was suddenly showering her with positive attention.  He even offered to take her to the country club to meet an important prospective client.  Spencer and her dad were to play doubles with this  prospective client and his daughter.

Spencer is so psyched about the opportunity to bond with her dad, that she races off to the tennis club to practice.  There she meets not Wren Alex. The two flirt a bit, as Alex compliments Spencer on the take-charge manner in which she handles balls.  But when the time comes for the match, Spencer’s dad insists that Spencer THROW the game, so that he can soften up the prospective client.  Spencer reluctantly throws the match, and feels terrible about it. 

To make matters worse, her new boy toy not Wren Alex sees the whole thing.  He confronts Spencer about it, commiserating over the abundant pressure to “play games” in order to succeed in high society.  Gutsy Ball Whacker Spencer decides to take the bull by the horns, and ask Alex out.  He can barely contain his surprise and excitement, when he says yes.  You GO GIRL THAT’S NOT WREN!

“Hey Alex, you remind me of someone.  I can’t put my finger on who.  How are you at doing British accents?”

Later that evening, Spencer’s father admits that, not only did he throw the match to woo this client, he also blamed his inability to get a table at the club on a “ball attendant”  . . . namely, Alex.  Spencer is LIVID!  She tells her Dad off for his cheating ways, brilliantly ending the rant with a confession about stealing her sister’s paper.  She sure showed him! 

At the end of the episode, Spencer is seen heading out on a date with not Wren Alex.  Apparently, Spencer isn’t only capable of whacking balls, she can juggle them as well.

That’s all I’ve got folks!  Tune in next week when, hopefully, WREN IS BACK!

We miss you, Drunky!

 

 

A Very, Very, VERY Sentimental Journey – A Recap of Glee’s Season Finale “Journey”

I’m not going to say that the The Sopranos finale was the first time I heard about or listened to the band, Journey, but it was pretty darn close.  Just in case you were curious, THIS is Journey . . .

Is it just me, or does the one on the far right bear a striking resemblance to Sue Sylvester?

Yet, now, between that controversial fade-to-black “Tony Soprano loves onion rings.  Let’s listen to Don’t Stop Believing, before we sort of, kind of, quite possibly die” series finale, and Glee‘s Journey extravaganza at Regionals, the aforementioned 80’s hairband has officially become the Lords of the Primetime Finale!  And having watched this season’s final episode of Glee (appropriately entitled “Journey”), I can certainly see why . . .

If At First You Don’t Succeed, Cry, Cry (and cry, and cry, and cry) . . . AGAIN!

The episode began with a SHOCKING revelation! 

Well . . . at least . . . it would have been shocking, if it wasn’t revealed during the episode promos.  You see, the winner of the Regional Glee Club competition was to be decided by a panel of four “celebrity judges.”  (Why four?  Wouldn’t it make more sense to have an ODD number of judges, in the event of a tiebreaker?) 

WHO is the fourth judge, you ask?  None other than THIS lovely lady . . .

 . . . who, seemingly, hates the Glee kids’ little singing and dancing butts.  This, of course, complicates matters, seeing as, Glee must “place” at Regionals, in order to retain school funding for their club.

Understandably, hearing that news bums out our Glee kids, who have already spent a majority of the second half of this season bummed out about something or other.  Lucky for Quinn, she gets to escape to Hot Porno Flashback land — specifically, the time when she and a still Mohawk-ed Puck did the nasty in her bedroom, while she was drunk on wine coolers.  Of course, she was still wearing her cheerleading uniform at the time.  Obviously, Quinn is too young to remember Monica Lewinsky, and the important life lesson she taught us, back in the day: “Sex acts are for the NAKED ONLY.  Clothes just get in the way, and, eventually get you into trouble.”

“I did NOT have sexual relations with that cheerleader!”

While the Glee kids are at Mr. Schuester’s house for pizza, they all cry about how much they will miss Glee club, once it’s gone.  Will tries to keep his composure during the meeting, for the kids’ sake.  However, later, while driving alone in his car, Will hears “Don’t Stop Believing,” and can no longer fight his emotions.    Kudos to Matthew Morrison for making this scene raw and real, and not feeling the need to “cry pretty.”  Because, let me tell you, for a cute guy, that was some UGLY ASS crying  . . .

“I don’t understand, he was eating onion rings, and everything was FINE!  Then it just ENDED, without explanation!  If only Meadow Soprano was better at parallel parking, things might have been different!

Upon witnessing this heartfelt, teary scene, I couldn’t help but be reminded of ANOTHER male actor, who is also highly adept at UGLY CRY FACE . . .

“I wish they played Journey music, when Joey Potter dumped ME.  It would have helped to ease my pain!”

Then, because it’s the season finale, and ALL Would-Be Couples must make out in the season finale they truly believe they can lead the Glee Club to greatness, Finn and Rachel decide to makeout in the middle of the high school hallway.

Just moments later, having been energized and inspired by his Ugly Face Cry, Mr. Schuester informs the kids that they will be doing a Journey medley at Regionals . . .  because the “journey is more important than the destination,” or something like that.  We all know how insufferably cheesy Mr. Schue can get, when it’s time for him to reveal the “Lesson of the Day.”

“Hey look!   It’s Will Schuester’s Dad, Mr. Rogers!  It all makes so much sense now.”

Welcome to Regionals, Baby!

As promised, at the Regionals competition, OUR Glee group, New Directions, sings a Journey medley containing, three songs: “Faithfully,” “Anyway You Want It,” and, of course, the song that first made this show legendary, “Don’t Stop Believing.”  The entire performance was phenomenal, and certainly exceeded all of MY expectations.  Even Finn’s awkward dancing was slightly less irksome tonight.  (Props to the script writers for not-so-subtly pointing out how VERY BAD he actually is.)  Oh, and you know who FINALLY got a solo?  THIS Guy . . .

I know, I know.  That was a totally lame excuse to include a Shirtless Mark Salling pic in this recap.  But, COME ON, this is my last opportunity to do this ALL SUMMER!  You can’t honestly blame me for trying to make the best of it.

Immediately, after New Directions finishes its performance, Quinn’s estranged mother approaches her, and tells her VERY pregnant daughter that she wants her back in her life.

I would love to say that Mama Fabray’s “change of heart” came from a completely unselfish place.  However, I imagine it had a lot to do with the fact that Daddy Fabray ran off with some “tattooed freak.”

Sound familiar?

Speaking of Jesse James, or, rather, Jesse St. James, while Quinn is being rushed off to the hospital to give birth (her water breaks, while she is reuniting with her mother),  Jesse and his EVIL crew, Vocal Adrenaline, perform their medley of songs by Queen.  We actually only get to hear “Bohemian Rhapsody.”  However, we can assume that, at some point, the group performed “Another One Bites the Dust,” also by Queen, seeing as we heard that one in last week’s episode.  Personally, I would have preferred to see this uptight bunch rock out to “Fat Bottomed Girls”  . . . but that’s just me.

I realize that Jonathan Groff is supposed to be this “big time” Broadway star, so I’m going to chalk this up to his interpretation of the “Jesse” character.  However, it must be said that this dude makes some truly WEIRD and PISSED OFF faces, when he sings and dances . . .

The Constipated Pianist

 “Bohemian Rhapsody” is a notoriously LONG song, that has about a MILLION different parts to it.  However, either Vocal Adrenaline are the World’s Slowest Singers, or Quinn gave birth to Mutant Speedy Pop Out Baby (It would certainly explain Quinn’s rapidly expanding, decreasing, and expanding again waistline).  Because, while Vocal Adrenaline was singing, New Directions had time to:

 (1) drive Quinn to the hospital;

(2) watch her go into labor and give birth;

 (3) complete all the legal paper work necessary to process an impromptu adoption (more on that later);

(4) drive back to the competition in perfect hair and makeup; and

(5) be ready and waiting on stage for the award announcements.

But I’m getting a bit ahead of myself here.  You see, the writers brilliantly (or disturbingly, depending on how you feel about these sort of things) juxtaposed Quinn’s giving birth . . .

“They’ve only been singing for about two minutes.  You have PLENTY of time to give me an epidural!”

 . . . with Vocal Adrenaline’s preformance of “Bohemian Rhapsody.”  So when Quinn gave birth to Baby Beth . . .

 . . . Vocal Adrenaline symbolically “gave birth” to Jesse . . .

EWWWWWWWWW!

 . . . which left me wondering, which Vocal Adrenaline star was lucky enough to play the “afterbirth?”

“I’m melting!  I’m melting!”

Speaking of that heartless witch of a Vocal Adrenaline coach, Shelby Corcoran, Rachel approaches her biological mom after the competition, and suggests she “team coach” New Directions with Will.  But Shelby HATES the idea.  She wants to have a NEW KID, so she has absolutely NO TIME to waste on her VERY VERY OLD ONE.  So, of course, Quinn and Puck HAVE to give Shelby their kid, because screwing up ONE childhood, is clearly not enough for this broad!

“I’ll get you my Quinney!  And your Baby Beth too!”

And the Winner Isn’t . . .

Meanwhile, Sue Sylvester and her panel of “celebrity” judges . . .

Yeah, I was confused too  . . .

 .  . . duke it out amongst themselves to determine who should win Regionals.  Surprisingly, Sue keeps her mouth shut through most of the deliberations, except to deflect some insults thrown her way by the other judges, Olivia Newton John, Josh Groban, and that random news guy from one of the early episodes, Rod Remmington.  And when Sue Sylvester is the NICEST one in the room, you know you’ve got a pretty unlikeable bunch.    The other three judges seem split exactly down the middle, with Olivia Newton John preferring the porn-name sounding “Aural Intensity,” who performed a cover of one of her songs, Rod enjoying Jesse and his Vocal Adrenaline kids, and Josh seeming to prefer OUR New Directions kids.

Soon after deliberations are complete, we learn that New Directions finished THIRD in the competition, with Vocal Adrenaline bringing in the win.  Of course, the kids are crushed, believing their Glee club dreams are finished . . .

A Kiss, Two Songs, A Truce, MUCH MORE Tears . . .

Back at school, Will finds ex-girlfriend Emma (now dating a dentist) screaming at Principal Figgins about his decision to disband Glee club.  (Not that Principal F has made ANY decisions this year, without someone’s hand up his ass, making his mouth move . . . I’ve seen slugs with more gumption than this guy!)  Will sees this exchange, and apparently finds it SUPER HOT, because he promptly tells Emma he loves her, and makes out with her because that’s what ALL Would-Be Couples do during season finales he really cares.

His mouth still wet from Emma’s super sanitized spit, Will enters the school auditorium to find his entire Glee club sitting before him.  In a scene that ACTUALLY had ME crying, the kids tell Will how much he has meant to them as a teacher.  They further explain that, even if there is no more Glee Club, Will’s lessons will always be in their hearts. The crew then sing “To Sir With Love.” And, by the time, they are finished, there is truly not a dry eye in the house.

Not even the eyes of Sue Sylvester!

Through flashbacks, we find out that, in a surprising show of decency, Sue HAD actually voted for New Directions to win at Regionals (which makes it all the more confusing that they LOST, especially considering that (1) Josh Groban also seemed to be on board with them winning; and (2) the other two judges each had a different favorite candidate.)

Feeling a bit guilty about the loss of New Directions, Sue strong-arms Principal Figgins (see what I mean about the hand up the butt?) into reinstating Glee club for ANOTHER YEAR!

Upon hearing the good news, Will decides to call a temporary truce with Sue!

 

Take note, Middle East!  If THEY can do it, so can YOU!

Will is so happy, he sings “Somewhere Over the Rainbow” with Puck, which was touching and sweet, if not exactly “manly.”

“Hey, Puck!  When we’re done here, do you wanna go shopping with me?  There are these ruby red slippers at the new mall that I’ve just been DYING to try on.  It’s right up the yellow brick road . . .”

So, there you have it, folks.  Our first season of Glee has come and gone, and a long, hot Glee-less summer awaits.  Something tells me, I’m going to be singing to myself A LOT more in the coming months . . .

See ya next year, fellow Gleeks!

The One Where Jesse Conveniently Turns Evil, and Everybody Keeps Saying the Word “Funky” – A Recap of Glee’s “Funk”

Awww, I’m sorry Jesse St. James!  Drawing on your face like that was immature and wrong (not to mention, bad for your complexion).  You know what else is “immature and wrong?”  Quitting the school you just transferred to a week or so ago, because people were “mean to you” there, and cracking eggs on your ex-girlfriend’s head because YOUR FRIENDS told you to . .  . Guess that means, we’re even.  Here’s hoping your face breaks out from all the scribbling I did on it . . .

Don’t you hate it when your boyfriend transfers schools to get away from you, and then breaks up with you in front of ALL of your friends, by singing a Queen cover song, that not-so-subtly implies you were just another notch on the bedpost for him?  Yeah, we really feel for you Rachel!  But whatever you do, PLEASE don’t break out the Suicidal Beanie Baby dress again!

You and that lamb on your head have so much to live for!

There was a lot of talk amongst Glee fans this week, about how the show’s producers switched this week’s episode, “Funk” with last week’s “Theatricality,” so that the Gaga-themed episode would coincide with the American Idol Finale.  Many attributed that random switcheroo to the off-putting weirdness that ultimately developed into what I would hereby like to refer to as “Jesse-gate.”  However, seeing as Jesse didn’t appear AT ALL in “Theatricality.”   And, in the episode prior to that, he was being all sorts of sweet to Rachel, and even told Ms. Corcoran he cared about the head Gleek, I’m not sure that switch was completely to blame here.  Simon Cowell agrees with me . . .

 . . . but Randy and Paula clearly don’t.  (Hey Paula!  You’re not even on Idol any more!  You no longer get a say in these types of disputes!)

Exploring Jesse-gate

As I’ve already suggested above, this week’s installlment of Glee opens with our Glee kids’ nemesis, Vocal Adrenaline, breaking into their auditorium.   The purpose of the break-in, you ask?  Well, it appears that Vocal Adrenaline heard a rumor that New Directions was poised to beat them at Regionals, and wanted to psych out their biggest competition.  This also gave Vocal Adrenaline’s not-so-former star, Jesse St. James the opportunity to be a poorly constructed plot device inform the Glee kids that he was back working for the enemy, and that he and Rachel were totally dunzo.  And just in case Jesse’s big speech wasn’t enough to nail the final coffin into his temporary relationship, he had to go and do this . . .

Careful Jesse!  Something tells me microphones aren’t the ONLY thing that girl has had in her mouth, recently . . .

Now, don’t get me wrong, “Another One Bites the Dust” was good.  It just wasn’t my favorite Vocal Adrenaline performance.  For that, I’d have to go with “Highway to Hell.”  In this song’s defense, the fact that I was shouting four letter words at Jesse the entire time the group was performing, probably didn’t help matters . . .

As if this whole abusive and completely illogical scene wasn’t hard enough to watch, later on in the episode, Rachel receives a call from Jesse, telling her to meet him the parking lot.  She runs out all happy and slow motion style, which, by the way, I DON’T UNDERSTAND AT ALL, seeing as the dude COMPLETELY humiliated her just moments earlier.  And that’s when THIS happens . . .

There were two things (aside from the obvious, of course) that really irked me about the “Rachel egging scene.”  First, how FRIGGIN OLD do those Vocal Adrenaline kids look?  Aside from Jesse, these guys seriously look to be pushing about middle age!  It’s like that Chinese Olympic gymnast controversy in reverse.

“Yeah, if you believe those Vocal Adrenaline ‘kids’ are 16, then we’re 45!”

Now, don’t get me wrong, I’m ALL FOR twenty-something’s playing teens . . .

 (Yes, I’m looking at you, my sexy Puck Man!)  However, when your “high school kids” look like they are about ready to register for AARP benefits, THAT is a problem!

My second issue with the scene came into play when Jesse said “I loved you” to Rachel, before cracking that egg on her head.  Jesse, what exactly did Rachel DO to make you NOT “love” her anymore?  I mean come on!  The beanie baby dress wasn’t THAT bad!

Hmm .  .  . then again . . .

Will Schuester has a cute butt.  Alert the media!

 I guess one positive (depending on how you felt about this particular plotline) of Rachel getting her heart stomped on by the conveniently turned-evil, Jesse, was that it inspired Will to seek revenge on Sue Sylvester.  His maniacal plan of genius?  To get her to FALL IN LOVE with him . . .

 . . . only so he could DUMP her before her Cheerleading Cheerios were set to compete in Nationals.  This whole plotline was BIZARRE on SO MANY LEVELS.  For one thing, it seemed so ENTIRELY out of character for Will to even CONCEIVE of pulling this off, let alone actually do it.  For another, Sue just doesn’t strike me as the type of gal who would fall in love, over little more than a few good butt wiggles and some free protein powder, particularly with the guy she seemed so intent on MURDERING in EVERY OTHER EPISODE.  On a positive note, the plot device did bring us THIS . . .

Thanks MikkoBayani!

Seriously, I don’t think I’ve EVER seen as tight and adorable an ASS as the one Matthew Morrison was showing off in this scene.  I know some pretty fit girls who couldn’t pull off wearing THOSE pants . . .   Then again, should I have expected anything less from this guy?

Eventually, Sue succumbs to the Charms of the Hot Ass, and agrees to go on a date with Will.  But then he pulls a Jesse, and stands her up.  And suddenly, Sue is so heartbroken that the guy she hates,  hates her back, that she holes up in her house, and cancels Cheerleading Nationals.  The Cheerios got pretty torn up over it, which, in itself, provided for some light comedy, in the form of Brittany’s inside out cheerleading uniform and ridiculous “I’m sad” hair-do.  Unfortunately, I couldn’t manage a screencap on that one.  So you will just have to take my word for it. 

Ultimately, Will apologizes to Sue.  She gets out of bed, and goes on to win Nationals with her Cheerios.  And they all lived happily ever after?

Funk Master Puck is SOOOO NOT a Loser!

In order to retaliate for Vocal Adrenaline’s acts of violence against the Gleeks, Puck and Finn decide to put their differences aside and band together to get revenge.  Their plan?  Slash the tires of the ENTIRE Vocal Adrenaline team, all of whom just so happen to drive identical Range Rovers with super obnoxious “Voc Ad” vanity plates.  (Man, what a perk!  No wonder these 40-year olds don’t want to graduate!)

In a surprising show of decency, Bad Mommy Corcoran . . .

 . . . gives up the opportunity to have Puck and Finn expelled from school, provided they pay for the damages they caused.  So, these two Bad Ass Dudes get jobs working at Sheets’ N’ Things, working for none-other-than the Former Mrs. Schuester . . .

 . . . who kind of seems like she has the hots for Finn, because he looks like her Ex-Husband did when HE was 27 16.  Pretty random, right?  But at least it gave us the opportunity to see this . . .

Thanks bangbangxo!

“Losers” never looked so pretty!  Later, Finn and Puck perform together AGAIN (along with Mercedes) in the Glee choir room.  This time, instead of a Beck song, they choose one by Marky Mark and the Funky Bunch . . .

 . . . and during the number, Puck got so excited, he started HUMPING THE FLOOR!

And while it wasn’t a BAD performance, it just didn’t feel true to its roots.  After all, when covering a song sung by a former underwear model, isn’t shirtlessness kind of required?  To prove my point, here is the music video for the ORIGINAL “Good Vibrations.”

Thanks highwishs!

Quinn Febray and the Case of the Disappearing, than Reappearing, than Disappearing Again, Baby Bump

Someone once said that you could judge how well the stock market would do in a given year, based solely on what length of women’s skirts was in fashion at the time.  Using that same logic, I’ve come to believe that you can judge the success of a Glee episode based solely on (1) the size of Quinn’s baby bump that week; and (2) which Glee cast member she was bunking with at the time.  This week, Quinn’s baby bump was fairly small for her solo number “It’s a Man’s, Man’s Man’s World.”  Then it looked insanely large / about to pop during the finale number, “Give up the Funk.” 

Watch and compare for yourselves . . .

Thanks Mr. GleeMusicTV3!

(Oh, and in the words of Artie . . . the “Unwed Motherhood” Backup Dancers?  “Kind of disturbing . . .”)

Thanks again MikkoBayani!

Oh, and Quinn is randomly living with MERCEDES now . . . her fourth home since the season began.  Make of that what you will!

That’s all she wrote folks!  Tune in next week for the Season Finale, when, given the recent trend in their personalities, Jesse and his Middle-Aged Vocal  Adrenaline team mates will probably start devil worshipping and try to offer Rachel up as a human sacrifice .  . .

All snarky comments aside, I CAN’T WAIT!  My Gleeks better WIN THIS THING!

 

 

Will Schuester and The Case of the Mysterious Glist – A Recap of Glee’s “Bad Reputation”

So, what exactly is a “Glist?”  Well, according to Sue Sylvester, it’s a “weekly ranking of  . . . Glee club members, based on a hotness quotient of sexual promiscuity . . . You get a point for each act of perpetuated depravity.” 

As you can see from the above screencap, in the Glist’s premiere week, Quinn, Santana, and Puck topped the list, with Brittany, Jesse, and Finn, taking positions 4, 5, and 6, respectively.  What you cannot see from this screencap (because I couldn’t find a SINGLE shot that fit everything in), was that Rachel rounded up the rear, with a score of -5!  And Mercedes, Kurt, Tina, and Artie didn’t make the Glist AT ALL!

Which begs the question?  WHO CREATED THE GLIST (and why)?  This was the mystery Will Schuester was tasked with solving at the beginning of this week’s installment of Glee, entitled “Bad Reputation.”  As for the Glee kids, they were less concerned with figuring out who made the Glist, and more concerned with “moving up on it.”  “Maybe if we seen a little more dangerous, people will stop flushing my glasses down the toilet,” suggested Artie, hopefully.

(Poor Artie!  Having your glasses flushed down the toilet HAS to suck!  Then again, doesn’t  No Glasses-Artie look a bit like a young Harry Connick, Jr.?)

It’s almost uncanny, right?  They are even wearing the SAME SHIRT!

This week’s episode was all about what it takes to revive (or create) a “bad reputation.”  And while the characters were all struggling with that, in their own way, they were also singing songs.  What songs, you ask? “Awesomely Bad” Songs, of course!  Songs that were once “great” (at least according to Mr. Schuester), but had since fallen into disrepute. Like, for example, Ice, Ice Baby, which was originally sung by this guy . . .

Now we know where Puck has been getting his hair care tips!

Let’s see how everyone did, shall we?

Rachel Berry

Goal: To cast aside her squeaky clean reputation, and move up from last place on the Glist.

What she did: Tricked the three men in her life into starring with her in a music video, in which she was cast as the slutty siren, awakening all three men’s hidden sexual desires for her, in the process.

What she sang:  Run, Joey, Run by David Geddes and Total Eclipse of the Heart by Bonnie Tyler

I’ll admit that sometimes the “Rachel” character really irks me.  However, she was all kinds of awesome in this episode!  From her flirtatious dalliances with Puck (“Did you know when we were together, people called us Puckleberry?”  “Dating me  . . . gave you a sense of humanity.”) . . .

These two were SO HOT together tonight, that I almost forgot that Puck is with Quinn, and Rachel’s with  . . . that other guy.

. . .to the calculated trickery she employed to get all THREE main Glee guys (Puck, Finn, and Jesse) to star opposite her in what I am pretty sure was the most self-aggrandizing, campiest, music video EVER MADE .  . . and, ending with her angsty belting of Total Eclipse of the Heart, which she sang after all three men promptly deserted her for her selfish behavior.

As far as the Rachel and Jesse “break up,” (which occurred in the last few moments of the episode), I’m not really sure how I felt about it.  On one hand, I’m still pretty positive that Jesse’s REAL reason for transferring to McKinley, was to “narc” out the Glee kids to their main competition, and his former teammates, Vocal Adrenaline.  (Notice how, even though Jesse’s “sole” reason for coming to the school was to “be with Rachel,”  he decided to stay  at the school, even after they broke up?)  And yet, I also believe that as the season progresses, Jesse’s feelings for Rachel will eventually become real.    To further complicate matters, Jonathan Groff’s portrayal of Jesse, which heretofore has come across as a tad overblown and artificial, in my opinion, was significantly more understated and genuine this week.  So, while I wanted to not care about Jesse’s feelings being hurt this week, because I don’t trust him, I found myself caring, in spite of myself . . .

True Love?  Or Truly Convenient Plot Device . . .

Kurt, Mercedes, Artie, Tina and Brittany

Goal: To be featured on the Glist (or, in Brittany’s case, to break the top three)

What they did: Wore ugly pants and sang a cheesy song in the library; admitted to being the source of Sue Sylvester’s public embarrassment

What they sang:  You Can’t Touch This, by M.C. Hammer

So, this episode marks the THIRD time our Glee kids chose to break out into song in, of all places, THE LIBRARY! 

 I’m not exactly sure what made these guys think that wearing balloon pants and singing the Anthem to ’90’s Musical Ridiculousness would up their coolness quotient.  Whatever their thinking was, their plan TOTALLY backfired, when the school librarian loved the performance!  She even  invited the kids to perform the song for her church! 

 Kurt’s plan to admit to Sue that he had posted her private Let’s Get Physical (more on that later) video on YouTube, similarly backfired when she THANKED him for doing so.  However, given Mercedes’ kickass performance of Christina Aguilera’s Beautiful at the school pep rally, and Kurt’s football heroism earlier this season (he won the game for his team by distracting the opposition with his dance to Beyonce’s All the Single Ladies), I can’t imagine these two being invisible at McKinley High School for much longer . . .

Sue Sylvester

Goal: To redeem herself, after having become the school laughingstock

What she did: Made a music video with Olivia Newton John featuring sexy shirtless men!

What she sang: Let’s Get Physical by Olivia Newton John

The first time we see Sue Sylvester in this episode, a miniaturized version of her is shaking her booty and doing the Cabbage Patch, from inside the screen of a laptop computer, to the tune of Olivia Newton John’s Let’s Get Physical.  One of my main gripes with this episode is that WE NEVER GOT TO SEE THE WHOLE VIDEO, which CLEARLY would have been hilarious! 

Apparently, Kurt found the incriminating video amongst Sue’s hormone replacement pills, in a locked drawer in her office.  However, it was Finn’s idea to post the video on YouTube for the world to see.  News of the video spread like wildfire, and Sue soon found herself to be the subject of “slow motion laughter” and public ridicule.  Fortunately for Sue, Olivia Newton John herself got wind of Sue’s dance moves, and decided to remake an updated version of the music video for the song, in which she and Sue ultimately sang alongside one another. 

The music video was a hit!  And, while it was cute, I STILL would have preferred to see Sue’s embarrassing solo jazzercise version all the way through .  . . but that’s just me.

In other news, Emma . . .

 . . . learned of Will’s recent slut-capades with April and that Vocal Adrenaline coach from Sue Sylvester (who apparently rigged his home with hidden cameras?).  And, in a moment of highly uncharacteristic fury, our favorite OCD guidance counselor responded, by publicly berating him for his whorish tendencies.  Now Will has a reputation for being a Man Slut.

And if he wasn’t raking in the ladies before, they will certainly be coming out of the woodwork NOW!  After all, we all know how the ladies LOVE their Man Sluts!

Oh, and you know who ended up being responsible for creating the Glist?

Quinn!  Did you see that one coming?  You SHOULD HAVE!  She was, after all, Number 1 on the list.  Plus, the former Queen Bee’s popularity has taken a serious nosedive, since the whole “teen pregnancy thing” got out.  In a heartfelt moment, Quinn confides in Will about her feelings of loneliness and depression, regarding the loss of her peak social status.  Will comforts her, explaining that high school is only temporary, and “social status” really has more to do with self-confidence than anything else.  And I guess that was supposed to be the “moral of the story”  . . . or something.

All in all, this was a fun episode — probably my favorite one post-hiatus.  It offered the deft plotting, and solid character development, that, honestly, seemed a bit lacking in the last few episodes.  Sure, most of the songs wouldn’t make my “Must Download” list, but perhaps that was the point.  Like the characters in this episode, Glee had a reputation to revive this week, one for good storytelling.  And, in that respect, it certainly succeeded.